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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54DF74 it is the complementary color #AB208B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54DF74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54DF74 shade: #59DF6F, #6AF182, #7BFF95, #8CFFA8 and #9DFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54DF74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54DF74 shade: #54DF74, #43CD61, #32BB4E, #21A93B and #109728

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54DF74 shade: #54DE74, #59DE54, #7FDE54, #A4DE54 and #C9DE54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54DF74 shade: #54DE74, #54DE99, #54DEBE, #54D9DE and #54B4DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54DF74 shade matches the following richer shades: #54DE74 and #43EF6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54DF74 shade: #54DE74, #64CE7C, #75BD85, #85AD8E and #969C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54DF74 shade: #80DE54, #5BDE54, #54DE72, #54DE97 and #54DEBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54DF74 shade: #24BC47, #31D857, #54DE74, #76E590 and #99ECAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54DF74 shade: #54DF74, #54A5DE and #DE546D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54DF74 shade: #54DF74, #7254DE and #DE7254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54DF74 shade: #54DF74, #54A5DE, #DE54C0 and #DE8D54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54DF74 shade: #54DF74, #547BDE, #DE54C0 and #DEB754

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 48 / 13

HEX #54DF74

RGB 84 223 116

HSL 133.81, 0.68%, 0.6%

LAB 79.57, -59.82, 41.39

 

Complementary color

CMYK 0 / 81 / 19 / 33

HEX #AB208B

RGB 171 32 139

HSL 313.81, 0.68%, 0.4%

LAB 40.5, 63.33, -25.86

 

CMYK 60 / 0 / 50 / 13

HEX #59DF6F

RGB 89 223 111

HSL 129.85, 0.68%, 0.61%

LAB 79.64, -59.49, 43.92

 

CMYK 56 / 0 / 46 / 5

HEX #6AF182

RGB 106 241 130

HSL 130.67, 0.83%, 0.68%

LAB 85.8, -59.69, 42.57

 

CMYK 52 / 0 / 42 / 0

HEX #7BFF95

RGB 123 255 149

HSL 131.82, 1%, 0.74%

LAB 90.73, -58.18, 39.76

 

CMYK 45 / 0 / 34 / 0

HEX #8CFFA8

RGB 140 255 168

HSL 134.61, 1%, 0.77%

LAB 91.65, -50.81, 31.67

 

CMYK 38 / 0 / 27 / 0

HEX #9DFFBB

RGB 157 255 187

HSL 138.37, 1%, 0.81%

LAB 92.7, -42.88, 23.62

 

CMYK 62 / 0 / 48 / 13

HEX #54DF74

RGB 84 223 116

HSL 133.81, 0.68%, 0.6%

LAB 79.57, -59.82, 41.39

 

CMYK 67 / 0 / 53 / 20

HEX #43CD61

RGB 67 205 97

HSL 133.04, 0.58%, 0.53%

LAB 73.36, -59.35, 42.81

 

CMYK 73 / 0 / 58 / 27

HEX #32BB4E

RGB 50 187 78

HSL 132.26, 0.58%, 0.46%

LAB 67.1, -58.54, 44.23

 

CMYK 80 / 0 / 65 / 34

HEX #21A93B

RGB 33 169 59

HSL 131.47, 0.67%, 0.4%

LAB 60.79, -57.23, 45.56

 

CMYK 89 / 0 / 74 / 41

HEX #109728

RGB 16 151 40

HSL 130.67, 0.81%, 0.33%

LAB 54.45, -55.18, 46.57

 

CMYK 62 / 0 / 48 / 13

HEX #54DE74

RGB 84 222 116

HSL 133.91, 0.68%, 0.6%

LAB 79.26, -59.45, 41

 

CMYK 60 / 0 / 62 / 13

HEX #59DE54

RGB 89 222 84

HSL 117.83, 0.68%, 0.6%

LAB 79.05, -62.42, 55.49

 

CMYK 43 / 0 / 62 / 13

HEX #7FDE54

RGB 127 222 84

HSL 101.3, 0.68%, 0.6%

LAB 80.4, -52.18, 57.38

 

CMYK 26 / 0 / 62 / 13

HEX #A4DE54

RGB 164 222 84

HSL 85.22, 0.68%, 0.6%

LAB 82.26, -39.59, 59.95

 

CMYK 9 / 0 / 62 / 13

HEX #C9DE54

RGB 201 222 84

HSL 69.13, 0.68%, 0.6%

LAB 84.64, -25.35, 63.22

 

CMYK 62 / 0 / 48 / 13

HEX #54DE74

RGB 84 222 116

HSL 133.91, 0.68%, 0.6%

LAB 79.26, -59.45, 41

 

CMYK 62 / 0 / 31 / 13

HEX #54DE99

RGB 84 222 153

HSL 150, 0.68%, 0.6%

LAB 79.86, -53, 23.04

 

CMYK 62 / 0 / 14 / 13

HEX #54DEBE

RGB 84 222 190

HSL 166.09, 0.68%, 0.6%

LAB 80.65, -44.83, 4.68

 

CMYK 62 / 2 / 0 / 13

HEX #54D9DE

RGB 84 217 222

HSL 182.17, 0.68%, 0.6%

LAB 80.06, -34.26, -13.24

 

CMYK 62 / 19 / 0 / 13

HEX #54B4DE

RGB 84 180 222

HSL 198.26, 0.68%, 0.6%

LAB 69.33, -15.8, -29.55

 

CMYK 62 / 0 / 48 / 13

HEX #54DE74

RGB 84 222 116

HSL 133.91, 0.68%, 0.6%

LAB 79.26, -59.45, 41

 

CMYK 72 / 0 / 55 / 6

HEX #43EF6B

RGB 67 239 107

HSL 133.95, 0.84%, 0.6%

LAB 83.96, -69.65, 50.91

 

CMYK 62 / 0 / 48 / 13

HEX #54DE74

RGB 84 222 116

HSL 133.91, 0.68%, 0.6%

LAB 79.26, -59.45, 41

 

CMYK 51 / 0 / 40 / 19

HEX #64CE7C

RGB 100 206 124

HSL 133.58, 0.52%, 0.6%

LAB 75.02, -48.28, 31.65

 

CMYK 38 / 0 / 30 / 26

HEX #75BD85

RGB 117 189 133

HSL 133.33, 0.35%, 0.6%

LAB 70.78, -34.51, 21.38

 

CMYK 23 / 0 / 18 / 32

HEX #85AD8E

RGB 133 173 142

HSL 133.5, 0.2%, 0.6%

LAB 67.15, -19.86, 11.58

 

CMYK 4 / 0 / 3 / 39

HEX #969C97

RGB 150 156 151

HSL 130, 0.03%, 0.6%

LAB 63.75, -3.12, 1.86

 

CMYK 42 / 0 / 62 / 13

HEX #80DE54

RGB 128 222 84

HSL 100.87, 0.68%, 0.6%

LAB 80.44, -51.87, 57.44

 

CMYK 59 / 0 / 62 / 13

HEX #5BDE54

RGB 91 222 84

HSL 116.96, 0.68%, 0.6%

LAB 79.1, -61.96, 55.57

 

CMYK 62 / 0 / 49 / 13

HEX #54DE72

RGB 84 222 114

HSL 133.04, 0.68%, 0.6%

LAB 79.24, -59.75, 41.94

 

CMYK 62 / 0 / 32 / 13

HEX #54DE97

RGB 84 222 151

HSL 149.13, 0.68%, 0.6%

LAB 79.82, -53.4, 24.03

 

CMYK 62 / 0 / 15 / 13

HEX #54DEBC

RGB 84 222 188

HSL 165.22, 0.68%, 0.6%

LAB 80.6, -45.31, 5.67

 

CMYK 81 / 0 / 62 / 26

HEX #24BC47

RGB 36 188 71

HSL 133.82, 0.68%, 0.44%

LAB 67.12, -61.65, 47.38

 

CMYK 77 / 0 / 60 / 15

HEX #31D857

RGB 49 216 87

HSL 133.65, 0.68%, 0.52%

LAB 76.35, -67.17, 50.89

 

CMYK 62 / 0 / 48 / 13

HEX #54DE74

RGB 84 222 116

HSL 133.91, 0.68%, 0.6%

LAB 79.26, -59.45, 41

 

CMYK 48 / 0 / 37 / 10

HEX #76E590

RGB 118 229 144

HSL 134.05, 0.68%, 0.68%

LAB 82.86, -49.81, 31.9

 

CMYK 35 / 0 / 27 / 7

HEX #99ECAC

RGB 153 236 172

HSL 133.73, 0.69%, 0.76%

LAB 86.87, -38.23, 23.24

 

CMYK 62 / 0 / 48 / 13

HEX #54DF74

RGB 84 223 116

HSL 133.81, 0.68%, 0.6%

LAB 79.57, -59.82, 41.39

 

CMYK 62 / 26 / 0 / 13

HEX #54A5DE

RGB 84 165 222

HSL 204.78, 0.68%, 0.6%

LAB 65.02, -7.66, -36.22

 

CMYK 0 / 62 / 51 / 13

HEX #DE546D

RGB 222 84 109

HSL 349.13, 0.68%, 0.6%

LAB 55.05, 55.71, 14.79

 

CMYK 62 / 0 / 48 / 13

HEX #54DF74

RGB 84 223 116

HSL 133.81, 0.68%, 0.6%

LAB 79.57, -59.82, 41.39

 

CMYK 49 / 62 / 0 / 13

HEX #7254DE

RGB 114 84 222

HSL 253.04, 0.68%, 0.6%

LAB 45.9, 46.11, -66.56

 

CMYK 0 / 49 / 62 / 13

HEX #DE7254

RGB 222 114 84

HSL 13.04, 0.68%, 0.6%

LAB 60.07, 39.61, 35.69

 

CMYK 62 / 0 / 48 / 13

HEX #54DF74

RGB 84 223 116

HSL 133.81, 0.68%, 0.6%

LAB 79.57, -59.82, 41.39

 

CMYK 62 / 26 / 0 / 13

HEX #54A5DE

RGB 84 165 222

HSL 204.78, 0.68%, 0.6%

LAB 65.02, -7.66, -36.22

 

CMYK 0 / 62 / 14 / 13

HEX #DE54C0

RGB 222 84 192

HSL 313.04, 0.68%, 0.6%

LAB 57.73, 65.47, -29.78

 

CMYK 0 / 36 / 62 / 13

HEX #DE8D54

RGB 222 141 84

HSL 24.78, 0.68%, 0.6%

LAB 65.92, 25.46, 42.73

 

CMYK 62 / 0 / 48 / 13

HEX #54DF74

RGB 84 223 116

HSL 133.81, 0.68%, 0.6%

LAB 79.57, -59.82, 41.39

 

CMYK 62 / 45 / 0 / 13

HEX #547BDE

RGB 84 123 222

HSL 223.04, 0.68%, 0.6%

LAB 53.3, 16.98, -54.72

 

CMYK 0 / 62 / 14 / 13

HEX #DE54C0

RGB 222 84 192

HSL 313.04, 0.68%, 0.6%

LAB 57.73, 65.47, -29.78

 

CMYK 0 / 18 / 62 / 13

HEX #DEB754

RGB 222 183 84

HSL 43.04, 0.68%, 0.6%

LAB 76.09, 3.04, 54.39

 

Description

Color code: HEX #54DF74 | qconv.com Color code: HEX #54DF74 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 223 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 223 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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