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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54C48E it is the complementary color #AB3B71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54C48E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54C48E shade: #59C489, #6AD69C, #7BE8AF, #8CFAC2 and #9DFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54C48E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54C48E shade: #54C48E, #43B27B, #32A068, #218E55 and #107C42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54C48E shade: #54C48E, #54C470, #56C454, #75C454 and #93C454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54C48E shade: #54C48E, #54C4AD, #54BEC4, #54A0C4 and #5481C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54C48E shade matches the following richer shades: #54C48E, #41D78F, #2FEA90 and #1CFC90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54C48E shade: #54C48E, #67B28E, #799F8D, #8C8D8C and #9E7A8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54C48E shade: #56C454, #54C470, #54C48E, #54C4AC and #54BFC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54C48E shade: #329365, #3DB27A, #54C48E, #73CFA3 and #91DAB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54C48E shade: #54C48E, #5474C4 and #C46154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54C48E shade: #54C48E, #8E54C4 and #C48E54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54C48E shade: #54C48E, #5474C4, #C4548A and #C4A554

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54C48E shade: #54C48E, #5654C4, #C4548A and #C3C454

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

Complementary color

CMYK 0 / 65 / 34 / 33

HEX #AB3B71

RGB 171 59 113

HSL 331.07, 0.49%, 0.45%

LAB 42.73, 50.74, -6.44

 

CMYK 55 / 0 / 30 / 23

HEX #59C489

RGB 89 196 137

HSL 146.92, 0.48%, 0.56%

LAB 71.83, -44.42, 20.5

 

CMYK 50 / 0 / 27 / 16

HEX #6AD69C

RGB 106 214 156

HSL 147.78, 0.57%, 0.63%

LAB 78.2, -44.31, 19.31

 

CMYK 47 / 0 / 25 / 9

HEX #7BE8AF

RGB 123 232 175

HSL 148.62, 0.7%, 0.7%

LAB 84.49, -44.15, 18.2

 

CMYK 44 / 0 / 22 / 2

HEX #8CFAC2

RGB 140 250 194

HSL 149.45, 0.92%, 0.76%

LAB 90.71, -43.95, 17.16

 

CMYK 38 / 0 / 16 / 0

HEX #9DFFD5

RGB 157 255 213

HSL 154.29, 1%, 0.81%

LAB 93.23, -37.94, 11.06

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 62 / 0 / 31 / 30

HEX #43B27B

RGB 67 178 123

HSL 150.27, 0.45%, 0.48%

LAB 65.33, -44.45, 19.01

 

CMYK 69 / 0 / 35 / 37

HEX #32A068

RGB 50 160 104

HSL 149.45, 0.52%, 0.41%

LAB 58.81, -44.17, 20.42

 

CMYK 77 / 0 / 40 / 44

HEX #218E55

RGB 33 142 85

HSL 148.62, 0.62%, 0.34%

LAB 52.2, -43.56, 22

 

CMYK 87 / 0 / 47 / 51

HEX #107C42

RGB 16 124 66

HSL 147.78, 0.77%, 0.27%

LAB 45.52, -42.43, 23.76

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 57 / 0 / 43 / 23

HEX #54C470

RGB 84 196 112

HSL 135, 0.49%, 0.55%

LAB 71.24, -50.12, 32.78

 

CMYK 56 / 0 / 57 / 23

HEX #56C454

RGB 86 196 84

HSL 118.93, 0.49%, 0.55%

LAB 70.94, -53.62, 46.17

 

CMYK 40 / 0 / 57 / 23

HEX #75C454

RGB 117 196 84

HSL 102.32, 0.49%, 0.55%

LAB 72.16, -44.66, 47.91

 

CMYK 25 / 0 / 57 / 23

HEX #93C454

RGB 147 196 84

HSL 86.25, 0.49%, 0.55%

LAB 73.75, -34.13, 50.16

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 57 / 0 / 12 / 23

HEX #54C4AD

RGB 84 196 173

HSL 167.68, 0.49%, 0.55%

LAB 72.48, -37.44, 1.98

 

CMYK 57 / 3 / 0 / 23

HEX #54BEC4

RGB 84 190 196

HSL 183.21, 0.49%, 0.55%

LAB 71.35, -28.55, -12.25

 

CMYK 57 / 18 / 0 / 23

HEX #54A0C4

RGB 84 160 196

HSL 199.29, 0.49%, 0.55%

LAB 62.52, -13.07, -25.65

 

CMYK 57 / 34 / 0 / 23

HEX #5481C4

RGB 84 129 196

HSL 215.89, 0.49%, 0.55%

LAB 53.57, 4.65, -39.58

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 70 / 0 / 33 / 16

HEX #41D78F

RGB 65 215 143

HSL 151.2, 0.65%, 0.55%

LAB 77.11, -55.53, 24.43

 

CMYK 80 / 0 / 38 / 8

HEX #2FEA90

RGB 47 234 144

HSL 151.12, 0.82%, 0.55%

LAB 82.63, -64.6, 31.28

 

CMYK 89 / 0 / 43 / 1

HEX #1CFC90

RGB 28 252 144

HSL 151.07, 0.97%, 0.55%

LAB 87.91, -72.19, 38.18

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 42 / 0 / 20 / 30

HEX #67B28E

RGB 103 178 142

HSL 151.2, 0.33%, 0.55%

LAB 67.03, -31.69, 11.2

 

CMYK 24 / 0 / 11 / 38

HEX #799F8D

RGB 121 159 141

HSL 151.58, 0.17%, 0.55%

LAB 62.33, -16.86, 5.16

 

CMYK 1 / 0 / 1 / 45

HEX #8C8D8C

RGB 140 141 140

HSL 120, 0%, 0.55%

LAB 58.53, -0.56, 0.4

 

CMYK 0 / 23 / 11 / 38

HEX #9E7A8C

RGB 158 122 140

HSL 330, 0.16%, 0.55%

LAB 55.16, 17.01, -4.36

 

CMYK 56 / 0 / 57 / 23

HEX #56C454

RGB 86 196 84

HSL 118.93, 0.49%, 0.55%

LAB 70.94, -53.62, 46.17

 

CMYK 57 / 0 / 43 / 23

HEX #54C470

RGB 84 196 112

HSL 135, 0.49%, 0.55%

LAB 71.24, -50.12, 32.78

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 57 / 0 / 12 / 23

HEX #54C4AC

RGB 84 196 172

HSL 167.14, 0.49%, 0.55%

LAB 72.46, -37.69, 2.48

 

CMYK 57 / 3 / 0 / 23

HEX #54BFC4

RGB 84 191 196

HSL 182.68, 0.49%, 0.55%

LAB 71.64, -29.04, -11.8

 

CMYK 66 / 0 / 31 / 42

HEX #329365

RGB 50 147 101

HSL 151.55, 0.49%, 0.39%

LAB 54.54, -39.37, 16.28

 

CMYK 66 / 0 / 31 / 30

HEX #3DB27A

RGB 61 178 122

HSL 151.28, 0.49%, 0.47%

LAB 65.15, -45.81, 19.28

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 44 / 0 / 21 / 19

HEX #73CFA3

RGB 115 207 163

HSL 151.3, 0.49%, 0.63%

LAB 76.63, -37.51, 13.45

 

CMYK 33 / 0 / 16 / 15

HEX #91DAB7

RGB 145 218 183

HSL 151.23, 0.5%, 0.71%

LAB 81.61, -30.18, 10.07

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 57 / 41 / 0 / 23

HEX #5474C4

RGB 84 116 196

HSL 222.86, 0.49%, 0.55%

LAB 49.93, 12.54, -45.34

 

CMYK 0 / 51 / 57 / 23

HEX #C46154

RGB 196 97 84

HSL 6.96, 0.49%, 0.55%

LAB 52.87, 38.36, 25.82

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 28 / 57 / 0 / 23

HEX #8E54C4

RGB 142 84 196

HSL 271.07, 0.49%, 0.55%

LAB 47.08, 45.42, -49.61

 

CMYK 0 / 28 / 57 / 23

HEX #C48E54

RGB 196 142 84

HSL 31.07, 0.49%, 0.55%

LAB 63.11, 14.07, 38.64

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 57 / 41 / 0 / 23

HEX #5474C4

RGB 84 116 196

HSL 222.86, 0.49%, 0.55%

LAB 49.93, 12.54, -45.34

 

CMYK 0 / 57 / 30 / 23

HEX #C4548A

RGB 196 84 138

HSL 331.07, 0.49%, 0.55%

LAB 51.74, 50.43, -7.73

 

CMYK 0 / 16 / 57 / 23

HEX #C4A554

RGB 196 165 84

HSL 43.39, 0.49%, 0.55%

LAB 68.96, 1.56, 45.59

 

CMYK 57 / 0 / 28 / 23

HEX #54C48E

RGB 84 196 142

HSL 151.07, 0.49%, 0.55%

LAB 71.77, -44.53, 17.72

 

CMYK 56 / 57 / 0 / 23

HEX #5654C4

RGB 86 84 196

HSL 241.07, 0.49%, 0.55%

LAB 41.7, 32.87, -58.54

 

CMYK 0 / 57 / 30 / 23

HEX #C4548A

RGB 196 84 138

HSL 331.07, 0.49%, 0.55%

LAB 51.74, 50.43, -7.73

 

CMYK 1 / 0 / 57 / 23

HEX #C3C454

RGB 195 196 84

HSL 60.54, 0.49%, 0.55%

LAB 77.11, -15.02, 54.87

 

Description

Color code: HEX #54C48E | qconv.com Color code: HEX #54C48E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 196 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 196 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 28 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 28% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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