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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54F000 it is the complementary color #AB0FFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54F000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54F000 shade: #59F000, #6AFF0E, #7BFF21, #8CFF34 and #9DFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54F000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54F000 shade: #54F000, #43DE00, #32CC00, #21BA00 and #10A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54F000 shade: #54F000, #95F000, #D5F000, #F0CA00 and #F08900

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54F000 shade: #54F000, #13F000, #00F02D, #00F06E and #00F0AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54F000 shade matches the following richer shades: #54F000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54F000 shade: #54F000, #5ADC13, #60C927, #65B63A and #6BA24E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54F000 shade: #D4F000, #94F000, #54F000, #14F000 and #00F02C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54F000 shade: #379D00, #45C600, #54F000, #6AFF1A and #85FF43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54F000 shade: #54F000, #00F0CC and #F000B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54F000 shade: #54F000, #0054F0 and #F00054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54F000 shade: #54F000, #00F0CC, #9C00F0 and #F00024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54F000 shade: #54F000, #00CCF0, #9C00F0 and #F02400

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

Complementary color

CMYK 33 / 94 / 0 / 0

HEX #AB0FFF

RGB 171 15 255

HSL 279, 1%, 0.53%

LAB 47.26, 85.76, -82.64

 

CMYK 63 / 0 / 100 / 6

HEX #59F000

RGB 89 240 0

HSL 97.75, 1%, 0.47%

LAB 84.2, -72.55, 80.81

 

CMYK 58 / 0 / 95 / 0

HEX #6AFF0E

RGB 106 255 14

HSL 97.1, 1%, 0.53%

LAB 89.21, -73.32, 83.9

 

CMYK 52 / 0 / 87 / 0

HEX #7BFF21

RGB 123 255 33

HSL 95.68, 1%, 0.56%

LAB 89.79, -68.59, 82.05

 

CMYK 45 / 0 / 80 / 0

HEX #8CFF34

RGB 140 255 52

HSL 93.99, 1%, 0.6%

LAB 90.48, -63.03, 78.73

 

CMYK 38 / 0 / 72 / 0

HEX #9DFF47

RGB 157 255 71

HSL 91.96, 1%, 0.64%

LAB 91.3, -56.72, 74.11

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 70 / 0 / 100 / 13

HEX #43DE00

RGB 67 222 0

HSL 101.89, 1%, 0.44%

LAB 78.13, -71.33, 75.77

 

CMYK 75 / 0 / 100 / 20

HEX #32CC00

RGB 50 204 0

HSL 105.29, 1%, 0.4%

LAB 72.14, -68.74, 70.86

 

CMYK 82 / 0 / 100 / 27

HEX #21BA00

RGB 33 186 0

HSL 109.35, 1%, 0.36%

LAB 66.09, -65.72, 65.93

 

CMYK 90 / 0 / 100 / 34

HEX #10A800

RGB 16 168 0

HSL 114.29, 1%, 0.33%

LAB 59.99, -62.14, 60.98

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 38 / 0 / 100 / 6

HEX #95F000

RGB 149 240 0

HSL 82.75, 1%, 0.47%

LAB 86.36, -55.73, 83.43

 

CMYK 11 / 0 / 100 / 6

HEX #D5F000

RGB 213 240 0

HSL 66.75, 1%, 0.47%

LAB 90.08, -31.66, 87.88

 

CMYK 0 / 16 / 100 / 6

HEX #F0CA00

RGB 240 202 0

HSL 50.5, 1%, 0.47%

LAB 82.25, -1.72, 83.19

 

CMYK 0 / 43 / 100 / 6

HEX #F08900

RGB 240 137 0

HSL 34.25, 1%, 0.47%

LAB 66.84, 32.3, 72.85

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 92 / 0 / 100 / 6

HEX #13F000

RGB 19 240 0

HSL 115.25, 1%, 0.47%

LAB 83.16, -81.65, 79.54

 

CMYK 100 / 0 / 81 / 6

HEX #00F02D

RGB 0 240 45

HSL 131.25, 1%, 0.47%

LAB 83.18, -81.01, 72.83

 

CMYK 100 / 0 / 54 / 6

HEX #00F06E

RGB 0 240 110

HSL 147.5, 1%, 0.47%

LAB 83.68, -74.79, 49.05

 

CMYK 100 / 0 / 27 / 6

HEX #00F0AF

RGB 0 240 175

HSL 163.75, 1%, 0.47%

LAB 84.7, -62.82, 18.16

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 59 / 0 / 91 / 14

HEX #5ADC13

RGB 90 220 19

HSL 98.81, 0.84%, 0.47%

LAB 78.11, -65.51, 74.04

 

CMYK 52 / 0 / 81 / 21

HEX #60C927

RGB 96 201 39

HSL 98.89, 0.68%, 0.47%

LAB 72.5, -56.57, 65.09

 

CMYK 45 / 0 / 68 / 29

HEX #65B63A

RGB 101 182 58

HSL 99.19, 0.52%, 0.47%

LAB 66.92, -46.48, 53.19

 

CMYK 34 / 0 / 52 / 36

HEX #6BA24E

RGB 107 162 78

HSL 99.29, 0.35%, 0.47%

LAB 61.23, -33.75, 37.72

 

CMYK 12 / 0 / 100 / 6

HEX #D4F000

RGB 212 240 0

HSL 67, 1%, 0.47%

LAB 90.01, -32.07, 87.8

 

CMYK 38 / 0 / 100 / 6

HEX #94F000

RGB 148 240 0

HSL 83, 1%, 0.47%

LAB 86.31, -56.06, 83.37

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 92 / 0 / 100 / 6

HEX #14F000

RGB 20 240 0

HSL 115, 1%, 0.47%

LAB 83.16, -81.6, 79.55

 

CMYK 100 / 0 / 82 / 6

HEX #00F02C

RGB 0 240 44

HSL 131, 1%, 0.47%

LAB 83.18, -81.06, 73.07

 

CMYK 65 / 0 / 100 / 38

HEX #379D00

RGB 55 157 0

HSL 98.98, 1%, 0.31%

LAB 57, -52.94, 58.87

 

CMYK 65 / 0 / 100 / 22

HEX #45C600

RGB 69 198 0

HSL 99.09, 1%, 0.39%

LAB 70.63, -63.43, 69.84

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 58 / 0 / 90 / 0

HEX #6AFF1A

RGB 106 255 26

HSL 99.04, 1%, 0.55%

LAB 89.23, -73.08, 82.5

 

CMYK 48 / 0 / 74 / 0

HEX #85FF43

RGB 133 255 67

HSL 98.94, 1%, 0.63%

LAB 90.28, -64.28, 74.07

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 100 / 0 / 15 / 6

HEX #00F0CC

RGB 0 240 204

HSL 171, 1%, 0.47%

LAB 85.34, -55.8, 3.96

 

CMYK 0 / 100 / 25 / 6

HEX #F000B4

RGB 240 0 180

HSL 315, 1%, 0.47%

LAB 53.84, 86.28, -28.64

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 100 / 65 / 0 / 6

HEX #0054F0

RGB 0 84 240

HSL 219, 1%, 0.47%

LAB 42.2, 40.96, -82.99

 

CMYK 0 / 100 / 65 / 6

HEX #F00054

RGB 240 0 84

HSL 339, 1%, 0.47%

LAB 50.88, 78.56, 24.75

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 100 / 0 / 15 / 6

HEX #00F0CC

RGB 0 240 204

HSL 171, 1%, 0.47%

LAB 85.34, -55.8, 3.96

 

CMYK 35 / 100 / 0 / 6

HEX #9C00F0

RGB 156 0 240

HSL 279, 1%, 0.47%

LAB 43.3, 82.69, -80.8

 

CMYK 0 / 100 / 85 / 6

HEX #F00024

RGB 240 0 36

HSL 351, 1%, 0.47%

LAB 50.28, 76.93, 51.55

 

CMYK 65 / 0 / 100 / 6

HEX #54F000

RGB 84 240 0

HSL 99, 1%, 0.47%

LAB 84.07, -73.59, 80.66

 

CMYK 100 / 15 / 0 / 6

HEX #00CCF0

RGB 0 204 240

HSL 189, 1%, 0.47%

LAB 75.75, -29.33, -29.53

 

CMYK 35 / 100 / 0 / 6

HEX #9C00F0

RGB 156 0 240

HSL 279, 1%, 0.47%

LAB 43.3, 82.69, -80.8

 

CMYK 0 / 85 / 100 / 6

HEX #F02400

RGB 240 36 0

HSL 9, 1%, 0.47%

LAB 51.6, 72.29, 64.74

 

Description

Color code: HEX #54F000 | qconv.com Color code: HEX #54F000 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 240 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 240 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 100 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 100% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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