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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554E81 it is the complementary color #AAB17E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554E81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554E81 shade: #5A4E7C, #6B608F, #7C72A2, #8D84B5 and #9E96C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554E81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554E81 shade: #554E81, #443C6E, #332A5B, #221848 and #110635

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554E81 shade: #564E83, #644E83, #724E83, #804E83 and #834E77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554E81 shade: #564E83 and #4E4E83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554E81 shade matches the following richer shades: #564E83, #493D94, #3D2DA5, #311CB5 and #250BC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554E81 shade: #564E83, #625F72, #6E7061, #7A8150 and #87923F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554E81 shade: #4E6383, #4E5583, #554E83, #634E83 and #714E83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554E81 shade: #342F4F, #453F69, #564E83, #665E9C and #7E77AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554E81 shade: #554E81, #834E71 and #5C834E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554E81 shade: #554E81, #83554E and #4E8355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554E81 shade: #554E81, #834E71, #7C834E and #4E8360

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554E81 shade: #554E81, #834E62, #7C834E and #4E8370

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 40 / 0 / 49

HEX #554E81

RGB 85 78 129

HSL 248.24, 0.25%, 0.41%

LAB 35.92, 15.62, -27.76

 

Complementary color

CMYK 4 / 0 / 29 / 31

HEX #AAB17E

RGB 170 177 126

HSL 68.24, 0.25%, 0.59%

LAB 70.52, -10.96, 25.34

 

CMYK 27 / 37 / 0 / 51

HEX #5A4E7C

RGB 90 78 124

HSL 255.65, 0.23%, 0.4%

LAB 36.13, 15.8, -24.3

 

CMYK 25 / 33 / 0 / 44

HEX #6B608F

RGB 107 96 143

HSL 254.04, 0.2%, 0.47%

LAB 43.47, 15.09, -24.32

 

CMYK 23 / 30 / 0 / 36

HEX #7C72A2

RGB 124 114 162

HSL 252.5, 0.21%, 0.54%

LAB 50.6, 14.47, -24.4

 

CMYK 22 / 27 / 0 / 29

HEX #8D84B5

RGB 141 132 181

HSL 251.02, 0.25%, 0.61%

LAB 57.56, 13.93, -24.52

 

CMYK 21 / 25 / 0 / 22

HEX #9E96C8

RGB 158 150 200

HSL 249.6, 0.31%, 0.69%

LAB 64.36, 13.45, -24.67

 

CMYK 34 / 40 / 0 / 49

HEX #554E81

RGB 85 78 129

HSL 248.24, 0.25%, 0.41%

LAB 35.92, 15.62, -27.76

 

CMYK 38 / 45 / 0 / 57

HEX #443C6E

RGB 68 60 110

HSL 249.6, 0.29%, 0.33%

LAB 28.34, 16.57, -27.91

 

CMYK 44 / 54 / 0 / 64

HEX #332A5B

RGB 51 42 91

HSL 251.02, 0.37%, 0.26%

LAB 20.5, 17.77, -28.15

 

CMYK 53 / 67 / 0 / 72

HEX #221848

RGB 34 24 72

HSL 252.5, 0.5%, 0.19%

LAB 12.36, 19.3, -28.46

 

CMYK 68 / 89 / 0 / 79

HEX #110635

RGB 17 6 53

HSL 254.04, 0.8%, 0.12%

LAB 4.57, 18.6, -27.61

 

CMYK 34 / 40 / 0 / 49

HEX #564E83

RGB 86 78 131

HSL 249.06, 0.25%, 0.41%

LAB 36.11, 16.5, -28.68

 

CMYK 24 / 40 / 0 / 49

HEX #644E83

RGB 100 78 131

HSL 264.91, 0.25%, 0.41%

LAB 37.48, 20.87, -26.44

 

CMYK 13 / 40 / 0 / 49

HEX #724E83

RGB 114 78 131

HSL 280.75, 0.25%, 0.41%

LAB 39.01, 25.43, -23.93

 

CMYK 2 / 40 / 0 / 49

HEX #804E83

RGB 128 78 131

HSL 296.6, 0.25%, 0.41%

LAB 40.7, 30.09, -21.18

 

CMYK 0 / 40 / 9 / 49

HEX #834E77

RGB 131 78 119

HSL 313.58, 0.25%, 0.41%

LAB 40.58, 28.77, -13.97

 

CMYK 34 / 40 / 0 / 49

HEX #564E83

RGB 86 78 131

HSL 249.06, 0.25%, 0.41%

LAB 36.11, 16.5, -28.68

 

CMYK 40 / 40 / 0 / 49

HEX #4E4E83

RGB 78 78 131

HSL 240, 0.25%, 0.41%

LAB 35.41, 14.14, -29.82

 

CMYK 34 / 40 / 0 / 49

HEX #564E83

RGB 86 78 131

HSL 249.06, 0.25%, 0.41%

LAB 36.11, 16.5, -28.68

 

CMYK 51 / 59 / 0 / 42

HEX #493D94

RGB 73 61 148

HSL 248.28, 0.42%, 0.41%

LAB 31.56, 29.15, -46.43

 

CMYK 63 / 73 / 0 / 35

HEX #3D2DA5

RGB 61 45 165

HSL 248, 0.57%, 0.41%

LAB 28.34, 42.16, -62.06

 

CMYK 73 / 85 / 0 / 29

HEX #311CB5

RGB 49 28 181

HSL 248.24, 0.73%, 0.41%

LAB 26.21, 54.26, -75.21

 

CMYK 81 / 94 / 0 / 22

HEX #250BC6

RGB 37 11 198

HSL 248.34, 0.89%, 0.41%

LAB 25.89, 63.65, -85.84

 

CMYK 34 / 40 / 0 / 49

HEX #564E83

RGB 86 78 131

HSL 249.06, 0.25%, 0.41%

LAB 36.11, 16.5, -28.68

 

CMYK 14 / 17 / 0 / 55

HEX #625F72

RGB 98 95 114

HSL 249.47, 0.09%, 0.41%

LAB 41.21, 5.39, -10.3

 

CMYK 2 / 0 / 13 / 56

HEX #6E7061

RGB 110 112 97

HSL 68, 0.07%, 0.41%

LAB 46.67, -3.67, 8.08

 

CMYK 5 / 0 / 38 / 49

HEX #7A8150

RGB 122 129 80

HSL 68.57, 0.23%, 0.41%

LAB 52.31, -10.93, 25.71

 

CMYK 8 / 0 / 57 / 43

HEX #87923F

RGB 135 146 63

HSL 67.95, 0.4%, 0.41%

LAB 58.1, -16.33, 41.89

 

CMYK 40 / 24 / 0 / 49

HEX #4E6383

RGB 78 99 131

HSL 216.23, 0.25%, 0.41%

LAB 41.5, 0.87, -20.32

 

CMYK 40 / 35 / 0 / 49

HEX #4E5583

RGB 78 85 131

HSL 232.08, 0.25%, 0.41%

LAB 37.4, 9.64, -26.7

 

CMYK 35 / 40 / 0 / 49

HEX #554E83

RGB 85 78 131

HSL 247.92, 0.25%, 0.41%

LAB 36.02, 16.2, -28.83

 

CMYK 24 / 40 / 0 / 49

HEX #634E83

RGB 99 78 131

HSL 263.77, 0.25%, 0.41%

LAB 37.37, 20.55, -26.61

 

CMYK 14 / 40 / 0 / 49

HEX #714E83

RGB 113 78 131

HSL 279.62, 0.25%, 0.41%

LAB 38.9, 25.1, -24.12

 

CMYK 34 / 41 / 0 / 69

HEX #342F4F

RGB 52 47 79

HSL 249.38, 0.25%, 0.25%

LAB 21.31, 10.8, -18.86

 

CMYK 34 / 40 / 0 / 59

HEX #453F69

RGB 69 63 105

HSL 248.57, 0.25%, 0.33%

LAB 29.01, 13.39, -23.67

 

CMYK 34 / 40 / 0 / 49

HEX #564E83

RGB 86 78 131

HSL 249.06, 0.25%, 0.41%

LAB 36.11, 16.5, -28.68

 

CMYK 35 / 40 / 0 / 39

HEX #665E9C

RGB 102 94 156

HSL 247.74, 0.25%, 0.49%

LAB 43.11, 18.29, -32.69

 

CMYK 27 / 31 / 0 / 32

HEX #7E77AD

RGB 126 119 173

HSL 247.78, 0.25%, 0.57%

LAB 52.56, 14.9, -27.75

 

CMYK 34 / 40 / 0 / 49

HEX #554E81

RGB 85 78 129

HSL 248.24, 0.25%, 0.41%

LAB 35.92, 15.62, -27.76

 

CMYK 0 / 40 / 14 / 49

HEX #834E71

RGB 131 78 113

HSL 320.38, 0.25%, 0.41%

LAB 40.36, 27.68, -10.62

 

CMYK 30 / 0 / 40 / 49

HEX #5C834E

RGB 92 131 78

HSL 104.15, 0.25%, 0.41%

LAB 50.75, -24.28, 24.4

 

CMYK 34 / 40 / 0 / 49

HEX #554E81

RGB 85 78 129

HSL 248.24, 0.25%, 0.41%

LAB 35.92, 15.62, -27.76

 

CMYK 0 / 35 / 40 / 49

HEX #83554E

RGB 131 85 78

HSL 7.92, 0.25%, 0.41%

LAB 41.01, 18.21, 11.95

 

CMYK 40 / 0 / 35 / 49

HEX #4E8355

RGB 78 131 85

HSL 127.92, 0.25%, 0.41%

LAB 50.11, -28, 19.47

 

CMYK 34 / 40 / 0 / 49

HEX #554E81

RGB 85 78 129

HSL 248.24, 0.25%, 0.41%

LAB 35.92, 15.62, -27.76

 

CMYK 0 / 40 / 14 / 49

HEX #834E71

RGB 131 78 113

HSL 320.38, 0.25%, 0.41%

LAB 40.36, 27.68, -10.62

 

CMYK 5 / 0 / 40 / 49

HEX #7C834E

RGB 124 131 78

HSL 67.92, 0.25%, 0.41%

LAB 53.02, -11.43, 27.77

 

CMYK 40 / 0 / 27 / 49

HEX #4E8360

RGB 78 131 96

HSL 140.38, 0.25%, 0.41%

LAB 50.33, -25.87, 13.49

 

CMYK 34 / 40 / 0 / 49

HEX #554E81

RGB 85 78 129

HSL 248.24, 0.25%, 0.41%

LAB 35.92, 15.62, -27.76

 

CMYK 0 / 40 / 25 / 49

HEX #834E62

RGB 131 78 98

HSL 337.36, 0.25%, 0.41%

LAB 39.84, 25.17, -2.09

 

CMYK 5 / 0 / 40 / 49

HEX #7C834E

RGB 124 131 78

HSL 67.92, 0.25%, 0.41%

LAB 53.02, -11.43, 27.77

 

CMYK 40 / 0 / 15 / 49

HEX #4E8370

RGB 78 131 112

HSL 158.49, 0.25%, 0.41%

LAB 50.71, -22.35, 4.74

 

Description

Color code: HEX #554E81 | qconv.com Color code: HEX #554E81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 78 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 78 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 40 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 40% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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