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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #552B47 it is the complementary color #AAD4B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #552B47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #552B47 shade: #5A2B42, #6B3D55, #7C4F68, #8D617B and #9E738E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #552B47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #552B47 shade: #552B47, #441934, #330721, #22000E and #110000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #552B47 shade: #552B47, #552B3B, #552B30 and #552B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #552B47 shade: #552B47, #552B52, #4C2B55, #412B55 and #352B55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #552B47 shade matches the following richer shades: #552B47, #5F204A, #69164E, #740C51 and #7E0155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #552B47 shade: #552B47, #4A3543, #403F40, #364A3C and #2C5439

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #552B47 shade: #4C2B55, #552B52, #552B47, #552B3C and #552B30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #552B47 shade: #1E0F19, #391D30, #552B47, #70395E and #8C4675

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #552B47 shade: #552B47, #55412B and #2B5552

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #552B47 shade: #552B47, #47552B and #2B4755

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #552B47 shade: #552B47, #55412B, #2B5539 and #2B3E55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #552B47 shade: #552B47, #554E2B, #2B5539 and #2B3255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

Complementary color

CMYK 20 / 0 / 13 / 17

HEX #AAD4B8

RGB 170 212 184

HSL 140, 0.33%, 0.75%

LAB 81.34, -19.28, 9.34

 

CMYK 0 / 52 / 27 / 65

HEX #5A2B42

RGB 90 43 66

HSL 330.64, 0.35%, 0.26%

LAB 24.62, 24.69, -4.62

 

CMYK 0 / 43 / 21 / 58

HEX #6B3D55

RGB 107 61 85

HSL 328.7, 0.27%, 0.33%

LAB 32.08, 23.77, -5.74

 

CMYK 0 / 36 / 16 / 51

HEX #7C4F68

RGB 124 79 104

HSL 326.67, 0.22%, 0.4%

LAB 39.37, 22.89, -6.61

 

CMYK 0 / 31 / 13 / 45

HEX #8D617B

RGB 141 97 123

HSL 324.55, 0.18%, 0.47%

LAB 46.5, 22.1, -7.36

 

CMYK 0 / 27 / 10 / 38

HEX #9E738E

RGB 158 115 142

HSL 322.33, 0.18%, 0.54%

LAB 53.47, 21.38, -8.02

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 63 / 24 / 73

HEX #441934

RGB 68 25 52

HSL 322.33, 0.46%, 0.18%

LAB 16.37, 24.45, -7.74

 

CMYK 0 / 86 / 35 / 80

HEX #330721

RGB 51 7 33

HSL 324.55, 0.76%, 0.11%

LAB 8.7, 24.69, -5.72

 

CMYK 0 / 100 / 59 / 87

HEX #22000E

RGB 34 0 14

HSL 335.29, 1%, 0.07%

LAB 3.36, 15.79, -0.62

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 49 / 31 / 67

HEX #552B3B

RGB 85 43 59

HSL 337.14, 0.33%, 0.25%

LAB 23.59, 21.57, -1.5

 

CMYK 0 / 49 / 44 / 67

HEX #552B30

RGB 85 43 48

HSL 352.86, 0.33%, 0.25%

LAB 23.25, 19.96, 5.48

 

CMYK 0 / 49 / 49 / 67

HEX #552B2B

RGB 85 43 43

HSL 0, 0.33%, 0.25%

LAB 23.11, 19.33, 8.69

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 49 / 4 / 67

HEX #552B52

RGB 85 43 82

HSL 304.29, 0.33%, 0.25%

LAB 24.54, 25.81, -15.53

 

CMYK 11 / 49 / 0 / 67

HEX #4C2B55

RGB 76 43 85

HSL 287.14, 0.33%, 0.25%

LAB 23.41, 23.36, -19.38

 

CMYK 24 / 49 / 0 / 67

HEX #412B55

RGB 65 43 85

HSL 271.43, 0.33%, 0.25%

LAB 21.97, 19.64, -21.73

 

CMYK 38 / 49 / 0 / 67

HEX #352B55

RGB 53 43 85

HSL 254.29, 0.33%, 0.25%

LAB 20.6, 15.76, -23.99

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 66 / 22 / 63

HEX #5F204A

RGB 95 32 74

HSL 320, 0.5%, 0.25%

LAB 23.54, 33.74, -11.57

 

CMYK 0 / 79 / 26 / 59

HEX #69164E

RGB 105 22 78

HSL 319.52, 0.65%, 0.25%

LAB 24.09, 41.55, -13.27

 

CMYK 0 / 90 / 30 / 55

HEX #740C51

RGB 116 12 81

HSL 320.19, 0.81%, 0.25%

LAB 25.47, 47.6, -12.96

 

CMYK 0 / 99 / 33 / 51

HEX #7E0155

RGB 126 1 85

HSL 319.68, 0.98%, 0.25%

LAB 27.05, 52.45, -13.02

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 28 / 9 / 71

HEX #4A3543

RGB 74 53 67

HSL 320, 0.17%, 0.25%

LAB 24.97, 12.1, -5

 

CMYK 0 / 2 / 0 / 75

HEX #403F40

RGB 64 63 64

HSL 300, 0.01%, 0.25%

LAB 26.78, 0.65, -0.47

 

CMYK 27 / 0 / 19 / 71

HEX #364A3C

RGB 54 74 60

HSL 138, 0.16%, 0.25%

LAB 29.43, -11.2, 5.85

 

CMYK 48 / 0 / 32 / 67

HEX #2C5439

RGB 44 84 57

HSL 139.5, 0.31%, 0.25%

LAB 32.19, -21.04, 11.5

 

CMYK 11 / 49 / 0 / 67

HEX #4C2B55

RGB 76 43 85

HSL 287.14, 0.33%, 0.25%

LAB 23.41, 23.36, -19.38

 

CMYK 0 / 49 / 4 / 67

HEX #552B52

RGB 85 43 82

HSL 304.29, 0.33%, 0.25%

LAB 24.54, 25.81, -15.53

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 49 / 29 / 67

HEX #552B3C

RGB 85 43 60

HSL 335.71, 0.33%, 0.25%

LAB 23.62, 21.73, -2.13

 

CMYK 0 / 49 / 44 / 67

HEX #552B30

RGB 85 43 48

HSL 352.86, 0.33%, 0.25%

LAB 23.25, 19.96, 5.48

 

CMYK 0 / 50 / 17 / 88

HEX #1E0F19

RGB 30 15 25

HSL 320, 0.33%, 0.09%

LAB 6.21, 9.31, -3.67

 

CMYK 0 / 49 / 16 / 78

HEX #391D30

RGB 57 29 48

HSL 319.29, 0.33%, 0.17%

LAB 15.29, 16.95, -6.7

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 49 / 16 / 56

HEX #70395E

RGB 112 57 94

HSL 319.64, 0.33%, 0.33%

LAB 32.21, 29.53, -11.25

 

CMYK 0 / 50 / 16 / 45

HEX #8C4675

RGB 140 70 117

HSL 319.71, 0.33%, 0.41%

LAB 39.98, 36.01, -13.54

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 24 / 49 / 67

HEX #55412B

RGB 85 65 43

HSL 31.43, 0.33%, 0.25%

LAB 29.12, 5.39, 16.72

 

CMYK 49 / 0 / 4 / 67

HEX #2B5552

RGB 43 85 82

HSL 175.71, 0.33%, 0.25%

LAB 33.18, -15.49, -2.81

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 16 / 0 / 49 / 67

HEX #47552B

RGB 71 85 43

HSL 80, 0.33%, 0.25%

LAB 34.01, -13.37, 22.62

 

CMYK 49 / 16 / 0 / 67

HEX #2B4755

RGB 43 71 85

HSL 200, 0.33%, 0.25%

LAB 28.58, -6.2, -11.63

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 24 / 49 / 67

HEX #55412B

RGB 85 65 43

HSL 31.43, 0.33%, 0.25%

LAB 29.12, 5.39, 16.72

 

CMYK 49 / 0 / 33 / 67

HEX #2B5539

RGB 43 85 57

HSL 140, 0.33%, 0.25%

LAB 32.49, -21.89, 11.9

 

CMYK 49 / 27 / 0 / 67

HEX #2B3E55

RGB 43 62 85

HSL 212.86, 0.33%, 0.25%

LAB 25.61, -0.38, -16.2

 

CMYK 0 / 49 / 16 / 67

HEX #552B47

RGB 85 43 71

HSL 320, 0.33%, 0.25%

LAB 24.04, 23.65, -8.93

 

CMYK 0 / 8 / 49 / 67

HEX #554E2B

RGB 85 78 43

HSL 50, 0.33%, 0.25%

LAB 33.04, -2.72, 21.69

 

CMYK 49 / 0 / 33 / 67

HEX #2B5539

RGB 43 85 57

HSL 140, 0.33%, 0.25%

LAB 32.49, -21.89, 11.9

 

CMYK 49 / 41 / 0 / 67

HEX #2B3255

RGB 43 50 85

HSL 230, 0.33%, 0.25%

LAB 21.77, 7.84, -22.21

 

Description

Color code: HEX #552B47 | qconv.com Color code: HEX #552B47 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 43 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 43 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 16 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 16% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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