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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54CA72 it is the complementary color #AB358D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54CA72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54CA72 shade: #59CA6D, #6ADC80, #7BEE93, #8CFFA6 and #9DFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54CA72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54CA72 shade: #54CA72, #43B85F, #32A64C, #219439 and #108226

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54CA72 shade: #53CA72, #55CA53, #75CA53, #95CA53 and #B5CA53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54CA72 shade: #53CA72, #53CA92, #53CAB2, #53C3CA and #53A3CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54CA72 shade matches the following richer shades: #53CA72, #41DC69 and #2FEF60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54CA72 shade: #53CA72, #65B87A, #78A683, #8A948C and #9C8295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54CA72 shade: #75CA53, #55CA53, #53CA71, #53CA91 and #53CAB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54CA72 shade: #309B4B, #39BB5A, #53CA72, #73D48C and #92DEA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54CA72 shade: #54CA72, #5395CA and #CA5365

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54CA72 shade: #54CA72, #7153CA and #CA7153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54CA72 shade: #54CA72, #5395CA, #CA53AD and #CA8953

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54CA72 shade: #54CA72, #5371CA, #CA53AD and #CAAD53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 44 / 21

HEX #54CA72

RGB 84 202 114

HSL 135.25, 0.53%, 0.56%

LAB 73.12, -52.17, 34.18

 

Complementary color

CMYK 0 / 69 / 18 / 33

HEX #AB358D

RGB 171 53 141

HSL 315.25, 0.53%, 0.44%

LAB 42.95, 56.9, -23.27

 

CMYK 56 / 0 / 46 / 21

HEX #59CA6D

RGB 89 202 109

HSL 130.62, 0.52%, 0.57%

LAB 73.2, -51.79, 36.85

 

CMYK 52 / 0 / 42 / 14

HEX #6ADC80

RGB 106 220 128

HSL 131.58, 0.62%, 0.64%

LAB 79.51, -51.8, 35.5

 

CMYK 48 / 0 / 38 / 7

HEX #7BEE93

RGB 123 238 147

HSL 132.52, 0.77%, 0.71%

LAB 85.74, -51.71, 34.22

 

CMYK 45 / 0 / 35 / 0

HEX #8CFFA6

RGB 140 255 166

HSL 133.57, 1%, 0.77%

LAB 91.62, -51.14, 32.63

 

CMYK 38 / 0 / 27 / 0

HEX #9DFFB9

RGB 157 255 185

HSL 137.14, 1%, 0.81%

LAB 92.66, -43.23, 24.58

 

CMYK 58 / 0 / 44 / 21

HEX #54CA72

RGB 84 202 114

HSL 135.25, 0.53%, 0.56%

LAB 73.12, -52.17, 34.18

 

CMYK 64 / 0 / 48 / 28

HEX #43B85F

RGB 67 184 95

HSL 134.36, 0.47%, 0.49%

LAB 66.75, -51.93, 35.62

 

CMYK 70 / 0 / 54 / 35

HEX #32A64C

RGB 50 166 76

HSL 133.45, 0.54%, 0.42%

LAB 60.31, -51.39, 37.1

 

CMYK 78 / 0 / 61 / 42

HEX #219439

RGB 33 148 57

HSL 132.52, 0.64%, 0.35%

LAB 53.81, -50.39, 38.57

 

CMYK 88 / 0 / 71 / 49

HEX #108226

RGB 16 130 38

HSL 131.58, 0.78%, 0.29%

LAB 47.26, -48.65, 39.85

 

CMYK 59 / 0 / 44 / 21

HEX #53CA72

RGB 83 202 114

HSL 135.63, 0.53%, 0.56%

LAB 73.09, -52.39, 34.14

 

CMYK 58 / 0 / 59 / 21

HEX #55CA53

RGB 85 202 83

HSL 118.99, 0.53%, 0.56%

LAB 72.76, -56.23, 48.74

 

CMYK 42 / 0 / 59 / 21

HEX #75CA53

RGB 117 202 83

HSL 102.86, 0.53%, 0.56%

LAB 73.96, -47.27, 50.44

 

CMYK 26 / 0 / 59 / 21

HEX #95CA53

RGB 149 202 83

HSL 86.72, 0.53%, 0.56%

LAB 75.61, -36.23, 52.76

 

CMYK 10 / 0 / 59 / 21

HEX #B5CA53

RGB 181 202 83

HSL 70.59, 0.53%, 0.56%

LAB 77.69, -23.8, 55.66

 

CMYK 59 / 0 / 44 / 21

HEX #53CA72

RGB 83 202 114

HSL 135.63, 0.53%, 0.56%

LAB 73.09, -52.39, 34.14

 

CMYK 59 / 0 / 28 / 21

HEX #53CA92

RGB 83 202 146

HSL 151.76, 0.53%, 0.56%

LAB 73.65, -46.44, 18.18

 

CMYK 59 / 0 / 12 / 21

HEX #53CAB2

RGB 83 202 178

HSL 167.9, 0.53%, 0.56%

LAB 74.38, -39.12, 2.02

 

CMYK 59 / 3 / 0 / 21

HEX #53C3CA

RGB 83 195 202

HSL 183.53, 0.53%, 0.56%

LAB 72.98, -29.49, -13.08

 

CMYK 59 / 19 / 0 / 21

HEX #53A3CA

RGB 83 163 202

HSL 199.66, 0.53%, 0.56%

LAB 63.59, -13.05, -27.36

 

CMYK 59 / 0 / 44 / 21

HEX #53CA72

RGB 83 202 114

HSL 135.63, 0.53%, 0.56%

LAB 73.09, -52.39, 34.14

 

CMYK 70 / 0 / 52 / 14

HEX #41DC69

RGB 65 220 105

HSL 135.48, 0.69%, 0.56%

LAB 78.07, -63.82, 44.72

 

CMYK 80 / 0 / 60 / 6

HEX #2FEF60

RGB 47 239 96

HSL 135.31, 0.86%, 0.56%

LAB 83.54, -73.59, 55.22

 

CMYK 59 / 0 / 44 / 21

HEX #53CA72

RGB 83 202 114

HSL 135.63, 0.53%, 0.56%

LAB 73.09, -52.39, 34.14

 

CMYK 45 / 0 / 34 / 28

HEX #65B87A

RGB 101 184 122

HSL 135.18, 0.37%, 0.56%

LAB 68.35, -38.93, 23.85

 

CMYK 28 / 0 / 21 / 35

HEX #78A683

RGB 120 166 131

HSL 134.35, 0.21%, 0.56%

LAB 64.08, -22.8, 13.23

 

CMYK 7 / 0 / 5 / 42

HEX #8A948C

RGB 138 148 140

HSL 132, 0.04%, 0.56%

LAB 60.32, -5.19, 2.98

 

CMYK 0 / 17 / 4 / 39

HEX #9C8295

RGB 156 130 149

HSL 316.15, 0.12%, 0.56%

LAB 57.27, 13.33, -6.46

 

CMYK 42 / 0 / 59 / 21

HEX #75CA53

RGB 117 202 83

HSL 102.86, 0.53%, 0.56%

LAB 73.96, -47.27, 50.44

 

CMYK 58 / 0 / 59 / 21

HEX #55CA53

RGB 85 202 83

HSL 118.99, 0.53%, 0.56%

LAB 72.76, -56.23, 48.74

 

CMYK 59 / 0 / 44 / 21

HEX #53CA71

RGB 83 202 113

HSL 135.13, 0.53%, 0.56%

LAB 73.07, -52.55, 34.63

 

CMYK 59 / 0 / 28 / 21

HEX #53CA91

RGB 83 202 145

HSL 151.26, 0.53%, 0.56%

LAB 73.63, -46.65, 18.68

 

CMYK 59 / 0 / 13 / 21

HEX #53CAB0

RGB 83 202 176

HSL 166.89, 0.53%, 0.56%

LAB 74.33, -39.62, 3.02

 

CMYK 69 / 0 / 52 / 39

HEX #309B4B

RGB 48 155 75

HSL 135.14, 0.53%, 0.4%

LAB 56.66, -47.83, 33.13

 

CMYK 70 / 0 / 52 / 27

HEX #39BB5A

RGB 57 187 90

HSL 135.23, 0.53%, 0.48%

LAB 67.39, -55.71, 38.85

 

CMYK 59 / 0 / 44 / 21

HEX #53CA72

RGB 83 202 114

HSL 135.63, 0.53%, 0.56%

LAB 73.09, -52.39, 34.14

 

CMYK 46 / 0 / 34 / 17

HEX #73D48C

RGB 115 212 140

HSL 135.46, 0.53%, 0.64%

LAB 77.65, -44.11, 26.99

 

CMYK 34 / 0 / 25 / 13

HEX #92DEA6

RGB 146 222 166

HSL 135.79, 0.54%, 0.72%

LAB 82.44, -35.01, 20.18

 

CMYK 58 / 0 / 44 / 21

HEX #54CA72

RGB 84 202 114

HSL 135.25, 0.53%, 0.56%

LAB 73.12, -52.17, 34.18

 

CMYK 59 / 26 / 0 / 21

HEX #5395CA

RGB 83 149 202

HSL 206.72, 0.53%, 0.56%

LAB 59.52, -5.28, -33.65

 

CMYK 0 / 59 / 50 / 21

HEX #CA5365

RGB 202 83 101

HSL 350.92, 0.53%, 0.56%

LAB 51.48, 48.82, 14.11

 

CMYK 58 / 0 / 44 / 21

HEX #54CA72

RGB 84 202 114

HSL 135.25, 0.53%, 0.56%

LAB 73.12, -52.17, 34.18

 

CMYK 44 / 59 / 0 / 21

HEX #7153CA

RGB 113 83 202

HSL 255.13, 0.53%, 0.56%

LAB 44.18, 40.78, -57.89

 

CMYK 0 / 44 / 59 / 21

HEX #CA7153

RGB 202 113 83

HSL 15.13, 0.53%, 0.56%

LAB 57.07, 32.25, 31.91

 

CMYK 58 / 0 / 44 / 21

HEX #54CA72

RGB 84 202 114

HSL 135.25, 0.53%, 0.56%

LAB 73.12, -52.17, 34.18

 

CMYK 59 / 26 / 0 / 21

HEX #5395CA

RGB 83 149 202

HSL 206.72, 0.53%, 0.56%

LAB 59.52, -5.28, -33.65

 

CMYK 0 / 59 / 14 / 21

HEX #CA53AD

RGB 202 83 173

HSL 314.62, 0.53%, 0.56%

LAB 53.77, 57.62, -25.17

 

CMYK 0 / 32 / 59 / 21

HEX #CA8953

RGB 202 137 83

HSL 27.23, 0.53%, 0.56%

LAB 62.57, 19.26, 38.67

 

CMYK 58 / 0 / 44 / 21

HEX #54CA72

RGB 84 202 114

HSL 135.25, 0.53%, 0.56%

LAB 73.12, -52.17, 34.18

 

CMYK 59 / 44 / 0 / 21

HEX #5371CA

RGB 83 113 202

HSL 224.87, 0.53%, 0.56%

LAB 49.39, 16.2, -49.64

 

CMYK 0 / 59 / 14 / 21

HEX #CA53AD

RGB 202 83 173

HSL 314.62, 0.53%, 0.56%

LAB 53.77, 57.62, -25.17

 

CMYK 0 / 14 / 59 / 21

HEX #CAAD53

RGB 202 173 83

HSL 45.38, 0.53%, 0.56%

LAB 71.6, -0.22, 49.27

 

Description

Color code: HEX #54CA72 | qconv.com Color code: HEX #54CA72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 202 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 202 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 44 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 44% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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