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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #550991 it is the complementary color #AAF66E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #550991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #550991 shade: #5A098C, #6B1B9F, #7C2DB2, #8D3FC5 and #9E51D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #550991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #550991 shade: #550991, #44007E, #33006B, #220058 and #110045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #550991 shade: #540990, #790990, #900983, #90095E and #90093A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #550991 shade: #540990, #300990, #0C0990 and #090990

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #550991 shade matches the following richer shades: #540990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #550991 shade: #540990, #531683, #522277, #502E6B and #4F3B5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #550991 shade: #0B0990, #2F0990, #530990, #770990 and #900985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #550991 shade: #270442, #3E0769, #540990, #6B0CB7 and #820EDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #550991 shade: #550991, #90092B and #09901D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #550991 shade: #550991, #905309 and #099053

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #550991 shade: #550991, #90092B, #469009 and #09906E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #550991 shade: #550991, #901009, #469009 and #098990

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 94 / 0 / 43

HEX #550991

RGB 85 9 145

HSL 273.53, 0.88%, 0.3%

LAB 24.23, 54.11, -56.48

 

Complementary color

CMYK 31 / 0 / 55 / 4

HEX #AAF66E

RGB 170 246 110

HSL 93.53, 0.88%, 0.7%

LAB 89.67, -45.61, 57.18

 

CMYK 36 / 94 / 0 / 45

HEX #5A098C

RGB 90 9 140

HSL 277.1, 0.88%, 0.29%

LAB 24.52, 53.64, -52.86

 

CMYK 33 / 83 / 0 / 38

HEX #6B1B9F

RGB 107 27 159

HSL 276.36, 0.71%, 0.36%

LAB 30.43, 55.57, -54.79

 

CMYK 30 / 75 / 0 / 30

HEX #7C2DB2

RGB 124 45 178

HSL 275.64, 0.6%, 0.44%

LAB 36.7, 56.14, -55.9

 

CMYK 28 / 68 / 0 / 23

HEX #8D3FC5

RGB 141 63 197

HSL 274.93, 0.54%, 0.51%

LAB 43.14, 55.96, -56.52

 

CMYK 27 / 63 / 0 / 15

HEX #9E51D8

RGB 158 81 216

HSL 274.22, 0.63%, 0.58%

LAB 49.63, 55.4, -56.88

 

CMYK 41 / 94 / 0 / 43

HEX #550991

RGB 85 9 145

HSL 273.53, 0.88%, 0.3%

LAB 24.23, 54.11, -56.48

 

CMYK 46 / 100 / 0 / 51

HEX #44007E

RGB 68 0 126

HSL 272.38, 1%, 0.25%

LAB 18.95, 50.08, -53.32

 

CMYK 52 / 100 / 0 / 58

HEX #33006B

RGB 51 0 107

HSL 268.6, 1%, 0.21%

LAB 14.2, 44, -48.96

 

CMYK 61 / 100 / 0 / 65

HEX #220058

RGB 34 0 88

HSL 263.18, 1%, 0.17%

LAB 9.36, 37.82, -44.38

 

CMYK 75 / 100 / 0 / 73

HEX #110045

RGB 17 0 69

HSL 254.78, 1%, 0.14%

LAB 4.96, 29.4, -38.54

 

CMYK 42 / 94 / 0 / 44

HEX #540990

RGB 84 9 144

HSL 273.33, 0.88%, 0.3%

LAB 23.98, 53.77, -56.27

 

CMYK 16 / 94 / 0 / 44

HEX #790990

RGB 121 9 144

HSL 289.78, 0.88%, 0.3%

LAB 30.09, 59.05, -46.04

 

CMYK 0 / 94 / 9 / 44

HEX #900983

RGB 144 9 131

HSL 305.78, 0.88%, 0.3%

LAB 33.49, 61.02, -32.3

 

CMYK 0 / 94 / 35 / 44

HEX #90095E

RGB 144 9 94

HSL 322.22, 0.88%, 0.3%

LAB 31.65, 56.24, -11.58

 

CMYK 0 / 94 / 60 / 44

HEX #90093A

RGB 144 9 58

HSL 338.22, 0.88%, 0.3%

LAB 30.47, 53.02, 10.51

 

CMYK 42 / 94 / 0 / 44

HEX #540990

RGB 84 9 144

HSL 273.33, 0.88%, 0.3%

LAB 23.98, 53.77, -56.27

 

CMYK 67 / 94 / 0 / 44

HEX #300990

RGB 48 9 144

HSL 257.33, 0.88%, 0.3%

LAB 19.38, 50.39, -64.02

 

CMYK 92 / 94 / 0 / 44

HEX #0C0990

RGB 12 9 144

HSL 241.33, 0.88%, 0.3%

LAB 16.93, 48.89, -68.18

 

CMYK 94 / 94 / 0 / 44

HEX #090990

RGB 9 9 144

HSL 240, 0.88%, 0.3%

LAB 16.83, 48.84, -68.34

 

CMYK 42 / 94 / 0 / 44

HEX #540990

RGB 84 9 144

HSL 273.33, 0.88%, 0.3%

LAB 23.98, 53.77, -56.27

 

CMYK 42 / 94 / 0 / 44

HEX #540990

RGB 84 9 144

HSL 273.33, 0.88%, 0.3%

LAB 23.98, 53.77, -56.27

 

CMYK 37 / 83 / 0 / 49

HEX #531683

RGB 83 22 131

HSL 273.58, 0.71%, 0.3%

LAB 23.84, 46.95, -48.37

 

CMYK 31 / 71 / 0 / 53

HEX #522277

RGB 82 34 119

HSL 273.88, 0.56%, 0.3%

LAB 24.54, 38.56, -39.63

 

CMYK 25 / 57 / 0 / 58

HEX #502E6B

RGB 80 46 107

HSL 273.44, 0.4%, 0.3%

LAB 25.92, 28.26, -29.74

 

CMYK 16 / 37 / 0 / 63

HEX #4F3B5E

RGB 79 59 94

HSL 274.29, 0.23%, 0.3%

LAB 28.38, 16.38, -17.51

 

CMYK 92 / 94 / 0 / 44

HEX #0B0990

RGB 11 9 144

HSL 240.89, 0.88%, 0.3%

LAB 16.89, 48.87, -68.23

 

CMYK 67 / 94 / 0 / 44

HEX #2F0990

RGB 47 9 144

HSL 256.89, 0.88%, 0.3%

LAB 19.28, 50.32, -64.19

 

CMYK 42 / 94 / 0 / 44

HEX #530990

RGB 83 9 144

HSL 272.89, 0.88%, 0.3%

LAB 23.83, 53.65, -56.53

 

CMYK 17 / 94 / 0 / 44

HEX #770990

RGB 119 9 144

HSL 288.89, 0.88%, 0.3%

LAB 29.74, 58.73, -46.63

 

CMYK 0 / 94 / 8 / 44

HEX #900985

RGB 144 9 133

HSL 304.89, 0.88%, 0.3%

LAB 33.6, 61.31, -33.36

 

CMYK 41 / 94 / 0 / 74

HEX #270442

RGB 39 4 66

HSL 273.87, 0.89%, 0.14%

LAB 8.23, 30.38, -30.93

 

CMYK 41 / 93 / 0 / 59

HEX #3E0769

RGB 62 7 105

HSL 273.67, 0.88%, 0.22%

LAB 16.48, 42.36, -43.83

 

CMYK 42 / 94 / 0 / 44

HEX #540990

RGB 84 9 144

HSL 273.33, 0.88%, 0.3%

LAB 23.98, 53.77, -56.27

 

CMYK 42 / 93 / 0 / 28

HEX #6B0CB7

RGB 107 12 183

HSL 273.33, 0.88%, 0.38%

LAB 31.36, 64.48, -67.68

 

CMYK 41 / 94 / 0 / 13

HEX #820EDD

RGB 130 14 221

HSL 273.62, 0.88%, 0.46%

LAB 38.34, 74.68, -78.27

 

CMYK 41 / 94 / 0 / 43

HEX #550991

RGB 85 9 145

HSL 273.53, 0.88%, 0.3%

LAB 24.23, 54.11, -56.48

 

CMYK 0 / 94 / 70 / 44

HEX #90092B

RGB 144 9 43

HSL 344.89, 0.88%, 0.3%

LAB 30.15, 52.14, 20.08

 

CMYK 94 / 0 / 80 / 44

HEX #09901D

RGB 9 144 29

HSL 128.89, 0.88%, 0.3%

LAB 51.94, -54.42, 48.01

 

CMYK 41 / 94 / 0 / 43

HEX #550991

RGB 85 9 145

HSL 273.53, 0.88%, 0.3%

LAB 24.23, 54.11, -56.48

 

CMYK 0 / 42 / 94 / 44

HEX #905309

RGB 144 83 9

HSL 32.89, 0.88%, 0.3%

LAB 41.43, 20.5, 47.8

 

CMYK 94 / 0 / 42 / 44

HEX #099053

RGB 9 144 83

HSL 152.89, 0.88%, 0.3%

LAB 52.54, -47.09, 23.49

 

CMYK 41 / 94 / 0 / 43

HEX #550991

RGB 85 9 145

HSL 273.53, 0.88%, 0.3%

LAB 24.23, 54.11, -56.48

 

CMYK 0 / 94 / 70 / 44

HEX #90092B

RGB 144 9 43

HSL 344.89, 0.88%, 0.3%

LAB 30.15, 52.14, 20.08

 

CMYK 51 / 0 / 94 / 44

HEX #469009

RGB 70 144 9

HSL 92.89, 0.88%, 0.3%

LAB 53.24, -43.86, 54.59

 

CMYK 94 / 0 / 24 / 44

HEX #09906E

RGB 9 144 110

HSL 164.89, 0.88%, 0.3%

LAB 53.09, -40.85, 9.05

 

CMYK 41 / 94 / 0 / 43

HEX #550991

RGB 85 9 145

HSL 273.53, 0.88%, 0.3%

LAB 24.23, 54.11, -56.48

 

CMYK 0 / 89 / 94 / 44

HEX #901009

RGB 144 16 9

HSL 3.11, 0.88%, 0.3%

LAB 30.2, 49.82, 39.78

 

CMYK 51 / 0 / 94 / 44

HEX #469009

RGB 70 144 9

HSL 92.89, 0.88%, 0.3%

LAB 53.24, -43.86, 54.59

 

CMYK 94 / 5 / 0 / 44

HEX #098990

RGB 9 137 144

HSL 183.11, 0.88%, 0.3%

LAB 51.8, -27.58, -12.52

 

Description

Color code: HEX #550991 | qconv.com Color code: HEX #550991 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 9 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 9 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 94 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 94% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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