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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54BECE it is the complementary color #AB4131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54BECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54BECE shade: #59BEC9, #6AD0DC, #7BE2EF, #8CF4FF and #9DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54BECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54BECE shade: #54BECE, #43ACBB, #329AA8, #218895 and #107682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54BECE shade: #55BDCD, #559DCD, #557CCD, #555CCD and #6E55CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54BECE shade: #55BDCD, #559DCD, #557CCD, #555CCD and #5555CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54BECE shade matches the following richer shades: #55BDCD, #43CADF and #31D8F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54BECE shade: #55BDCD, #66B0BB, #78A3AA, #8A9698 and #9C8986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54BECE shade: #55CD9B, #55CDBB, #55BFCD, #559FCD and #557FCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54BECE shade: #2E92A1, #38AFC1, #55BDCD, #75CAD6 and #94D6E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54BECE shade: #54BECE, #7B55CD and #CDAB55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54BECE shade: #54BECE, #CD55BF and #BFCD55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54BECE shade: #54BECE, #7B55CD, #CD6355 and #A7CD55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54BECE shade: #54BECE, #9F55CD, #CD6355 and #83CD55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 8 / 0 / 19

HEX #54BECE

RGB 84 190 206

HSL 187.87, 0.55%, 0.57%

LAB 71.67, -25.72, -17.23

 

Complementary color

CMYK 0 / 62 / 71 / 33

HEX #AB4131

RGB 171 65 49

HSL 7.87, 0.55%, 0.43%

LAB 42.25, 42.51, 32.13

 

CMYK 56 / 5 / 0 / 21

HEX #59BEC9

RGB 89 190 201

HSL 185.89, 0.51%, 0.57%

LAB 71.67, -26.19, -14.48

 

CMYK 52 / 5 / 0 / 14

HEX #6AD0DC

RGB 106 208 220

HSL 186.32, 0.62%, 0.64%

LAB 78.08, -26.43, -15.07

 

CMYK 49 / 5 / 0 / 6

HEX #7BE2EF

RGB 123 226 239

HSL 186.72, 0.78%, 0.71%

LAB 84.4, -26.6, -15.63

 

CMYK 45 / 4 / 0 / 0

HEX #8CF4FF

RGB 140 244 255

HSL 185.74, 1%, 0.77%

LAB 90.55, -27.47, -14.72

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 59 / 8 / 0 / 19

HEX #54BECE

RGB 84 190 206

HSL 187.87, 0.55%, 0.57%

LAB 71.67, -25.72, -17.23

 

CMYK 64 / 8 / 0 / 27

HEX #43ACBB

RGB 67 172 187

HSL 187.5, 0.47%, 0.5%

LAB 65.19, -25.22, -16.61

 

CMYK 70 / 8 / 0 / 34

HEX #329AA8

RGB 50 154 168

HSL 187.12, 0.54%, 0.43%

LAB 58.62, -24.54, -15.93

 

CMYK 78 / 9 / 0 / 42

HEX #218895

RGB 33 136 149

HSL 186.72, 0.64%, 0.36%

LAB 51.95, -23.56, -15.16

 

CMYK 88 / 9 / 0 / 49

HEX #107682

RGB 16 118 130

HSL 186.32, 0.78%, 0.29%

LAB 45.19, -22.17, -14.27

 

CMYK 59 / 8 / 0 / 20

HEX #55BDCD

RGB 85 189 205

HSL 188, 0.55%, 0.57%

LAB 71.37, -25.32, -17.12

 

CMYK 59 / 23 / 0 / 20

HEX #559DCD

RGB 85 157 205

HSL 204, 0.55%, 0.57%

LAB 62.04, -8.43, -31.41

 

CMYK 59 / 40 / 0 / 20

HEX #557CCD

RGB 85 124 205

HSL 220.5, 0.55%, 0.57%

LAB 52.68, 10.84, -46.11

 

CMYK 59 / 55 / 0 / 20

HEX #555CCD

RGB 85 92 205

HSL 236.5, 0.55%, 0.57%

LAB 44.22, 30.67, -59.66

 

CMYK 46 / 59 / 0 / 20

HEX #6E55CD

RGB 110 85 205

HSL 252.5, 0.55%, 0.57%

LAB 44.55, 39.84, -59.04

 

CMYK 59 / 8 / 0 / 20

HEX #55BDCD

RGB 85 189 205

HSL 188, 0.55%, 0.57%

LAB 71.37, -25.32, -17.12

 

CMYK 59 / 23 / 0 / 20

HEX #559DCD

RGB 85 157 205

HSL 204, 0.55%, 0.57%

LAB 62.04, -8.43, -31.41

 

CMYK 59 / 40 / 0 / 20

HEX #557CCD

RGB 85 124 205

HSL 220.5, 0.55%, 0.57%

LAB 52.68, 10.84, -46.11

 

CMYK 59 / 55 / 0 / 20

HEX #555CCD

RGB 85 92 205

HSL 236.5, 0.55%, 0.57%

LAB 44.22, 30.67, -59.66

 

CMYK 59 / 59 / 0 / 20

HEX #5555CD

RGB 85 85 205

HSL 240, 0.55%, 0.57%

LAB 42.52, 34.99, -62.43

 

CMYK 59 / 8 / 0 / 20

HEX #55BDCD

RGB 85 189 205

HSL 188, 0.55%, 0.57%

LAB 71.37, -25.32, -17.12

 

CMYK 70 / 9 / 0 / 13

HEX #43CADF

RGB 67 202 223

HSL 188.08, 0.71%, 0.57%

LAB 75.3, -29.27, -20.99

 

CMYK 80 / 10 / 0 / 5

HEX #31D8F1

RGB 49 216 241

HSL 187.81, 0.87%, 0.57%

LAB 79.68, -32.48, -24.01

 

CMYK 59 / 8 / 0 / 20

HEX #55BDCD

RGB 85 189 205

HSL 188, 0.55%, 0.57%

LAB 71.37, -25.32, -17.12

 

CMYK 45 / 6 / 0 / 27

HEX #66B0BB

RGB 102 176 187

HSL 187.76, 0.38%, 0.57%

LAB 67.62, -20.11, -12.82

 

CMYK 29 / 4 / 0 / 33

HEX #78A3AA

RGB 120 163 170

HSL 188.4, 0.23%, 0.57%

LAB 64.23, -12.75, -8.33

 

CMYK 9 / 1 / 0 / 40

HEX #8A9698

RGB 138 150 152

HSL 188.57, 0.06%, 0.57%

LAB 61.21, -3.88, -2.53

 

CMYK 0 / 12 / 14 / 39

HEX #9C8986

RGB 156 137 134

HSL 8.18, 0.1%, 0.57%

LAB 58.68, 6.63, 4.23

 

CMYK 59 / 0 / 24 / 20

HEX #55CD9B

RGB 85 205 155

HSL 155, 0.55%, 0.57%

LAB 74.8, -45.39, 14.99

 

CMYK 59 / 0 / 9 / 20

HEX #55CDBB

RGB 85 205 187

HSL 171, 0.55%, 0.57%

LAB 75.56, -37.84, -1.11

 

CMYK 59 / 7 / 0 / 20

HEX #55BFCD

RGB 85 191 205

HSL 187, 0.55%, 0.57%

LAB 71.96, -26.32, -16.24

 

CMYK 59 / 22 / 0 / 20

HEX #559FCD

RGB 85 159 205

HSL 203, 0.55%, 0.57%

LAB 62.62, -9.54, -30.51

 

CMYK 59 / 38 / 0 / 20

HEX #557FCD

RGB 85 127 205

HSL 219, 0.55%, 0.57%

LAB 53.51, 9.02, -44.79

 

CMYK 71 / 9 / 0 / 37

HEX #2E92A1

RGB 46 146 161

HSL 187.83, 0.56%, 0.41%

LAB 55.8, -23.2, -16.22

 

CMYK 71 / 9 / 0 / 24

HEX #38AFC1

RGB 56 175 193

HSL 187.88, 0.55%, 0.49%

LAB 66.02, -26.54, -18.71

 

CMYK 59 / 8 / 0 / 20

HEX #55BDCD

RGB 85 189 205

HSL 188, 0.55%, 0.57%

LAB 71.37, -25.32, -17.12

 

CMYK 45 / 6 / 0 / 16

HEX #75CAD6

RGB 117 202 214

HSL 187.42, 0.54%, 0.65%

LAB 76.61, -22.62, -14.01

 

CMYK 34 / 4 / 0 / 12

HEX #94D6E0

RGB 148 214 224

HSL 187.89, 0.55%, 0.73%

LAB 81.71, -18.32, -11.58

 

CMYK 59 / 8 / 0 / 19

HEX #54BECE

RGB 84 190 206

HSL 187.87, 0.55%, 0.57%

LAB 71.67, -25.72, -17.23

 

CMYK 40 / 59 / 0 / 20

HEX #7B55CD

RGB 123 85 205

HSL 259, 0.55%, 0.57%

LAB 45.79, 42.67, -56.97

 

CMYK 0 / 17 / 59 / 20

HEX #CDAB55

RGB 205 171 85

HSL 43, 0.55%, 0.57%

LAB 71.39, 2.26, 48.15

 

CMYK 59 / 8 / 0 / 19

HEX #54BECE

RGB 84 190 206

HSL 187.87, 0.55%, 0.57%

LAB 71.67, -25.72, -17.23

 

CMYK 0 / 59 / 7 / 20

HEX #CD55BF

RGB 205 85 191

HSL 307, 0.55%, 0.57%

LAB 55.32, 60.39, -33.15

 

CMYK 7 / 0 / 59 / 20

HEX #BFCD55

RGB 191 205 85

HSL 67, 0.55%, 0.57%

LAB 79.27, -21.07, 56.74

 

CMYK 59 / 8 / 0 / 19

HEX #54BECE

RGB 84 190 206

HSL 187.87, 0.55%, 0.57%

LAB 71.67, -25.72, -17.23

 

CMYK 40 / 59 / 0 / 20

HEX #7B55CD

RGB 123 85 205

HSL 259, 0.55%, 0.57%

LAB 45.79, 42.67, -56.97

 

CMYK 0 / 52 / 59 / 20

HEX #CD6355

RGB 205 99 85

HSL 7, 0.55%, 0.57%

LAB 54.61, 40.83, 27.76

 

CMYK 19 / 0 / 59 / 20

HEX #A7CD55

RGB 167 205 85

HSL 79, 0.55%, 0.57%

LAB 77.6, -30.61, 54.41

 

CMYK 59 / 8 / 0 / 19

HEX #54BECE

RGB 84 190 206

HSL 187.87, 0.55%, 0.57%

LAB 71.67, -25.72, -17.23

 

CMYK 22 / 59 / 0 / 20

HEX #9F55CD

RGB 159 85 205

HSL 277, 0.55%, 0.57%

LAB 49.83, 51.17, -50.27

 

CMYK 0 / 52 / 59 / 20

HEX #CD6355

RGB 205 99 85

HSL 7, 0.55%, 0.57%

LAB 54.61, 40.83, 27.76

 

CMYK 36 / 0 / 59 / 20

HEX #83CD55

RGB 131 205 85

HSL 97, 0.55%, 0.57%

LAB 75.54, -43.75, 51.53

 

Description

Color code: HEX #54BECE | qconv.com Color code: HEX #54BECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 190 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 190 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 8 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 8% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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