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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54E980 it is the complementary color #AB167F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54E980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54E980 shade: #59E97B, #6AFB8E, #7BFFA1, #8CFFB4 and #9DFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54E980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54E980 shade: #54E980, #43D76D, #32C55A, #21B347 and #10A134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54E980 shade: #53E980, #53E957, #78E953, #A0E953 and #C8E953

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54E980 shade: #53E980, #53E9A8, #53E9D0, #53D9E9 and #53B1E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54E980 shade matches the following richer shades: #53E980 and #44F879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54E980 shade: #53E980, #63D986, #73C98C, #83BA93 and #92AA99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54E980 shade: #79E953, #53E956, #53E97E, #53E9A6 and #53E9CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54E980 shade: #1BCF50, #2FE464, #53E980, #78ED9B and #9DF2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54E980 shade: #54E980, #53A1E9 and #E95365

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54E980 shade: #54E980, #7E53E9 and #E97E53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54E980 shade: #54E980, #53A1E9, #E953BE and #E99C53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54E980 shade: #54E980, #5374E9, #E953BE and #E9C853

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 45 / 9

HEX #54E980

RGB 84 233 128

HSL 137.72, 0.77%, 0.62%

LAB 82.76, -61.65, 39.56

 

Complementary color

CMYK 0 / 87 / 26 / 33

HEX #AB167F

RGB 171 22 127

HSL 317.72, 0.77%, 0.38%

LAB 39.18, 64, -20.51

 

CMYK 62 / 0 / 47 / 9

HEX #59E97B

RGB 89 233 123

HSL 134.17, 0.77%, 0.63%

LAB 82.82, -61.43, 42.1

 

CMYK 58 / 0 / 43 / 2

HEX #6AFB8E

RGB 106 251 142

HSL 134.9, 0.95%, 0.7%

LAB 88.93, -61.65, 40.73

 

CMYK 52 / 0 / 37 / 0

HEX #7BFFA1

RGB 123 255 161

HSL 137.27, 1%, 0.74%

LAB 90.92, -56.26, 34.08

 

CMYK 45 / 0 / 29 / 0

HEX #8CFFB4

RGB 140 255 180

HSL 140.87, 1%, 0.77%

LAB 91.86, -48.73, 25.91

 

CMYK 38 / 0 / 22 / 0

HEX #9DFFC7

RGB 157 255 199

HSL 145.71, 1%, 0.81%

LAB 92.93, -40.68, 17.82

 

CMYK 64 / 0 / 45 / 9

HEX #54E980

RGB 84 233 128

HSL 137.72, 0.77%, 0.62%

LAB 82.76, -61.65, 39.56

 

CMYK 69 / 0 / 49 / 16

HEX #43D76D

RGB 67 215 109

HSL 137.03, 0.65%, 0.55%

LAB 76.62, -61.16, 41.02

 

CMYK 75 / 0 / 54 / 23

HEX #32C55A

RGB 50 197 90

HSL 136.33, 0.6%, 0.48%

LAB 70.42, -60.35, 42.51

 

CMYK 82 / 0 / 60 / 30

HEX #21B347

RGB 33 179 71

HSL 135.62, 0.69%, 0.42%

LAB 64.18, -59.07, 43.99

 

CMYK 90 / 0 / 68 / 37

HEX #10A134

RGB 16 161 52

HSL 134.9, 0.82%, 0.35%

LAB 57.89, -57.12, 45.34

 

CMYK 64 / 0 / 45 / 9

HEX #53E980

RGB 83 233 128

HSL 138, 0.77%, 0.62%

LAB 82.74, -61.84, 39.53

 

CMYK 64 / 0 / 63 / 9

HEX #53E957

RGB 83 233 87

HSL 121.6, 0.77%, 0.62%

LAB 82.27, -67.18, 57.8

 

CMYK 48 / 0 / 64 / 9

HEX #78E953

RGB 120 233 83

HSL 105.2, 0.77%, 0.62%

LAB 83.39, -58.62, 60.99

 

CMYK 31 / 0 / 64 / 9

HEX #A0E953

RGB 160 233 83

HSL 89.2, 0.77%, 0.62%

LAB 85.19, -45.89, 63.46

 

CMYK 14 / 0 / 64 / 9

HEX #C8E953

RGB 200 233 83

HSL 73.2, 0.77%, 0.62%

LAB 87.57, -31, 66.72

 

CMYK 64 / 0 / 45 / 9

HEX #53E980

RGB 83 233 128

HSL 138, 0.77%, 0.62%

LAB 82.74, -61.84, 39.53

 

CMYK 64 / 0 / 28 / 9

HEX #53E9A8

RGB 83 233 168

HSL 154, 0.77%, 0.62%

LAB 83.41, -54.52, 20.15

 

CMYK 64 / 0 / 11 / 9

HEX #53E9D0

RGB 83 233 208

HSL 170, 0.77%, 0.62%

LAB 84.31, -45.33, 0.48

 

CMYK 64 / 7 / 0 / 9

HEX #53D9E9

RGB 83 217 233

HSL 186.4, 0.77%, 0.62%

LAB 80.37, -31.31, -18.63

 

CMYK 64 / 24 / 0 / 9

HEX #53B1E9

RGB 83 177 233

HSL 202.4, 0.77%, 0.62%

LAB 68.87, -10.9, -36.26

 

CMYK 64 / 0 / 45 / 9

HEX #53E980

RGB 83 233 128

HSL 138, 0.77%, 0.62%

LAB 82.74, -61.84, 39.53

 

CMYK 73 / 0 / 51 / 3

HEX #44F879

RGB 68 248 121

HSL 137.67, 0.93%, 0.62%

LAB 86.87, -70.59, 47.99

 

CMYK 64 / 0 / 45 / 9

HEX #53E980

RGB 83 233 128

HSL 138, 0.77%, 0.62%

LAB 82.74, -61.84, 39.53

 

CMYK 54 / 0 / 38 / 15

HEX #63D986

RGB 99 217 134

HSL 137.8, 0.61%, 0.62%

LAB 78.46, -51.32, 31.05

 

CMYK 43 / 0 / 30 / 21

HEX #73C98C

RGB 115 201 140

HSL 137.44, 0.44%, 0.62%

LAB 74.39, -39.29, 22.57

 

CMYK 30 / 0 / 21 / 27

HEX #83BA93

RGB 131 186 147

HSL 137.45, 0.28%, 0.62%

LAB 70.91, -26.09, 14.12

 

CMYK 14 / 0 / 10 / 33

HEX #92AA99

RGB 146 170 153

HSL 137.5, 0.12%, 0.62%

LAB 67.4, -11.71, 5.97

 

CMYK 48 / 0 / 64 / 9

HEX #79E953

RGB 121 233 83

HSL 104.8, 0.77%, 0.62%

LAB 83.43, -58.33, 61.04

 

CMYK 64 / 0 / 63 / 9

HEX #53E956

RGB 83 233 86

HSL 121.2, 0.77%, 0.62%

LAB 82.27, -67.28, 58.2

 

CMYK 64 / 0 / 46 / 9

HEX #53E97E

RGB 83 233 126

HSL 137.2, 0.77%, 0.62%

LAB 82.71, -62.15, 40.47

 

CMYK 64 / 0 / 29 / 9

HEX #53E9A6

RGB 83 233 166

HSL 153.2, 0.77%, 0.62%

LAB 83.37, -54.93, 21.13

 

CMYK 64 / 0 / 12 / 9

HEX #53E9CD

RGB 83 233 205

HSL 168.8, 0.77%, 0.62%

LAB 84.24, -46.08, 1.95

 

CMYK 87 / 0 / 61 / 19

HEX #1BCF50

RGB 27 207 80

HSL 137.67, 0.77%, 0.46%

LAB 73.18, -67.43, 50.27

 

CMYK 79 / 0 / 56 / 11

HEX #2FE464

RGB 47 228 100

HSL 137.57, 0.77%, 0.54%

LAB 80.19, -69.62, 49.53

 

CMYK 64 / 0 / 45 / 9

HEX #53E980

RGB 83 233 128

HSL 138, 0.77%, 0.62%

LAB 82.74, -61.84, 39.53

 

CMYK 49 / 0 / 35 / 7

HEX #78ED9B

RGB 120 237 155

HSL 137.95, 0.76%, 0.7%

LAB 85.47, -50.73, 29.8

 

CMYK 35 / 0 / 25 / 5

HEX #9DF2B6

RGB 157 242 182

HSL 137.65, 0.77%, 0.78%

LAB 88.95, -37.98, 20.99

 

CMYK 64 / 0 / 45 / 9

HEX #54E980

RGB 84 233 128

HSL 137.72, 0.77%, 0.62%

LAB 82.76, -61.65, 39.56

 

CMYK 64 / 31 / 0 / 9

HEX #53A1E9

RGB 83 161 233

HSL 208.8, 0.77%, 0.62%

LAB 64.33, -2.01, -43.36

 

CMYK 0 / 64 / 57 / 9

HEX #E95365

RGB 233 83 101

HSL 352.8, 0.77%, 0.62%

LAB 56.54, 59.04, 21.83

 

CMYK 64 / 0 / 45 / 9

HEX #54E980

RGB 84 233 128

HSL 137.72, 0.77%, 0.62%

LAB 82.76, -61.65, 39.56

 

CMYK 46 / 64 / 0 / 9

HEX #7E53E9

RGB 126 83 233

HSL 257.2, 0.77%, 0.62%

LAB 47.63, 51.98, -69.92

 

CMYK 0 / 46 / 64 / 9

HEX #E97E53

RGB 233 126 83

HSL 17.2, 0.77%, 0.62%

LAB 64.06, 37.66, 41.39

 

CMYK 64 / 0 / 45 / 9

HEX #54E980

RGB 84 233 128

HSL 137.72, 0.77%, 0.62%

LAB 82.76, -61.65, 39.56

 

CMYK 64 / 31 / 0 / 9

HEX #53A1E9

RGB 83 161 233

HSL 208.8, 0.77%, 0.62%

LAB 64.33, -2.01, -43.36

 

CMYK 0 / 64 / 18 / 9

HEX #E953BE

RGB 233 83 190

HSL 317.2, 0.77%, 0.62%

LAB 59.18, 68.47, -26.25

 

CMYK 0 / 33 / 64 / 9

HEX #E99C53

RGB 233 156 83

HSL 29.2, 0.77%, 0.62%

LAB 70.68, 21.91, 49.09

 

CMYK 64 / 0 / 45 / 9

HEX #54E980

RGB 84 233 128

HSL 137.72, 0.77%, 0.62%

LAB 82.76, -61.65, 39.56

 

CMYK 64 / 50 / 0 / 9

HEX #5374E9

RGB 83 116 233

HSL 226.8, 0.77%, 0.62%

LAB 52.08, 24.86, -62.87

 

CMYK 0 / 64 / 18 / 9

HEX #E953BE

RGB 233 83 190

HSL 317.2, 0.77%, 0.62%

LAB 59.18, 68.47, -26.25

 

CMYK 0 / 14 / 64 / 9

HEX #E9C853

RGB 233 200 83

HSL 46.8, 0.77%, 0.62%

LAB 81.43, -1.25, 60.97

 

Description

Color code: HEX #54E980 | qconv.com Color code: HEX #54E980 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 233 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 233 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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