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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54F535 it is the complementary color #AB0ACA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54F535. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54F535 shade: #59F530, #6AFF43, #7BFF56, #8CFF69 and #9DFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54F535. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54F535 shade: #54F535, #43E322, #32D10F, #21BF00 and #10AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54F535 shade: #52F532, #86F532, #BBF532, #F0F532 and #F5C732

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54F535 shade: #52F532, #32F548, #32F57C, #32F5B1 and #32F5E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54F535 shade matches the following richer shades: #52F532

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54F535 shade: #52F532, #5EE444, #69D355, #75C166 and #81B078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54F535 shade: #BBF532, #87F532, #53F532, #32F546 and #32F57A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54F535 shade: #29CC0A, #31F30B, #52F532, #73F75A and #95F981

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54F535 shade: #54F535, #32EFF5 and #F532A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54F535 shade: #54F535, #3253F5 and #F53253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54F535 shade: #54F535, #32EFF5, #D532F5 and #F53932

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54F535 shade: #54F535, #32B4F5, #D532F5 and #F57332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 78 / 4

HEX #54F535

RGB 84 245 53

HSL 110.31, 0.91%, 0.58%

LAB 85.73, -73.57, 73.4

 

Complementary color

CMYK 15 / 95 / 0 / 21

HEX #AB0ACA

RGB 171 10 202

HSL 290.31, 0.91%, 0.42%

LAB 42.97, 76.76, -59.48

 

CMYK 64 / 0 / 80 / 4

HEX #59F530

RGB 89 245 48

HSL 107.51, 0.91%, 0.57%

LAB 85.83, -72.82, 74.89

 

CMYK 58 / 0 / 74 / 0

HEX #6AFF43

RGB 106 255 67

HSL 107.55, 1%, 0.63%

LAB 89.39, -71.27, 72.89

 

CMYK 52 / 0 / 66 / 0

HEX #7BFF56

RGB 123 255 86

HSL 106.86, 1%, 0.67%

LAB 90.05, -65.65, 67.01

 

CMYK 45 / 0 / 59 / 0

HEX #8CFF69

RGB 140 255 105

HSL 106, 1%, 0.71%

LAB 90.83, -59.23, 60.35

 

CMYK 38 / 0 / 51 / 0

HEX #9DFF7C

RGB 157 255 124

HSL 104.89, 1%, 0.74%

LAB 91.75, -52.11, 53.18

 

CMYK 66 / 0 / 78 / 4

HEX #54F535

RGB 84 245 53

HSL 110.31, 0.91%, 0.58%

LAB 85.73, -73.57, 73.4

 

CMYK 70 / 0 / 85 / 11

HEX #43E322

RGB 67 227 34

HSL 109.74, 0.78%, 0.51%

LAB 79.75, -72.03, 72.56

 

CMYK 76 / 0 / 93 / 18

HEX #32D10F

RGB 50 209 15

HSL 109.18, 0.87%, 0.44%

LAB 73.75, -69.93, 70.57

 

CMYK 83 / 0 / 100 / 25

HEX #21BF00

RGB 33 191 0

HSL 109.63, 1%, 0.37%

LAB 67.71, -67.16, 67.23

 

CMYK 91 / 0 / 100 / 32

HEX #10AD00

RGB 16 173 0

HSL 114.45, 1%, 0.34%

LAB 61.65, -63.56, 62.3

 

CMYK 67 / 0 / 80 / 4

HEX #52F532

RGB 82 245 50

HSL 110.15, 0.91%, 0.58%

LAB 85.67, -74.11, 74.16

 

CMYK 45 / 0 / 80 / 4

HEX #86F532

RGB 134 245 50

HSL 94.15, 0.91%, 0.58%

LAB 87.29, -61.21, 76.25

 

CMYK 24 / 0 / 80 / 4

HEX #BBF532

RGB 187 245 50

HSL 77.85, 0.91%, 0.58%

LAB 89.91, -43.09, 79.59

 

CMYK 2 / 0 / 80 / 4

HEX #F0F532

RGB 240 245 50

HSL 61.54, 0.91%, 0.58%

LAB 93.48, -22.16, 84.11

 

CMYK 0 / 19 / 80 / 4

HEX #F5C732

RGB 245 199 50

HSL 45.85, 0.91%, 0.58%

LAB 82.1, 2.83, 74.33

 

CMYK 67 / 0 / 80 / 4

HEX #52F532

RGB 82 245 50

HSL 110.15, 0.91%, 0.58%

LAB 85.67, -74.11, 74.16

 

CMYK 80 / 0 / 71 / 4

HEX #32F548

RGB 50 245 72

HSL 126.77, 0.91%, 0.58%

LAB 85.23, -77.47, 66.61

 

CMYK 80 / 0 / 49 / 4

HEX #32F57C

RGB 50 245 124

HSL 142.77, 0.91%, 0.58%

LAB 85.72, -71.4, 45.1

 

CMYK 80 / 0 / 28 / 4

HEX #32F5B1

RGB 50 245 177

HSL 159.08, 0.91%, 0.58%

LAB 86.58, -61.62, 19.8

 

CMYK 80 / 0 / 7 / 4

HEX #32F5E5

RGB 50 245 229

HSL 175.08, 0.91%, 0.58%

LAB 87.8, -48.91, -5.5

 

CMYK 67 / 0 / 80 / 4

HEX #52F532

RGB 82 245 50

HSL 110.15, 0.91%, 0.58%

LAB 85.67, -74.11, 74.16

 

CMYK 67 / 0 / 80 / 4

HEX #52F532

RGB 82 245 50

HSL 110.15, 0.91%, 0.58%

LAB 85.67, -74.11, 74.16

 

CMYK 59 / 0 / 70 / 11

HEX #5EE444

RGB 94 228 68

HSL 110.25, 0.75%, 0.58%

LAB 80.9, -64.81, 63.86

 

CMYK 50 / 0 / 60 / 17

HEX #69D355

RGB 105 211 85

HSL 110.48, 0.59%, 0.58%

LAB 76.22, -54.22, 52

 

CMYK 39 / 0 / 47 / 24

HEX #75C166

RGB 117 193 102

HSL 110.11, 0.42%, 0.58%

LAB 71.47, -41.2, 38.41

 

CMYK 27 / 0 / 32 / 31

HEX #81B078

RGB 129 176 120

HSL 110.36, 0.26%, 0.58%

LAB 67.33, -26.62, 23.79

 

CMYK 24 / 0 / 80 / 4

HEX #BBF532

RGB 187 245 50

HSL 77.85, 0.91%, 0.58%

LAB 89.91, -43.09, 79.59

 

CMYK 45 / 0 / 80 / 4

HEX #87F532

RGB 135 245 50

HSL 93.85, 0.91%, 0.58%

LAB 87.33, -60.91, 76.3

 

CMYK 66 / 0 / 80 / 4

HEX #53F532

RGB 83 245 50

HSL 109.85, 0.91%, 0.58%

LAB 85.69, -73.92, 74.19

 

CMYK 80 / 0 / 71 / 4

HEX #32F546

RGB 50 245 70

HSL 126.15, 0.91%, 0.58%

LAB 85.21, -77.63, 67.3

 

CMYK 80 / 0 / 50 / 4

HEX #32F57A

RGB 50 245 122

HSL 142.15, 0.91%, 0.58%

LAB 85.7, -71.7, 46.01

 

CMYK 80 / 0 / 95 / 20

HEX #29CC0A

RGB 41 204 10

HSL 110.41, 0.91%, 0.42%

LAB 72.01, -69.78, 69.66

 

CMYK 80 / 0 / 95 / 5

HEX #31F30B

RGB 49 243 11

HSL 110.17, 0.91%, 0.5%

LAB 84.37, -79.87, 79.73

 

CMYK 67 / 0 / 80 / 4

HEX #52F532

RGB 82 245 50

HSL 110.15, 0.91%, 0.58%

LAB 85.67, -74.11, 74.16

 

CMYK 53 / 0 / 64 / 3

HEX #73F75A

RGB 115 247 90

HSL 110.45, 0.91%, 0.66%

LAB 87.44, -64.49, 62.54

 

CMYK 40 / 0 / 48 / 2

HEX #95F981

RGB 149 249 129

HSL 110, 0.91%, 0.74%

LAB 89.73, -51.49, 48.31

 

CMYK 66 / 0 / 78 / 4

HEX #54F535

RGB 84 245 53

HSL 110.31, 0.91%, 0.58%

LAB 85.73, -73.57, 73.4

 

CMYK 80 / 2 / 0 / 4

HEX #32EFF5

RGB 50 239 245

HSL 181.85, 0.91%, 0.58%

LAB 86.51, -41.84, -15.8

 

CMYK 0 / 80 / 34 / 4

HEX #F532A1

RGB 245 50 161

HSL 325.85, 0.91%, 0.58%

LAB 56.35, 78.49, -13.57

 

CMYK 66 / 0 / 78 / 4

HEX #54F535

RGB 84 245 53

HSL 110.31, 0.91%, 0.58%

LAB 85.73, -73.57, 73.4

 

CMYK 80 / 66 / 0 / 4

HEX #3253F5

RGB 50 83 245

HSL 229.85, 0.91%, 0.58%

LAB 43.44, 45.52, -83.72

 

CMYK 0 / 80 / 66 / 4

HEX #F53253

RGB 245 50 83

HSL 349.85, 0.91%, 0.58%

LAB 54.36, 72.52, 30

 

CMYK 66 / 0 / 78 / 4

HEX #54F535

RGB 84 245 53

HSL 110.31, 0.91%, 0.58%

LAB 85.73, -73.57, 73.4

 

CMYK 80 / 2 / 0 / 4

HEX #32EFF5

RGB 50 239 245

HSL 181.85, 0.91%, 0.58%

LAB 86.51, -41.84, -15.8

 

CMYK 13 / 80 / 0 / 4

HEX #D532F5

RGB 213 50 245

HSL 290.15, 0.91%, 0.58%

LAB 55.09, 83.44, -64.04

 

CMYK 0 / 77 / 80 / 4

HEX #F53932

RGB 245 57 50

HSL 2.15, 0.91%, 0.58%

LAB 54.63, 69.32, 48.83

 

CMYK 66 / 0 / 78 / 4

HEX #54F535

RGB 84 245 53

HSL 110.31, 0.91%, 0.58%

LAB 85.73, -73.57, 73.4

 

CMYK 80 / 27 / 0 / 4

HEX #32B4F5

RGB 50 180 245

HSL 200, 0.91%, 0.58%

LAB 69.41, -12.79, -42.02

 

CMYK 13 / 80 / 0 / 4

HEX #D532F5

RGB 213 50 245

HSL 290.15, 0.91%, 0.58%

LAB 55.09, 83.44, -64.04

 

CMYK 0 / 53 / 80 / 4

HEX #F57332

RGB 245 115 50

HSL 20, 0.91%, 0.58%

LAB 63.26, 46.2, 57.17

 

Description

Color code: HEX #54F535 | qconv.com Color code: HEX #54F535 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 245 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 245 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 78% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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