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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54ED72 it is the complementary color #AB128D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54ED72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54ED72 shade: #59ED6D, #6AFF80, #7BFF93, #8CFFA6 and #9DFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54ED72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54ED72 shade: #54ED72, #43DB5F, #32C94C, #21B739 and #10A526

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54ED72 shade: #54ED72, #5FED54, #89ED54, #B2ED54 and #DBED54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54ED72 shade: #54ED72, #54ED9B, #54EDC5, #54ECED and #54C3ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54ED72 shade matches the following richer shades: #54ED72 and #45FC69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54ED72 shade: #54ED72, #63DE7B, #73CF85, #82BF8E and #91B097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54ED72 shade: #8AED54, #61ED54, #54ED70, #54ED99 and #54EDC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54ED72 shade: #17D83D, #2FE953, #54ED72, #7AF191 and #9FF5B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54ED72 shade: #54ED72, #54B2ED and #ED5475

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54ED72 shade: #54ED72, #7054ED and #ED7054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54ED72 shade: #54ED72, #54B2ED, #ED54D1 and #ED8F54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54ED72 shade: #54ED72, #5485ED, #ED54D1 and #EDBD54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

Complementary color

CMYK 0 / 89 / 18 / 33

HEX #AB128D

RGB 171 18 141

HSL 311.76, 0.81%, 0.37%

LAB 39.6, 66.48, -28.49

 

CMYK 62 / 0 / 54 / 7

HEX #59ED6D

RGB 89 237 109

HSL 128.11, 0.8%, 0.64%

LAB 83.86, -64.81, 49.99

 

CMYK 58 / 0 / 50 / 0

HEX #6AFF80

RGB 106 255 128

HSL 128.86, 1%, 0.71%

LAB 89.93, -65.15, 48.67

 

CMYK 52 / 0 / 42 / 0

HEX #7BFF93

RGB 123 255 147

HSL 130.91, 1%, 0.74%

LAB 90.71, -58.49, 40.69

 

CMYK 45 / 0 / 35 / 0

HEX #8CFFA6

RGB 140 255 166

HSL 133.57, 1%, 0.77%

LAB 91.62, -51.14, 32.63

 

CMYK 38 / 0 / 27 / 0

HEX #9DFFB9

RGB 157 255 185

HSL 137.14, 1%, 0.81%

LAB 92.66, -43.23, 24.58

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 69 / 0 / 57 / 14

HEX #43DB5F

RGB 67 219 95

HSL 131.05, 0.68%, 0.56%

LAB 77.69, -64.49, 48.93

 

CMYK 75 / 0 / 62 / 21

HEX #32C94C

RGB 50 201 76

HSL 130.33, 0.6%, 0.49%

LAB 71.54, -63.47, 50.24

 

CMYK 82 / 0 / 69 / 28

HEX #21B739

RGB 33 183 57

HSL 129.6, 0.69%, 0.42%

LAB 65.35, -61.92, 51.35

 

CMYK 90 / 0 / 77 / 35

HEX #10A526

RGB 16 165 38

HSL 128.86, 0.82%, 0.35%

LAB 59.12, -59.63, 52.01

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 60 / 0 / 65 / 7

HEX #5FED54

RGB 95 237 84

HSL 115.69, 0.81%, 0.63%

LAB 83.78, -66.31, 60.78

 

CMYK 42 / 0 / 65 / 7

HEX #89ED54

RGB 137 237 84

HSL 99.22, 0.81%, 0.63%

LAB 85.26, -55.04, 62.82

 

CMYK 25 / 0 / 65 / 7

HEX #B2ED54

RGB 178 237 84

HSL 83.14, 0.81%, 0.63%

LAB 87.33, -41.09, 65.64

 

CMYK 8 / 0 / 65 / 7

HEX #DBED54

RGB 219 237 84

HSL 67.06, 0.81%, 0.63%

LAB 89.98, -25.31, 69.25

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 65 / 0 / 35 / 7

HEX #54ED9B

RGB 84 237 155

HSL 147.84, 0.81%, 0.63%

LAB 84.39, -58.47, 28.17

 

CMYK 65 / 0 / 17 / 7

HEX #54EDC5

RGB 84 237 197

HSL 164.31, 0.81%, 0.63%

LAB 85.24, -49.55, 7.6

 

CMYK 65 / 0 / 0 / 7

HEX #54ECED

RGB 84 236 237

HSL 180.39, 0.81%, 0.63%

LAB 86, -38.91, -12.29

 

CMYK 65 / 18 / 0 / 7

HEX #54C3ED

RGB 84 195 237

HSL 196.47, 0.81%, 0.63%

LAB 74.21, -19.02, -30.18

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 73 / 0 / 58 / 1

HEX #45FC69

RGB 69 252 105

HSL 131.8, 0.97%, 0.63%

LAB 87.92, -73.83, 56.47

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 55 / 0 / 45 / 13

HEX #63DE7B

RGB 99 222 123

HSL 131.71, 0.65%, 0.63%

LAB 79.8, -55.08, 38.33

 

CMYK 44 / 0 / 36 / 19

HEX #73CF85

RGB 115 207 133

HSL 131.74, 0.49%, 0.63%

LAB 76.05, -43.16, 28.47

 

CMYK 32 / 0 / 26 / 25

HEX #82BF8E

RGB 130 191 142

HSL 131.8, 0.32%, 0.63%

LAB 72.2, -29.76, 18.61

 

CMYK 18 / 0 / 14 / 31

HEX #91B097

RGB 145 176 151

HSL 131.61, 0.16%, 0.63%

LAB 68.97, -15.59, 9.32

 

CMYK 42 / 0 / 65 / 7

HEX #8AED54

RGB 138 237 84

HSL 98.82, 0.81%, 0.63%

LAB 85.31, -54.73, 62.88

 

CMYK 59 / 0 / 65 / 7

HEX #61ED54

RGB 97 237 84

HSL 114.9, 0.81%, 0.63%

LAB 83.84, -65.85, 60.86

 

CMYK 65 / 0 / 53 / 7

HEX #54ED70

RGB 84 237 112

HSL 130.98, 0.81%, 0.63%

LAB 83.77, -65.4, 48.47

 

CMYK 65 / 0 / 35 / 7

HEX #54ED99

RGB 84 237 153

HSL 147.06, 0.81%, 0.63%

LAB 84.36, -58.85, 29.14

 

CMYK 65 / 0 / 18 / 7

HEX #54EDC2

RGB 84 237 194

HSL 163.14, 0.81%, 0.63%

LAB 85.17, -50.25, 9.07

 

CMYK 89 / 0 / 72 / 15

HEX #17D83D

RGB 23 216 61

HSL 131.81, 0.81%, 0.47%

LAB 75.84, -72.33, 60.79

 

CMYK 80 / 0 / 64 / 9

HEX #2FE953

RGB 47 233 83

HSL 131.61, 0.81%, 0.55%

LAB 81.57, -73.18, 58.48

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 49 / 0 / 40 / 5

HEX #7AF191

RGB 122 241 145

HSL 131.6, 0.81%, 0.71%

LAB 86.55, -53.51, 36.28

 

CMYK 35 / 0 / 28 / 4

HEX #9FF5B0

RGB 159 245 176

HSL 131.86, 0.81%, 0.79%

LAB 89.77, -39.79, 25.22

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 65 / 25 / 0 / 7

HEX #54B2ED

RGB 84 178 237

HSL 203.14, 0.81%, 0.63%

LAB 69.36, -10, -37.69

 

CMYK 0 / 65 / 51 / 7

HEX #ED5475

RGB 237 84 117

HSL 347.06, 0.81%, 0.63%

LAB 57.68, 61.13, 14.12

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 53 / 65 / 0 / 7

HEX #7054ED

RGB 112 84 237

HSL 250.98, 0.81%, 0.63%

LAB 46.84, 50.08, -73.51

 

CMYK 0 / 53 / 65 / 7

HEX #ED7054

RGB 237 112 84

HSL 10.98, 0.81%, 0.63%

LAB 61.85, 46.22, 38.36

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 65 / 25 / 0 / 7

HEX #54B2ED

RGB 84 178 237

HSL 203.14, 0.81%, 0.63%

LAB 69.36, -10, -37.69

 

CMYK 0 / 65 / 12 / 7

HEX #ED54D1

RGB 237 84 209

HSL 310.98, 0.81%, 0.63%

LAB 60.74, 71.8, -34.61

 

CMYK 0 / 40 / 65 / 7

HEX #ED8F54

RGB 237 143 84

HSL 23.14, 0.81%, 0.63%

LAB 68.23, 30.47, 45.91

 

CMYK 65 / 0 / 52 / 7

HEX #54ED72

RGB 84 237 114

HSL 131.76, 0.81%, 0.63%

LAB 83.79, -65.13, 47.56

 

CMYK 65 / 44 / 0 / 7

HEX #5485ED

RGB 84 133 237

HSL 220.78, 0.81%, 0.63%

LAB 56.85, 15.99, -57.43

 

CMYK 0 / 65 / 12 / 7

HEX #ED54D1

RGB 237 84 209

HSL 310.98, 0.81%, 0.63%

LAB 60.74, 71.8, -34.61

 

CMYK 0 / 20 / 65 / 7

HEX #EDBD54

RGB 237 189 84

HSL 41.18, 0.81%, 0.63%

LAB 79.06, 6.2, 58.09

 

Description

Color code: HEX #54ED72 | qconv.com Color code: HEX #54ED72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 237 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 237 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 52 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 52% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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