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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #553D5E it is the complementary color #AAC2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #553D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #553D5E shade: #5A3D59, #6B4F6C, #7C617F, #8D7392 and #9E85A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #553D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #553D5E shade: #553D5E, #442B4B, #331938, #220725 and #110012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #553D5E shade: #543C5D, #5C3C5D, #5D3C54, #5D3C4B and #5D3C43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #553D5E shade: #543C5D, #4B3C5D, #423C5D and #3C3C5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #553D5E shade matches the following richer shades: #543C5D, #593069, #5F2475, #651782 and #6A0B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #553D5E shade: #543C5D, #4E4950, #495544, #436237 and #3D6E2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #553D5E shade: #423C5D, #4B3C5D, #533C5D, #5C3C5D and #5D3C55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #553D5E shade: #271C2B, #3D2C44, #543C5D, #6A4D76 and #815D8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #553D5E shade: #553D5E, #5D3C3F and #3C5D47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #553D5E shade: #553D5E, #5D533C and #3C5D53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #553D5E shade: #553D5E, #5D3C3F, #465D3C and #3C5D5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #553D5E shade: #553D5E, #5D433C, #465D3C and #3C565D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 35 / 0 / 63

HEX #553D5E

RGB 85 61 94

HSL 283.64, 0.21%, 0.3%

LAB 29.61, 17.27, -15.55

 

Complementary color

CMYK 12 / 0 / 17 / 24

HEX #AAC2A1

RGB 170 194 161

HSL 103.64, 0.21%, 0.7%

LAB 75.89, -14.31, 13.9

 

CMYK 0 / 32 / 1 / 65

HEX #5A3D59

RGB 90 61 89

HSL 302.07, 0.19%, 0.3%

LAB 29.99, 18, -11.68

 

CMYK 1 / 27 / 0 / 58

HEX #6B4F6C

RGB 107 79 108

HSL 297.93, 0.16%, 0.37%

LAB 37.48, 17.25, -12.15

 

CMYK 2 / 24 / 0 / 50

HEX #7C617F

RGB 124 97 127

HSL 294, 0.13%, 0.44%

LAB 44.75, 16.59, -12.59

 

CMYK 3 / 21 / 0 / 43

HEX #8D7392

RGB 141 115 146

HSL 290.32, 0.12%, 0.51%

LAB 51.84, 16, -13.01

 

CMYK 4 / 19 / 0 / 35

HEX #9E85A5

RGB 158 133 165

HSL 286.88, 0.15%, 0.58%

LAB 58.75, 15.48, -13.42

 

CMYK 10 / 35 / 0 / 63

HEX #553D5E

RGB 85 61 94

HSL 283.64, 0.21%, 0.3%

LAB 29.61, 17.27, -15.55

 

CMYK 9 / 43 / 0 / 71

HEX #442B4B

RGB 68 43 75

HSL 286.88, 0.27%, 0.23%

LAB 21.82, 18.12, -15.25

 

CMYK 9 / 55 / 0 / 78

HEX #331938

RGB 51 25 56

HSL 290.32, 0.38%, 0.16%

LAB 13.74, 19.05, -14.87

 

CMYK 8 / 81 / 0 / 85

HEX #220725

RGB 34 7 37

HSL 294, 0.68%, 0.09%

LAB 5.65, 18.72, -13.76

 

CMYK 6 / 100 / 0 / 93

HEX #110012

RGB 17 0 18

HSL 296.67, 1%, 0.04%

LAB 1.47, 7.6, -5.84

 

CMYK 10 / 35 / 0 / 64

HEX #543C5D

RGB 84 60 93

HSL 283.64, 0.22%, 0.3%

LAB 29.18, 17.3, -15.58

 

CMYK 1 / 35 / 0 / 64

HEX #5C3C5D

RGB 92 60 93

HSL 298.18, 0.22%, 0.3%

LAB 30.15, 20.25, -14

 

CMYK 0 / 35 / 10 / 64

HEX #5D3C54

RGB 93 60 84

HSL 316.36, 0.22%, 0.3%

LAB 29.91, 18.75, -8.53

 

CMYK 0 / 35 / 19 / 64

HEX #5D3C4B

RGB 93 60 75

HSL 332.73, 0.22%, 0.3%

LAB 29.58, 17.03, -3.17

 

CMYK 0 / 35 / 28 / 64

HEX #5D3C43

RGB 93 60 67

HSL 347.27, 0.22%, 0.3%

LAB 29.32, 15.65, 1.68

 

CMYK 10 / 35 / 0 / 64

HEX #543C5D

RGB 84 60 93

HSL 283.64, 0.22%, 0.3%

LAB 29.18, 17.3, -15.58

 

CMYK 19 / 35 / 0 / 64

HEX #4B3C5D

RGB 75 60 93

HSL 267.27, 0.22%, 0.3%

LAB 28.16, 14.05, -17.23

 

CMYK 29 / 35 / 0 / 64

HEX #423C5D

RGB 66 60 93

HSL 250.91, 0.22%, 0.3%

LAB 27.24, 10.89, -18.73

 

CMYK 35 / 35 / 0 / 64

HEX #3C3C5D

RGB 60 60 93

HSL 240, 0.22%, 0.3%

LAB 26.69, 8.88, -19.64

 

CMYK 10 / 35 / 0 / 64

HEX #543C5D

RGB 84 60 93

HSL 283.64, 0.22%, 0.3%

LAB 29.18, 17.3, -15.58

 

CMYK 15 / 54 / 0 / 59

HEX #593069

RGB 89 48 105

HSL 283.16, 0.37%, 0.3%

LAB 27.46, 29.28, -25.95

 

CMYK 19 / 69 / 0 / 54

HEX #5F2475

RGB 95 36 117

HSL 283.7, 0.53%, 0.3%

LAB 26.67, 40.19, -34.83

 

CMYK 22 / 82 / 0 / 49

HEX #651782

RGB 101 23 130

HSL 283.74, 0.7%, 0.3%

LAB 26.71, 49.58, -42.95

 

CMYK 25 / 92 / 0 / 44

HEX #6A0B8E

RGB 106 11 142

HSL 283.51, 0.86%, 0.3%

LAB 27.45, 55.96, -49.21

 

CMYK 10 / 35 / 0 / 64

HEX #543C5D

RGB 84 60 93

HSL 283.64, 0.22%, 0.3%

LAB 29.18, 17.3, -15.58

 

CMYK 2 / 9 / 0 / 69

HEX #4E4950

RGB 78 73 80

HSL 282.86, 0.05%, 0.3%

LAB 31.72, 3.6, -3.41

 

CMYK 14 / 0 / 20 / 67

HEX #495544

RGB 73 85 68

HSL 102.35, 0.11%, 0.3%

LAB 34.66, -8.4, 8.37

 

CMYK 32 / 0 / 44 / 62

HEX #436237

RGB 67 98 55

HSL 103.26, 0.28%, 0.3%

LAB 38.21, -20.42, 20.92

 

CMYK 45 / 0 / 61 / 57

HEX #3D6E2B

RGB 61 110 43

HSL 103.88, 0.44%, 0.3%

LAB 41.72, -30.24, 31.7

 

CMYK 29 / 35 / 0 / 64

HEX #423C5D

RGB 66 60 93

HSL 250.91, 0.22%, 0.3%

LAB 27.24, 10.89, -18.73

 

CMYK 19 / 35 / 0 / 64

HEX #4B3C5D

RGB 75 60 93

HSL 267.27, 0.22%, 0.3%

LAB 28.16, 14.05, -17.23

 

CMYK 11 / 35 / 0 / 64

HEX #533C5D

RGB 83 60 93

HSL 281.82, 0.22%, 0.3%

LAB 29.06, 16.94, -15.77

 

CMYK 1 / 35 / 0 / 64

HEX #5C3C5D

RGB 92 60 93

HSL 298.18, 0.22%, 0.3%

LAB 30.15, 20.25, -14

 

CMYK 0 / 35 / 9 / 64

HEX #5D3C55

RGB 93 60 85

HSL 314.55, 0.22%, 0.3%

LAB 29.95, 18.95, -9.12

 

CMYK 9 / 35 / 0 / 83

HEX #271C2B

RGB 39 28 43

HSL 284, 0.21%, 0.14%

LAB 12.2, 8.91, -8.03

 

CMYK 10 / 35 / 0 / 73

HEX #3D2C44

RGB 61 44 68

HSL 282.5, 0.21%, 0.22%

LAB 20.87, 13.07, -12.05

 

CMYK 10 / 35 / 0 / 64

HEX #543C5D

RGB 84 60 93

HSL 283.64, 0.22%, 0.3%

LAB 29.18, 17.3, -15.58

 

CMYK 10 / 35 / 0 / 54

HEX #6A4D76

RGB 106 77 118

HSL 282.44, 0.21%, 0.38%

LAB 37.26, 20.33, -18.71

 

CMYK 9 / 35 / 0 / 44

HEX #815D8E

RGB 129 93 142

HSL 284.08, 0.21%, 0.46%

LAB 44.87, 23.96, -21.38

 

CMYK 10 / 35 / 0 / 63

HEX #553D5E

RGB 85 61 94

HSL 283.64, 0.21%, 0.3%

LAB 29.61, 17.27, -15.55

 

CMYK 0 / 35 / 32 / 64

HEX #5D3C3F

RGB 93 60 63

HSL 354.55, 0.22%, 0.3%

LAB 29.2, 15.01, 4.12

 

CMYK 35 / 0 / 24 / 64

HEX #3C5D47

RGB 60 93 71

HSL 140, 0.22%, 0.3%

LAB 36.45, -17.35, 8.88

 

CMYK 10 / 35 / 0 / 63

HEX #553D5E

RGB 85 61 94

HSL 283.64, 0.21%, 0.3%

LAB 29.61, 17.27, -15.55

 

CMYK 0 / 11 / 35 / 64

HEX #5D533C

RGB 93 83 60

HSL 41.82, 0.22%, 0.3%

LAB 35.67, 0.19, 15

 

CMYK 35 / 0 / 11 / 64

HEX #3C5D53

RGB 60 93 83

HSL 161.82, 0.22%, 0.3%

LAB 36.77, -14.54, 1.92

 

CMYK 10 / 35 / 0 / 63

HEX #553D5E

RGB 85 61 94

HSL 283.64, 0.21%, 0.3%

LAB 29.61, 17.27, -15.55

 

CMYK 0 / 35 / 32 / 64

HEX #5D3C3F

RGB 93 60 63

HSL 354.55, 0.22%, 0.3%

LAB 29.2, 15.01, 4.12

 

CMYK 25 / 0 / 35 / 64

HEX #465D3C

RGB 70 93 60

HSL 101.82, 0.22%, 0.3%

LAB 36.85, -15.7, 16.22

 

CMYK 35 / 0 / 3 / 64

HEX #3C5D5A

RGB 60 93 90

HSL 174.55, 0.22%, 0.3%

LAB 36.98, -12.74, -2.11

 

CMYK 10 / 35 / 0 / 63

HEX #553D5E

RGB 85 61 94

HSL 283.64, 0.21%, 0.3%

LAB 29.61, 17.27, -15.55

 

CMYK 0 / 28 / 35 / 64

HEX #5D433C

RGB 93 67 60

HSL 12.73, 0.22%, 0.3%

LAB 31.04, 10.14, 8.65

 

CMYK 25 / 0 / 35 / 64

HEX #465D3C

RGB 70 93 60

HSL 101.82, 0.22%, 0.3%

LAB 36.85, -15.7, 16.22

 

CMYK 35 / 8 / 0 / 64

HEX #3C565D

RGB 60 86 93

HSL 192.73, 0.22%, 0.3%

LAB 34.82, -7.8, -7.2

 

Description

Color code: HEX #553D5E | qconv.com Color code: HEX #553D5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 61 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 61 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 35 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 35% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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