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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54EC8F it is the complementary color #AB1370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54EC8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54EC8F shade: #59EC8A, #6AFE9D, #7BFFB0, #8CFFC3 and #9DFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54EC8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54EC8F shade: #54EC8F, #43DA7C, #32C869, #21B656 and #10A443

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54EC8F shade: #55EC90, #55EC67, #6CEC55, #95EC55 and #BDEC55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54EC8F shade: #55EC90, #55ECB8, #55ECE1, #55CEEC and #55A6EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54EC8F shade matches the following richer shades: #55EC90 and #46FB8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54EC8F shade: #55EC90, #64DD93, #74CE97, #83BE9A and #92AF9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54EC8F shade: #6CEC55, #55EC67, #55EC8F, #55ECB7 and #55ECE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54EC8F shade: #18D762, #30E877, #55EC90, #7AF0A8 and #9FF4C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54EC8F shade: #54EC8F, #5594EC and #EC5558

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54EC8F shade: #54EC8F, #8F55EC and #EC8F55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54EC8F shade: #54EC8F, #5594EC, #EC55B2 and #ECAD55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54EC8F shade: #54EC8F, #5567EC, #EC55B2 and #ECDB55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 39 / 7

HEX #54EC8F

RGB 84 236 143

HSL 143.29, 0.8%, 0.63%

LAB 83.89, -60.27, 33.58

 

Complementary color

CMYK 0 / 89 / 35 / 33

HEX #AB1370

RGB 171 19 112

HSL 323.29, 0.8%, 0.37%

LAB 38.36, 62.83, -12.39

 

CMYK 62 / 0 / 42 / 7

HEX #59EC8A

RGB 89 236 138

HSL 140, 0.79%, 0.64%

LAB 83.94, -60.17, 36.16

 

CMYK 58 / 0 / 38 / 0

HEX #6AFE9D

RGB 106 254 157

HSL 140.68, 0.99%, 0.71%

LAB 90.04, -60.35, 34.8

 

CMYK 52 / 0 / 31 / 0

HEX #7BFFB0

RGB 123 255 176

HSL 144.09, 1%, 0.74%

LAB 91.17, -53.63, 26.89

 

CMYK 45 / 0 / 24 / 0

HEX #8CFFC3

RGB 140 255 195

HSL 148.7, 1%, 0.77%

LAB 92.15, -45.93, 18.67

 

CMYK 38 / 0 / 16 / 0

HEX #9DFFD6

RGB 157 255 214

HSL 154.9, 1%, 0.81%

LAB 93.25, -37.74, 10.58

 

CMYK 64 / 0 / 39 / 7

HEX #54EC8F

RGB 84 236 143

HSL 143.29, 0.8%, 0.63%

LAB 83.89, -60.27, 33.58

 

CMYK 69 / 0 / 43 / 15

HEX #43DA7C

RGB 67 218 124

HSL 142.65, 0.67%, 0.56%

LAB 77.75, -59.84, 35.03

 

CMYK 75 / 0 / 48 / 22

HEX #32C869

RGB 50 200 105

HSL 142, 0.6%, 0.49%

LAB 71.56, -59.12, 36.57

 

CMYK 82 / 0 / 53 / 29

HEX #21B656

RGB 33 182 86

HSL 141.34, 0.69%, 0.42%

LAB 65.32, -57.98, 38.19

 

CMYK 90 / 0 / 59 / 36

HEX #10A443

RGB 16 164 67

HSL 140.68, 0.82%, 0.35%

LAB 59.04, -56.25, 39.83

 

CMYK 64 / 0 / 39 / 7

HEX #55EC90

RGB 85 236 144

HSL 143.44, 0.8%, 0.63%

LAB 83.93, -59.91, 33.13

 

CMYK 64 / 0 / 56 / 7

HEX #55EC67

RGB 85 236 103

HSL 127.15, 0.8%, 0.63%

LAB 83.39, -66.01, 52.14

 

CMYK 54 / 0 / 64 / 7

HEX #6CEC55

RGB 108 236 85

HSL 110.86, 0.8%, 0.63%

LAB 83.88, -62.76, 60.6

 

CMYK 37 / 0 / 64 / 7

HEX #95EC55

RGB 149 236 85

HSL 94.57, 0.8%, 0.63%

LAB 85.52, -50.72, 62.86

 

CMYK 20 / 0 / 64 / 7

HEX #BDEC55

RGB 189 236 85

HSL 78.68, 0.8%, 0.63%

LAB 87.71, -36.47, 65.86

 

CMYK 64 / 0 / 39 / 7

HEX #55EC90

RGB 85 236 144

HSL 143.44, 0.8%, 0.63%

LAB 83.93, -59.91, 33.13

 

CMYK 64 / 0 / 22 / 7

HEX #55ECB8

RGB 85 236 184

HSL 159.34, 0.8%, 0.63%

LAB 84.68, -51.94, 13.6

 

CMYK 64 / 0 / 5 / 7

HEX #55ECE1

RGB 85 236 225

HSL 175.63, 0.8%, 0.63%

LAB 85.68, -41.98, -6.45

 

CMYK 64 / 13 / 0 / 7

HEX #55CEEC

RGB 85 206 236

HSL 191.92, 0.8%, 0.63%

LAB 77.36, -24.75, -24.81

 

CMYK 64 / 30 / 0 / 7

HEX #55A6EC

RGB 85 166 236

HSL 207.81, 0.8%, 0.63%

LAB 65.95, -3.52, -42.46

 

CMYK 64 / 0 / 39 / 7

HEX #55EC90

RGB 85 236 144

HSL 143.44, 0.8%, 0.63%

LAB 83.93, -59.91, 33.13

 

CMYK 72 / 0 / 44 / 2

HEX #46FB8C

RGB 70 251 140

HSL 143.2, 0.96%, 0.63%

LAB 88.06, -68.43, 40.42

 

CMYK 64 / 0 / 39 / 7

HEX #55EC90

RGB 85 236 144

HSL 143.44, 0.8%, 0.63%

LAB 83.93, -59.91, 33.13

 

CMYK 55 / 0 / 33 / 13

HEX #64DD93

RGB 100 221 147

HSL 143.31, 0.64%, 0.63%

LAB 79.91, -50.4, 26.31

 

CMYK 44 / 0 / 27 / 19

HEX #74CE97

RGB 116 206 151

HSL 143.33, 0.48%, 0.63%

LAB 76.12, -39.19, 19.13

 

CMYK 31 / 0 / 19 / 25

HEX #83BE9A

RGB 131 190 154

HSL 143.39, 0.31%, 0.63%

LAB 72.22, -26.69, 12.17

 

CMYK 17 / 0 / 10 / 31

HEX #92AF9D

RGB 146 175 157

HSL 142.76, 0.15%, 0.63%

LAB 68.9, -13.57, 5.92

 

CMYK 54 / 0 / 64 / 7

HEX #6CEC55

RGB 108 236 85

HSL 110.86, 0.8%, 0.63%

LAB 83.88, -62.76, 60.6

 

CMYK 64 / 0 / 56 / 7

HEX #55EC67

RGB 85 236 103

HSL 127.15, 0.8%, 0.63%

LAB 83.39, -66.01, 52.14

 

CMYK 64 / 0 / 39 / 7

HEX #55EC8F

RGB 85 236 143

HSL 143.05, 0.8%, 0.63%

LAB 83.92, -60.09, 33.61

 

CMYK 64 / 0 / 22 / 7

HEX #55ECB7

RGB 85 236 183

HSL 158.94, 0.8%, 0.63%

LAB 84.66, -52.17, 14.09

 

CMYK 64 / 0 / 5 / 7

HEX #55ECE0

RGB 85 236 224

HSL 175.23, 0.8%, 0.63%

LAB 85.66, -42.24, -5.97

 

CMYK 89 / 0 / 54 / 16

HEX #18D762

RGB 24 215 98

HSL 143.25, 0.8%, 0.47%

LAB 75.87, -67.79, 45.23

 

CMYK 79 / 0 / 49 / 9

HEX #30E877

RGB 48 232 119

HSL 143.15, 0.8%, 0.55%

LAB 81.66, -68.1, 42.4

 

CMYK 64 / 0 / 39 / 7

HEX #55EC90

RGB 85 236 144

HSL 143.44, 0.8%, 0.63%

LAB 83.93, -59.91, 33.13

 

CMYK 49 / 0 / 30 / 6

HEX #7AF0A8

RGB 122 240 168

HSL 143.39, 0.8%, 0.71%

LAB 86.64, -49.15, 24.78

 

CMYK 35 / 0 / 21 / 4

HEX #9FF4C0

RGB 159 244 192

HSL 143.29, 0.79%, 0.79%

LAB 89.8, -36.47, 17.05

 

CMYK 64 / 0 / 39 / 7

HEX #54EC8F

RGB 84 236 143

HSL 143.29, 0.8%, 0.63%

LAB 83.89, -60.27, 33.58

 

CMYK 64 / 37 / 0 / 7

HEX #5594EC

RGB 85 148 236

HSL 214.97, 0.8%, 0.63%

LAB 60.93, 6.85, -50.38

 

CMYK 0 / 64 / 63 / 7

HEX #EC5558

RGB 236 85 88

HSL 358.81, 0.8%, 0.63%

LAB 57.11, 58.32, 30.22

 

CMYK 64 / 0 / 39 / 7

HEX #54EC8F

RGB 84 236 143

HSL 143.29, 0.8%, 0.63%

LAB 83.89, -60.27, 33.58

 

CMYK 39 / 64 / 0 / 7

HEX #8F55EC

RGB 143 85 236

HSL 263.05, 0.8%, 0.63%

LAB 49.97, 55.01, -67.73

 

CMYK 0 / 39 / 64 / 7

HEX #EC8F55

RGB 236 143 85

HSL 23.05, 0.8%, 0.63%

LAB 68.12, 30.14, 45.24

 

CMYK 64 / 0 / 39 / 7

HEX #54EC8F

RGB 84 236 143

HSL 143.29, 0.8%, 0.63%

LAB 83.89, -60.27, 33.58

 

CMYK 64 / 37 / 0 / 7

HEX #5594EC

RGB 85 148 236

HSL 214.97, 0.8%, 0.63%

LAB 60.93, 6.85, -50.38

 

CMYK 0 / 64 / 25 / 7

HEX #EC55B2

RGB 236 85 178

HSL 323.05, 0.8%, 0.63%

LAB 59.47, 66.89, -18.87

 

CMYK 0 / 27 / 64 / 7

HEX #ECAD55

RGB 236 173 85

HSL 34.97, 0.8%, 0.63%

LAB 75.06, 14.26, 53.17

 

CMYK 64 / 0 / 39 / 7

HEX #54EC8F

RGB 84 236 143

HSL 143.29, 0.8%, 0.63%

LAB 83.89, -60.27, 33.58

 

CMYK 64 / 56 / 0 / 7

HEX #5567EC

RGB 85 103 236

HSL 232.85, 0.8%, 0.63%

LAB 49.12, 34.2, -69.34

 

CMYK 0 / 64 / 25 / 7

HEX #EC55B2

RGB 236 85 178

HSL 323.05, 0.8%, 0.63%

LAB 59.47, 66.89, -18.87

 

CMYK 0 / 7 / 64 / 7

HEX #ECDB55

RGB 236 219 85

HSL 53.25, 0.8%, 0.63%

LAB 86.58, -9.54, 65.7

 

Description

Color code: HEX #54EC8F | qconv.com Color code: HEX #54EC8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 236 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 236 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 39 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 39% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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