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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #550C92 it is the complementary color #AAF36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #550C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #550C92 shade: #5A0C8D, #6B1EA0, #7C30B3, #8D42C6 and #9E54D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #550C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #550C92 shade: #550C92, #44007F, #33006C, #220059 and #110046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #550C92 shade: #550C92, #790C92, #920C87, #920C63 and #920C3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #550C92 shade: #550C92, #310C92, #0D0C92 and #0C0C92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #550C92 shade matches the following richer shades: #550C92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #550C92 shade: #550C92, #541985, #532579, #52326C and #503F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #550C92 shade: #0C0C92, #300C92, #540C92, #770C92 and #920C89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #550C92 shade: #290646, #3F096C, #550C92, #6B0FB8 and #8112DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #550C92 shade: #550C92, #920C30 and #0C921E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #550C92 shade: #550C92, #92540C and #0C9254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #550C92 shade: #550C92, #920C30, #4B920C and #0C926E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #550C92 shade: #550C92, #92100C, #4B920C and #0C8E92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

Complementary color

CMYK 30 / 0 / 55 / 5

HEX #AAF36D

RGB 170 243 109

HSL 92.69, 0.85%, 0.69%

LAB 88.8, -44.42, 56.63

 

CMYK 36 / 91 / 0 / 45

HEX #5A0C8D

RGB 90 12 141

HSL 276.28, 0.84%, 0.3%

LAB 24.83, 53.23, -52.98

 

CMYK 33 / 81 / 0 / 37

HEX #6B1EA0

RGB 107 30 160

HSL 275.54, 0.68%, 0.37%

LAB 30.86, 54.79, -54.7

 

CMYK 31 / 73 / 0 / 30

HEX #7C30B3

RGB 124 48 179

HSL 274.81, 0.58%, 0.45%

LAB 37.21, 55.11, -55.65

 

CMYK 29 / 67 / 0 / 22

HEX #8D42C6

RGB 141 66 198

HSL 274.09, 0.54%, 0.52%

LAB 43.71, 54.79, -56.18

 

CMYK 27 / 61 / 0 / 15

HEX #9E54D9

RGB 158 84 217

HSL 273.38, 0.64%, 0.59%

LAB 50.24, 54.14, -56.47

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 46 / 100 / 0 / 50

HEX #44007F

RGB 68 0 127

HSL 272.13, 1%, 0.25%

LAB 19.06, 50.31, -53.77

 

CMYK 53 / 100 / 0 / 58

HEX #33006C

RGB 51 0 108

HSL 268.33, 1%, 0.21%

LAB 14.32, 44.25, -49.42

 

CMYK 62 / 100 / 0 / 65

HEX #220059

RGB 34 0 89

HSL 262.92, 1%, 0.17%

LAB 9.49, 38.08, -44.83

 

CMYK 76 / 100 / 0 / 73

HEX #110046

RGB 17 0 70

HSL 254.57, 1%, 0.14%

LAB 5.07, 29.87, -39.06

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 17 / 92 / 0 / 43

HEX #790C92

RGB 121 12 146

HSL 288.81, 0.85%, 0.31%

LAB 30.41, 58.93, -46.77

 

CMYK 0 / 92 / 8 / 43

HEX #920C87

RGB 146 12 135

HSL 304.93, 0.85%, 0.31%

LAB 34.24, 61.58, -33.57

 

CMYK 0 / 92 / 32 / 43

HEX #920C63

RGB 146 12 99

HSL 321.04, 0.85%, 0.31%

LAB 32.42, 56.82, -13.6

 

CMYK 0 / 92 / 58 / 43

HEX #920C3E

RGB 146 12 62

HSL 337.61, 0.85%, 0.31%

LAB 31.16, 53.36, 8.86

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 66 / 92 / 0 / 43

HEX #310C92

RGB 49 12 146

HSL 256.57, 0.85%, 0.31%

LAB 20.01, 50.16, -64.22

 

CMYK 91 / 92 / 0 / 43

HEX #0D0C92

RGB 13 12 146

HSL 240.45, 0.85%, 0.31%

LAB 17.57, 48.53, -68.35

 

CMYK 92 / 92 / 0 / 43

HEX #0C0C92

RGB 12 12 146

HSL 240, 0.85%, 0.31%

LAB 17.54, 48.51, -68.4

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 37 / 81 / 0 / 48

HEX #541985

RGB 84 25 133

HSL 272.78, 0.68%, 0.31%

LAB 24.56, 46.46, -48.46

 

CMYK 31 / 69 / 0 / 53

HEX #532579

RGB 83 37 121

HSL 272.86, 0.53%, 0.31%

LAB 25.39, 37.76, -39.53

 

CMYK 24 / 54 / 0 / 58

HEX #52326C

RGB 82 50 108

HSL 273.1, 0.37%, 0.31%

LAB 27.18, 26.68, -28.38

 

CMYK 16 / 34 / 0 / 63

HEX #503F5F

RGB 80 63 95

HSL 271.88, 0.2%, 0.31%

LAB 29.63, 14.4, -16.21

 

CMYK 92 / 92 / 0 / 43

HEX #0C0C92

RGB 12 12 146

HSL 240, 0.85%, 0.31%

LAB 17.54, 48.51, -68.4

 

CMYK 67 / 92 / 0 / 43

HEX #300C92

RGB 48 12 146

HSL 256.12, 0.85%, 0.31%

LAB 19.91, 50.09, -64.39

 

CMYK 42 / 92 / 0 / 43

HEX #540C92

RGB 84 12 146

HSL 272.24, 0.85%, 0.31%

LAB 24.4, 53.57, -56.83

 

CMYK 18 / 92 / 0 / 43

HEX #770C92

RGB 119 12 146

HSL 287.91, 0.85%, 0.31%

LAB 30.06, 58.6, -47.35

 

CMYK 0 / 92 / 6 / 43

HEX #920C89

RGB 146 12 137

HSL 304.03, 0.85%, 0.31%

LAB 34.36, 61.88, -34.62

 

CMYK 41 / 91 / 0 / 73

HEX #290646

RGB 41 6 70

HSL 272.81, 0.84%, 0.15%

LAB 9.35, 30.69, -31.91

 

CMYK 42 / 92 / 0 / 58

HEX #3F096C

RGB 63 9 108

HSL 272.73, 0.85%, 0.23%

LAB 17.15, 42.6, -44.69

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 42 / 92 / 0 / 28

HEX #6B0FB8

RGB 107 15 184

HSL 272.66, 0.85%, 0.39%

LAB 31.64, 64.16, -67.82

 

CMYK 42 / 92 / 0 / 13

HEX #8112DF

RGB 129 18 223

HSL 272.49, 0.85%, 0.47%

LAB 38.6, 74.37, -79

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 0 / 92 / 67 / 43

HEX #920C30

RGB 146 12 48

HSL 343.88, 0.85%, 0.31%

LAB 30.85, 52.47, 17.74

 

CMYK 92 / 0 / 79 / 43

HEX #0C921E

RGB 12 146 30

HSL 128.06, 0.85%, 0.31%

LAB 52.65, -54.75, 48.37

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 0 / 42 / 92 / 43

HEX #92540C

RGB 146 84 12

HSL 32.24, 0.85%, 0.31%

LAB 41.97, 20.89, 47.52

 

CMYK 92 / 0 / 42 / 43

HEX #0C9254

RGB 12 146 84

HSL 152.24, 0.85%, 0.31%

LAB 53.25, -47.45, 23.88

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 0 / 92 / 67 / 43

HEX #920C30

RGB 146 12 48

HSL 343.88, 0.85%, 0.31%

LAB 30.85, 52.47, 17.74

 

CMYK 49 / 0 / 92 / 43

HEX #4B920C

RGB 75 146 12

HSL 91.79, 0.85%, 0.31%

LAB 54.11, -42.97, 54.89

 

CMYK 92 / 0 / 25 / 43

HEX #0C926E

RGB 12 146 110

HSL 163.88, 0.85%, 0.31%

LAB 53.77, -41.52, 10.02

 

CMYK 42 / 92 / 0 / 43

HEX #550C92

RGB 85 12 146

HSL 272.69, 0.85%, 0.31%

LAB 24.54, 53.7, -56.58

 

CMYK 0 / 89 / 92 / 43

HEX #92100C

RGB 146 16 12

HSL 1.79, 0.85%, 0.31%

LAB 30.66, 50.45, 39.04

 

CMYK 49 / 0 / 92 / 43

HEX #4B920C

RGB 75 146 12

HSL 91.79, 0.85%, 0.31%

LAB 54.11, -42.97, 54.89

 

CMYK 92 / 3 / 0 / 43

HEX #0C8E92

RGB 12 142 146

HSL 181.79, 0.85%, 0.31%

LAB 53.49, -29.25, -11.12

 

Description

Color code: HEX #550C92 | qconv.com Color code: HEX #550C92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 12 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 12 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 92 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 92% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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