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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54DC39 it is the complementary color #AB23C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54DC39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54DC39 shade: #59DC34, #6AEE47, #7BFF5A, #8CFF6D and #9DFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54DC39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54DC39 shade: #54DC39, #43CA26, #32B813, #21A600 and #109400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54DC39 shade: #53DC38, #7FDC38, #ABDC38, #D8DC38 and #DCB438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54DC39 shade: #53DC38, #38DC49, #38DC75, #38DCA1 and #38DCCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54DC39 shade matches the following richer shades: #53DC38 and #46EF25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54DC39 shade: #53DC38, #5FC94B, #6CB65E, #79A371 and #869084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54DC39 shade: #ABDC38, #7FDC38, #53DC38, #38DC48 and #38DC74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54DC39 shade: #33A41D, #3EC723, #53DC38, #71E25B and #8FE87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54DC39 shade: #54DC39, #38D6DC and #DC3895

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54DC39 shade: #54DC39, #3853DC and #DC3853

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54DC39 shade: #54DC39, #38D6DC, #C038DC and #DC3D38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54DC39 shade: #54DC39, #38A5DC, #C038DC and #DC6E38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 74 / 14

HEX #54DC39

RGB 84 220 57

HSL 110.06, 0.7%, 0.54%

LAB 78.09, -65.18, 64.79

 

Complementary color

CMYK 14 / 82 / 0 / 22

HEX #AB23C6

RGB 171 35 198

HSL 290.06, 0.7%, 0.46%

LAB 44.14, 71.82, -55.26

 

CMYK 60 / 0 / 76 / 14

HEX #59DC34

RGB 89 220 52

HSL 106.79, 0.71%, 0.53%

LAB 78.2, -64.36, 66.56

 

CMYK 55 / 0 / 70 / 7

HEX #6AEE47

RGB 106 238 71

HSL 107.43, 0.83%, 0.61%

LAB 84.31, -65.15, 66.41

 

CMYK 52 / 0 / 65 / 0

HEX #7BFF5A

RGB 123 255 90

HSL 108, 1%, 0.68%

LAB 90.08, -65.31, 65.5

 

CMYK 45 / 0 / 57 / 0

HEX #8CFF6D

RGB 140 255 109

HSL 107.26, 1%, 0.71%

LAB 90.87, -58.82, 58.67

 

CMYK 38 / 0 / 50 / 0

HEX #9DFF80

RGB 157 255 128

HSL 106.3, 1%, 0.75%

LAB 91.8, -51.65, 51.39

 

CMYK 62 / 0 / 74 / 14

HEX #54DC39

RGB 84 220 57

HSL 110.06, 0.7%, 0.54%

LAB 78.09, -65.18, 64.79

 

CMYK 67 / 0 / 81 / 21

HEX #43CA26

RGB 67 202 38

HSL 109.39, 0.68%, 0.47%

LAB 71.94, -63.98, 64.53

 

CMYK 73 / 0 / 90 / 28

HEX #32B813

RGB 50 184 19

HSL 108.73, 0.81%, 0.4%

LAB 65.75, -62.24, 63.22

 

CMYK 80 / 0 / 100 / 35

HEX #21A600

RGB 33 166 0

HSL 108.07, 1%, 0.33%

LAB 59.52, -59.82, 60.68

 

CMYK 89 / 0 / 100 / 42

HEX #109400

RGB 16 148 0

HSL 113.51, 1%, 0.29%

LAB 53.27, -56.35, 55.59

 

CMYK 62 / 0 / 75 / 14

HEX #53DC38

RGB 83 220 56

HSL 110.12, 0.7%, 0.54%

LAB 78.06, -65.47, 65.08

 

CMYK 42 / 0 / 75 / 14

HEX #7FDC38

RGB 127 220 56

HSL 94.02, 0.7%, 0.54%

LAB 79.6, -53.5, 67.12

 

CMYK 22 / 0 / 75 / 14

HEX #ABDC38

RGB 171 220 56

HSL 77.93, 0.7%, 0.54%

LAB 81.91, -37.88, 70.13

 

CMYK 2 / 0 / 75 / 14

HEX #D8DC38

RGB 216 220 56

HSL 61.46, 0.7%, 0.54%

LAB 85.03, -19.78, 74.18

 

CMYK 0 / 18 / 75 / 14

HEX #DCB438

RGB 220 180 56

HSL 45.37, 0.7%, 0.54%

LAB 74.92, 2.25, 64.8

 

CMYK 62 / 0 / 75 / 14

HEX #53DC38

RGB 83 220 56

HSL 110.12, 0.7%, 0.54%

LAB 78.06, -65.47, 65.08

 

CMYK 75 / 0 / 67 / 14

HEX #38DC49

RGB 56 220 73

HSL 126.22, 0.7%, 0.54%

LAB 77.58, -69, 58.2

 

CMYK 75 / 0 / 47 / 14

HEX #38DC75

RGB 56 220 117

HSL 142.32, 0.7%, 0.54%

LAB 78.06, -63.35, 38.87

 

CMYK 75 / 0 / 27 / 14

HEX #38DCA1

RGB 56 220 161

HSL 158.41, 0.7%, 0.54%

LAB 78.81, -54.93, 17.32

 

CMYK 75 / 0 / 6 / 14

HEX #38DCCE

RGB 56 220 206

HSL 174.88, 0.7%, 0.54%

LAB 79.89, -43.79, -5.02

 

CMYK 62 / 0 / 75 / 14

HEX #53DC38

RGB 83 220 56

HSL 110.12, 0.7%, 0.54%

LAB 78.06, -65.47, 65.08

 

CMYK 71 / 0 / 85 / 6

HEX #46EF25

RGB 70 239 37

HSL 110.2, 0.86%, 0.54%

LAB 83.53, -75.03, 75.28

 

CMYK 62 / 0 / 75 / 14

HEX #53DC38

RGB 83 220 56

HSL 110.12, 0.7%, 0.54%

LAB 78.06, -65.47, 65.08

 

CMYK 53 / 0 / 63 / 21

HEX #5FC94B

RGB 95 201 75

HSL 110.48, 0.54%, 0.54%

LAB 72.7, -54.16, 52.3

 

CMYK 41 / 0 / 48 / 29

HEX #6CB65E

RGB 108 182 94

HSL 110.45, 0.38%, 0.54%

LAB 67.61, -40.34, 37.53

 

CMYK 26 / 0 / 31 / 36

HEX #79A371

RGB 121 163 113

HSL 110.4, 0.21%, 0.54%

LAB 62.89, -24.16, 21.51

 

CMYK 7 / 0 / 8 / 44

HEX #869084

RGB 134 144 132

HSL 110, 0.05%, 0.54%

LAB 58.68, -5.99, 5.13

 

CMYK 22 / 0 / 75 / 14

HEX #ABDC38

RGB 171 220 56

HSL 77.93, 0.7%, 0.54%

LAB 81.91, -37.88, 70.13

 

CMYK 42 / 0 / 75 / 14

HEX #7FDC38

RGB 127 220 56

HSL 94.02, 0.7%, 0.54%

LAB 79.6, -53.5, 67.12

 

CMYK 62 / 0 / 75 / 14

HEX #53DC38

RGB 83 220 56

HSL 110.12, 0.7%, 0.54%

LAB 78.06, -65.47, 65.08

 

CMYK 75 / 0 / 67 / 14

HEX #38DC48

RGB 56 220 72

HSL 125.85, 0.7%, 0.54%

LAB 77.58, -69.1, 58.58

 

CMYK 75 / 0 / 47 / 14

HEX #38DC74

RGB 56 220 116

HSL 141.95, 0.7%, 0.54%

LAB 78.04, -63.51, 39.34

 

CMYK 69 / 0 / 82 / 36

HEX #33A41D

RGB 51 164 29

HSL 110.22, 0.7%, 0.38%

LAB 59.29, -55.16, 55.18

 

CMYK 69 / 0 / 82 / 22

HEX #3EC723

RGB 62 199 35

HSL 110.12, 0.7%, 0.46%

LAB 70.87, -64.14, 64.3

 

CMYK 62 / 0 / 75 / 14

HEX #53DC38

RGB 83 220 56

HSL 110.12, 0.7%, 0.54%

LAB 78.06, -65.47, 65.08

 

CMYK 50 / 0 / 60 / 11

HEX #71E25B

RGB 113 226 91

HSL 110.22, 0.7%, 0.62%

LAB 81.1, -57.14, 55.02

 

CMYK 38 / 0 / 46 / 9

HEX #8FE87E

RGB 143 232 126

HSL 110.38, 0.7%, 0.7%

LAB 84.51, -46.61, 43.19

 

CMYK 62 / 0 / 74 / 14

HEX #54DC39

RGB 84 220 57

HSL 110.06, 0.7%, 0.54%

LAB 78.09, -65.18, 64.79

 

CMYK 75 / 3 / 0 / 14

HEX #38D6DC

RGB 56 214 220

HSL 182.2, 0.7%, 0.54%

LAB 78.52, -37.16, -14.54

 

CMYK 0 / 75 / 32 / 14

HEX #DC3895

RGB 220 56 149

HSL 325.98, 0.7%, 0.54%

LAB 52.08, 69.51, -13.37

 

CMYK 62 / 0 / 74 / 14

HEX #54DC39

RGB 84 220 57

HSL 110.06, 0.7%, 0.54%

LAB 78.09, -65.18, 64.79

 

CMYK 75 / 62 / 0 / 14

HEX #3853DC

RGB 56 83 220

HSL 230.12, 0.7%, 0.54%

LAB 41.52, 37.27, -72.72

 

CMYK 0 / 75 / 62 / 14

HEX #DC3853

RGB 220 56 83

HSL 350.12, 0.7%, 0.54%

LAB 50.3, 63.84, 23.85

 

CMYK 62 / 0 / 74 / 14

HEX #54DC39

RGB 84 220 57

HSL 110.06, 0.7%, 0.54%

LAB 78.09, -65.18, 64.79

 

CMYK 75 / 3 / 0 / 14

HEX #38D6DC

RGB 56 214 220

HSL 182.2, 0.7%, 0.54%

LAB 78.52, -37.16, -14.54

 

CMYK 13 / 75 / 0 / 14

HEX #C038DC

RGB 192 56 220

HSL 289.76, 0.7%, 0.54%

LAB 50.92, 73.54, -56.83

 

CMYK 0 / 72 / 75 / 14

HEX #DC3D38

RGB 220 61 56

HSL 1.83, 0.7%, 0.54%

LAB 50.5, 60.84, 39.85

 

CMYK 62 / 0 / 74 / 14

HEX #54DC39

RGB 84 220 57

HSL 110.06, 0.7%, 0.54%

LAB 78.09, -65.18, 64.79

 

CMYK 75 / 25 / 0 / 14

HEX #38A5DC

RGB 56 165 220

HSL 200.12, 0.7%, 0.54%

LAB 64.09, -12.53, -36.62

 

CMYK 13 / 75 / 0 / 14

HEX #C038DC

RGB 192 56 220

HSL 289.76, 0.7%, 0.54%

LAB 50.92, 73.54, -56.83

 

CMYK 0 / 50 / 75 / 14

HEX #DC6E38

RGB 220 110 56

HSL 19.76, 0.7%, 0.54%

LAB 58.65, 39.33, 48.59

 

Description

Color code: HEX #54DC39 | qconv.com Color code: HEX #54DC39 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 220 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 220 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 74 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 74% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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