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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #553F46 it is the complementary color #AAC0B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #553F46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #553F46 shade: #5A3F41, #6B5154, #7C6367, #8D757A and #9E878D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #553F46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #553F46 shade: #553F46, #442D33, #331B20, #22090D and #110000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #553F46 shade: #553F46, #553F40 and #553F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #553F46 shade: #553F46, #553F4C, #553F52, #523F55 and #4C3F55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #553F46 shade matches the following richer shades: #553F46, #613342, #6D273D, #791B39 and #850F35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #553F46 shade: #553F46, #494B4A, #3D574F, #316353 and #256F57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #553F46 shade: #553F52, #553F4C, #553F46, #553F40 and #55433F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #553F46 shade: #261C1F, #3D2D32, #553F46, #6D5059 and #84626D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #553F46 shade: #553F46, #55523F and #3F4F55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #553F46 shade: #553F46, #46553F and #3F4655

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #553F46 shade: #553F46, #55523F, #3F554E and #3F4255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #553F46 shade: #553F46, #51553F, #3F554E and #433F55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

Complementary color

CMYK 11 / 0 / 4 / 25

HEX #AAC0B9

RGB 170 192 185

HSL 160.91, 0.15%, 0.71%

LAB 75.91, -8.85, 0.98

 

CMYK 0 / 30 / 28 / 65

HEX #5A3F41

RGB 90 63 65

HSL 355.56, 0.18%, 0.3%

LAB 29.69, 12.13, 3.46

 

CMYK 0 / 24 / 21 / 58

HEX #6B5154

RGB 107 81 84

HSL 353.08, 0.14%, 0.37%

LAB 37.21, 11.37, 2.44

 

CMYK 0 / 20 / 17 / 51

HEX #7C6367

RGB 124 99 103

HSL 350.4, 0.11%, 0.44%

LAB 44.5, 10.75, 1.55

 

CMYK 0 / 17 / 13 / 45

HEX #8D757A

RGB 141 117 122

HSL 347.5, 0.1%, 0.51%

LAB 51.6, 10.21, 0.75

 

CMYK 0 / 15 / 11 / 38

HEX #9E878D

RGB 158 135 141

HSL 344.35, 0.11%, 0.57%

LAB 58.53, 9.75, 0.02

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 0 / 34 / 25 / 73

HEX #442D33

RGB 68 45 51

HSL 344.35, 0.2%, 0.22%

LAB 21.37, 11.65, 0.42

 

CMYK 0 / 47 / 37 / 80

HEX #331B20

RGB 51 27 32

HSL 347.5, 0.31%, 0.15%

LAB 13.18, 12.67, 1.66

 

CMYK 0 / 74 / 62 / 87

HEX #22090D

RGB 34 9 13

HSL 350.4, 0.58%, 0.08%

LAB 5.1, 12.02, 2.41

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 0 / 26 / 25 / 67

HEX #553F40

RGB 85 63 64

HSL 357.27, 0.15%, 0.29%

LAB 29.05, 9.77, 3.11

 

CMYK 0 / 26 / 26 / 67

HEX #553F3F

RGB 85 63 63

HSL 0, 0.15%, 0.29%

LAB 29.02, 9.59, 3.72

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 0 / 26 / 11 / 67

HEX #553F4C

RGB 85 63 76

HSL 324.55, 0.15%, 0.29%

LAB 29.43, 12.02, -4.15

 

CMYK 0 / 26 / 4 / 67

HEX #553F52

RGB 85 63 82

HSL 308.18, 0.15%, 0.29%

LAB 29.65, 13.27, -7.72

 

CMYK 4 / 26 / 0 / 67

HEX #523F55

RGB 82 63 85

HSL 291.82, 0.15%, 0.29%

LAB 29.42, 12.75, -10.04

 

CMYK 11 / 26 / 0 / 67

HEX #4C3F55

RGB 76 63 85

HSL 275.45, 0.15%, 0.29%

LAB 28.77, 10.43, -11.11

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 0 / 47 / 32 / 62

HEX #613342

RGB 97 51 66

HSL 340.43, 0.31%, 0.29%

LAB 27.58, 22.7, -0.13

 

CMYK 0 / 64 / 44 / 57

HEX #6D273D

RGB 109 39 61

HSL 341.14, 0.47%, 0.29%

LAB 26.85, 33.29, 2.38

 

CMYK 0 / 78 / 53 / 53

HEX #791B39

RGB 121 27 57

HSL 340.85, 0.64%, 0.29%

LAB 27.14, 42.07, 5.81

 

CMYK 0 / 89 / 60 / 48

HEX #850F35

RGB 133 15 53

HSL 340.68, 0.8%, 0.29%

LAB 28.34, 48.68, 10.56

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 3 / 0 / 1 / 71

HEX #494B4A

RGB 73 75 74

HSL 150, 0.01%, 0.29%

LAB 31.68, -1.04, 0.3

 

CMYK 30 / 0 / 9 / 66

HEX #3D574F

RGB 61 87 79

HSL 161.54, 0.18%, 0.29%

LAB 34.75, -11.75, 1.49

 

CMYK 51 / 0 / 16 / 61

HEX #316353

RGB 49 99 83

HSL 160.8, 0.34%, 0.29%

LAB 38.2, -21.19, 3.92

 

CMYK 67 / 0 / 22 / 56

HEX #256F57

RGB 37 111 87

HSL 160.54, 0.5%, 0.29%

LAB 41.92, -29.03, 6.75

 

CMYK 0 / 26 / 4 / 67

HEX #553F52

RGB 85 63 82

HSL 308.18, 0.15%, 0.29%

LAB 29.65, 13.27, -7.72

 

CMYK 0 / 26 / 11 / 67

HEX #553F4C

RGB 85 63 76

HSL 324.55, 0.15%, 0.29%

LAB 29.43, 12.02, -4.15

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 0 / 26 / 25 / 67

HEX #553F40

RGB 85 63 64

HSL 357.27, 0.15%, 0.29%

LAB 29.05, 9.77, 3.11

 

CMYK 0 / 21 / 26 / 67

HEX #55433F

RGB 85 67 63

HSL 10.91, 0.15%, 0.29%

LAB 30.17, 7.04, 5.36

 

CMYK 0 / 26 / 18 / 85

HEX #261C1F

RGB 38 28 31

HSL 342, 0.15%, 0.13%

LAB 11.56, 5.54, -0.19

 

CMYK 0 / 26 / 18 / 76

HEX #3D2D32

RGB 61 45 50

HSL 341.25, 0.15%, 0.21%

LAB 20.44, 8.31, -0.37

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 0 / 27 / 18 / 57

HEX #6D5059

RGB 109 80 89

HSL 341.38, 0.15%, 0.37%

LAB 37.32, 13.69, -0.5

 

CMYK 0 / 26 / 17 / 48

HEX #84626D

RGB 132 98 109

HSL 340.59, 0.15%, 0.45%

LAB 45.28, 15.58, -0.83

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 0 / 4 / 26 / 67

HEX #55523F

RGB 85 82 63

HSL 51.82, 0.15%, 0.29%

LAB 34.65, -2.34, 11.62

 

CMYK 26 / 7 / 0 / 67

HEX #3F4F55

RGB 63 79 85

HSL 196.36, 0.15%, 0.29%

LAB 32.49, -4.69, -5.6

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 18 / 0 / 26 / 67

HEX #46553F

RGB 70 85 63

HSL 100.91, 0.15%, 0.29%

LAB 34.31, -10.6, 10.95

 

CMYK 26 / 18 / 0 / 67

HEX #3F4655

RGB 63 70 85

HSL 220.91, 0.15%, 0.29%

LAB 29.65, 1, -9.88

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 0 / 4 / 26 / 67

HEX #55523F

RGB 85 82 63

HSL 51.82, 0.15%, 0.29%

LAB 34.65, -2.34, 11.62

 

CMYK 26 / 0 / 8 / 67

HEX #3F554E

RGB 63 85 78

HSL 160.91, 0.15%, 0.29%

LAB 34.2, -10.1, 1.34

 

CMYK 26 / 22 / 0 / 67

HEX #3F4255

RGB 63 66 85

HSL 231.82, 0.15%, 0.29%

LAB 28.4, 3.6, -11.77

 

CMYK 0 / 26 / 18 / 67

HEX #553F46

RGB 85 63 70

HSL 340.91, 0.15%, 0.29%

LAB 29.23, 10.85, -0.54

 

CMYK 5 / 0 / 26 / 67

HEX #51553F

RGB 81 85 63

HSL 70.91, 0.15%, 0.29%

LAB 35.21, -5.91, 12.33

 

CMYK 26 / 0 / 8 / 67

HEX #3F554E

RGB 63 85 78

HSL 160.91, 0.15%, 0.29%

LAB 34.2, -10.1, 1.34

 

CMYK 21 / 26 / 0 / 67

HEX #433F55

RGB 67 63 85

HSL 250.91, 0.15%, 0.29%

LAB 27.86, 7.04, -12.58

 

Description

Color code: HEX #553F46 | qconv.com Color code: HEX #553F46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 63 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 63 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 18 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 18% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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