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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54F448 it is the complementary color #AB0BB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54F448. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54F448 shade: #59F443, #6AFF56, #7BFF69, #8CFF7C and #9DFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54F448. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54F448 shade: #54F448, #43E235, #32D022, #21BE0F and #10AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54F448 shade: #54F448, #82F448, #B1F448, #DFF448 and #F4DB48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54F448 shade: #54F448, #48F46A, #48F499, #48F4C7 and #48F3F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54F448 shade matches the following richer shades: #54F448

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54F448 shade: #54F448, #61E558, #6FD567, #7CC577 and #8AB687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54F448 shade: #B2F448, #84F448, #56F448, #48F467 and #48F495

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54F448 shade: #1BDD0D, #2FF221, #54F448, #78F76F and #9DF996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54F448 shade: #54F448, #48E0F4 and #F4489B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54F448 shade: #54F448, #4856F4 and #F44856

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54F448 shade: #54F448, #48E0F4, #E648F4 and #F45C48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54F448 shade: #54F448, #48ACF4, #E648F4 and #F49048

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

Complementary color

CMYK 7 / 94 / 0 / 28

HEX #AB0BB7

RGB 171 11 183

HSL 295.81, 0.89%, 0.38%

LAB 41.71, 73.55, -50.38

 

CMYK 64 / 0 / 73 / 4

HEX #59F443

RGB 89 244 67

HSL 112.54, 0.89%, 0.61%

LAB 85.62, -71.35, 68.99

 

CMYK 58 / 0 / 66 / 0

HEX #6AFF56

RGB 106 255 86

HSL 112.9, 1%, 0.67%

LAB 89.51, -69.82, 66.29

 

CMYK 52 / 0 / 59 / 0

HEX #7BFF69

RGB 123 255 105

HSL 112.8, 1%, 0.71%

LAB 90.21, -63.87, 59.47

 

CMYK 45 / 0 / 51 / 0

HEX #8CFF7C

RGB 140 255 124

HSL 112.67, 1%, 0.74%

LAB 91.03, -57.14, 52.14

 

CMYK 38 / 0 / 44 / 0

HEX #9DFF8F

RGB 157 255 143

HSL 112.5, 1%, 0.78%

LAB 91.99, -49.75, 44.54

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 70 / 0 / 77 / 11

HEX #43E235

RGB 67 226 53

HSL 115.14, 0.75%, 0.55%

LAB 79.52, -70.73, 67.34

 

CMYK 76 / 0 / 84 / 18

HEX #32D022

RGB 50 208 34

HSL 114.48, 0.72%, 0.47%

LAB 73.48, -68.98, 66.84

 

CMYK 83 / 0 / 92 / 25

HEX #21BE0F

RGB 33 190 15

HSL 113.83, 0.85%, 0.4%

LAB 67.42, -66.55, 65.17

 

CMYK 91 / 0 / 100 / 33

HEX #10AC00

RGB 16 172 0

HSL 114.42, 1%, 0.34%

LAB 61.32, -63.28, 62.04

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 47 / 0 / 70 / 4

HEX #82F448

RGB 130 244 72

HSL 99.77, 0.89%, 0.62%

LAB 86.96, -60.75, 69.03

 

CMYK 27 / 0 / 70 / 4

HEX #B1F448

RGB 177 244 72

HSL 83.37, 0.89%, 0.62%

LAB 89.17, -45.28, 71.98

 

CMYK 9 / 0 / 70 / 4

HEX #DFF448

RGB 223 244 72

HSL 67.33, 0.89%, 0.62%

LAB 92.07, -27.68, 75.82

 

CMYK 0 / 10 / 70 / 4

HEX #F4DB48

RGB 244 219 72

HSL 51.28, 0.89%, 0.62%

LAB 87.18, -6.91, 71.59

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 70 / 0 / 57 / 4

HEX #48F46A

RGB 72 244 106

HSL 131.86, 0.89%, 0.62%

LAB 85.56, -70.65, 53.29

 

CMYK 70 / 0 / 37 / 4

HEX #48F499

RGB 72 244 153

HSL 148.26, 0.89%, 0.62%

LAB 86.2, -63.41, 31.56

 

CMYK 70 / 0 / 18 / 4

HEX #48F4C7

RGB 72 244 199

HSL 164.3, 0.89%, 0.62%

LAB 87.1, -53.73, 9.18

 

CMYK 70 / 0 / 0 / 4

HEX #48F3F4

RGB 72 243 244

HSL 180.35, 0.89%, 0.62%

LAB 87.97, -41.72, -13.04

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 58 / 0 / 62 / 10

HEX #61E558

RGB 97 229 88

HSL 116.17, 0.73%, 0.62%

LAB 81.45, -62.64, 56.55

 

CMYK 48 / 0 / 52 / 16

HEX #6FD567

RGB 111 213 103

HSL 115.64, 0.57%, 0.62%

LAB 77.25, -51.23, 44.98

 

CMYK 37 / 0 / 40 / 23

HEX #7CC577

RGB 124 197 119

HSL 116.15, 0.4%, 0.62%

LAB 73.25, -38.3, 32.11

 

CMYK 24 / 0 / 26 / 29

HEX #8AB687

RGB 138 182 135

HSL 116.17, 0.24%, 0.62%

LAB 69.9, -23.95, 19.28

 

CMYK 27 / 0 / 70 / 4

HEX #B2F448

RGB 178 244 72

HSL 83.02, 0.89%, 0.62%

LAB 89.22, -44.92, 72.05

 

CMYK 46 / 0 / 70 / 4

HEX #84F448

RGB 132 244 72

HSL 99.07, 0.89%, 0.62%

LAB 87.03, -60.17, 69.14

 

CMYK 65 / 0 / 70 / 4

HEX #56F448

RGB 86 244 72

HSL 115.12, 0.89%, 0.62%

LAB 85.58, -71.58, 67.18

 

CMYK 70 / 0 / 58 / 4

HEX #48F467

RGB 72 244 103

HSL 130.81, 0.89%, 0.62%

LAB 85.53, -71.02, 54.58

 

CMYK 70 / 0 / 39 / 4

HEX #48F495

RGB 72 244 149

HSL 146.86, 0.89%, 0.62%

LAB 86.13, -64.13, 33.48

 

CMYK 88 / 0 / 94 / 13

HEX #1BDD0D

RGB 27 221 13

HSL 115.96, 0.89%, 0.46%

LAB 77.27, -75.86, 73.61

 

CMYK 81 / 0 / 86 / 5

HEX #2FF221

RGB 47 242 33

HSL 115.98, 0.89%, 0.54%

LAB 84.08, -79.25, 76.44

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 51 / 0 / 55 / 3

HEX #78F76F

RGB 120 247 111

HSL 116.03, 0.89%, 0.7%

LAB 87.81, -61.01, 54.01

 

CMYK 37 / 0 / 40 / 2

HEX #9DF996

RGB 157 249 150

HSL 115.76, 0.89%, 0.78%

LAB 90.38, -46.24, 39.07

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 70 / 8 / 0 / 4

HEX #48E0F4

RGB 72 224 244

HSL 186.98, 0.89%, 0.62%

LAB 82.5, -32.97, -21.29

 

CMYK 0 / 70 / 36 / 4

HEX #F4489B

RGB 244 72 155

HSL 331.05, 0.89%, 0.62%

LAB 58.26, 71.17, -7.22

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 70 / 65 / 0 / 4

HEX #4856F4

RGB 72 86 244

HSL 235.12, 0.89%, 0.62%

LAB 45.03, 45.45, -80.52

 

CMYK 0 / 70 / 65 / 4

HEX #F44856

RGB 244 72 86

HSL 355.12, 0.89%, 0.62%

LAB 56.62, 65.69, 31.05

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 70 / 8 / 0 / 4

HEX #48E0F4

RGB 72 224 244

HSL 186.98, 0.89%, 0.62%

LAB 82.5, -32.97, -21.29

 

CMYK 6 / 70 / 0 / 4

HEX #E648F4

RGB 230 72 244

HSL 295.12, 0.89%, 0.62%

LAB 59.88, 79.98, -55.67

 

CMYK 0 / 62 / 70 / 4

HEX #F45C48

RGB 244 92 72

HSL 6.98, 0.89%, 0.62%

LAB 59.3, 57.18, 42.13

 

CMYK 66 / 0 / 70 / 4

HEX #54F448

RGB 84 244 72

HSL 115.81, 0.89%, 0.62%

LAB 85.53, -71.97, 67.12

 

CMYK 70 / 30 / 0 / 4

HEX #48ACF4

RGB 72 172 244

HSL 205.12, 0.89%, 0.62%

LAB 67.59, -6.21, -44.3

 

CMYK 6 / 70 / 0 / 4

HEX #E648F4

RGB 230 72 244

HSL 295.12, 0.89%, 0.62%

LAB 59.88, 79.98, -55.67

 

CMYK 0 / 41 / 70 / 4

HEX #F49048

RGB 244 144 72

HSL 25.12, 0.89%, 0.62%

LAB 69.22, 32.1, 53.13

 

Description

Color code: HEX #54F448 | qconv.com Color code: HEX #54F448 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 244 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 244 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 70 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 70% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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