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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #550ACF it is the complementary color #AAF530. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #550ACF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #550ACF shade: #5A0ACA, #6B1CDD, #7C2EF0, #8D40FF and #9E52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #550ACF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #550ACF shade: #550ACF, #4400BC, #3300A9, #220096 and #110083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #550ACF shade: #560AD1, #8C0AD1, #C10AD1, #D10AAC and #D10A76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #550ACF shade: #560AD1, #200AD1 and #0A0AD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #550ACF shade matches the following richer shades: #560AD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #550ACF shade: #560AD1, #5A1CC0, #5E2DAE, #633F9C and #67518A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #550ACF shade: #0A2BD1, #1E0AD1, #530AD1, #880AD1 and #BD0AD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #550ACF shade: #360683, #4608AA, #560AD1, #6711F4 and #8038F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #550ACF shade: #550ACF, #D10A60 and #11D10A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #550ACF shade: #550ACF, #D1530A and #0AD153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #550ACF shade: #550ACF, #D10A60, #88D10A and #0AD17B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #550ACF shade: #550ACF, #D10A24, #88D10A and #0AD1B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 95 / 0 / 19

HEX #550ACF

RGB 85 10 207

HSL 262.84, 0.91%, 0.43%

LAB 31, 68.3, -82.49

 

Complementary color

CMYK 31 / 0 / 80 / 4

HEX #AAF530

RGB 170 245 48

HSL 82.84, 0.91%, 0.57%

LAB 88.95, -49.39, 78.89

 

CMYK 55 / 95 / 0 / 21

HEX #5A0ACA

RGB 90 10 202

HSL 265, 0.91%, 0.42%

LAB 31.01, 67.49, -79.55

 

CMYK 52 / 87 / 0 / 13

HEX #6B1CDD

RGB 107 28 221

HSL 264.56, 0.78%, 0.49%

LAB 36.32, 69.52, -81.7

 

CMYK 48 / 81 / 0 / 6

HEX #7C2EF0

RGB 124 46 240

HSL 264.12, 0.87%, 0.56%

LAB 42.05, 70.23, -83.01

 

CMYK 45 / 75 / 0 / 0

HEX #8D40FF

RGB 141 64 255

HSL 264.19, 1%, 0.63%

LAB 47.69, 69.17, -82.09

 

CMYK 38 / 68 / 0 / 0

HEX #9E52FF

RGB 158 82 255

HSL 266.36, 1%, 0.66%

LAB 52.42, 64.02, -74.28

 

CMYK 59 / 95 / 0 / 19

HEX #550ACF

RGB 85 10 207

HSL 262.84, 0.91%, 0.43%

LAB 31, 68.3, -82.49

 

CMYK 64 / 100 / 0 / 26

HEX #4400BC

RGB 68 0 188

HSL 261.7, 1%, 0.37%

LAB 26.33, 64.56, -79.14

 

CMYK 70 / 100 / 0 / 34

HEX #3300A9

RGB 51 0 169

HSL 258.11, 1%, 0.33%

LAB 22.19, 59.22, -74.69

 

CMYK 77 / 100 / 0 / 41

HEX #220096

RGB 34 0 150

HSL 253.6, 1%, 0.29%

LAB 18.11, 53.87, -69.9

 

CMYK 87 / 100 / 0 / 49

HEX #110083

RGB 17 0 131

HSL 247.79, 1%, 0.26%

LAB 14.16, 48.54, -64.61

 

CMYK 59 / 95 / 0 / 18

HEX #560AD1

RGB 86 10 209

HSL 262.91, 0.91%, 0.43%

LAB 31.34, 68.83, -83.08

 

CMYK 33 / 95 / 0 / 18

HEX #8C0AD1

RGB 140 10 209

HSL 279.2, 0.91%, 0.43%

LAB 38.54, 73.89, -70.96

 

CMYK 8 / 95 / 0 / 18

HEX #C10AD1

RGB 193 10 209

HSL 295.18, 0.91%, 0.43%

LAB 47.18, 81.24, -56.54

 

CMYK 0 / 95 / 18 / 18

HEX #D10AAC

RGB 209 10 172

HSL 311.16, 0.91%, 0.43%

LAB 47.94, 78.79, -33.56

 

CMYK 0 / 95 / 44 / 18

HEX #D10A76

RGB 209 10 118

HSL 327.44, 0.91%, 0.43%

LAB 45.74, 73.05, -4.29

 

CMYK 59 / 95 / 0 / 18

HEX #560AD1

RGB 86 10 209

HSL 262.91, 0.91%, 0.43%

LAB 31.34, 68.83, -83.08

 

CMYK 85 / 95 / 0 / 18

HEX #200AD1

RGB 32 10 209

HSL 246.63, 0.91%, 0.43%

LAB 27.1, 66.55, -90.27

 

CMYK 95 / 95 / 0 / 18

HEX #0A0AD1

RGB 10 10 209

HSL 240, 0.91%, 0.43%

LAB 26.4, 66.25, -91.44

 

CMYK 59 / 95 / 0 / 18

HEX #560AD1

RGB 86 10 209

HSL 262.91, 0.91%, 0.43%

LAB 31.34, 68.83, -83.08

 

CMYK 59 / 95 / 0 / 18

HEX #560AD1

RGB 86 10 209

HSL 262.91, 0.91%, 0.43%

LAB 31.34, 68.83, -83.08

 

CMYK 53 / 85 / 0 / 25

HEX #5A1CC0

RGB 90 28 192

HSL 262.68, 0.75%, 0.43%

LAB 31.37, 60.79, -73.08

 

CMYK 46 / 74 / 0 / 32

HEX #5E2DAE

RGB 94 45 174

HSL 262.79, 0.59%, 0.43%

LAB 32.51, 49.81, -60.51

 

CMYK 37 / 60 / 0 / 39

HEX #633F9C

RGB 99 63 156

HSL 263.23, 0.42%, 0.43%

LAB 35.22, 36.34, -45.26

 

CMYK 25 / 41 / 0 / 46

HEX #67518A

RGB 103 81 138

HSL 263.16, 0.26%, 0.43%

LAB 38.9, 21.77, -28.45

 

CMYK 95 / 79 / 0 / 18

HEX #0A2BD1

RGB 10 43 209

HSL 230.05, 0.91%, 0.43%

LAB 30.39, 54.3, -84.8

 

CMYK 86 / 95 / 0 / 18

HEX #1E0AD1

RGB 30 10 209

HSL 246.03, 0.91%, 0.43%

LAB 27.01, 66.51, -90.42

 

CMYK 60 / 95 / 0 / 18

HEX #530AD1

RGB 83 10 209

HSL 262.01, 0.91%, 0.43%

LAB 31.02, 68.64, -83.63

 

CMYK 35 / 95 / 0 / 18

HEX #880AD1

RGB 136 10 209

HSL 277.99, 0.91%, 0.43%

LAB 37.94, 73.42, -71.98

 

CMYK 10 / 95 / 0 / 18

HEX #BD0AD1

RGB 189 10 209

HSL 293.97, 0.91%, 0.43%

LAB 46.5, 80.62, -57.68

 

CMYK 59 / 95 / 0 / 49

HEX #360683

RGB 54 6 131

HSL 263.04, 0.91%, 0.27%

LAB 18.16, 48.29, -57.87

 

CMYK 59 / 95 / 0 / 33

HEX #4608AA

RGB 70 8 170

HSL 262.96, 0.91%, 0.35%

LAB 24.88, 58.78, -70.76

 

CMYK 59 / 95 / 0 / 18

HEX #560AD1

RGB 86 10 209

HSL 262.91, 0.91%, 0.43%

LAB 31.34, 68.83, -83.08

 

CMYK 58 / 93 / 0 / 4

HEX #6711F4

RGB 103 17 244

HSL 262.73, 0.91%, 0.51%

LAB 37.51, 76.92, -92.84

 

CMYK 48 / 77 / 0 / 4

HEX #8038F6

RGB 128 56 246

HSL 262.74, 0.91%, 0.59%

LAB 44.34, 68.42, -82.61

 

CMYK 59 / 95 / 0 / 19

HEX #550ACF

RGB 85 10 207

HSL 262.84, 0.91%, 0.43%

LAB 31, 68.3, -82.49

 

CMYK 0 / 95 / 54 / 18

HEX #D10A60

RGB 209 10 96

HSL 334.07, 0.91%, 0.43%

LAB 45.1, 71.33, 8.45

 

CMYK 92 / 0 / 95 / 18

HEX #11D10A

RGB 17 209 10

HSL 117.89, 0.91%, 0.43%

LAB 73.38, -73.28, 70.68

 

CMYK 59 / 95 / 0 / 19

HEX #550ACF

RGB 85 10 207

HSL 262.84, 0.91%, 0.43%

LAB 31, 68.3, -82.49

 

CMYK 0 / 60 / 95 / 18

HEX #D1530A

RGB 209 83 10

HSL 22.01, 0.91%, 0.43%

LAB 51.57, 47.06, 59.28

 

CMYK 95 / 0 / 60 / 18

HEX #0AD153

RGB 10 209 83

HSL 142.01, 0.91%, 0.43%

LAB 73.73, -68.63, 49.55

 

CMYK 59 / 95 / 0 / 19

HEX #550ACF

RGB 85 10 207

HSL 262.84, 0.91%, 0.43%

LAB 31, 68.3, -82.49

 

CMYK 0 / 95 / 54 / 18

HEX #D10A60

RGB 209 10 96

HSL 334.07, 0.91%, 0.43%

LAB 45.1, 71.33, 8.45

 

CMYK 35 / 0 / 95 / 18

HEX #88D10A

RGB 136 209 10

HSL 82.01, 0.91%, 0.43%

LAB 76.59, -47.65, 74.62

 

CMYK 95 / 0 / 41 / 18

HEX #0AD17B

RGB 10 209 123

HSL 154.07, 0.91%, 0.43%

LAB 74.25, -62.37, 30.84

 

CMYK 59 / 95 / 0 / 19

HEX #550ACF

RGB 85 10 207

HSL 262.84, 0.91%, 0.43%

LAB 31, 68.3, -82.49

 

CMYK 0 / 95 / 83 / 18

HEX #D10A24

RGB 209 10 36

HSL 352.16, 0.91%, 0.43%

LAB 44.09, 68.55, 43.58

 

CMYK 35 / 0 / 95 / 18

HEX #88D10A

RGB 136 209 10

HSL 82.01, 0.91%, 0.43%

LAB 76.59, -47.65, 74.62

 

CMYK 95 / 0 / 12 / 18

HEX #0AD1B7

RGB 10 209 183

HSL 172.16, 0.91%, 0.43%

LAB 75.5, -48.5, 0.82

 

Description

Color code: HEX #550ACF | qconv.com Color code: HEX #550ACF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 10 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 10 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 95 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 95% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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