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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54BC95 it is the complementary color #AB436A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54BC95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54BC95 shade: #59BC90, #6ACEA3, #7BE0B6, #8CF2C9 and #9DFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54BC95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54BC95 shade: #54BC95, #43AA82, #32986F, #21865C and #107449

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54BC95 shade: #52BC94, #52BC78, #52BC5B, #66BC52 and #82BC52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54BC95 shade: #52BC94, #52BCB1, #52ABBC, #528EBC and #5272BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54BC95 shade matches the following richer shades: #52BC94, #3FCF99, #2CE39E and #18F6A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54BC95 shade: #52BC94, #66A88F, #79958B, #8D8286 and #A06E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54BC95 shade: #52BC5B, #52BC77, #52BC93, #52BCB0 and #52ACBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54BC95 shade: #358768, #40A57F, #52BC94, #70C7A7 and #8ED3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54BC95 shade: #54BC95, #5266BC and #BC6952

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54BC95 shade: #54BC95, #9352BC and #BC9352

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54BC95 shade: #54BC95, #5266BC, #BC527B and #BCA952

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54BC95 shade: #54BC95, #5F52BC, #BC527B and #B0BC52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 21 / 26

HEX #54BC95

RGB 84 188 149

HSL 157.5, 0.44%, 0.53%

LAB 69.48, -39.52, 10.73

 

Complementary color

CMYK 0 / 61 / 38 / 33

HEX #AB436A

RGB 171 67 106

HSL 337.5, 0.44%, 0.47%

LAB 43.82, 46.36, -0.51

 

CMYK 53 / 0 / 23 / 26

HEX #59BC90

RGB 89 188 144

HSL 153.33, 0.42%, 0.54%

LAB 69.54, -39.48, 13.56

 

CMYK 49 / 0 / 21 / 19

HEX #6ACEA3

RGB 106 206 163

HSL 154.2, 0.51%, 0.61%

LAB 75.98, -39.35, 12.48

 

CMYK 45 / 0 / 19 / 12

HEX #7BE0B6

RGB 123 224 182

HSL 155.05, 0.62%, 0.68%

LAB 82.32, -39.18, 11.48

 

CMYK 42 / 0 / 17 / 5

HEX #8CF2C9

RGB 140 242 201

HSL 155.88, 0.8%, 0.75%

LAB 88.59, -38.99, 10.55

 

CMYK 38 / 0 / 14 / 0

HEX #9DFFDC

RGB 157 255 220

HSL 158.57, 1%, 0.81%

LAB 93.39, -36.51, 7.68

 

CMYK 55 / 0 / 21 / 26

HEX #54BC95

RGB 84 188 149

HSL 157.5, 0.44%, 0.53%

LAB 69.48, -39.52, 10.73

 

CMYK 61 / 0 / 24 / 33

HEX #43AA82

RGB 67 170 130

HSL 156.7, 0.43%, 0.46%

LAB 62.97, -39.48, 11.89

 

CMYK 67 / 0 / 27 / 40

HEX #32986F

RGB 50 152 111

HSL 155.88, 0.5%, 0.4%

LAB 56.37, -39.28, 13.18

 

CMYK 75 / 0 / 31 / 47

HEX #21865C

RGB 33 134 92

HSL 155.05, 0.6%, 0.33%

LAB 49.67, -38.79, 14.64

 

CMYK 86 / 0 / 37 / 55

HEX #107449

RGB 16 116 73

HSL 154.2, 0.76%, 0.26%

LAB 42.89, -37.83, 16.3

 

CMYK 56 / 0 / 21 / 26

HEX #52BC94

RGB 82 188 148

HSL 157.36, 0.44%, 0.53%

LAB 69.4, -40.19, 11.15

 

CMYK 56 / 0 / 36 / 26

HEX #52BC78

RGB 82 188 120

HSL 141.51, 0.44%, 0.53%

LAB 68.84, -45.94, 25.44

 

CMYK 56 / 0 / 52 / 26

HEX #52BC5B

RGB 82 188 91

HSL 125.09, 0.44%, 0.53%

LAB 68.4, -50.63, 39.75

 

CMYK 46 / 0 / 56 / 26

HEX #66BC52

RGB 102 188 82

HSL 108.68, 0.44%, 0.53%

LAB 69.04, -46.26, 45.03

 

CMYK 31 / 0 / 56 / 26

HEX #82BC52

RGB 130 188 82

HSL 92.83, 0.44%, 0.53%

LAB 70.4, -36.93, 46.96

 

CMYK 56 / 0 / 21 / 26

HEX #52BC94

RGB 82 188 148

HSL 157.36, 0.44%, 0.53%

LAB 69.4, -40.19, 11.15

 

CMYK 56 / 0 / 6 / 26

HEX #52BCB1

RGB 82 188 177

HSL 173.77, 0.44%, 0.53%

LAB 70.13, -33.11, -3.66

 

CMYK 56 / 9 / 0 / 26

HEX #52ABBC

RGB 82 171 188

HSL 189.62, 0.44%, 0.53%

LAB 65.4, -21.68, -16.8

 

CMYK 56 / 24 / 0 / 26

HEX #528EBC

RGB 82 142 188

HSL 206.04, 0.44%, 0.53%

LAB 56.85, -5.95, -29.91

 

CMYK 56 / 39 / 0 / 26

HEX #5272BC

RGB 82 114 188

HSL 221.89, 0.44%, 0.53%

LAB 48.83, 10.7, -42.49

 

CMYK 56 / 0 / 21 / 26

HEX #52BC94

RGB 82 188 148

HSL 157.36, 0.44%, 0.53%

LAB 69.4, -40.19, 11.15

 

CMYK 70 / 0 / 26 / 19

HEX #3FCF99

RGB 63 207 153

HSL 157.5, 0.6%, 0.53%

LAB 74.81, -50.58, 16

 

CMYK 81 / 0 / 30 / 11

HEX #2CE39E

RGB 44 227 158

HSL 157.38, 0.77%, 0.53%

LAB 80.71, -59.55, 21.49

 

CMYK 90 / 0 / 34 / 4

HEX #18F6A3

RGB 24 246 163

HSL 157.57, 0.93%, 0.53%

LAB 86.38, -66.78, 26.65

 

CMYK 56 / 0 / 21 / 26

HEX #52BC94

RGB 82 188 148

HSL 157.36, 0.44%, 0.53%

LAB 69.4, -40.19, 11.15

 

CMYK 39 / 0 / 15 / 34

HEX #66A88F

RGB 102 168 143

HSL 157.27, 0.28%, 0.53%

LAB 64.01, -26.92, 6.33

 

CMYK 19 / 0 / 7 / 42

HEX #79958B

RGB 121 149 139

HSL 158.57, 0.12%, 0.53%

LAB 59.36, -11.95, 2.02

 

CMYK 0 / 8 / 5 / 45

HEX #8D8286

RGB 141 130 134

HSL 338.18, 0.05%, 0.53%

LAB 55.43, 4.9, -0.66

 

CMYK 0 / 31 / 19 / 37

HEX #A06E81

RGB 160 110 129

HSL 337.2, 0.21%, 0.53%

LAB 52.07, 22.76, -2.43

 

CMYK 56 / 0 / 52 / 26

HEX #52BC5B

RGB 82 188 91

HSL 125.09, 0.44%, 0.53%

LAB 68.4, -50.63, 39.75

 

CMYK 56 / 0 / 37 / 26

HEX #52BC77

RGB 82 188 119

HSL 140.94, 0.44%, 0.53%

LAB 68.82, -46.12, 25.94

 

CMYK 56 / 0 / 22 / 26

HEX #52BC93

RGB 82 188 147

HSL 156.79, 0.44%, 0.53%

LAB 69.37, -40.41, 11.66

 

CMYK 56 / 0 / 6 / 26

HEX #52BCB0

RGB 82 188 176

HSL 173.21, 0.44%, 0.53%

LAB 70.1, -33.37, -3.15

 

CMYK 56 / 9 / 0 / 26

HEX #52ACBC

RGB 82 172 188

HSL 189.06, 0.44%, 0.53%

LAB 65.69, -22.19, -16.36

 

CMYK 61 / 0 / 23 / 47

HEX #358768

RGB 53 135 104

HSL 157.32, 0.44%, 0.37%

LAB 50.79, -32.72, 9.36

 

CMYK 61 / 0 / 23 / 35

HEX #40A57F

RGB 64 165 127

HSL 157.43, 0.44%, 0.45%

LAB 61.25, -38.58, 11.12

 

CMYK 56 / 0 / 21 / 26

HEX #52BC94

RGB 82 188 148

HSL 157.36, 0.44%, 0.53%

LAB 69.4, -40.19, 11.15

 

CMYK 44 / 0 / 16 / 22

HEX #70C7A7

RGB 112 199 167

HSL 157.93, 0.44%, 0.61%

LAB 74.24, -33.76, 7.89

 

CMYK 33 / 0 / 12 / 17

HEX #8ED3B9

RGB 142 211 185

HSL 157.39, 0.44%, 0.69%

LAB 79.52, -27.29, 6

 

CMYK 55 / 0 / 21 / 26

HEX #54BC95

RGB 84 188 149

HSL 157.5, 0.44%, 0.53%

LAB 69.48, -39.52, 10.73

 

CMYK 56 / 46 / 0 / 26

HEX #5266BC

RGB 82 102 188

HSL 228.68, 0.44%, 0.53%

LAB 45.53, 18.17, -47.74

 

CMYK 0 / 44 / 56 / 26

HEX #BC6952

RGB 188 105 82

HSL 13.02, 0.44%, 0.53%

LAB 53.39, 30.86, 27.42

 

CMYK 55 / 0 / 21 / 26

HEX #54BC95

RGB 84 188 149

HSL 157.5, 0.44%, 0.53%

LAB 69.48, -39.52, 10.73

 

CMYK 22 / 56 / 0 / 26

HEX #9352BC

RGB 147 82 188

HSL 276.79, 0.44%, 0.53%

LAB 46.8, 45.89, -45.37

 

CMYK 0 / 22 / 56 / 26

HEX #BC9352

RGB 188 147 82

HSL 36.79, 0.44%, 0.53%

LAB 63.48, 7.75, 39.92

 

CMYK 55 / 0 / 21 / 26

HEX #54BC95

RGB 84 188 149

HSL 157.5, 0.44%, 0.53%

LAB 69.48, -39.52, 10.73

 

CMYK 56 / 46 / 0 / 26

HEX #5266BC

RGB 82 102 188

HSL 228.68, 0.44%, 0.53%

LAB 45.53, 18.17, -47.74

 

CMYK 0 / 56 / 35 / 26

HEX #BC527B

RGB 188 82 123

HSL 336.79, 0.44%, 0.53%

LAB 49.68, 46.9, -1.94

 

CMYK 0 / 10 / 56 / 26

HEX #BCA952

RGB 188 169 82

HSL 49.25, 0.44%, 0.53%

LAB 69.24, -4.14, 46.7

 

CMYK 55 / 0 / 21 / 26

HEX #54BC95

RGB 84 188 149

HSL 157.5, 0.44%, 0.53%

LAB 69.48, -39.52, 10.73

 

CMYK 49 / 56 / 0 / 26

HEX #5F52BC

RGB 95 82 188

HSL 247.36, 0.44%, 0.53%

LAB 41.37, 33.39, -54.37

 

CMYK 0 / 56 / 35 / 26

HEX #BC527B

RGB 188 82 123

HSL 336.79, 0.44%, 0.53%

LAB 49.68, 46.9, -1.94

 

CMYK 6 / 0 / 56 / 26

HEX #B0BC52

RGB 176 188 82

HSL 66.79, 0.44%, 0.53%

LAB 73.42, -19, 51.22

 

Description

Color code: HEX #54BC95 | qconv.com Color code: HEX #54BC95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 188 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 188 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 21 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 21% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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