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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #551C59 it is the complementary color #AAE3A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #551C59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #551C59: #5A1C54, #6B2E67, #7C407A, #8D528D and #9E64A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #551C59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #551C59: #551C59, #440A46, #330033, #220020 and #11000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 69 / 0 / 65

HEX #551C59

RGB 85 28 89

HSL 296.07, 0.52%, 0.23%

LAB 21.88, 35.41, -24.34

 

Complementary color

CMYK 25 / 0 / 27 / 11

HEX #AAE3A6

RGB 170 227 166

HSL 116.07, 0.52%, 0.77%

LAB 85.12, -29.74, 24.08

 

CMYK 0 / 69 / 7 / 65

HEX #5A1C54

RGB 90 28 84

HSL 305.81, 0.53%, 0.23%

LAB 22.46, 35.85, -20.04

 

CMYK 0 / 57 / 4 / 58

HEX #6B2E67

RGB 107 46 103

HSL 303.93, 0.4%, 0.3%

LAB 29.56, 35.56, -21.18

 

CMYK 0 / 48 / 2 / 51

HEX #7C407A

RGB 124 64 122

HSL 302, 0.32%, 0.37%

LAB 36.66, 34.9, -21.93

 

CMYK 0 / 42 / 0 / 45

HEX #8D528D

RGB 141 82 141

HSL 300, 0.26%, 0.44%

LAB 43.68, 34.12, -22.49

 

CMYK 1 / 38 / 0 / 37

HEX #9E64A0

RGB 158 100 160

HSL 298, 0.24%, 0.51%

LAB 50.6, 33.32, -22.95

 

CMYK 4 / 69 / 0 / 65

HEX #551C59

RGB 85 28 89

HSL 296.07, 0.52%, 0.23%

LAB 21.88, 35.41, -24.34

 

CMYK 3 / 86 / 0 / 73

HEX #440A46

RGB 68 10 70

HSL 298, 0.75%, 0.16%

LAB 14.89, 34.74, -22.72

 

CMYK 0 / 100 / 0 / 80

HEX #330033

RGB 51 0 51

HSL 300, 1%, 0.1%

LAB 8.51, 31.55, -19.54

 

CMYK 0 / 100 / 6 / 87

HEX #220020

RGB 34 0 32

HSL 303.53, 1%, 0.07%

LAB 4.01, 20.31, -12.39

 

CMYK 0 / 100 / 24 / 93

HEX #11000D

RGB 17 0 13

HSL 314.12, 1%, 0.03%

LAB 1.34, 6.67, -3.32

 

CMYK 4 / 69 / 0 / 65

HEX #551C59

RGB 85 28 89

HSL 296.07, 0.52%, 0.23%

LAB 21.88, 35.41, -24.34

 

CMYK 0 / 69 / 7 / 65

HEX #591C53

RGB 89 28 83

HSL 305.9, 0.52%, 0.23%

LAB 22.23, 35.37, -19.75

 

CMYK 0 / 69 / 19 / 65

HEX #591C48

RGB 89 28 72

HSL 316.72, 0.52%, 0.23%

LAB 21.66, 33.43, -13.2

 

CMYK 0 / 69 / 30 / 65

HEX #591C3E

RGB 89 28 62

HSL 326.56, 0.52%, 0.23%

LAB 21.22, 31.86, -7.02

 

CMYK 0 / 69 / 42 / 65

HEX #591C34

RGB 89 28 52

HSL 336.39, 0.52%, 0.23%

LAB 20.84, 30.48, -0.65

 

CMYK 4 / 69 / 0 / 65

HEX #551C59

RGB 85 28 89

HSL 296.07, 0.52%, 0.23%

LAB 21.88, 35.41, -24.34

 

CMYK 4 / 69 / 0 / 45

HEX #862C8C

RGB 134 44 140

HSL 296.25, 0.52%, 0.36%

LAB 35.52, 50.88, -34.75

 

CMYK 5 / 69 / 0 / 25

HEX #B63CBF

RGB 182 60 191

HSL 295.88, 0.52%, 0.49%

LAB 48.18, 64.96, -44.62

 

CMYK 5 / 69 / 0 / 5

HEX #E74CF2

RGB 231 76 242

HSL 296.02, 0.86%, 0.62%

LAB 60.4, 78.49, -53.72

 

CMYK 5 / 68 / 0 / 85

HEX #240C26

RGB 36 12 38

HSL 295.38, 0.52%, 0.1%

LAB 7.03, 17.46, -12.36

 

CMYK 4 / 69 / 0 / 65

HEX #551C59

RGB 85 28 89

HSL 296.07, 0.52%, 0.23%

LAB 21.88, 35.41, -24.34

 

CMYK 0 / 60 / 69 / 65

HEX #59241C

RGB 89 36 28

HSL 7.87, 0.52%, 0.23%

LAB 21.83, 23.77, 17.21

 

CMYK 69 / 0 / 33 / 65

HEX #1C593C

RGB 28 89 60

HSL 151.48, 0.52%, 0.23%

LAB 33.39, -27.21, 11.18

 

CMYK 4 / 69 / 0 / 65

HEX #551C59

RGB 85 28 89

HSL 296.07, 0.52%, 0.23%

LAB 21.88, 35.41, -24.34

 

CMYK 0 / 4 / 69 / 65

HEX #59551C

RGB 89 85 28

HSL 56.07, 0.52%, 0.23%

LAB 35.41, -6.39, 32.72

 

CMYK 69 / 0 / 4 / 65

HEX #1C5955

RGB 28 89 85

HSL 176.07, 0.52%, 0.23%

LAB 34.08, -20.26, -3.43

 

CMYK 4 / 69 / 0 / 65

HEX #551C59

RGB 85 28 89

HSL 296.07, 0.52%, 0.23%

LAB 21.88, 35.41, -24.34

 

CMYK 0 / 60 / 69 / 65

HEX #59241C

RGB 89 36 28

HSL 7.87, 0.52%, 0.23%

LAB 21.83, 23.77, 17.21

 

CMYK 64 / 0 / 69 / 65

HEX #20591C

RGB 32 89 28

HSL 116.07, 0.52%, 0.23%

LAB 33, -31.96, 29.01

 

CMYK 69 / 9 / 0 / 65

HEX #1C5159

RGB 28 81 89

HSL 187.87, 0.52%, 0.23%

LAB 31.47, -14.5, -9.87

 

CMYK 4 / 69 / 0 / 65

HEX #551C59

RGB 85 28 89

HSL 296.07, 0.52%, 0.23%

LAB 21.88, 35.41, -24.34

 

CMYK 0 / 39 / 69 / 65

HEX #59361C

RGB 89 54 28

HSL 25.57, 0.52%, 0.23%

LAB 26.29, 12.83, 22.58

 

CMYK 64 / 0 / 69 / 65

HEX #20591C

RGB 32 89 28

HSL 116.07, 0.52%, 0.23%

LAB 33, -31.96, 29.01

 

CMYK 69 / 30 / 0 / 65

HEX #1C3E59

RGB 28 62 89

HSL 206.56, 0.52%, 0.23%

LAB 24.99, -2.71, -19.83

 

Description

Color code: HEX #551C59 | qconv.com Color code: HEX #551C59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 28 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 28 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 69 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 69% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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