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Color name
HEX #554B2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554B2D it is the complementary color #AAB4D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554B2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554B2D shade: #5A4B28, #6B5D3B, #7C6F4E, #8D8161 and #9E9374

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554B2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554B2D shade: #554B2D, #44391A, #332707, #221500 and #110300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554B2D shade: #53492B, #533E2B, #53342B and #532B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554B2D shade: #53492B, #52532B, #48532B, #3D532B and #32532B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554B2D shade matches the following richer shades: #53492B, #5D4E21, #685317, #72590D and #7C5E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554B2D shade: #53492B, #494436, #3E3F40, #343A4A and #2A3555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554B2D shade: #53342B, #533F2B, #53492B, #52532B and #48532B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554B2D shade: #1D190F, #38311D, #53492B, #6E613A and #897948

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554B2D shade: #554B2D, #2D532B and #392B53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554B2D shade: #554B2D, #2B5349 and #492B53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554B2D shade: #554B2D, #2D532B, #2B3553 and #512B53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554B2D shade: #554B2D, #2B5335, #2B3553 and #532B49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 47 / 67

HEX #554B2D

RGB 85 75 45

HSL 45, 0.31%, 0.25%

LAB 32.15, -0.64, 19.38

 

Complementary color

CMYK 19 / 14 / 0 / 18

HEX #AAB4D2

RGB 170 180 210

HSL 225, 0.31%, 0.75%

LAB 73.44, 2.81, -16.3

 

CMYK 0 / 17 / 56 / 65

HEX #5A4B28

RGB 90 75 40

HSL 42, 0.38%, 0.25%

LAB 32.61, 1.2, 23.05

 

CMYK 0 / 13 / 45 / 58

HEX #6B5D3B

RGB 107 93 59

HSL 42.5, 0.29%, 0.33%

LAB 40.03, 0.41, 21.59

 

CMYK 0 / 10 / 37 / 51

HEX #7C6F4E

RGB 124 111 78

HSL 43.04, 0.23%, 0.4%

LAB 47.24, -0.18, 20.25

 

CMYK 0 / 9 / 31 / 45

HEX #8D8161

RGB 141 129 97

HSL 43.64, 0.18%, 0.47%

LAB 54.27, -0.64, 19.03

 

CMYK 0 / 7 / 27 / 38

HEX #9E9374

RGB 158 147 116

HSL 44.29, 0.18%, 0.54%

LAB 61.13, -1.01, 17.91

 

CMYK 0 / 12 / 47 / 67

HEX #554B2D

RGB 85 75 45

HSL 45, 0.31%, 0.25%

LAB 32.15, -0.64, 19.38

 

CMYK 0 / 16 / 62 / 73

HEX #44391A

RGB 68 57 26

HSL 44.29, 0.45%, 0.18%

LAB 24.42, 0.19, 20.89

 

CMYK 0 / 24 / 86 / 80

HEX #332707

RGB 51 39 7

HSL 43.64, 0.76%, 0.11%

LAB 16.36, 1.48, 20.94

 

CMYK 0 / 38 / 100 / 87

HEX #221500

RGB 34 21 0

HSL 37.06, 1%, 0.07%

LAB 7.92, 3.77, 11.93

 

CMYK 0 / 82 / 100 / 93

HEX #110300

RGB 17 3 0

HSL 10.59, 1%, 0.03%

LAB 1.66, 3.63, 2.56

 

CMYK 0 / 12 / 48 / 67

HEX #53492B

RGB 83 73 43

HSL 45, 0.32%, 0.25%

LAB 31.3, -0.6, 19.46

 

CMYK 0 / 25 / 48 / 67

HEX #533E2B

RGB 83 62 43

HSL 28.5, 0.32%, 0.25%

LAB 28, 6.34, 15.21

 

CMYK 0 / 37 / 48 / 67

HEX #53342B

RGB 83 52 43

HSL 13.5, 0.32%, 0.25%

LAB 25.17, 12.75, 11.44

 

CMYK 0 / 48 / 48 / 67

HEX #532B2B

RGB 83 43 43

HSL 0, 0.32%, 0.25%

LAB 22.8, 18.45, 8.2

 

CMYK 0 / 12 / 48 / 67

HEX #53492B

RGB 83 73 43

HSL 45, 0.32%, 0.25%

LAB 31.3, -0.6, 19.46

 

CMYK 1 / 0 / 48 / 67

HEX #52532B

RGB 82 83 43

HSL 61.5, 0.32%, 0.25%

LAB 34.3, -7.15, 23.2

 

CMYK 13 / 0 / 48 / 67

HEX #48532B

RGB 72 83 43

HSL 76.5, 0.32%, 0.25%

LAB 33.43, -11.78, 21.93

 

CMYK 27 / 0 / 48 / 67

HEX #3D532B

RGB 61 83 43

HSL 93, 0.32%, 0.25%

LAB 32.6, -16.62, 20.7

 

CMYK 40 / 0 / 48 / 67

HEX #32532B

RGB 50 83 43

HSL 109.5, 0.32%, 0.25%

LAB 31.9, -21.06, 19.67

 

CMYK 0 / 12 / 48 / 67

HEX #53492B

RGB 83 73 43

HSL 45, 0.32%, 0.25%

LAB 31.3, -0.6, 19.46

 

CMYK 0 / 16 / 65 / 64

HEX #5D4E21

RGB 93 78 33

HSL 45, 0.48%, 0.25%

LAB 33.74, 0.17, 28.43

 

CMYK 0 / 20 / 78 / 59

HEX #685317

RGB 104 83 23

HSL 44.44, 0.64%, 0.25%

LAB 36.35, 1.88, 36.52

 

CMYK 0 / 22 / 89 / 55

HEX #72590D

RGB 114 89 13

HSL 45.15, 0.8%, 0.25%

LAB 39.16, 2.8, 43.24

 

CMYK 0 / 24 / 98 / 51

HEX #7C5E02

RGB 124 94 2

HSL 45.25, 0.97%, 0.25%

LAB 41.68, 4.46, 48.68

 

CMYK 0 / 12 / 48 / 67

HEX #53492B

RGB 83 73 43

HSL 45, 0.32%, 0.25%

LAB 31.3, -0.6, 19.46

 

CMYK 0 / 7 / 26 / 71

HEX #494436

RGB 73 68 54

HSL 44.21, 0.15%, 0.25%

LAB 28.95, -0.57, 9.26

 

CMYK 3 / 2 / 0 / 75

HEX #3E3F40

RGB 62 63 64

HSL 210, 0.02%, 0.25%

LAB 26.59, -0.19, -0.76

 

CMYK 30 / 22 / 0 / 71

HEX #343A4A

RGB 52 58 74

HSL 223.64, 0.17%, 0.25%

LAB 24.48, 1.78, -10.62

 

CMYK 51 / 38 / 0 / 67

HEX #2A3555

RGB 42 53 85

HSL 224.65, 0.34%, 0.25%

LAB 22.63, 5.45, -20.84

 

CMYK 0 / 37 / 48 / 67

HEX #53342B

RGB 83 52 43

HSL 13.5, 0.32%, 0.25%

LAB 25.17, 12.75, 11.44

 

CMYK 0 / 24 / 48 / 67

HEX #533F2B

RGB 83 63 43

HSL 30, 0.32%, 0.25%

LAB 28.3, 5.7, 15.6

 

CMYK 0 / 12 / 48 / 67

HEX #53492B

RGB 83 73 43

HSL 45, 0.32%, 0.25%

LAB 31.3, -0.6, 19.46

 

CMYK 1 / 0 / 48 / 67

HEX #52532B

RGB 82 83 43

HSL 61.5, 0.32%, 0.25%

LAB 34.3, -7.15, 23.2

 

CMYK 13 / 0 / 48 / 67

HEX #48532B

RGB 72 83 43

HSL 76.5, 0.32%, 0.25%

LAB 33.43, -11.78, 21.93

 

CMYK 0 / 14 / 48 / 89

HEX #1D190F

RGB 29 25 15

HSL 42.86, 0.32%, 0.09%

LAB 8.92, -0.05, 6.88

 

CMYK 0 / 13 / 48 / 78

HEX #38311D

RGB 56 49 29

HSL 44.44, 0.32%, 0.17%

LAB 20.54, -0.36, 13.91

 

CMYK 0 / 12 / 48 / 67

HEX #53492B

RGB 83 73 43

HSL 45, 0.32%, 0.25%

LAB 31.3, -0.6, 19.46

 

CMYK 0 / 12 / 47 / 57

HEX #6E613A

RGB 110 97 58

HSL 45, 0.31%, 0.33%

LAB 41.48, -0.7, 24.09

 

CMYK 0 / 12 / 47 / 46

HEX #897948

RGB 137 121 72

HSL 45.23, 0.31%, 0.41%

LAB 51.22, -0.91, 29.03

 

CMYK 0 / 12 / 47 / 67

HEX #554B2D

RGB 85 75 45

HSL 45, 0.31%, 0.25%

LAB 32.15, -0.64, 19.38

 

CMYK 46 / 0 / 48 / 67

HEX #2D532B

RGB 45 83 43

HSL 117, 0.32%, 0.25%

LAB 31.62, -22.9, 19.26

 

CMYK 31 / 48 / 0 / 67

HEX #392B53

RGB 57 43 83

HSL 261, 0.32%, 0.25%

LAB 20.91, 16.43, -22.13

 

CMYK 0 / 12 / 47 / 67

HEX #554B2D

RGB 85 75 45

HSL 45, 0.31%, 0.25%

LAB 32.15, -0.64, 19.38

 

CMYK 48 / 0 / 12 / 67

HEX #2B5349

RGB 43 83 73

HSL 165, 0.32%, 0.25%

LAB 32.22, -16.9, 1.47

 

CMYK 12 / 48 / 0 / 67

HEX #492B53

RGB 73 43 83

HSL 285, 0.32%, 0.25%

LAB 22.89, 21.85, -18.88

 

CMYK 0 / 12 / 47 / 67

HEX #554B2D

RGB 85 75 45

HSL 45, 0.31%, 0.25%

LAB 32.15, -0.64, 19.38

 

CMYK 46 / 0 / 48 / 67

HEX #2D532B

RGB 45 83 43

HSL 117, 0.32%, 0.25%

LAB 31.62, -22.9, 19.26

 

CMYK 48 / 36 / 0 / 67

HEX #2B3553

RGB 43 53 83

HSL 225, 0.32%, 0.25%

LAB 22.6, 5.05, -19.57

 

CMYK 2 / 48 / 0 / 67

HEX #512B53

RGB 81 43 83

HSL 297, 0.32%, 0.25%

LAB 24, 24.63, -17.07

 

CMYK 0 / 12 / 47 / 67

HEX #554B2D

RGB 85 75 45

HSL 45, 0.31%, 0.25%

LAB 32.15, -0.64, 19.38

 

CMYK 48 / 0 / 36 / 67

HEX #2B5335

RGB 43 83 53

HSL 135, 0.32%, 0.25%

LAB 31.71, -21.7, 13.31

 

CMYK 48 / 36 / 0 / 67

HEX #2B3553

RGB 43 53 83

HSL 225, 0.32%, 0.25%

LAB 22.6, 5.05, -19.57

 

CMYK 0 / 48 / 12 / 67

HEX #532B49

RGB 83 43 73

HSL 315, 0.32%, 0.25%

LAB 23.83, 23.27, -10.63

 

Description

Color code: HEX #554B2D | qconv.com Color code: HEX #554B2D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 75 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 75 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 47 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 47% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

99% - Noise 13
Link: http://noise13.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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