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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5519DF it is the complementary color #AAE620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5519DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5519DF shade: #5A19DA, #6B2BED, #7C3DFF, #8D4FFF and #9E61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5519DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5519DF shade: #5519DF, #4407CC, #3300B9, #2200A6 and #110093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5519DF shade: #5619E1, #8B19E1, #C119E1, #E119CB and #E11995

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5519DF shade: #5619E1, #2019E1 and #1919E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5519DF shade matches the following richer shades: #5619E1 and #4E05F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5519DF shade: #5619E1, #5E2DCD, #6541B8, #6D56A4 and #756A90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5519DF shade: #1948E1, #2019E1, #5519E1, #8A19E1 and #C019E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5519DF shade: #391197, #4715BC, #5619E1, #6F3AE9 and #8A5FED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5519DF shade: #5519DF, #E1197D and #2DE119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5519DF shade: #5519DF, #E15519 and #19E155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5519DF shade: #5519DF, #E1197D, #A5E119 and #19E17D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5519DF shade: #5519DF, #E11941, #A5E119 and #19E1B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 89 / 0 / 13

HEX #5519DF

RGB 85 25 223

HSL 258.18, 0.8%, 0.49%

LAB 33.89, 68.95, -86.95

 

Complementary color

CMYK 26 / 0 / 86 / 10

HEX #AAE620

RGB 170 230 32

HSL 78.18, 0.8%, 0.51%

LAB 84.61, -43.57, 78.7

 

CMYK 59 / 89 / 0 / 15

HEX #5A19DA

RGB 90 25 218

HSL 260.21, 0.79%, 0.48%

LAB 33.84, 68.1, -84.14

 

CMYK 55 / 82 / 0 / 7

HEX #6B2BED

RGB 107 43 237

HSL 259.79, 0.84%, 0.55%

LAB 39.53, 68.65, -85.53

 

CMYK 51 / 76 / 0 / 0

HEX #7C3DFF

RGB 124 61 255

HSL 259.48, 1%, 0.62%

LAB 45.42, 68.08, -85.88

 

CMYK 45 / 69 / 0 / 0

HEX #8D4FFF

RGB 141 79 255

HSL 261.14, 1%, 0.65%

LAB 50.07, 62.45, -78.2

 

CMYK 38 / 62 / 0 / 0

HEX #9E61FF

RGB 158 97 255

HSL 263.16, 1%, 0.69%

LAB 55.11, 56.67, -69.92

 

CMYK 62 / 89 / 0 / 13

HEX #5519DF

RGB 85 25 223

HSL 258.18, 0.8%, 0.49%

LAB 33.89, 68.95, -86.95

 

CMYK 67 / 97 / 0 / 20

HEX #4407CC

RGB 68 7 204

HSL 258.58, 0.93%, 0.41%

LAB 28.75, 67.08, -84.54

 

CMYK 72 / 100 / 0 / 27

HEX #3300B9

RGB 51 0 185

HSL 256.54, 1%, 0.36%

LAB 24.34, 63.11, -80.71

 

CMYK 80 / 100 / 0 / 35

HEX #2200A6

RGB 34 0 166

HSL 252.29, 1%, 0.33%

LAB 20.41, 57.91, -75.87

 

CMYK 88 / 100 / 0 / 42

HEX #110093

RGB 17 0 147

HSL 246.94, 1%, 0.29%

LAB 16.63, 52.72, -70.54

 

CMYK 62 / 89 / 0 / 12

HEX #5619E1

RGB 86 25 225

HSL 258.3, 0.8%, 0.49%

LAB 34.21, 69.51, -87.56

 

CMYK 38 / 89 / 0 / 12

HEX #8B19E1

RGB 139 25 225

HSL 274.2, 0.8%, 0.49%

LAB 40.61, 74.59, -76.79

 

CMYK 14 / 89 / 0 / 12

HEX #C119E1

RGB 193 25 225

HSL 290.4, 0.8%, 0.49%

LAB 48.85, 82.02, -63.01

 

CMYK 0 / 89 / 10 / 12

HEX #E119CB

RGB 225 25 203

HSL 306.6, 0.8%, 0.49%

LAB 52.97, 84.11, -43.53

 

CMYK 0 / 89 / 34 / 12

HEX #E11995

RGB 225 25 149

HSL 322.8, 0.8%, 0.49%

LAB 50.54, 77.7, -15.62

 

CMYK 62 / 89 / 0 / 12

HEX #5619E1

RGB 86 25 225

HSL 258.3, 0.8%, 0.49%

LAB 34.21, 69.51, -87.56

 

CMYK 86 / 89 / 0 / 12

HEX #2019E1

RGB 32 25 225

HSL 242.1, 0.8%, 0.49%

LAB 30.49, 66.97, -93.85

 

CMYK 89 / 89 / 0 / 12

HEX #1919E1

RGB 25 25 225

HSL 240, 0.8%, 0.49%

LAB 30.25, 66.82, -94.26

 

CMYK 62 / 89 / 0 / 12

HEX #5619E1

RGB 86 25 225

HSL 258.3, 0.8%, 0.49%

LAB 34.21, 69.51, -87.56

 

CMYK 68 / 98 / 0 / 4

HEX #4E05F5

RGB 78 5 245

HSL 258.25, 0.96%, 0.49%

LAB 34.64, 77.5, -98.24

 

CMYK 62 / 89 / 0 / 12

HEX #5619E1

RGB 86 25 225

HSL 258.3, 0.8%, 0.49%

LAB 34.21, 69.51, -87.56

 

CMYK 54 / 78 / 0 / 20

HEX #5E2DCD

RGB 94 45 205

HSL 258.38, 0.64%, 0.49%

LAB 35.33, 58.09, -74.14

 

CMYK 45 / 65 / 0 / 28

HEX #6541B8

RGB 101 65 184

HSL 258.15, 0.48%, 0.49%

LAB 37.86, 43.41, -57.69

 

CMYK 34 / 48 / 0 / 36

HEX #6D56A4

RGB 109 86 164

HSL 257.69, 0.31%, 0.49%

LAB 42.13, 27.41, -38.94

 

CMYK 19 / 26 / 0 / 44

HEX #756A90

RGB 117 106 144

HSL 257.37, 0.15%, 0.49%

LAB 47.11, 12.55, -19.23

 

CMYK 89 / 68 / 0 / 12

HEX #1948E1

RGB 25 72 225

HSL 225.9, 0.8%, 0.49%

LAB 38.34, 43.63, -80.85

 

CMYK 86 / 89 / 0 / 12

HEX #2019E1

RGB 32 25 225

HSL 242.1, 0.8%, 0.49%

LAB 30.49, 66.97, -93.85

 

CMYK 62 / 89 / 0 / 12

HEX #5519E1

RGB 85 25 225

HSL 258, 0.8%, 0.49%

LAB 34.11, 69.44, -87.73

 

CMYK 39 / 89 / 0 / 12

HEX #8A19E1

RGB 138 25 225

HSL 273.9, 0.8%, 0.49%

LAB 40.47, 74.47, -77.03

 

CMYK 15 / 89 / 0 / 12

HEX #C019E1

RGB 192 25 225

HSL 290.1, 0.8%, 0.49%

LAB 48.68, 81.87, -63.28

 

CMYK 62 / 89 / 0 / 41

HEX #391197

RGB 57 17 151

HSL 257.91, 0.8%, 0.33%

LAB 21.96, 50.58, -64.05

 

CMYK 62 / 89 / 0 / 26

HEX #4715BC

RGB 71 21 188

HSL 257.96, 0.8%, 0.41%

LAB 28.13, 60.22, -76.14

 

CMYK 62 / 89 / 0 / 12

HEX #5619E1

RGB 86 25 225

HSL 258.3, 0.8%, 0.49%

LAB 34.21, 69.51, -87.56

 

CMYK 52 / 75 / 0 / 9

HEX #6F3AE9

RGB 111 58 233

HSL 258.17, 0.8%, 0.57%

LAB 41.67, 61.98, -79.72

 

CMYK 42 / 60 / 0 / 7

HEX #8A5FED

RGB 138 95 237

HSL 258.17, 0.8%, 0.65%

LAB 51.5, 48.96, -65.84

 

CMYK 62 / 89 / 0 / 13

HEX #5519DF

RGB 85 25 223

HSL 258.18, 0.8%, 0.49%

LAB 33.89, 68.95, -86.95

 

CMYK 0 / 89 / 44 / 12

HEX #E1197D

RGB 225 25 125

HSL 330, 0.8%, 0.49%

LAB 49.72, 75.46, -2.36

 

CMYK 80 / 0 / 89 / 12

HEX #2DE119

RGB 45 225 25

HSL 114, 0.8%, 0.49%

LAB 78.74, -74.95, 73.26

 

CMYK 62 / 89 / 0 / 13

HEX #5519DF

RGB 85 25 223

HSL 258.18, 0.8%, 0.49%

LAB 33.89, 68.95, -86.95

 

CMYK 0 / 62 / 89 / 12

HEX #E15519

RGB 225 85 25

HSL 18, 0.8%, 0.49%

LAB 54.63, 52.14, 58.43

 

CMYK 89 / 0 / 62 / 12

HEX #19E155

RGB 25 225 85

HSL 138, 0.8%, 0.49%

LAB 78.88, -72.47, 54.57

 

CMYK 62 / 89 / 0 / 13

HEX #5519DF

RGB 85 25 223

HSL 258.18, 0.8%, 0.49%

LAB 33.89, 68.95, -86.95

 

CMYK 0 / 89 / 44 / 12

HEX #E1197D

RGB 225 25 125

HSL 330, 0.8%, 0.49%

LAB 49.72, 75.46, -2.36

 

CMYK 27 / 0 / 89 / 12

HEX #A5E119

RGB 165 225 25

HSL 78, 0.8%, 0.49%

LAB 82.87, -43.47, 78.39

 

CMYK 89 / 0 / 44 / 12

HEX #19E17D

RGB 25 225 125

HSL 150, 0.8%, 0.49%

LAB 79.35, -66.71, 36.48

 

CMYK 62 / 89 / 0 / 13

HEX #5519DF

RGB 85 25 223

HSL 258.18, 0.8%, 0.49%

LAB 33.89, 68.95, -86.95

 

CMYK 0 / 89 / 71 / 12

HEX #E11941

RGB 225 25 65

HSL 348, 0.8%, 0.49%

LAB 48.37, 71.67, 32.44

 

CMYK 27 / 0 / 89 / 12

HEX #A5E119

RGB 165 225 25

HSL 78, 0.8%, 0.49%

LAB 82.87, -43.47, 78.39

 

CMYK 89 / 0 / 18 / 12

HEX #19E1B9

RGB 25 225 185

HSL 168, 0.8%, 0.49%

LAB 80.49, -53.88, 6.98

 

Description

Color code: HEX #5519DF | qconv.com Color code: HEX #5519DF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 25 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 25 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 89 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 89% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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