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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5556C4 it is the complementary color #AAA93B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5556C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5556C4 shade: #5A56BF, #6B68D2, #7C7AE5, #8D8CF8 and #9E9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5556C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5556C4 shade: #5556C4, #4444B1, #33329E, #22208B and #110E78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5556C4 shade: #5556C3, #7255C3, #9055C3, #AD55C3 and #C355BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5556C4 shade: #5556C3 and #5555C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5556C4 shade matches the following richer shades: #5556C3, #4344D6, #3032E8 and #1D1FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5556C4 shade: #5556C3, #6868B1, #7A7B9E, #8D8D8C and #9F9F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5556C4 shade: #5592C3, #5574C3, #5557C3, #7155C3 and #8E55C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5556C4 shade: #333493, #3E3FB1, #5556C3, #7475CE and #9293D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5556C4 shade: #5556C4, #C355AF and #83C355

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5556C4 shade: #5556C4, #C35557 and #57C355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5556C4 shade: #5556C4, #C355AF, #C3C155 and #55C369

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5556C4 shade: #5556C4, #C3558E, #C3C155 and #55C38A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 56 / 0 / 23

HEX #5556C4

RGB 85 86 196

HSL 239.46, 0.48%, 0.55%

LAB 42.11, 31.44, -57.88

 

Complementary color

CMYK 0 / 1 / 65 / 33

HEX #AAA93B

RGB 170 169 59

HSL 59.46, 0.48%, 0.45%

LAB 67.46, -13.5, 54.68

 

CMYK 53 / 55 / 0 / 25

HEX #5A56BF

RGB 90 86 191

HSL 242.29, 0.45%, 0.54%

LAB 42.14, 30.82, -54.9

 

CMYK 49 / 50 / 0 / 18

HEX #6B68D2

RGB 107 104 210

HSL 241.7, 0.54%, 0.62%

LAB 49.11, 29.35, -54.58

 

CMYK 46 / 47 / 0 / 10

HEX #7C7AE5

RGB 124 122 229

HSL 241.12, 0.67%, 0.69%

LAB 55.95, 28.08, -54.28

 

CMYK 43 / 44 / 0 / 3

HEX #8D8CF8

RGB 141 140 248

HSL 240.56, 0.89%, 0.76%

LAB 62.67, 26.98, -54.02

 

CMYK 38 / 38 / 0 / 0

HEX #9E9EFF

RGB 158 158 255

HSL 240, 1%, 0.81%

LAB 68.71, 22.76, -48.22

 

CMYK 57 / 56 / 0 / 23

HEX #5556C4

RGB 85 86 196

HSL 239.46, 0.48%, 0.55%

LAB 42.11, 31.44, -57.88

 

CMYK 62 / 62 / 0 / 31

HEX #4444B1

RGB 68 68 177

HSL 240, 0.44%, 0.48%

LAB 35.08, 33.34, -58.2

 

CMYK 68 / 68 / 0 / 38

HEX #33329E

RGB 51 50 158

HSL 240.56, 0.52%, 0.41%

LAB 27.99, 35.53, -58.42

 

CMYK 76 / 77 / 0 / 45

HEX #22208B

RGB 34 32 139

HSL 241.12, 0.63%, 0.34%

LAB 20.97, 37.91, -58.31

 

CMYK 86 / 88 / 0 / 53

HEX #110E78

RGB 17 14 120

HSL 241.7, 0.79%, 0.26%

LAB 14.34, 39.87, -57.28

 

CMYK 56 / 56 / 0 / 24

HEX #5556C3

RGB 85 86 195

HSL 239.45, 0.48%, 0.55%

LAB 42.04, 31.12, -57.41

 

CMYK 42 / 56 / 0 / 24

HEX #7255C3

RGB 114 85 195

HSL 255.82, 0.48%, 0.55%

LAB 44.25, 37.87, -53.72

 

CMYK 26 / 56 / 0 / 24

HEX #9055C3

RGB 144 85 195

HSL 272.18, 0.48%, 0.55%

LAB 47.45, 45.14, -48.41

 

CMYK 11 / 56 / 0 / 24

HEX #AD55C3

RGB 173 85 195

HSL 288, 0.48%, 0.55%

LAB 51.06, 52.63, -42.45

 

CMYK 0 / 56 / 4 / 24

HEX #C355BC

RGB 195 85 188

HSL 303.82, 0.48%, 0.55%

LAB 53.74, 57.21, -33.99

 

CMYK 56 / 56 / 0 / 24

HEX #5556C3

RGB 85 86 195

HSL 239.45, 0.48%, 0.55%

LAB 42.04, 31.12, -57.41

 

CMYK 56 / 56 / 0 / 24

HEX #5555C3

RGB 85 85 195

HSL 240, 0.48%, 0.55%

LAB 41.8, 31.74, -57.81

 

CMYK 56 / 56 / 0 / 24

HEX #5556C3

RGB 85 86 195

HSL 239.45, 0.48%, 0.55%

LAB 42.04, 31.12, -57.41

 

CMYK 69 / 68 / 0 / 16

HEX #4344D6

RGB 67 68 214

HSL 239.59, 0.64%, 0.55%

LAB 38.17, 45.55, -74.76

 

CMYK 79 / 78 / 0 / 9

HEX #3032E8

RGB 48 50 232

HSL 239.35, 0.8%, 0.55%

LAB 35.47, 59.44, -89.55

 

CMYK 88 / 88 / 0 / 2

HEX #1D1FFB

RGB 29 31 251

HSL 239.46, 0.97%, 0.55%

LAB 34.41, 72.01, -102.08

 

CMYK 56 / 56 / 0 / 24

HEX #5556C3

RGB 85 86 195

HSL 239.45, 0.48%, 0.55%

LAB 42.04, 31.12, -57.41

 

CMYK 41 / 41 / 0 / 31

HEX #6868B1

RGB 104 104 177

HSL 240, 0.32%, 0.55%

LAB 47, 18.72, -38.92

 

CMYK 23 / 22 / 0 / 38

HEX #7A7B9E

RGB 122 123 158

HSL 238.33, 0.16%, 0.55%

LAB 52.7, 7.49, -18.86

 

CMYK 0 / 0 / 1 / 45

HEX #8D8D8C

RGB 141 141 140

HSL 60, 0%, 0.55%

LAB 58.61, -0.19, 0.53

 

CMYK 0 / 0 / 24 / 38

HEX #9F9F79

RGB 159 159 121

HSL 60, 0.17%, 0.55%

LAB 64.6, -6.43, 19.9

 

CMYK 56 / 25 / 0 / 24

HEX #5592C3

RGB 85 146 195

HSL 206.73, 0.48%, 0.55%

LAB 58.44, -5.39, -31.39

 

CMYK 56 / 41 / 0 / 24

HEX #5574C3

RGB 85 116 195

HSL 223.09, 0.48%, 0.55%

LAB 49.93, 12.42, -44.76

 

CMYK 56 / 55 / 0 / 24

HEX #5557C3

RGB 85 87 195

HSL 238.91, 0.48%, 0.55%

LAB 42.29, 30.49, -57.01

 

CMYK 42 / 56 / 0 / 24

HEX #7155C3

RGB 113 85 195

HSL 255.27, 0.48%, 0.55%

LAB 44.16, 37.64, -53.88

 

CMYK 27 / 56 / 0 / 24

HEX #8E55C3

RGB 142 85 195

HSL 271.09, 0.48%, 0.55%

LAB 47.22, 44.64, -48.8

 

CMYK 65 / 65 / 0 / 42

HEX #333493

RGB 51 52 147

HSL 239.38, 0.48%, 0.39%

LAB 27.48, 30.42, -52.53

 

CMYK 65 / 64 / 0 / 31

HEX #3E3FB1

RGB 62 63 177

HSL 239.48, 0.48%, 0.47%

LAB 33.46, 35.52, -60.85

 

CMYK 56 / 56 / 0 / 24

HEX #5556C3

RGB 85 86 195

HSL 239.45, 0.48%, 0.55%

LAB 42.04, 31.12, -57.41

 

CMYK 44 / 43 / 0 / 19

HEX #7475CE

RGB 116 117 206

HSL 239.33, 0.48%, 0.63%

LAB 52.83, 22.41, -46.31

 

CMYK 33 / 32 / 0 / 15

HEX #9293D9

RGB 146 147 217

HSL 239.15, 0.48%, 0.71%

LAB 63.33, 15.79, -35.82

 

CMYK 57 / 56 / 0 / 23

HEX #5556C4

RGB 85 86 196

HSL 239.46, 0.48%, 0.55%

LAB 42.11, 31.44, -57.88

 

CMYK 0 / 56 / 10 / 24

HEX #C355AF

RGB 195 85 175

HSL 310.91, 0.48%, 0.55%

LAB 53.16, 55.05, -27.36

 

CMYK 33 / 0 / 56 / 24

HEX #83C355

RGB 131 195 85

HSL 94.91, 0.48%, 0.55%

LAB 72.57, -39.39, 48.1

 

CMYK 57 / 56 / 0 / 23

HEX #5556C4

RGB 85 86 196

HSL 239.46, 0.48%, 0.55%

LAB 42.11, 31.44, -57.88

 

CMYK 0 / 56 / 55 / 24

HEX #C35557

RGB 195 85 87

HSL 358.91, 0.48%, 0.55%

LAB 50.44, 44.23, 20.85

 

CMYK 55 / 0 / 56 / 24

HEX #57C355

RGB 87 195 85

HSL 118.91, 0.48%, 0.55%

LAB 70.67, -52.86, 45.4

 

CMYK 57 / 56 / 0 / 23

HEX #5556C4

RGB 85 86 196

HSL 239.46, 0.48%, 0.55%

LAB 42.11, 31.44, -57.88

 

CMYK 0 / 56 / 10 / 24

HEX #C355AF

RGB 195 85 175

HSL 310.91, 0.48%, 0.55%

LAB 53.16, 55.05, -27.36

 

CMYK 0 / 1 / 56 / 24

HEX #C3C155

RGB 195 193 85

HSL 58.91, 0.48%, 0.55%

LAB 76.31, -13.42, 53.52

 

CMYK 56 / 0 / 46 / 24

HEX #55C369

RGB 85 195 105

HSL 130.91, 0.48%, 0.55%

LAB 70.86, -50.6, 35.86

 

CMYK 57 / 56 / 0 / 23

HEX #5556C4

RGB 85 86 196

HSL 239.46, 0.48%, 0.55%

LAB 42.11, 31.44, -57.88

 

CMYK 0 / 56 / 27 / 24

HEX #C3558E

RGB 195 85 142

HSL 328.91, 0.48%, 0.55%

LAB 51.9, 50.17, -9.89

 

CMYK 0 / 1 / 56 / 24

HEX #C3C155

RGB 195 193 85

HSL 58.91, 0.48%, 0.55%

LAB 76.31, -13.42, 53.52

 

CMYK 56 / 0 / 29 / 24

HEX #55C38A

RGB 85 195 138

HSL 148.91, 0.48%, 0.55%

LAB 71.42, -44.7, 19.38

 

Description

Color code: HEX #5556C4 | qconv.com Color code: HEX #5556C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 86 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 86 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 56 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 56% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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