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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54CE7B it is the complementary color #AB3184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54CE7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54CE7B shade: #59CE76, #6AE089, #7BF29C, #8CFFAF and #9DFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54CE7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54CE7B shade: #54CE7B, #43BC68, #32AA55, #219842 and #10862F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54CE7B shade: #55CE7C, #55CE5B, #70CE55, #90CE55 and #B1CE55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54CE7B shade: #55CE7C, #55CE9C, #55CEBD, #55BECE and #559ECE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54CE7B shade matches the following richer shades: #55CE7C, #43DF75 and #32F16F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54CE7B shade: #55CE7C, #67BC82, #79AA88, #8A988F and #9C8795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54CE7B shade: #6FCE55, #55CE5B, #55CE7B, #55CE9B and #55CEBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54CE7B shade: #2FA153, #38C164, #55CE7C, #75D794 and #95E0AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54CE7B shade: #54CE7B, #558FCE and #CE555F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54CE7B shade: #54CE7B, #7B55CE and #CE7B55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54CE7B shade: #54CE7B, #558FCE, #CE55A7 and #CE9355

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54CE7B shade: #54CE7B, #556BCE, #CE55A7 and #CEB855

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 40 / 19

HEX #54CE7B

RGB 84 206 123

HSL 139.18, 0.55%, 0.57%

LAB 74.48, -52.23, 31.36

 

Complementary color

CMYK 0 / 71 / 23 / 33

HEX #AB3184

RGB 171 49 132

HSL 319.18, 0.55%, 0.43%

LAB 42.03, 57.13, -19.2

 

CMYK 57 / 0 / 43 / 19

HEX #59CE76

RGB 89 206 118

HSL 134.87, 0.54%, 0.58%

LAB 74.56, -51.94, 34.04

 

CMYK 53 / 0 / 39 / 12

HEX #6AE089

RGB 106 224 137

HSL 135.76, 0.66%, 0.65%

LAB 80.84, -51.95, 32.7

 

CMYK 49 / 0 / 36 / 5

HEX #7BF29C

RGB 123 242 156

HSL 136.64, 0.82%, 0.72%

LAB 87.05, -51.86, 31.44

 

CMYK 45 / 0 / 31 / 0

HEX #8CFFAF

RGB 140 255 175

HSL 138.26, 1%, 0.77%

LAB 91.77, -49.61, 28.31

 

CMYK 38 / 0 / 24 / 0

HEX #9DFFC2

RGB 157 255 194

HSL 142.65, 1%, 0.81%

LAB 92.83, -41.61, 20.24

 

CMYK 59 / 0 / 40 / 19

HEX #54CE7B

RGB 84 206 123

HSL 139.18, 0.55%, 0.57%

LAB 74.48, -52.23, 31.36

 

CMYK 64 / 0 / 45 / 26

HEX #43BC68

RGB 67 188 104

HSL 138.35, 0.47%, 0.5%

LAB 68.14, -52.01, 32.79

 

CMYK 71 / 0 / 50 / 33

HEX #32AA55

RGB 50 170 85

HSL 137.5, 0.55%, 0.43%

LAB 61.73, -51.5, 34.31

 

CMYK 78 / 0 / 57 / 40

HEX #219842

RGB 33 152 66

HSL 136.64, 0.64%, 0.36%

LAB 55.25, -50.57, 35.88

 

CMYK 88 / 0 / 65 / 47

HEX #10862F

RGB 16 134 47

HSL 135.76, 0.79%, 0.29%

LAB 48.72, -48.95, 37.41

 

CMYK 59 / 0 / 40 / 19

HEX #55CE7C

RGB 85 206 124

HSL 139.34, 0.55%, 0.57%

LAB 74.53, -51.84, 30.91

 

CMYK 59 / 0 / 56 / 19

HEX #55CE5B

RGB 85 206 91

HSL 122.98, 0.55%, 0.57%

LAB 74.08, -56.75, 46.62

 

CMYK 46 / 0 / 59 / 19

HEX #70CE55

RGB 112 206 85

HSL 106.61, 0.55%, 0.57%

LAB 74.98, -50.23, 50.65

 

CMYK 30 / 0 / 59 / 19

HEX #90CE55

RGB 144 206 85

HSL 90.74, 0.55%, 0.57%

LAB 76.51, -39.66, 52.81

 

CMYK 14 / 0 / 59 / 19

HEX #B1CE55

RGB 177 206 85

HSL 74.38, 0.55%, 0.57%

LAB 78.55, -27.17, 55.66

 

CMYK 59 / 0 / 40 / 19

HEX #55CE7C

RGB 85 206 124

HSL 139.34, 0.55%, 0.57%

LAB 74.53, -51.84, 30.91

 

CMYK 59 / 0 / 24 / 19

HEX #55CE9C

RGB 85 206 156

HSL 155.21, 0.55%, 0.57%

LAB 75.12, -45.6, 14.91

 

CMYK 59 / 0 / 8 / 19

HEX #55CEBD

RGB 85 206 189

HSL 171.57, 0.55%, 0.57%

LAB 75.91, -37.79, -1.67

 

CMYK 59 / 8 / 0 / 19

HEX #55BECE

RGB 85 190 206

HSL 187.93, 0.55%, 0.57%

LAB 71.7, -25.53, -17.18

 

CMYK 59 / 23 / 0 / 19

HEX #559ECE

RGB 85 158 206

HSL 203.8, 0.55%, 0.57%

LAB 62.37, -8.67, -31.46

 

CMYK 59 / 0 / 40 / 19

HEX #55CE7C

RGB 85 206 124

HSL 139.34, 0.55%, 0.57%

LAB 74.53, -51.84, 30.91

 

CMYK 70 / 0 / 48 / 13

HEX #43DF75

RGB 67 223 117

HSL 139.23, 0.71%, 0.57%

LAB 79.19, -62.77, 40.33

 

CMYK 79 / 0 / 54 / 5

HEX #32F16F

RGB 50 241 111

HSL 139.16, 0.87%, 0.57%

LAB 84.35, -71.98, 49.48

 

CMYK 59 / 0 / 40 / 19

HEX #55CE7C

RGB 85 206 124

HSL 139.34, 0.55%, 0.57%

LAB 74.53, -51.84, 30.91

 

CMYK 45 / 0 / 31 / 26

HEX #67BC82

RGB 103 188 130

HSL 139.06, 0.39%, 0.57%

LAB 69.8, -38.69, 21.54

 

CMYK 29 / 0 / 20 / 33

HEX #79AA88

RGB 121 170 136

HSL 138.37, 0.22%, 0.57%

LAB 65.43, -23.51, 12.37

 

CMYK 9 / 0 / 6 / 40

HEX #8A988F

RGB 138 152 143

HSL 141.43, 0.06%, 0.57%

LAB 61.52, -6.8, 3.02

 

CMYK 0 / 13 / 4 / 39

HEX #9C8795

RGB 156 135 149

HSL 320, 0.1%, 0.57%

LAB 58.57, 10.47, -4.54

 

CMYK 46 / 0 / 59 / 19

HEX #6FCE55

RGB 111 206 85

HSL 107.11, 0.55%, 0.57%

LAB 74.94, -50.53, 50.6

 

CMYK 59 / 0 / 56 / 19

HEX #55CE5B

RGB 85 206 91

HSL 122.98, 0.55%, 0.57%

LAB 74.08, -56.75, 46.62

 

CMYK 59 / 0 / 40 / 19

HEX #55CE7B

RGB 85 206 123

HSL 138.84, 0.55%, 0.57%

LAB 74.51, -52.01, 31.41

 

CMYK 59 / 0 / 25 / 19

HEX #55CE9B

RGB 85 206 155

HSL 154.71, 0.55%, 0.57%

LAB 75.1, -45.81, 15.42

 

CMYK 59 / 0 / 9 / 19

HEX #55CEBC

RGB 85 206 188

HSL 171.07, 0.55%, 0.57%

LAB 75.89, -38.04, -1.17

 

CMYK 71 / 0 / 48 / 37

HEX #2FA153

RGB 47 161 83

HSL 138.95, 0.55%, 0.41%

LAB 58.71, -48.99, 31.55

 

CMYK 71 / 0 / 48 / 24

HEX #38C164

RGB 56 193 100

HSL 139.27, 0.55%, 0.49%

LAB 69.4, -56.52, 36.37

 

CMYK 59 / 0 / 40 / 19

HEX #55CE7C

RGB 85 206 124

HSL 139.34, 0.55%, 0.57%

LAB 74.53, -51.84, 30.91

 

CMYK 46 / 0 / 31 / 16

HEX #75D794

RGB 117 215 148

HSL 138.98, 0.55%, 0.65%

LAB 78.76, -43.44, 24.34

 

CMYK 33 / 0 / 23 / 12

HEX #95E0AD

RGB 149 224 173

HSL 139.2, 0.55%, 0.73%

LAB 83.29, -33.75, 17.74

 

CMYK 59 / 0 / 40 / 19

HEX #54CE7B

RGB 84 206 123

HSL 139.18, 0.55%, 0.57%

LAB 74.48, -52.23, 31.36

 

CMYK 59 / 31 / 0 / 19

HEX #558FCE

RGB 85 143 206

HSL 211.24, 0.55%, 0.57%

LAB 58.07, -0.15, -38.17

 

CMYK 0 / 59 / 54 / 19

HEX #CE555F

RGB 206 85 95

HSL 355.04, 0.55%, 0.57%

LAB 52.34, 48.76, 18.96

 

CMYK 59 / 0 / 40 / 19

HEX #54CE7B

RGB 84 206 123

HSL 139.18, 0.55%, 0.57%

LAB 74.48, -52.23, 31.36

 

CMYK 40 / 59 / 0 / 19

HEX #7B55CE

RGB 123 85 206

HSL 258.84, 0.55%, 0.57%

LAB 45.86, 42.94, -57.44

 

CMYK 0 / 40 / 59 / 19

HEX #CE7B55

RGB 206 123 85

HSL 18.84, 0.55%, 0.57%

LAB 59.84, 28.66, 34.37

 

CMYK 59 / 0 / 40 / 19

HEX #54CE7B

RGB 84 206 123

HSL 139.18, 0.55%, 0.57%

LAB 74.48, -52.23, 31.36

 

CMYK 59 / 31 / 0 / 19

HEX #558FCE

RGB 85 143 206

HSL 211.24, 0.55%, 0.57%

LAB 58.07, -0.15, -38.17

 

CMYK 0 / 59 / 19 / 19

HEX #CE55A7

RGB 206 85 167

HSL 319.34, 0.55%, 0.57%

LAB 54.46, 56.98, -20.56

 

CMYK 0 / 29 / 59 / 19

HEX #CE9355

RGB 206 147 85

HSL 30.74, 0.55%, 0.57%

LAB 65.47, 15.64, 41.22

 

CMYK 59 / 0 / 40 / 19

HEX #54CE7B

RGB 84 206 123

HSL 139.18, 0.55%, 0.57%

LAB 74.48, -52.23, 31.36

 

CMYK 59 / 48 / 0 / 19

HEX #556BCE

RGB 85 107 206

HSL 229.09, 0.55%, 0.57%

LAB 48.14, 21.66, -53.93

 

CMYK 0 / 59 / 19 / 19

HEX #CE55A7

RGB 206 85 167

HSL 319.34, 0.55%, 0.57%

LAB 54.46, 56.98, -20.56

 

CMYK 0 / 11 / 59 / 19

HEX #CEB855

RGB 206 184 85

HSL 49.09, 0.55%, 0.57%

LAB 74.86, -4.17, 52.14

 

Description

Color code: HEX #54CE7B | qconv.com Color code: HEX #54CE7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 206 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 206 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 40 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 40% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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