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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54E37B it is the complementary color #AB1C84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54E37B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54E37B shade: #59E376, #6AF589, #7BFF9C, #8CFFAF and #9DFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54E37B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54E37B shade: #54E37B, #43D168, #32BF55, #21AD42 and #109B2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54E37B shade: #54E37B, #54E354, #7AE354, #A1E354 and #C7E354

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54E37B shade: #54E37B, #54E3A2, #54E3C8, #54D7E3 and #54B1E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54E37B shade matches the following richer shades: #54E37B and #44F374

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54E37B shade: #54E37B, #64D382, #74C38A, #84B391 and #94A398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54E37B shade: #7AE354, #54E354, #54E37A, #54E3A0 and #54E3C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54E37B shade: #20C54D, #30DD60, #54E37B, #77E996 and #9BEFB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54E37B shade: #54E37B, #54A0E3 and #E35467

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54E37B shade: #54E37B, #7A54E3 and #E37A54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54E37B shade: #54E37B, #54A0E3, #E354BD and #E39754

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54E37B shade: #54E37B, #5475E3, #E354BD and #E3C254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

Complementary color

CMYK 0 / 84 / 23 / 33

HEX #AB1C84

RGB 171 28 132

HSL 316.36, 0.72%, 0.39%

LAB 39.84, 63.37, -22.59

 

CMYK 61 / 0 / 48 / 11

HEX #59E376

RGB 89 227 118

HSL 132.61, 0.71%, 0.62%

LAB 80.94, -59.96, 42.17

 

CMYK 57 / 0 / 44 / 4

HEX #6AF589

RGB 106 245 137

HSL 133.38, 0.87%, 0.69%

LAB 87.08, -60.15, 40.8

 

CMYK 52 / 0 / 39 / 0

HEX #7BFF9C

RGB 123 255 156

HSL 135, 1%, 0.74%

LAB 90.84, -57.08, 36.45

 

CMYK 45 / 0 / 31 / 0

HEX #8CFFAF

RGB 140 255 175

HSL 138.26, 1%, 0.77%

LAB 91.77, -49.61, 28.31

 

CMYK 38 / 0 / 24 / 0

HEX #9DFFC2

RGB 157 255 194

HSL 142.65, 1%, 0.81%

LAB 92.83, -41.61, 20.24

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 68 / 0 / 50 / 18

HEX #43D168

RGB 67 209 104

HSL 135.63, 0.61%, 0.54%

LAB 74.69, -59.77, 41.06

 

CMYK 74 / 0 / 55 / 25

HEX #32BF55

RGB 50 191 85

HSL 134.89, 0.59%, 0.47%

LAB 68.46, -58.98, 42.54

 

CMYK 81 / 0 / 62 / 32

HEX #21AD42

RGB 33 173 66

HSL 134.14, 0.68%, 0.4%

LAB 62.17, -57.72, 43.98

 

CMYK 90 / 0 / 70 / 39

HEX #109B2F

RGB 16 155 47

HSL 133.38, 0.81%, 0.34%

LAB 55.84, -55.76, 45.23

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 63 / 0 / 63 / 11

HEX #54E354

RGB 84 227 84

HSL 120, 0.72%, 0.61%

LAB 80.44, -65.24, 57.01

 

CMYK 46 / 0 / 63 / 11

HEX #7AE354

RGB 122 227 84

HSL 104.06, 0.72%, 0.61%

LAB 81.68, -55.65, 58.74

 

CMYK 29 / 0 / 63 / 11

HEX #A1E354

RGB 161 227 84

HSL 87.69, 0.72%, 0.61%

LAB 83.52, -42.88, 61.28

 

CMYK 12 / 0 / 63 / 11

HEX #C7E354

RGB 199 227 84

HSL 71.75, 0.72%, 0.61%

LAB 85.87, -28.52, 64.49

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 63 / 0 / 29 / 11

HEX #54E3A2

RGB 84 227 162

HSL 152.73, 0.72%, 0.61%

LAB 81.53, -53.18, 20.66

 

CMYK 63 / 0 / 12 / 11

HEX #54E3C8

RGB 84 227 200

HSL 168.67, 0.72%, 0.61%

LAB 82.38, -44.56, 1.88

 

CMYK 63 / 5 / 0 / 11

HEX #54D7E3

RGB 84 215 227

HSL 185.03, 0.72%, 0.61%

LAB 79.63, -31.91, -16.55

 

CMYK 63 / 22 / 0 / 11

HEX #54B1E3

RGB 84 177 227

HSL 200.98, 0.72%, 0.61%

LAB 68.66, -12.63, -33.31

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 72 / 0 / 52 / 5

HEX #44F374

RGB 68 243 116

HSL 136.46, 0.88%, 0.61%

LAB 85.3, -69.62, 48.39

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 53 / 0 / 38 / 17

HEX #64D382

RGB 100 211 130

HSL 136.22, 0.56%, 0.61%

LAB 76.62, -49.32, 30.68

 

CMYK 41 / 0 / 29 / 24

HEX #74C38A

RGB 116 195 138

HSL 136.71, 0.4%, 0.61%

LAB 72.61, -36.65, 21.21

 

CMYK 26 / 0 / 19 / 30

HEX #84B391

RGB 132 179 145

HSL 136.6, 0.24%, 0.61%

LAB 68.89, -22.67, 12.38

 

CMYK 9 / 0 / 7 / 36

HEX #94A398

RGB 148 163 152

HSL 136, 0.08%, 0.61%

LAB 65.56, -7.46, 3.9

 

CMYK 46 / 0 / 63 / 11

HEX #7AE354

RGB 122 227 84

HSL 104.06, 0.72%, 0.61%

LAB 81.68, -55.65, 58.74

 

CMYK 63 / 0 / 63 / 11

HEX #54E354

RGB 84 227 84

HSL 120, 0.72%, 0.61%

LAB 80.44, -65.24, 57.01

 

CMYK 63 / 0 / 46 / 11

HEX #54E37A

RGB 84 227 122

HSL 135.94, 0.72%, 0.61%

LAB 80.87, -60.38, 40.09

 

CMYK 63 / 0 / 30 / 11

HEX #54E3A0

RGB 84 227 160

HSL 151.89, 0.72%, 0.61%

LAB 81.49, -53.59, 21.65

 

CMYK 63 / 0 / 12 / 11

HEX #54E3C7

RGB 84 227 199

HSL 168.25, 0.72%, 0.61%

LAB 82.35, -44.8, 2.37

 

CMYK 84 / 0 / 61 / 23

HEX #20C54D

RGB 32 197 77

HSL 136.36, 0.72%, 0.45%

LAB 70.02, -64.23, 48

 

CMYK 78 / 0 / 57 / 13

HEX #30DD60

RGB 48 221 96

HSL 136.65, 0.72%, 0.53%

LAB 77.98, -67.78, 48.74

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 49 / 0 / 36 / 9

HEX #77E996

RGB 119 233 150

HSL 136.32, 0.72%, 0.69%

LAB 84.17, -50.19, 30.61

 

CMYK 35 / 0 / 26 / 6

HEX #9BEFB2

RGB 155 239 178

HSL 136.43, 0.72%, 0.77%

LAB 87.93, -37.93, 21.62

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 63 / 30 / 0 / 11

HEX #54A0E3

RGB 84 160 227

HSL 208.11, 0.72%, 0.61%

LAB 63.81, -3.24, -40.87

 

CMYK 0 / 63 / 55 / 11

HEX #E35467

RGB 227 84 103

HSL 352.03, 0.72%, 0.61%

LAB 55.74, 56.85, 19.41

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 46 / 63 / 0 / 11

HEX #7A54E3

RGB 122 84 227

HSL 255.94, 0.72%, 0.61%

LAB 47.01, 49.04, -67.56

 

CMYK 0 / 46 / 63 / 11

HEX #E37A54

RGB 227 122 84

HSL 15.94, 0.72%, 0.61%

LAB 62.41, 37.44, 38.7

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 63 / 30 / 0 / 11

HEX #54A0E3

RGB 84 160 227

HSL 208.11, 0.72%, 0.61%

LAB 63.81, -3.24, -40.87

 

CMYK 0 / 63 / 17 / 11

HEX #E354BD

RGB 227 84 189

HSL 315.94, 0.72%, 0.61%

LAB 58.36, 66.36, -27.02

 

CMYK 0 / 33 / 63 / 11

HEX #E39754

RGB 227 151 84

HSL 28.11, 0.72%, 0.61%

LAB 68.83, 22.17, 46.28

 

CMYK 63 / 0 / 46 / 11

HEX #54E37B

RGB 84 227 123

HSL 136.36, 0.72%, 0.61%

LAB 80.88, -60.23, 39.62

 

CMYK 63 / 48 / 0 / 11

HEX #5475E3

RGB 84 117 227

HSL 226.15, 0.72%, 0.61%

LAB 52.01, 22.37, -59.61

 

CMYK 0 / 63 / 17 / 11

HEX #E354BD

RGB 227 84 189

HSL 315.94, 0.72%, 0.61%

LAB 58.36, 66.36, -27.02

 

CMYK 0 / 15 / 63 / 11

HEX #E3C254

RGB 227 194 84

HSL 46.15, 0.72%, 0.61%

LAB 79.36, -0.6, 58.13

 

Description

Color code: HEX #54E37B | qconv.com Color code: HEX #54E37B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 227 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 227 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 46 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 46% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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