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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554F2E it is the complementary color #AAB0D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554F2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554F2E shade: #5A4F29, #6B613C, #7C734F, #8D8562 and #9E9775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554F2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554F2E shade: #554F2E, #443D1B, #332B08, #221900 and #110700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554F2E shade: #56502E, #56452E, #563A2E, #562F2E and #562E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554F2E shade: #56502E, #51562E, #46562E, #3C562E and #31562E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554F2E shade matches the following richer shades: #56502E, #605723, #6B5E18, #76660E and #816D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554F2E shade: #56502E, #4B4839, #404143, #36394E and #2B3259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554F2E shade: #563A2E, #56442E, #564F2E, #52562E and #47562E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554F2E shade: #201E11, #3B371F, #56502E, #71683C and #8B814B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554F2E shade: #554F2E, #2E562F and #3F2E56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554F2E shade: #554F2E, #2E564F and #4F2E56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554F2E shade: #554F2E, #2E562F, #2E3556 and #562E54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554F2E shade: #554F2E, #2E563B, #2E3556 and #562E48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 46 / 67

HEX #554F2E

RGB 85 79 46

HSL 50.77, 0.3%, 0.26%

LAB 33.39, -2.97, 20.36

 

Complementary color

CMYK 19 / 16 / 0 / 18

HEX #AAB0D1

RGB 170 176 209

HSL 230.77, 0.3%, 0.74%

LAB 72.36, 4.78, -17.39

 

CMYK 0 / 12 / 54 / 65

HEX #5A4F29

RGB 90 79 41

HSL 46.53, 0.37%, 0.26%

LAB 33.83, -1.15, 23.95

 

CMYK 0 / 9 / 44 / 58

HEX #6B613C

RGB 107 97 60

HSL 47.23, 0.28%, 0.33%

LAB 41.22, -1.84, 22.53

 

CMYK 0 / 7 / 36 / 51

HEX #7C734F

RGB 124 115 79

HSL 48, 0.22%, 0.4%

LAB 48.4, -2.35, 21.21

 

CMYK 0 / 6 / 30 / 45

HEX #8D8562

RGB 141 133 98

HSL 48.84, 0.18%, 0.47%

LAB 55.4, -2.75, 20

 

CMYK 0 / 4 / 26 / 38

HEX #9E9775

RGB 158 151 117

HSL 49.76, 0.17%, 0.54%

LAB 62.24, -3.07, 18.88

 

CMYK 0 / 7 / 46 / 67

HEX #554F2E

RGB 85 79 46

HSL 50.77, 0.3%, 0.26%

LAB 33.39, -2.97, 20.36

 

CMYK 0 / 10 / 60 / 73

HEX #443D1B

RGB 68 61 27

HSL 49.76, 0.43%, 0.19%

LAB 25.7, -2.27, 21.82

 

CMYK 0 / 16 / 84 / 80

HEX #332B08

RGB 51 43 8

HSL 48.84, 0.73%, 0.12%

LAB 17.69, -1.15, 22.16

 

CMYK 0 / 26 / 100 / 87

HEX #221900

RGB 34 25 0

HSL 44.12, 1%, 0.07%

LAB 9.28, 0.85, 13.91

 

CMYK 0 / 59 / 100 / 93

HEX #110700

RGB 17 7 0

HSL 24.71, 1%, 0.03%

LAB 2.45, 2.03, 3.71

 

CMYK 0 / 7 / 47 / 66

HEX #56502E

RGB 86 80 46

HSL 51, 0.3%, 0.26%

LAB 33.8, -3.1, 20.89

 

CMYK 0 / 20 / 47 / 66

HEX #56452E

RGB 86 69 46

HSL 34.5, 0.3%, 0.26%

LAB 30.48, 3.71, 16.63

 

CMYK 0 / 33 / 47 / 66

HEX #563A2E

RGB 86 58 46

HSL 18, 0.3%, 0.26%

LAB 27.3, 10.7, 12.42

 

CMYK 0 / 45 / 47 / 66

HEX #562F2E

RGB 86 47 46

HSL 1.5, 0.3%, 0.26%

LAB 24.35, 17.67, 8.4

 

CMYK 0 / 47 / 47 / 66

HEX #562E2E

RGB 86 46 46

HSL 0, 0.3%, 0.26%

LAB 24.1, 18.29, 8.05

 

CMYK 0 / 7 / 47 / 66

HEX #56502E

RGB 86 80 46

HSL 51, 0.3%, 0.26%

LAB 33.8, -3.1, 20.89

 

CMYK 6 / 0 / 47 / 66

HEX #51562E

RGB 81 86 46

HSL 67.5, 0.3%, 0.26%

LAB 35.21, -9.02, 22.56

 

CMYK 19 / 0 / 47 / 66

HEX #46562E

RGB 70 86 46

HSL 84, 0.3%, 0.26%

LAB 34.3, -13.98, 21.23

 

CMYK 30 / 0 / 47 / 66

HEX #3C562E

RGB 60 86 46

HSL 99, 0.3%, 0.26%

LAB 33.59, -18.22, 20.18

 

CMYK 43 / 0 / 47 / 66

HEX #31562E

RGB 49 86 46

HSL 115.5, 0.3%, 0.26%

LAB 32.93, -22.48, 19.21

 

CMYK 0 / 7 / 47 / 66

HEX #56502E

RGB 86 80 46

HSL 51, 0.3%, 0.26%

LAB 33.8, -3.1, 20.89

 

CMYK 0 / 9 / 64 / 62

HEX #605723

RGB 96 87 35

HSL 51.15, 0.47%, 0.26%

LAB 36.79, -3.63, 30.88

 

CMYK 0 / 12 / 78 / 58

HEX #6B5E18

RGB 107 94 24

HSL 50.6, 0.63%, 0.26%

LAB 39.91, -3.15, 39.66

 

CMYK 0 / 14 / 88 / 54

HEX #76660E

RGB 118 102 14

HSL 50.77, 0.79%, 0.26%

LAB 43.34, -2.85, 46.62

 

CMYK 0 / 16 / 98 / 49

HEX #816D03

RGB 129 109 3

HSL 50.48, 0.95%, 0.26%

LAB 46.46, -1.82, 52.14

 

CMYK 0 / 7 / 47 / 66

HEX #56502E

RGB 86 80 46

HSL 51, 0.3%, 0.26%

LAB 33.8, -3.1, 20.89

 

CMYK 0 / 4 / 24 / 71

HEX #4B4839

RGB 75 72 57

HSL 50, 0.14%, 0.26%

LAB 30.46, -1.66, 9.47

 

CMYK 4 / 3 / 0 / 74

HEX #404143

RGB 64 65 67

HSL 220, 0.02%, 0.26%

LAB 27.51, 0.04, -1.37

 

CMYK 31 / 27 / 0 / 69

HEX #36394E

RGB 54 57 78

HSL 232.5, 0.18%, 0.26%

LAB 24.51, 4.35, -13.21

 

CMYK 52 / 44 / 0 / 65

HEX #2B3259

RGB 43 50 89

HSL 230.87, 0.35%, 0.26%

LAB 22, 9.24, -24.48

 

CMYK 0 / 33 / 47 / 66

HEX #563A2E

RGB 86 58 46

HSL 18, 0.3%, 0.26%

LAB 27.3, 10.7, 12.42

 

CMYK 0 / 21 / 47 / 66

HEX #56442E

RGB 86 68 46

HSL 33, 0.3%, 0.26%

LAB 30.18, 4.34, 16.24

 

CMYK 0 / 8 / 47 / 66

HEX #564F2E

RGB 86 79 46

HSL 49.5, 0.3%, 0.26%

LAB 33.49, -2.5, 20.51

 

CMYK 5 / 0 / 47 / 66

HEX #52562E

RGB 82 86 46

HSL 66, 0.3%, 0.26%

LAB 35.29, -8.56, 22.69

 

CMYK 17 / 0 / 47 / 66

HEX #47562E

RGB 71 86 46

HSL 82.5, 0.3%, 0.26%

LAB 34.38, -13.54, 21.35

 

CMYK 0 / 6 / 47 / 87

HEX #201E11

RGB 32 30 17

HSL 52, 0.31%, 0.1%

LAB 11.11, -1.69, 8.92

 

CMYK 0 / 7 / 47 / 77

HEX #3B371F

RGB 59 55 31

HSL 51.43, 0.31%, 0.18%

LAB 22.87, -2.5, 15.67

 

CMYK 0 / 7 / 47 / 66

HEX #56502E

RGB 86 80 46

HSL 51, 0.3%, 0.26%

LAB 33.8, -3.1, 20.89

 

CMYK 0 / 8 / 47 / 56

HEX #71683C

RGB 113 104 60

HSL 49.81, 0.31%, 0.34%

LAB 43.85, -3.21, 25.99

 

CMYK 0 / 7 / 46 / 45

HEX #8B814B

RGB 139 129 75

HSL 50.63, 0.3%, 0.42%

LAB 53.7, -4.21, 30.54

 

CMYK 0 / 7 / 46 / 67

HEX #554F2E

RGB 85 79 46

HSL 50.77, 0.3%, 0.26%

LAB 33.39, -2.97, 20.36

 

CMYK 47 / 0 / 45 / 66

HEX #2E562F

RGB 46 86 47

HSL 121.5, 0.3%, 0.26%

LAB 32.79, -23.37, 18.4

 

CMYK 27 / 47 / 0 / 66

HEX #3F2E56

RGB 63 46 86

HSL 265.5, 0.3%, 0.26%

LAB 22.59, 17.26, -21.43

 

CMYK 0 / 7 / 46 / 67

HEX #554F2E

RGB 85 79 46

HSL 50.77, 0.3%, 0.26%

LAB 33.39, -2.97, 20.36

 

CMYK 47 / 0 / 8 / 66

HEX #2E564F

RGB 46 86 79

HSL 169.5, 0.3%, 0.26%

LAB 33.56, -16.05, -0.33

 

CMYK 8 / 47 / 0 / 66

HEX #4F2E56

RGB 79 46 86

HSL 289.5, 0.3%, 0.26%

LAB 24.6, 22.75, -18.14

 

CMYK 0 / 7 / 46 / 67

HEX #554F2E

RGB 85 79 46

HSL 50.77, 0.3%, 0.26%

LAB 33.39, -2.97, 20.36

 

CMYK 47 / 0 / 45 / 66

HEX #2E562F

RGB 46 86 47

HSL 121.5, 0.3%, 0.26%

LAB 32.79, -23.37, 18.4

 

CMYK 47 / 38 / 0 / 66

HEX #2E3556

RGB 46 53 86

HSL 229.5, 0.3%, 0.26%

LAB 23, 6.98, -20.92

 

CMYK 0 / 47 / 2 / 66

HEX #562E54

RGB 86 46 84

HSL 303, 0.3%, 0.26%

LAB 25.48, 24.78, -15.38

 

CMYK 0 / 7 / 46 / 67

HEX #554F2E

RGB 85 79 46

HSL 50.77, 0.3%, 0.26%

LAB 33.39, -2.97, 20.36

 

CMYK 47 / 0 / 31 / 66

HEX #2E563B

RGB 46 86 59

HSL 139.5, 0.3%, 0.26%

LAB 33.03, -21, 11.43

 

CMYK 47 / 38 / 0 / 66

HEX #2E3556

RGB 46 53 86

HSL 229.5, 0.3%, 0.26%

LAB 23, 6.98, -20.92

 

CMYK 0 / 47 / 16 / 66

HEX #562E48

RGB 86 46 72

HSL 321, 0.3%, 0.26%

LAB 24.95, 22.39, -8.21

 

Description

Color code: HEX #554F2E | qconv.com Color code: HEX #554F2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 79 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 79 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 46 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 46% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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