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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #555ADACE it is the complementary color #AAA525CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #555ADACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #555ADACE shade: #5A5AD5CE, #6B6CE8CE, #7C7EFBCE, #8D90FFCE and #9EA2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #555ADACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #555ADACE shade: #555ADACE, #4448C7CE, #3336B4CE, #2224A1CE and #11128ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #555ADACE shade: #5459D9, #7354D9, #9754D9, #BB54D9 and #D954D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #555ADACE shade: #5459D9 and #5454D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #555ADACE shade matches the following richer shades: #5459D9, #4349EA and #3239FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #555ADACE shade: #5459D9, #6468C8, #7578B8, #8688A7 and #979796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #555ADACE shade: #54A2D9, #547ED9, #545AD9, #7154D9 and #9454D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #555ADACE shade: #272DB3, #3238D2, #5459D9, #7579E1 and #979AE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #555ADACE shade: #555ADA, #D954C5 and #90D954

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #555ADACE shade: #555ADA, #D9545A and #5AD954

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #555ADACE shade: #555ADA, #D954C5, #D9D354 and #54D968

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #555ADACE shade: #555ADA, #D9549D, #D9D354 and #54D990

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 48 / 0 / 12

HEX #555ADACE

RGBA 85 90 218 0.81

HSLA 237.74, 0.64%, 0.59%, 0.81

LABA 44.67, 36.18, -66.38, 0.81

 

Complementary color

CMYK 0 / 2 / 63 / 27

HEX #AAA525CE

RGBA 170 165 37 0.81

HSLA 57.74, 0.64%, 0.41%, 0.81

LABA 66.21, -12.52, 61.54, 0.81

 

CMYK 47 / 47 / 0 / 13

HEX #5A5AD5CE

RGBA 90 90 213 0.81

HSLA 240, 0.59%, 0.59%, 0.81

LABA 44.65, 35.41, -63.55, 0.81

 

CMYK 44 / 43 / 0 / 7

HEX #6B6CE8CE

RGBA 107 108 232 0.81

HSLA 239.52, 0.73%, 0.66%, 0.81

LABA 51.47, 33.72, -63.21, 0.81

 

CMYK 41 / 40 / 0 / 1

HEX #7C7EFBCE

RGBA 124 126 251 0.81

HSLA 239.06, 0.94%, 0.74%, 0.81

LABA 58.2, 32.25, -62.89, 0.81

 

CMYK 36 / 35 / 0 / 0

HEX #8D90FFCE

RGBA 141 144 255 0.81

HSLA 238.42, 1%, 0.78%, 0.81

LABA 64.02, 26.65, -55.71, 0.81

 

CMYK 31 / 30 / 0 / 0

HEX #9EA2FFCE

RGBA 158 162 255 0.81

HSLA 237.53, 1%, 0.81%, 0.81

LABA 69.7, 20.49, -46.65, 0.81

 

CMYK 49 / 48 / 0 / 12

HEX #555ADACE

RGBA 85 90 218 0.81

HSLA 237.74, 0.64%, 0.59%, 0.81

LABA 44.67, 36.18, -66.38, 0.81

 

CMYK 53 / 52 / 0 / 18

HEX #4448C7CE

RGBA 68 72 199 0.81

HSLA 238.17, 0.54%, 0.52%, 0.81

LABA 37.82, 38.28, -66.65, 0.81

 

CMYK 58 / 57 / 0 / 24

HEX #3336B4CE

RGBA 51 54 180 0.81

HSLA 238.6, 0.56%, 0.45%, 0.81

LABA 30.97, 40.65, -66.76, 0.81

 

CMYK 64 / 63 / 0 / 30

HEX #2224A1CE

RGBA 34 36 161 0.81

HSLA 239.06, 0.65%, 0.38%, 0.81

LABA 24.24, 43.11, -66.46, 0.81

 

CMYK 71 / 71 / 0 / 36

HEX #11128ECE

RGBA 17 18 142 0.81

HSLA 239.52, 0.79%, 0.31%, 0.81

LABA 17.94, 45.09, -65.23, 0.81

 

CMYK 61 / 59 / 0 / 15

HEX #5459D9

RGB 84 89 217

HSL 237.74, 0.64%, 0.59%

LAB 44.29, 36.3, -66.43

 

CMYK 47 / 61 / 0 / 15

HEX #7354D9

RGB 115 84 217

HSL 253.98, 0.64%, 0.59%

LAB 45.63, 44.88, -64.14

 

CMYK 30 / 61 / 0 / 15

HEX #9754D9

RGB 151 84 217

HSL 270.23, 0.64%, 0.59%

LAB 49.41, 52.55, -57.85

 

CMYK 14 / 61 / 0 / 15

HEX #BB54D9

RGB 187 84 217

HSL 286.47, 0.64%, 0.59%

LAB 53.94, 60.94, -50.35

 

CMYK 0 / 61 / 2 / 15

HEX #D954D4

RGB 217 84 212

HSL 302.26, 0.64%, 0.59%

LAB 57.89, 67.32, -40.98

 

CMYK 61 / 59 / 0 / 15

HEX #5459D9

RGB 84 89 217

HSL 237.74, 0.64%, 0.59%

LAB 44.29, 36.3, -66.43

 

CMYK 61 / 61 / 0 / 15

HEX #5454D9

RGB 84 84 217

HSL 240, 0.64%, 0.59%

LAB 43.12, 39.33, -68.34

 

CMYK 61 / 59 / 0 / 15

HEX #5459D9

RGB 84 89 217

HSL 237.74, 0.64%, 0.59%

LAB 44.29, 36.3, -66.43

 

CMYK 71 / 69 / 0 / 8

HEX #4349EA

RGB 67 73 234

HSL 237.84, 0.8%, 0.59%

LAB 41.05, 49.21, -81.43

 

CMYK 80 / 77 / 0 / 2

HEX #3239FB

RGB 50 57 251

HSL 237.91, 0.96%, 0.59%

LAB 38.85, 61.94, -94.68

 

CMYK 61 / 59 / 0 / 15

HEX #5459D9

RGB 84 89 217

HSL 237.74, 0.64%, 0.59%

LAB 44.29, 36.3, -66.43

 

CMYK 50 / 48 / 0 / 22

HEX #6468C8

RGB 100 104 200

HSL 237.6, 0.48%, 0.59%

LAB 47.98, 24.71, -50.68

 

CMYK 36 / 35 / 0 / 28

HEX #7578B8

RGB 117 120 184

HSL 237.31, 0.32%, 0.59%

LAB 52.59, 14.58, -34.1

 

CMYK 20 / 19 / 0 / 35

HEX #8688A7

RGB 134 136 167

HSL 236.36, 0.16%, 0.59%

LAB 57.53, 6.02, -16.62

 

CMYK 0 / 0 / 1 / 41

HEX #979796

RGB 151 151 150

HSL 60, 0%, 0.59%

LAB 62.44, -0.19, 0.52

 

CMYK 61 / 25 / 0 / 15

HEX #54A2D9

RGB 84 162 217

HSL 204.81, 0.64%, 0.59%

LAB 63.95, -7.6, -35.13

 

CMYK 61 / 42 / 0 / 15

HEX #547ED9

RGB 84 126 217

HSL 221.05, 0.64%, 0.59%

LAB 53.83, 13.45, -51.07

 

CMYK 61 / 59 / 0 / 15

HEX #545AD9

RGB 84 90 217

HSL 237.29, 0.64%, 0.59%

LAB 44.53, 35.69, -66.04

 

CMYK 48 / 61 / 0 / 15

HEX #7154D9

RGB 113 84 217

HSL 253.08, 0.64%, 0.59%

LAB 45.44, 44.48, -64.45

 

CMYK 32 / 61 / 0 / 15

HEX #9454D9

RGB 148 84 217

HSL 268.87, 0.64%, 0.59%

LAB 49.06, 51.88, -58.42

 

CMYK 78 / 75 / 0 / 30

HEX #272DB3

RGB 39 45 179

HSL 237.43, 0.64%, 0.43%

LAB 28.28, 44.48, -70.61

 

CMYK 76 / 73 / 0 / 18

HEX #3238D2

RGB 50 56 210

HSL 237.75, 0.64%, 0.51%

LAB 34.31, 49.45, -78.84

 

CMYK 61 / 59 / 0 / 15

HEX #5459D9

RGB 84 89 217

HSL 237.74, 0.64%, 0.59%

LAB 44.29, 36.3, -66.43

 

CMYK 48 / 46 / 0 / 12

HEX #7579E1

RGB 117 121 225

HSL 237.78, 0.64%, 0.67%

LAB 54.96, 25.89, -53.64

 

CMYK 35 / 34 / 0 / 9

HEX #979AE8

RGB 151 154 232

HSL 237.78, 0.64%, 0.75%

LAB 66.15, 17.09, -39.7

 

CMYK 61 / 59 / 0 / 15

HEX #555ADA

RGB 85 90 218

HSL 237.74, 0.64%, 0.59%

LAB 44.67, 36.18, -66.38

 

CMYK 0 / 61 / 9 / 15

HEX #D954C5

RGB 217 84 197

HSL 309.02, 0.64%, 0.59%

LAB 57.2, 64.93, -33.53

 

CMYK 34 / 0 / 61 / 15

HEX #90D954

RGB 144 217 84

HSL 92.93, 0.64%, 0.59%

LAB 79.72, -44.54, 56.85

 

CMYK 61 / 59 / 0 / 15

HEX #555ADA

RGB 85 90 218

HSL 237.74, 0.64%, 0.59%

LAB 44.67, 36.18, -66.38

 

CMYK 0 / 61 / 59 / 15

HEX #D9545A

RGB 217 84 90

HSL 357.29, 0.64%, 0.59%

LAB 53.85, 52.58, 24.23

 

CMYK 59 / 0 / 61 / 15

HEX #5AD954

RGB 90 217 84

HSL 117.29, 0.64%, 0.59%

LAB 77.54, -60.4, 53.81

 

CMYK 61 / 59 / 0 / 15

HEX #555ADA

RGB 85 90 218

HSL 237.74, 0.64%, 0.59%

LAB 44.67, 36.18, -66.38

 

CMYK 0 / 61 / 9 / 15

HEX #D954C5

RGB 217 84 197

HSL 309.02, 0.64%, 0.59%

LAB 57.2, 64.93, -33.53

 

CMYK 0 / 3 / 61 / 15

HEX #D9D354

RGB 217 211 84

HSL 57.29, 0.64%, 0.59%

LAB 82.9, -13.45, 61.72

 

CMYK 61 / 0 / 52 / 15

HEX #54D968

RGB 84 217 104

HSL 129.02, 0.64%, 0.59%

LAB 77.58, -59.33, 44.71

 

CMYK 61 / 59 / 0 / 15

HEX #555ADA

RGB 85 90 218

HSL 237.74, 0.64%, 0.59%

LAB 44.67, 36.18, -66.38

 

CMYK 0 / 61 / 28 / 15

HEX #D9549D

RGB 217 84 157

HSL 327.07, 0.64%, 0.59%

LAB 55.61, 59.26, -12.81

 

CMYK 0 / 3 / 61 / 15

HEX #D9D354

RGB 217 211 84

HSL 57.29, 0.64%, 0.59%

LAB 82.9, -13.45, 61.72

 

CMYK 61 / 0 / 34 / 15

HEX #54D990

RGB 84 217 144

HSL 147.07, 0.64%, 0.59%

LAB 78.18, -52.76, 25.45

 

Description

Color code: HEX #555ADACE | qconv.com Color code: HEX #555ADACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 90 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 90 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 48 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 48% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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