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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54C196 it is the complementary color #AB3E69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54C196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54C196 shade: #59C191, #6AD3A4, #7BE5B7, #8CF7CA and #9DFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54C196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54C196 shade: #54C196, #43AF83, #329D70, #218B5D and #10794A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54C196 shade: #53C195, #53C178, #53C15A, #69C153 and #87C153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54C196 shade: #53C195, #53C1B3, #53B1C1, #5393C1 and #5375C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54C196 shade matches the following richer shades: #53C195, #40D499, #2DE79D and #1AFAA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54C196 shade: #53C195, #66AE91, #799B8D, #8C8889 and #9E7585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54C196 shade: #53C15A, #53C177, #53C195, #53C1B2 and #53B2C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54C196 shade: #338E6A, #3EAC81, #53C195, #71CCA8 and #8FD7BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54C196 shade: #54C196, #5369C1 and #C16953

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54C196 shade: #54C196, #9553C1 and #C19553

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54C196 shade: #54C196, #5369C1, #C1537F and #C1AB53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54C196 shade: #54C196, #5E53C1, #C1537F and #B6C153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 22 / 24

HEX #54C196

RGB 84 193 150

HSL 156.33, 0.47%, 0.54%

LAB 71.03, -41.51, 12.37

 

Complementary color

CMYK 0 / 64 / 39 / 33

HEX #AB3E69

RGB 171 62 105

HSL 336.33, 0.47%, 0.46%

LAB 42.95, 48.51, -1.17

 

CMYK 54 / 0 / 25 / 24

HEX #59C191

RGB 89 193 145

HSL 152.31, 0.46%, 0.55%

LAB 71.08, -41.48, 15.17

 

CMYK 50 / 0 / 22 / 17

HEX #6AD3A4

RGB 106 211 164

HSL 153.14, 0.54%, 0.62%

LAB 77.48, -41.37, 14.06

 

CMYK 46 / 0 / 20 / 10

HEX #7BE5B7

RGB 123 229 183

HSL 153.96, 0.67%, 0.69%

LAB 83.79, -41.21, 13.04

 

CMYK 43 / 0 / 18 / 3

HEX #8CF7CA

RGB 140 247 202

HSL 154.77, 0.87%, 0.76%

LAB 90.03, -41.02, 12.08

 

CMYK 38 / 0 / 13 / 0

HEX #9DFFDD

RGB 157 255 221

HSL 159.18, 1%, 0.81%

LAB 93.41, -36.3, 7.2

 

CMYK 56 / 0 / 22 / 24

HEX #54C196

RGB 84 193 150

HSL 156.33, 0.47%, 0.54%

LAB 71.03, -41.51, 12.37

 

CMYK 62 / 0 / 25 / 31

HEX #43AF83

RGB 67 175 131

HSL 155.56, 0.45%, 0.47%

LAB 64.56, -41.44, 13.57

 

CMYK 68 / 0 / 29 / 38

HEX #329D70

RGB 50 157 112

HSL 154.77, 0.52%, 0.41%

LAB 58, -41.19, 14.89

 

CMYK 76 / 0 / 33 / 45

HEX #218B5D

RGB 33 139 93

HSL 153.96, 0.62%, 0.34%

LAB 51.36, -40.65, 16.38

 

CMYK 87 / 0 / 39 / 53

HEX #10794A

RGB 16 121 74

HSL 153.14, 0.77%, 0.27%

LAB 44.63, -39.63, 18.07

 

CMYK 57 / 0 / 23 / 24

HEX #53C195

RGB 83 193 149

HSL 156, 0.47%, 0.54%

LAB 70.97, -41.95, 12.83

 

CMYK 57 / 0 / 38 / 24

HEX #53C178

RGB 83 193 120

HSL 140.18, 0.47%, 0.54%

LAB 70.41, -47.77, 27.54

 

CMYK 57 / 0 / 53 / 24

HEX #53C15A

RGB 83 193 90

HSL 123.82, 0.47%, 0.54%

LAB 69.98, -52.46, 42.17

 

CMYK 46 / 0 / 57 / 24

HEX #69C153

RGB 105 193 83

HSL 108, 0.47%, 0.54%

LAB 70.71, -47.29, 46.55

 

CMYK 30 / 0 / 57 / 24

HEX #87C153

RGB 135 193 83

HSL 91.64, 0.47%, 0.54%

LAB 72.17, -37.28, 48.62

 

CMYK 57 / 0 / 23 / 24

HEX #53C195

RGB 83 193 149

HSL 156, 0.47%, 0.54%

LAB 70.97, -41.95, 12.83

 

CMYK 57 / 0 / 7 / 24

HEX #53C1B3

RGB 83 193 179

HSL 172.36, 0.47%, 0.54%

LAB 71.71, -34.74, -2.42

 

CMYK 57 / 8 / 0 / 24

HEX #53B1C1

RGB 83 177 193

HSL 188.73, 0.47%, 0.54%

LAB 67.38, -23.11, -16.58

 

CMYK 57 / 24 / 0 / 24

HEX #5393C1

RGB 83 147 193

HSL 205.09, 0.47%, 0.54%

LAB 58.56, -7, -30.08

 

CMYK 57 / 39 / 0 / 24

HEX #5375C1

RGB 83 117 193

HSL 221.45, 0.47%, 0.54%

LAB 49.99, 10.72, -43.52

 

CMYK 57 / 0 / 23 / 24

HEX #53C195

RGB 83 193 149

HSL 156, 0.47%, 0.54%

LAB 70.97, -41.95, 12.83

 

CMYK 70 / 0 / 28 / 17

HEX #40D499

RGB 64 212 153

HSL 156.08, 0.63%, 0.54%

LAB 76.36, -52.43, 18.15

 

CMYK 81 / 0 / 32 / 9

HEX #2DE79D

RGB 45 231 157

HSL 156.13, 0.79%, 0.54%

LAB 81.92, -61.15, 23.67

 

CMYK 90 / 0 / 36 / 2

HEX #1AFAA1

RGB 26 250 161

HSL 156.16, 0.96%, 0.54%

LAB 87.56, -68.47, 29.26

 

CMYK 57 / 0 / 23 / 24

HEX #53C195

RGB 83 193 149

HSL 156, 0.47%, 0.54%

LAB 70.97, -41.95, 12.83

 

CMYK 41 / 0 / 17 / 32

HEX #66AE91

RGB 102 174 145

HSL 155.83, 0.31%, 0.54%

LAB 65.86, -29.41, 7.87

 

CMYK 22 / 0 / 9 / 39

HEX #799B8D

RGB 121 155 141

HSL 155.29, 0.15%, 0.54%

LAB 61.16, -14.75, 3.48

 

CMYK 0 / 3 / 2 / 45

HEX #8C8889

RGB 140 136 137

HSL 345, 0.02%, 0.54%

LAB 57.07, 1.68, -0.01

 

CMYK 0 / 26 / 16 / 38

HEX #9E7585

RGB 158 117 133

HSL 336.59, 0.17%, 0.54%

LAB 53.69, 18.66, -2.43

 

CMYK 57 / 0 / 53 / 24

HEX #53C15A

RGB 83 193 90

HSL 123.82, 0.47%, 0.54%

LAB 69.98, -52.46, 42.17

 

CMYK 57 / 0 / 38 / 24

HEX #53C177

RGB 83 193 119

HSL 139.64, 0.47%, 0.54%

LAB 70.39, -47.95, 28.04

 

CMYK 57 / 0 / 23 / 24

HEX #53C195

RGB 83 193 149

HSL 156, 0.47%, 0.54%

LAB 70.97, -41.95, 12.83

 

CMYK 57 / 0 / 8 / 24

HEX #53C1B2

RGB 83 193 178

HSL 171.82, 0.47%, 0.54%

LAB 71.69, -35, -1.91

 

CMYK 57 / 8 / 0 / 24

HEX #53B2C1

RGB 83 178 193

HSL 188.18, 0.47%, 0.54%

LAB 67.67, -23.61, -16.13

 

CMYK 64 / 0 / 25 / 44

HEX #338E6A

RGB 51 142 106

HSL 156.26, 0.47%, 0.38%

LAB 53.05, -35.85, 11.38

 

CMYK 64 / 0 / 25 / 33

HEX #3EAC81

RGB 62 172 129

HSL 156.55, 0.47%, 0.46%

LAB 63.44, -41.57, 13.08

 

CMYK 57 / 0 / 23 / 24

HEX #53C195

RGB 83 193 149

HSL 156, 0.47%, 0.54%

LAB 70.97, -41.95, 12.83

 

CMYK 45 / 0 / 18 / 20

HEX #71CCA8

RGB 113 204 168

HSL 156.26, 0.47%, 0.62%

LAB 75.78, -35.6, 9.55

 

CMYK 33 / 0 / 13 / 16

HEX #8FD7BA

RGB 143 215 186

HSL 155.83, 0.47%, 0.7%

LAB 80.73, -28.72, 7.21

 

CMYK 56 / 0 / 22 / 24

HEX #54C196

RGB 84 193 150

HSL 156.33, 0.47%, 0.54%

LAB 71.03, -41.51, 12.37

 

CMYK 57 / 46 / 0 / 24

HEX #5369C1

RGB 83 105 193

HSL 228, 0.47%, 0.54%

LAB 46.7, 18.16, -48.76

 

CMYK 0 / 46 / 57 / 24

HEX #C16953

RGB 193 105 83

HSL 12, 0.47%, 0.54%

LAB 54.1, 32.93, 27.89

 

CMYK 56 / 0 / 22 / 24

HEX #54C196

RGB 84 193 150

HSL 156.33, 0.47%, 0.54%

LAB 71.03, -41.51, 12.37

 

CMYK 23 / 57 / 0 / 24

HEX #9553C1

RGB 149 83 193

HSL 276, 0.47%, 0.54%

LAB 47.53, 47.01, -47.1

 

CMYK 0 / 23 / 57 / 24

HEX #C19553

RGB 193 149 83

HSL 36, 0.47%, 0.54%

LAB 64.53, 8.87, 40.78

 

CMYK 56 / 0 / 22 / 24

HEX #54C196

RGB 84 193 150

HSL 156.33, 0.47%, 0.54%

LAB 71.03, -41.51, 12.37

 

CMYK 57 / 46 / 0 / 24

HEX #5369C1

RGB 83 105 193

HSL 228, 0.47%, 0.54%

LAB 46.7, 18.16, -48.76

 

CMYK 0 / 57 / 34 / 24

HEX #C1537F

RGB 193 83 127

HSL 336, 0.47%, 0.54%

LAB 50.75, 48.55, -2.68

 

CMYK 0 / 11 / 57 / 24

HEX #C1AB53

RGB 193 171 83

HSL 48, 0.47%, 0.54%

LAB 70.24, -2.99, 47.49

 

CMYK 56 / 0 / 22 / 24

HEX #54C196

RGB 84 193 150

HSL 156.33, 0.47%, 0.54%

LAB 71.03, -41.51, 12.37

 

CMYK 51 / 57 / 0 / 24

HEX #5E53C1

RGB 94 83 193

HSL 246, 0.47%, 0.54%

LAB 41.87, 34.11, -56.49

 

CMYK 0 / 57 / 34 / 24

HEX #C1537F

RGB 193 83 127

HSL 336, 0.47%, 0.54%

LAB 50.75, 48.55, -2.68

 

CMYK 6 / 0 / 57 / 24

HEX #B6C153

RGB 182 193 83

HSL 66, 0.47%, 0.54%

LAB 75.27, -18.95, 52.98

 

Description

Color code: HEX #54C196 | qconv.com Color code: HEX #54C196 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 193 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 193 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 22% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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