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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54EFEC it is the complementary color #AB1013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54EFEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54EFEC shade: #59EFE7, #6AFFFA, #7BFFFF, #8CFFFF and #9DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54EFEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54EFEC shade: #54EFEC, #43DDD9, #32CBC6, #21B9B3 and #10A7A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54EFEC shade: #52EFEC, #52EFC2, #52EF97, #52EF6D and #62EF52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54EFEC shade: #52EFEC, #52C8EF, #529EEF, #5273EF and #5252EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54EFEC shade matches the following richer shades: #52EFEC and #43FEFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54EFEC shade: #52EFEC, #62E0DD, #71D0CF, #80C1C0 and #8FB2B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54EFEC shade: #52EF96, #52EFC0, #52EFEA, #52CAEF and #52A1EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54EFEC shade: #14DAD7, #2DEBE8, #52EFEC, #78F2F0 and #9EF6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54EFEC shade: #54EFEC, #6C52EF and #EFAB52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54EFEC shade: #54EFEC, #EA52EF and #EFEA52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54EFEC shade: #54EFEC, #6C52EF, #EF5258 and #D5EF52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54EFEC shade: #54EFEC, #9B52EF, #EF5258 and #A6EF52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 1 / 6

HEX #54EFEC

RGB 84 239 236

HSL 178.84, 0.83%, 0.63%

LAB 86.84, -40.54, -10.52

 

Complementary color

CMYK 0 / 91 / 89 / 33

HEX #AB1013

RGB 171 16 19

HSL 358.84, 0.83%, 0.37%

LAB 36.13, 57.55, 42.29

 

CMYK 63 / 0 / 3 / 6

HEX #59EFE7

RGB 89 239 231

HSL 176.8, 0.82%, 0.64%

LAB 86.81, -41.13, -7.92

 

CMYK 58 / 0 / 2 / 0

HEX #6AFFFA

RGB 106 255 250

HSL 177.99, 1%, 0.71%

LAB 92.35, -40.59, -9.57

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 65 / 0 / 1 / 6

HEX #54EFEC

RGB 84 239 236

HSL 178.84, 0.83%, 0.63%

LAB 86.84, -40.54, -10.52

 

CMYK 70 / 0 / 2 / 13

HEX #43DDD9

RGB 67 221 217

HSL 178.44, 0.69%, 0.56%

LAB 80.69, -39.92, -9.67

 

CMYK 75 / 0 / 2 / 20

HEX #32CBC6

RGB 50 203 198

HSL 178.04, 0.6%, 0.5%

LAB 74.49, -39.09, -8.73

 

CMYK 82 / 0 / 3 / 27

HEX #21B9B3

RGB 33 185 179

HSL 177.63, 0.7%, 0.43%

LAB 68.22, -37.99, -7.7

 

CMYK 90 / 0 / 4 / 35

HEX #10A7A0

RGB 16 167 160

HSL 177.22, 0.83%, 0.36%

LAB 61.9, -36.52, -6.54

 

CMYK 66 / 0 / 1 / 6

HEX #52EFEC

RGB 82 239 236

HSL 178.85, 0.83%, 0.63%

LAB 86.79, -40.83, -10.59

 

CMYK 66 / 0 / 19 / 6

HEX #52EFC2

RGB 82 239 194

HSL 162.8, 0.83%, 0.63%

LAB 85.72, -51.4, 9.84

 

CMYK 66 / 0 / 37 / 6

HEX #52EF97

RGB 82 239 151

HSL 146.37, 0.83%, 0.63%

LAB 84.87, -60.32, 30.84

 

CMYK 66 / 0 / 54 / 6

HEX #52EF6D

RGB 82 239 109

HSL 130.32, 0.83%, 0.63%

LAB 84.29, -66.87, 50.47

 

CMYK 59 / 0 / 66 / 6

HEX #62EF52

RGB 98 239 82

HSL 113.89, 0.83%, 0.63%

LAB 84.45, -66.5, 62.33

 

CMYK 66 / 0 / 1 / 6

HEX #52EFEC

RGB 82 239 236

HSL 178.85, 0.83%, 0.63%

LAB 86.79, -40.83, -10.59

 

CMYK 66 / 16 / 0 / 6

HEX #52C8EF

RGB 82 200 239

HSL 194.9, 0.83%, 0.63%

LAB 75.66, -21.28, -29.03

 

CMYK 66 / 34 / 0 / 6

HEX #529EEF

RGB 82 158 239

HSL 210.96, 0.83%, 0.63%

LAB 63.74, 1.54, -47.6

 

CMYK 66 / 52 / 0 / 6

HEX #5273EF

RGB 82 115 239

HSL 227.39, 0.83%, 0.63%

LAB 52.16, 27.38, -66.09

 

CMYK 66 / 66 / 0 / 6

HEX #5252EF

RGB 82 82 239

HSL 240, 0.83%, 0.63%

LAB 44.32, 47.35, -78.86

 

CMYK 66 / 0 / 1 / 6

HEX #52EFEC

RGB 82 239 236

HSL 178.85, 0.83%, 0.63%

LAB 86.79, -40.83, -10.59

 

CMYK 74 / 0 / 1 / 0

HEX #43FEFB

RGB 67 254 251

HSL 179.04, 0.99%, 0.63%

LAB 91.25, -45.22, -11.8

 

CMYK 66 / 0 / 1 / 6

HEX #52EFEC

RGB 82 239 236

HSL 178.85, 0.83%, 0.63%

LAB 86.79, -40.83, -10.59

 

CMYK 56 / 0 / 1 / 12

HEX #62E0DD

RGB 98 224 221

HSL 178.57, 0.67%, 0.63%

LAB 82.45, -35.39, -9.1

 

CMYK 46 / 0 / 0 / 18

HEX #71D0CF

RGB 113 208 207

HSL 179.37, 0.5%, 0.63%

LAB 77.95, -28.31, -8.25

 

CMYK 34 / 0 / 1 / 24

HEX #80C1C0

RGB 128 193 192

HSL 179.08, 0.34%, 0.63%

LAB 73.89, -20.79, -6.09

 

CMYK 20 / 0 / 1 / 30

HEX #8FB2B1

RGB 143 178 177

HSL 178.29, 0.19%, 0.63%

LAB 70.07, -12, -3.42

 

CMYK 66 / 0 / 37 / 6

HEX #52EF96

RGB 82 239 150

HSL 145.99, 0.83%, 0.63%

LAB 84.86, -60.5, 31.32

 

CMYK 66 / 0 / 20 / 6

HEX #52EFC0

RGB 82 239 192

HSL 162.04, 0.83%, 0.63%

LAB 85.67, -51.86, 10.82

 

CMYK 66 / 0 / 2 / 6

HEX #52EFEA

RGB 82 239 234

HSL 178.09, 0.83%, 0.63%

LAB 86.73, -41.37, -9.63

 

CMYK 66 / 15 / 0 / 6

HEX #52CAEF

RGB 82 202 239

HSL 194.14, 0.83%, 0.63%

LAB 76.23, -22.3, -28.15

 

CMYK 66 / 33 / 0 / 6

HEX #52A1EF

RGB 82 161 239

HSL 209.81, 0.83%, 0.63%

LAB 64.58, -0.19, -46.27

 

CMYK 91 / 0 / 1 / 15

HEX #14DAD7

RGB 20 218 215

HSL 179.09, 0.83%, 0.47%

LAB 79.16, -43.02, -10.95

 

CMYK 81 / 0 / 1 / 8

HEX #2DEBE8

RGB 45 235 232

HSL 179.05, 0.83%, 0.55%

LAB 84.89, -44.17, -11.39

 

CMYK 66 / 0 / 1 / 6

HEX #52EFEC

RGB 82 239 236

HSL 178.85, 0.83%, 0.63%

LAB 86.79, -40.83, -10.59

 

CMYK 50 / 0 / 1 / 5

HEX #78F2F0

RGB 120 242 240

HSL 179.02, 0.82%, 0.71%

LAB 88.82, -34.59, -9.55

 

CMYK 36 / 0 / 1 / 4

HEX #9EF6F4

RGB 158 246 244

HSL 178.64, 0.83%, 0.79%

LAB 91.56, -26.76, -7.42

 

CMYK 65 / 0 / 1 / 6

HEX #54EFEC

RGB 84 239 236

HSL 178.84, 0.83%, 0.63%

LAB 86.84, -40.54, -10.52

 

CMYK 55 / 66 / 0 / 6

HEX #6C52EF

RGB 108 82 239

HSL 249.94, 0.83%, 0.63%

LAB 46.25, 51.1, -75.62

 

CMYK 0 / 28 / 66 / 6

HEX #EFAB52

RGB 239 171 82

HSL 34.01, 0.83%, 0.63%

LAB 74.88, 16.39, 54.46

 

CMYK 65 / 0 / 1 / 6

HEX #54EFEC

RGB 84 239 236

HSL 178.84, 0.83%, 0.63%

LAB 86.84, -40.54, -10.52

 

CMYK 2 / 66 / 0 / 6

HEX #EA52EF

RGB 234 82 239

HSL 298.09, 0.83%, 0.63%

LAB 61.45, 76.5, -50.36

 

CMYK 0 / 2 / 66 / 6

HEX #EFEA52

RGB 239 234 82

HSL 58.09, 0.83%, 0.63%

LAB 90.69, -15.9, 71.23

 

CMYK 65 / 0 / 1 / 6

HEX #54EFEC

RGB 84 239 236

HSL 178.84, 0.83%, 0.63%

LAB 86.84, -40.54, -10.52

 

CMYK 55 / 66 / 0 / 6

HEX #6C52EF

RGB 108 82 239

HSL 249.94, 0.83%, 0.63%

LAB 46.25, 51.1, -75.62

 

CMYK 0 / 66 / 63 / 6

HEX #EF5258

RGB 239 82 88

HSL 357.71, 0.83%, 0.63%

LAB 57.16, 60.51, 30.39

 

CMYK 11 / 0 / 66 / 6

HEX #D5EF52

RGB 213 239 82

HSL 69.94, 0.83%, 0.63%

LAB 90.09, -28.75, 69.99

 

CMYK 65 / 0 / 1 / 6

HEX #54EFEC

RGB 84 239 236

HSL 178.84, 0.83%, 0.63%

LAB 86.84, -40.54, -10.52

 

CMYK 35 / 66 / 0 / 6

HEX #9B52EF

RGB 155 82 239

HSL 267.9, 0.83%, 0.63%

LAB 50.96, 59.63, -67.75

 

CMYK 0 / 66 / 63 / 6

HEX #EF5258

RGB 239 82 88

HSL 357.71, 0.83%, 0.63%

LAB 57.16, 60.51, 30.39

 

CMYK 31 / 0 / 66 / 6

HEX #A6EF52

RGB 166 239 82

HSL 87.9, 0.83%, 0.63%

LAB 87.22, -46.41, 66.11

 

Description

Color code: HEX #54EFEC | qconv.com Color code: HEX #54EFEC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 239 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 239 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 1 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 1% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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