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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54F767 it is the complementary color #AB0898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54F767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54F767 shade: #59F762, #6AFF75, #7BFF88, #8CFF9B and #9DFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54F767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54F767 shade: #54F767, #43E554, #32D341, #21C12E and #10AF1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54F767 shade: #55F767, #6DF755, #99F755, #C5F755 and #F1F755

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54F767 shade: #55F767, #55F793, #55F7BF, #55F7EB and #55D7F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54F767 shade matches the following richer shades: #55F767

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54F767 shade: #55F767, #63E973, #71DA7E, #80CC89 and #8EBD94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54F767 shade: #9BF755, #70F755, #55F765, #55F790 and #55F7BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54F767 shade: #0BEE26, #2DF544, #55F767, #7CF98A and #A3FBAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54F767 shade: #54F767, #55C6F7 and #F75585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54F767 shade: #54F767, #6555F7 and #F76555

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54F767 shade: #54F767, #55C6F7, #F755E7 and #F78555

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54F767 shade: #54F767, #5596F7, #F755E7 and #F7B655

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 58 / 3

HEX #54F767

RGB 84 247 103

HSL 126.99, 0.91%, 0.65%

LAB 86.69, -69.95, 56

 

Complementary color

CMYK 0 / 95 / 11 / 33

HEX #AB0898

RGB 171 8 152

HSL 306.99, 0.91%, 0.35%

LAB 39.75, 69.24, -34.97

 

CMYK 64 / 0 / 60 / 3

HEX #59F762

RGB 89 247 98

HSL 123.42, 0.91%, 0.66%

LAB 86.76, -69.56, 58.26

 

CMYK 58 / 0 / 54 / 0

HEX #6AFF75

RGB 106 255 117

HSL 124.43, 1%, 0.71%

LAB 89.8, -66.58, 53.57

 

CMYK 52 / 0 / 47 / 0

HEX #7BFF88

RGB 123 255 136

HSL 125.91, 1%, 0.74%

LAB 90.56, -60.09, 45.8

 

CMYK 45 / 0 / 39 / 0

HEX #8CFF9B

RGB 140 255 155

HSL 127.83, 1%, 0.77%

LAB 91.44, -52.89, 37.85

 

CMYK 38 / 0 / 32 / 0

HEX #9DFFAE

RGB 157 255 174

HSL 130.41, 1%, 0.81%

LAB 92.46, -45.11, 29.87

 

CMYK 66 / 0 / 58 / 3

HEX #54F767

RGB 84 247 103

HSL 126.99, 0.91%, 0.65%

LAB 86.69, -69.95, 56

 

CMYK 71 / 0 / 63 / 10

HEX #43E554

RGB 67 229 84

HSL 126.3, 0.76%, 0.58%

LAB 80.67, -69.07, 57.16

 

CMYK 76 / 0 / 69 / 17

HEX #32D341

RGB 50 211 65

HSL 125.59, 0.65%, 0.51%

LAB 74.6, -67.78, 58.11

 

CMYK 83 / 0 / 76 / 24

HEX #21C12E

RGB 33 193 46

HSL 124.88, 0.71%, 0.44%

LAB 68.5, -65.91, 58.63

 

CMYK 91 / 0 / 85 / 31

HEX #10AF1B

RGB 16 175 27

HSL 124.15, 0.83%, 0.37%

LAB 62.38, -63.26, 58.35

 

CMYK 66 / 0 / 58 / 3

HEX #55F767

RGB 85 247 103

HSL 126.67, 0.91%, 0.65%

LAB 86.72, -69.76, 56.03

 

CMYK 56 / 0 / 66 / 3

HEX #6DF755

RGB 109 247 85

HSL 111.11, 0.91%, 0.65%

LAB 87.21, -66.43, 64.22

 

CMYK 38 / 0 / 66 / 3

HEX #99F755

RGB 153 247 85

HSL 94.81, 0.91%, 0.65%

LAB 88.9, -53.87, 66.54

 

CMYK 20 / 0 / 66 / 3

HEX #C5F755

RGB 197 247 85

HSL 78.52, 0.91%, 0.65%

LAB 91.26, -38.39, 69.74

 

CMYK 2 / 0 / 66 / 3

HEX #F1F755

RGB 241 247 85

HSL 62.22, 0.91%, 0.65%

LAB 94.26, -21.21, 73.79

 

CMYK 66 / 0 / 58 / 3

HEX #55F767

RGB 85 247 103

HSL 126.67, 0.91%, 0.65%

LAB 86.72, -69.76, 56.03

 

CMYK 66 / 0 / 40 / 3

HEX #55F793

RGB 85 247 147

HSL 142.96, 0.91%, 0.65%

LAB 87.27, -63.47, 36.02

 

CMYK 66 / 0 / 23 / 3

HEX #55F7BF

RGB 85 247 191

HSL 159.26, 0.91%, 0.65%

LAB 88.07, -54.86, 14.76

 

CMYK 66 / 0 / 5 / 3

HEX #55F7EB

RGB 85 247 235

HSL 175.56, 0.91%, 0.65%

LAB 89.14, -44.22, -6.59

 

CMYK 66 / 13 / 0 / 3

HEX #55D7F7

RGB 85 215 247

HSL 191.85, 0.91%, 0.65%

LAB 80.32, -25.94, -26.17

 

CMYK 66 / 0 / 58 / 3

HEX #55F767

RGB 85 247 103

HSL 126.67, 0.91%, 0.65%

LAB 86.72, -69.76, 56.03

 

CMYK 66 / 0 / 58 / 3

HEX #55F767

RGB 85 247 103

HSL 126.67, 0.91%, 0.65%

LAB 86.72, -69.76, 56.03

 

CMYK 58 / 0 / 51 / 9

HEX #63E973

RGB 99 233 115

HSL 127.16, 0.75%, 0.65%

LAB 83, -60.41, 46.22

 

CMYK 48 / 0 / 42 / 15

HEX #71DA7E

RGB 113 218 126

HSL 127.43, 0.59%, 0.65%

LAB 79.13, -49.48, 36.08

 

CMYK 37 / 0 / 33 / 20

HEX #80CC89

RGB 128 204 137

HSL 127.11, 0.43%, 0.65%

LAB 75.81, -37.32, 26.17

 

CMYK 25 / 0 / 22 / 26

HEX #8EBD94

RGB 142 189 148

HSL 127.66, 0.26%, 0.65%

LAB 72.42, -23.76, 15.79

 

CMYK 37 / 0 / 66 / 3

HEX #9BF755

RGB 155 247 85

HSL 94.07, 0.91%, 0.65%

LAB 88.99, -53.22, 66.66

 

CMYK 55 / 0 / 66 / 3

HEX #70F755

RGB 112 247 85

HSL 110, 0.91%, 0.65%

LAB 87.3, -65.69, 64.35

 

CMYK 66 / 0 / 59 / 3

HEX #55F765

RGB 85 247 101

HSL 125.93, 0.91%, 0.65%

LAB 86.7, -69.99, 56.87

 

CMYK 66 / 0 / 42 / 3

HEX #55F790

RGB 85 247 144

HSL 141.85, 0.91%, 0.65%

LAB 87.23, -63.97, 37.45

 

CMYK 66 / 0 / 24 / 3

HEX #55F7BB

RGB 85 247 187

HSL 157.78, 0.91%, 0.65%

LAB 87.99, -55.73, 16.7

 

CMYK 95 / 0 / 84 / 7

HEX #0BEE26

RGB 11 238 38

HSL 127.14, 0.91%, 0.49%

LAB 82.57, -80.47, 73.96

 

CMYK 82 / 0 / 72 / 4

HEX #2DF544

RGB 45 245 68

HSL 126.9, 0.91%, 0.57%

LAB 85.14, -78.32, 67.9

 

CMYK 66 / 0 / 58 / 3

HEX #55F767

RGB 85 247 103

HSL 126.67, 0.91%, 0.65%

LAB 86.72, -69.76, 56.03

 

CMYK 50 / 0 / 45 / 2

HEX #7CF98A

RGB 124 249 138

HSL 126.72, 0.91%, 0.73%

LAB 88.86, -57.23, 42.71

 

CMYK 35 / 0 / 31 / 2

HEX #A3FBAE

RGB 163 251 174

HSL 127.5, 0.92%, 0.81%

LAB 91.61, -41.6, 28.77

 

CMYK 66 / 0 / 58 / 3

HEX #54F767

RGB 84 247 103

HSL 126.99, 0.91%, 0.65%

LAB 86.69, -69.95, 56

 

CMYK 66 / 20 / 0 / 3

HEX #55C6F7

RGB 85 198 247

HSL 198.15, 0.91%, 0.65%

LAB 75.47, -17.32, -33.61

 

CMYK 0 / 66 / 46 / 3

HEX #F75585

RGB 247 85 133

HSL 342.22, 0.91%, 0.65%

LAB 59.86, 65.14, 8.04

 

CMYK 66 / 0 / 58 / 3

HEX #54F767

RGB 84 247 103

HSL 126.99, 0.91%, 0.65%

LAB 86.69, -69.95, 56

 

CMYK 59 / 66 / 0 / 3

HEX #6555F7

RGB 101 85 247

HSL 245.93, 0.91%, 0.65%

LAB 46.95, 50.75, -78.99

 

CMYK 0 / 59 / 66 / 3

HEX #F76555

RGB 247 101 85

HSL 5.93, 0.91%, 0.65%

LAB 61.43, 54.95, 37.66

 

CMYK 66 / 0 / 58 / 3

HEX #54F767

RGB 84 247 103

HSL 126.99, 0.91%, 0.65%

LAB 86.69, -69.95, 56

 

CMYK 66 / 20 / 0 / 3

HEX #55C6F7

RGB 85 198 247

HSL 198.15, 0.91%, 0.65%

LAB 75.47, -17.32, -33.61

 

CMYK 0 / 66 / 6 / 3

HEX #F755E7

RGB 247 85 231

HSL 305.93, 0.91%, 0.65%

LAB 63.38, 77.1, -42.73

 

CMYK 0 / 46 / 66 / 3

HEX #F78555

RGB 247 133 85

HSL 17.78, 0.91%, 0.65%

LAB 67.43, 39.62, 44.8

 

CMYK 66 / 0 / 58 / 3

HEX #54F767

RGB 84 247 103

HSL 126.99, 0.91%, 0.65%

LAB 86.69, -69.95, 56

 

CMYK 66 / 39 / 0 / 3

HEX #5596F7

RGB 85 150 247

HSL 215.93, 0.91%, 0.65%

LAB 62.05, 9.38, -54.66

 

CMYK 0 / 66 / 6 / 3

HEX #F755E7

RGB 247 85 231

HSL 305.93, 0.91%, 0.65%

LAB 63.38, 77.1, -42.73

 

CMYK 0 / 26 / 66 / 3

HEX #F7B655

RGB 247 182 85

HSL 35.93, 0.91%, 0.65%

LAB 78.4, 14.09, 57.2

 

Description

Color code: HEX #54F767 | qconv.com Color code: HEX #54F767 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 247 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 247 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 58 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 58% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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