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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554C13 it is the complementary color #AAB3EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554C13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554C13 shade: #5A4C0E, #6B5E21, #7C7034, #8D8247 and #9E945A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554C13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554C13 shade: #554C13, #443A00, #332800, #221600 and #110400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554C13 shade: #534A13, #533913, #532813, #531613 and #531313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554C13 shade: #534A13, #4B5313, #395313, #285313 and #175313

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554C13 shade matches the following richer shades: #534A13, #5B500B and #645602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554C13 shade: #534A13, #4B441B, #433E23, #3A382C and #323234

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554C13 shade: #532713, #533813, #534913, #4C5313 and #3A5313

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554C13 shade: #100E04, #322C0B, #534A13, #75681B and #968722

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554C13 shade: #554C13, #135316 and #301353

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554C13 shade: #554C13, #135349 and #491353

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554C13 shade: #554C13, #135316, #131D53 and #531350

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554C13 shade: #554C13, #135329, #131D53 and #53133D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 78 / 67

HEX #554C13

RGB 85 76 19

HSL 51.82, 0.63%, 0.2%

LAB 32.14, -3.57, 33.45

 

Complementary color

CMYK 28 / 24 / 0 / 7

HEX #AAB3EC

RGB 170 179 236

HSL 231.82, 0.63%, 0.8%

LAB 74.09, 9.41, -29.46

 

CMYK 0 / 16 / 84 / 65

HEX #5A4C0E

RGB 90 76 14

HSL 48.95, 0.73%, 0.2%

LAB 32.64, -1.29, 36.18

 

CMYK 0 / 12 / 69 / 58

HEX #6B5E21

RGB 107 94 33

HSL 49.46, 0.53%, 0.27%

LAB 39.98, -2.62, 35.69

 

CMYK 0 / 10 / 58 / 51

HEX #7C7034

RGB 124 112 52

HSL 50, 0.41%, 0.35%

LAB 47.13, -3.58, 34.54

 

CMYK 0 / 8 / 50 / 45

HEX #8D8247

RGB 141 130 71

HSL 50.57, 0.33%, 0.42%

LAB 54.11, -4.31, 33.24

 

CMYK 0 / 6 / 43 / 38

HEX #9E945A

RGB 158 148 90

HSL 51.18, 0.27%, 0.49%

LAB 60.95, -4.88, 31.94

 

CMYK 0 / 11 / 78 / 67

HEX #554C13

RGB 85 76 19

HSL 51.82, 0.63%, 0.2%

LAB 32.14, -3.57, 33.45

 

CMYK 0 / 15 / 100 / 73

HEX #443A00

RGB 68 58 0

HSL 51.18, 1%, 0.13%

LAB 24.5, -2.15, 33.43

 

CMYK 0 / 22 / 100 / 80

HEX #332800

RGB 51 40 0

HSL 47.06, 1%, 0.1%

LAB 16.61, 0.28, 24.1

 

CMYK 0 / 35 / 100 / 87

HEX #221600

RGB 34 22 0

HSL 38.82, 1%, 0.07%

LAB 8.25, 3.04, 12.42

 

CMYK 0 / 76 / 100 / 93

HEX #110400

RGB 17 4 0

HSL 14.12, 1%, 0.03%

LAB 1.86, 3.23, 2.85

 

CMYK 0 / 11 / 77 / 67

HEX #534A13

RGB 83 74 19

HSL 51.56, 0.63%, 0.2%

LAB 31.31, -3.37, 32.56

 

CMYK 0 / 31 / 77 / 67

HEX #533913

RGB 83 57 19

HSL 35.63, 0.63%, 0.2%

LAB 26.19, 7.31, 27.35

 

CMYK 0 / 52 / 77 / 67

HEX #532813

RGB 83 40 19

HSL 19.69, 0.63%, 0.2%

LAB 21.59, 18.09, 22.4

 

CMYK 0 / 73 / 77 / 67

HEX #531613

RGB 83 22 19

HSL 2.81, 0.63%, 0.2%

LAB 17.74, 28.09, 17.97

 

CMYK 0 / 77 / 77 / 67

HEX #531313

RGB 83 19 19

HSL 0, 0.63%, 0.2%

LAB 17.23, 29.46, 17.36

 

CMYK 0 / 11 / 77 / 67

HEX #534A13

RGB 83 74 19

HSL 51.56, 0.63%, 0.2%

LAB 31.31, -3.37, 32.56

 

CMYK 10 / 0 / 77 / 67

HEX #4B5313

RGB 75 83 19

HSL 67.5, 0.63%, 0.2%

LAB 33.41, -12.66, 34.38

 

CMYK 31 / 0 / 77 / 67

HEX #395313

RGB 57 83 19

HSL 84.38, 0.63%, 0.2%

LAB 32.04, -21.01, 32.56

 

CMYK 52 / 0 / 77 / 67

HEX #285313

RGB 40 83 19

HSL 100.31, 0.63%, 0.2%

LAB 31.08, -27.77, 31.27

 

CMYK 72 / 0 / 77 / 67

HEX #175313

RGB 23 83 19

HSL 116.25, 0.63%, 0.2%

LAB 30.44, -32.81, 30.41

 

CMYK 0 / 11 / 77 / 67

HEX #534A13

RGB 83 74 19

HSL 51.56, 0.63%, 0.2%

LAB 31.31, -3.37, 32.56

 

CMYK 0 / 12 / 88 / 64

HEX #5B500B

RGB 91 80 11

HSL 51.75, 0.78%, 0.2%

LAB 33.95, -3.33, 38.44

 

CMYK 0 / 14 / 98 / 61

HEX #645602

RGB 100 86 2

HSL 51.43, 0.96%, 0.2%

LAB 36.69, -2.67, 43.84

 

CMYK 0 / 11 / 77 / 67

HEX #534A13

RGB 83 74 19

HSL 51.56, 0.63%, 0.2%

LAB 31.31, -3.37, 32.56

 

CMYK 0 / 9 / 64 / 71

HEX #4B441B

RGB 75 68 27

HSL 51.25, 0.47%, 0.2%

LAB 28.67, -3.12, 25.44

 

CMYK 0 / 7 / 48 / 74

HEX #433E23

RGB 67 62 35

HSL 50.63, 0.31%, 0.2%

LAB 26.04, -2.48, 17.36

 

CMYK 0 / 3 / 24 / 77

HEX #3A382C

RGB 58 56 44

HSL 51.43, 0.14%, 0.2%

LAB 23.37, -1.57, 7.83

 

CMYK 4 / 4 / 0 / 80

HEX #323234

RGB 50 50 52

HSL 240, 0.02%, 0.2%

LAB 20.86, 0.48, -1.27

 

CMYK 0 / 53 / 77 / 67

HEX #532713

RGB 83 39 19

HSL 18.75, 0.63%, 0.2%

LAB 21.35, 18.7, 22.12

 

CMYK 0 / 33 / 77 / 67

HEX #533813

RGB 83 56 19

HSL 34.69, 0.63%, 0.2%

LAB 25.9, 7.95, 27.04

 

CMYK 0 / 12 / 77 / 67

HEX #534913

RGB 83 73 19

HSL 50.63, 0.63%, 0.2%

LAB 31, -2.75, 32.25

 

CMYK 8 / 0 / 77 / 67

HEX #4C5313

RGB 76 83 19

HSL 66.56, 0.63%, 0.2%

LAB 33.5, -12.18, 34.49

 

CMYK 30 / 0 / 77 / 67

HEX #3A5313

RGB 58 83 19

HSL 83.44, 0.63%, 0.2%

LAB 32.11, -20.57, 32.65

 

CMYK 0 / 13 / 75 / 94

HEX #100E04

RGB 16 14 4

HSL 50, 0.6%, 0.04%

LAB 3.91, -0.77, 4.2

 

CMYK 0 / 12 / 78 / 80

HEX #322C0B

RGB 50 44 11

HSL 50.77, 0.64%, 0.12%

LAB 17.94, -2.14, 21.2

 

CMYK 0 / 11 / 77 / 67

HEX #534A13

RGB 83 74 19

HSL 51.56, 0.63%, 0.2%

LAB 31.31, -3.37, 32.56

 

CMYK 0 / 11 / 77 / 54

HEX #75681B

RGB 117 104 27

HSL 51.33, 0.63%, 0.28%

LAB 43.89, -3.98, 42.62

 

CMYK 0 / 10 / 77 / 41

HEX #968722

RGB 150 135 34

HSL 52.24, 0.63%, 0.36%

LAB 56.02, -5.61, 52.56

 

CMYK 0 / 11 / 78 / 67

HEX #554C13

RGB 85 76 19

HSL 51.82, 0.63%, 0.2%

LAB 32.14, -3.57, 33.45

 

CMYK 77 / 0 / 73 / 67

HEX #135316

RGB 19 83 22

HSL 122.81, 0.63%, 0.2%

LAB 30.36, -33.37, 28.92

 

CMYK 42 / 77 / 0 / 67

HEX #301353

RGB 48 19 83

HSL 267.19, 0.63%, 0.2%

LAB 13.94, 29.21, -33.38

 

CMYK 0 / 11 / 78 / 67

HEX #554C13

RGB 85 76 19

HSL 51.82, 0.63%, 0.2%

LAB 32.14, -3.57, 33.45

 

CMYK 77 / 0 / 12 / 67

HEX #135349

RGB 19 83 73

HSL 170.63, 0.63%, 0.2%

LAB 31.36, -22.4, 0.13

 

CMYK 12 / 77 / 0 / 67

HEX #491353

RGB 73 19 83

HSL 290.63, 0.63%, 0.2%

LAB 17.95, 35.11, -26.7

 

CMYK 0 / 11 / 78 / 67

HEX #554C13

RGB 85 76 19

HSL 51.82, 0.63%, 0.2%

LAB 32.14, -3.57, 33.45

 

CMYK 77 / 0 / 73 / 67

HEX #135316

RGB 19 83 22

HSL 122.81, 0.63%, 0.2%

LAB 30.36, -33.37, 28.92

 

CMYK 77 / 65 / 0 / 67

HEX #131D53

RGB 19 29 83

HSL 230.63, 0.63%, 0.2%

LAB 13.48, 16.9, -34.24

 

CMYK 0 / 77 / 4 / 67

HEX #531350

RGB 83 19 80

HSL 302.81, 0.63%, 0.2%

LAB 19.57, 37.06, -21.98

 

CMYK 0 / 11 / 78 / 67

HEX #554C13

RGB 85 76 19

HSL 51.82, 0.63%, 0.2%

LAB 32.14, -3.57, 33.45

 

CMYK 77 / 0 / 51 / 67

HEX #135329

RGB 19 83 41

HSL 140.63, 0.63%, 0.2%

LAB 30.6, -30.48, 18.95

 

CMYK 77 / 65 / 0 / 67

HEX #131D53

RGB 19 29 83

HSL 230.63, 0.63%, 0.2%

LAB 13.48, 16.9, -34.24

 

CMYK 0 / 77 / 27 / 67

HEX #53133D

RGB 83 19 61

HSL 320.63, 0.63%, 0.2%

LAB 18.55, 33.86, -10.49

 

Description

Color code: HEX #554C13 | qconv.com Color code: HEX #554C13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 76 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 76 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 78 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 78% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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