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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #555AC53F it is the complementary color #AAA53A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #555AC53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #555AC53F shade: #5A5AC03F, #6B6CD33F, #7C7EE63F, #8D90F93F and #9EA2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #555AC53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #555AC53F shade: #555AC53F, #4448B23F, #33369F3F, #22248C3F and #1112793F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #555AC53F shade: #5459C4, #6D54C4, #8C54C4, #AA54C4 and #C454C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #555AC53F shade: #5459C4 and #5454C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #555AC53F shade matches the following richer shades: #5459C4, #4148D7, #2F37EA and #1C26FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #555AC53F shade: #5459C4, #676AB2, #797B9F, #8C8C8D and #9E9D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #555AC53F shade: #5496C4, #5478C4, #545AC4, #6C54C4 and #8A54C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #555AC53F shade: #323793, #3D42B2, #5459C4, #7377CF and #9195DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #555AC53F shade: #555AC5, #C454B4 and #87C454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #555AC53F shade: #555AC5, #C4545A and #5AC454

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #555AC53F shade: #555AC5, #C454B4, #C4BF54 and #54C465

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #555AC53F shade: #555AC5, #C45492, #C4BF54 and #54C487

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 14 / 0 / 6

HEX #555AC53F

RGBA 85 90 197 0.25

HSLA 237.32, 0.49%, 0.55%, 0.25

LABA 43.17, 29.28, -56.74, 0.25

 

Complementary color

CMYK 0 / 1 / 16 / 8

HEX #AAA53A3F

RGBA 170 165 58 0.25

HSLA 57.32, 0.49%, 0.45%, 0.25

LABA 66.34, -11.48, 53.94, 0.25

 

CMYK 13 / 13 / 0 / 6

HEX #5A5AC03F

RGBA 90 90 192 0.25

HSLA 240, 0.45%, 0.55%, 0.25

LABA 43.2, 28.66, -53.78, 0.25

 

CMYK 12 / 12 / 0 / 4

HEX #6B6CD33F

RGBA 107 108 211 0.25

HSLA 239.42, 0.54%, 0.62%, 0.25

LABA 50.16, 27.23, -53.45, 0.25

 

CMYK 12 / 11 / 0 / 2

HEX #7C7EE63F

RGBA 124 126 230 0.25

HSLA 238.87, 0.68%, 0.69%, 0.25

LABA 57, 26, -53.16, 0.25

 

CMYK 11 / 11 / 0 / 1

HEX #8D90F93F

RGBA 141 144 249 0.25

HSLA 238.33, 0.9%, 0.76%, 0.25

LABA 63.71, 24.94, -52.92, 0.25

 

CMYK 10 / 9 / 0 / 0

HEX #9EA2FF3F

RGBA 158 162 255 0.25

HSLA 237.53, 1%, 0.81%, 0.25

LABA 69.7, 20.49, -46.65, 0.25

 

CMYK 14 / 14 / 0 / 6

HEX #555AC53F

RGBA 85 90 197 0.25

HSLA 237.32, 0.49%, 0.55%, 0.25

LABA 43.17, 29.28, -56.74, 0.25

 

CMYK 15 / 15 / 0 / 8

HEX #4448B23F

RGBA 68 72 178 0.25

HSLA 237.82, 0.45%, 0.48%, 0.25

LABA 36.13, 31.15, -57.08, 0.25

 

CMYK 17 / 17 / 0 / 9

HEX #33369F3F

RGBA 51 54 159 0.25

HSLA 238.33, 0.51%, 0.41%, 0.25

LABA 29.02, 33.36, -57.34, 0.25

 

CMYK 19 / 19 / 0 / 11

HEX #22248C3F

RGBA 34 36 140 0.25

HSLA 238.87, 0.61%, 0.34%, 0.25

LABA 21.93, 35.87, -57.35, 0.25

 

CMYK 21 / 21 / 0 / 13

HEX #1112793F

RGBA 17 18 121 0.25

HSLA 239.42, 0.75%, 0.27%, 0.25

LABA 15.13, 38.27, -56.62, 0.25

 

CMYK 57 / 55 / 0 / 23

HEX #5459C4

RGB 84 89 196

HSL 237.32, 0.49%, 0.55%

LAB 42.79, 29.38, -56.79

 

CMYK 44 / 57 / 0 / 23

HEX #6D54C4

RGB 109 84 196

HSL 253.39, 0.49%, 0.55%

LAB 43.62, 37.61, -55.34

 

CMYK 29 / 57 / 0 / 23

HEX #8C54C4

RGB 140 84 196

HSL 270, 0.49%, 0.55%

LAB 46.85, 44.92, -49.99

 

CMYK 13 / 57 / 0 / 23

HEX #AA54C4

RGB 170 84 196

HSL 286.07, 0.49%, 0.55%

LAB 50.54, 52.54, -43.88

 

CMYK 0 / 57 / 2 / 23

HEX #C454C1

RGB 196 84 193

HSL 301.61, 0.49%, 0.55%

LAB 53.95, 58.78, -36.54

 

CMYK 57 / 55 / 0 / 23

HEX #5459C4

RGB 84 89 196

HSL 237.32, 0.49%, 0.55%

LAB 42.79, 29.38, -56.79

 

CMYK 57 / 57 / 0 / 23

HEX #5454C4

RGB 84 84 196

HSL 240, 0.49%, 0.55%

LAB 41.55, 32.49, -58.79

 

CMYK 57 / 55 / 0 / 23

HEX #5459C4

RGB 84 89 196

HSL 237.32, 0.49%, 0.55%

LAB 42.79, 29.38, -56.79

 

CMYK 70 / 67 / 0 / 16

HEX #4148D7

RGB 65 72 215

HSL 237.2, 0.65%, 0.55%

LAB 39.01, 43.29, -73.96

 

CMYK 80 / 76 / 0 / 8

HEX #2F37EA

RGB 47 55 234

HSL 237.43, 0.82%, 0.55%

LAB 36.51, 57.5, -88.96

 

CMYK 89 / 85 / 0 / 1

HEX #1C26FC

RGB 28 38 252

HSL 237.32, 0.97%, 0.55%

LAB 35.32, 69.8, -101.12

 

CMYK 57 / 55 / 0 / 23

HEX #5459C4

RGB 84 89 196

HSL 237.32, 0.49%, 0.55%

LAB 42.79, 29.38, -56.79

 

CMYK 42 / 40 / 0 / 30

HEX #676AB2

RGB 103 106 178

HSL 237.6, 0.33%, 0.55%

LAB 47.5, 17.52, -38.71

 

CMYK 24 / 23 / 0 / 38

HEX #797B9F

RGB 121 123 159

HSL 236.84, 0.17%, 0.55%

LAB 52.66, 7.42, -19.52

 

CMYK 1 / 1 / 0 / 45

HEX #8C8C8D

RGB 140 140 141

HSL 240, 0%, 0.55%

LAB 58.28, 0.2, -0.54

 

CMYK 0 / 1 / 23 / 38

HEX #9E9D7A

RGB 158 157 122

HSL 58.33, 0.16%, 0.55%

LAB 63.99, -5.6, 18.5

 

CMYK 57 / 23 / 0 / 23

HEX #5496C4

RGB 84 150 196

HSL 204.64, 0.49%, 0.55%

LAB 59.6, -7.54, -30.16

 

CMYK 57 / 39 / 0 / 23

HEX #5478C4

RGB 84 120 196

HSL 220.71, 0.49%, 0.55%

LAB 51.04, 10.09, -43.58

 

CMYK 57 / 54 / 0 / 23

HEX #545AC4

RGB 84 90 196

HSL 236.79, 0.49%, 0.55%

LAB 43.04, 28.76, -56.38

 

CMYK 45 / 57 / 0 / 23

HEX #6C54C4

RGB 108 84 196

HSL 252.86, 0.49%, 0.55%

LAB 43.53, 37.39, -55.49

 

CMYK 30 / 57 / 0 / 23

HEX #8A54C4

RGB 138 84 196

HSL 268.93, 0.49%, 0.55%

LAB 46.62, 44.43, -50.36

 

CMYK 66 / 63 / 0 / 42

HEX #323793

RGB 50 55 147

HSL 236.91, 0.49%, 0.39%

LAB 28.16, 28.3, -51.42

 

CMYK 66 / 63 / 0 / 30

HEX #3D42B2

RGB 61 66 178

HSL 237.44, 0.49%, 0.47%

LAB 34.2, 33.83, -60.25

 

CMYK 57 / 55 / 0 / 23

HEX #5459C4

RGB 84 89 196

HSL 237.32, 0.49%, 0.55%

LAB 42.79, 29.38, -56.79

 

CMYK 44 / 43 / 0 / 19

HEX #7377CF

RGB 115 119 207

HSL 237.39, 0.49%, 0.63%

LAB 53.32, 21.25, -46.1

 

CMYK 33 / 32 / 0 / 15

HEX #9195DA

RGB 145 149 218

HSL 236.71, 0.5%, 0.71%

LAB 63.82, 14.62, -35.63

 

CMYK 57 / 54 / 0 / 23

HEX #555AC5

RGB 85 90 197

HSL 237.32, 0.49%, 0.55%

LAB 43.17, 29.28, -56.74

 

CMYK 0 / 57 / 8 / 23

HEX #C454B4

RGB 196 84 180

HSL 308.57, 0.49%, 0.55%

LAB 53.35, 56.6, -29.95

 

CMYK 31 / 0 / 57 / 23

HEX #87C454

RGB 135 196 84

HSL 92.68, 0.49%, 0.55%

LAB 73.07, -38.52, 49.2

 

CMYK 57 / 54 / 0 / 23

HEX #555AC5

RGB 85 90 197

HSL 237.32, 0.49%, 0.55%

LAB 43.17, 29.28, -56.74

 

CMYK 0 / 57 / 54 / 23

HEX #C4545A

RGB 196 84 90

HSL 356.79, 0.49%, 0.55%

LAB 50.47, 45.32, 19.14

 

CMYK 54 / 0 / 57 / 23

HEX #5AC454

RGB 90 196 84

HSL 116.79, 0.49%, 0.55%

LAB 71.07, -52.59, 46.37

 

CMYK 57 / 54 / 0 / 23

HEX #555AC5

RGB 85 90 197

HSL 237.32, 0.49%, 0.55%

LAB 43.17, 29.28, -56.74

 

CMYK 0 / 57 / 8 / 23

HEX #C454B4

RGB 196 84 180

HSL 308.57, 0.49%, 0.55%

LAB 53.35, 56.6, -29.95

 

CMYK 0 / 3 / 57 / 23

HEX #C4BF54

RGB 196 191 84

HSL 57.32, 0.49%, 0.55%

LAB 75.85, -12.06, 53.47

 

CMYK 57 / 0 / 48 / 23

HEX #54C465

RGB 84 196 101

HSL 129.11, 0.49%, 0.55%

LAB 71.08, -51.84, 38.14

 

CMYK 57 / 54 / 0 / 23

HEX #555AC5

RGB 85 90 197

HSL 237.32, 0.49%, 0.55%

LAB 43.17, 29.28, -56.74

 

CMYK 0 / 57 / 26 / 23

HEX #C45492

RGB 196 84 146

HSL 326.79, 0.49%, 0.55%

LAB 52.01, 51.49, -12.08

 

CMYK 0 / 3 / 57 / 23

HEX #C4BF54

RGB 196 191 84

HSL 57.32, 0.49%, 0.55%

LAB 75.85, -12.06, 53.47

 

CMYK 57 / 0 / 31 / 23

HEX #54C487

RGB 84 196 135

HSL 147.32, 0.49%, 0.55%

LAB 71.63, -45.95, 21.27

 

Description

Color code: HEX #555AC53F | qconv.com Color code: HEX #555AC53F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 90 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 90 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 14 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 14% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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