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Color name
HEX #54BA2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54BA2A it is the complementary color #AB45D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54BA2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54BA2A shade: #59BA25, #6ACC38, #7BDE4B, #8CF05E and #9DFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54BA2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54BA2A shade: #54BA2A, #43A817, #329604, #218400 and #107200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54BA2A shade: #55BB2A, #7CBB2A, #A3BB2A, #BBAC2A and #BB852A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54BA2A shade: #55BB2A, #2EBB2A, #2ABB4E, #2ABB75 and #2ABB9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54BA2A shade matches the following richer shades: #55BB2A, #4DCE18 and #45E005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54BA2A shade: #55BB2A, #5CA83D, #649650, #6C8362 and #747175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54BA2A shade: #A3BB2A, #7CBB2A, #56BB2A, #2FBB2A and #2ABB4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54BA2A shade: #36781B, #459923, #55BB2A, #68D33C and #82DA5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54BA2A shade: #54BA2A, #2ABBAD and #BB2A90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54BA2A shade: #54BA2A, #2A56BB and #BB2A56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54BA2A shade: #54BA2A, #2ABBAD, #902ABB and #BB2A39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54BA2A shade: #54BA2A, #2A9EBB, #902ABB and #BB472A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 77 / 27

HEX #54BA2A

RGB 84 186 42

HSL 102.5, 0.63%, 0.45%

LAB 67.4, -54.22, 59.26

 

Complementary color

CMYK 20 / 68 / 0 / 16

HEX #AB45D5

RGB 171 69 213

HSL 282.5, 0.63%, 0.55%

LAB 49.15, 63.1, -55.85

 

CMYK 52 / 0 / 80 / 27

HEX #59BA25

RGB 89 186 37

HSL 99.06, 0.67%, 0.44%

LAB 67.56, -53.11, 60.99

 

CMYK 48 / 0 / 73 / 20

HEX #6ACC38

RGB 106 204 56

HSL 99.73, 0.59%, 0.51%

LAB 73.89, -53.78, 61.18

 

CMYK 45 / 0 / 66 / 13

HEX #7BDE4B

RGB 123 222 75

HSL 100.41, 0.69%, 0.58%

LAB 80.16, -54.19, 60.74

 

CMYK 42 / 0 / 61 / 6

HEX #8CF05E

RGB 140 240 94

HSL 101.1, 0.83%, 0.65%

LAB 86.36, -54.42, 59.96

 

CMYK 38 / 0 / 56 / 0

HEX #9DFF71

RGB 157 255 113

HSL 101.41, 1%, 0.72%

LAB 91.63, -53.3, 57.99

 

CMYK 55 / 0 / 77 / 27

HEX #54BA2A

RGB 84 186 42

HSL 102.5, 0.63%, 0.45%

LAB 67.4, -54.22, 59.26

 

CMYK 60 / 0 / 86 / 34

HEX #43A817

RGB 67 168 23

HSL 101.79, 0.76%, 0.37%

LAB 61.01, -53.18, 58.44

 

CMYK 67 / 0 / 97 / 41

HEX #329604

RGB 50 150 4

HSL 101.1, 0.95%, 0.3%

LAB 54.55, -51.59, 56.21

 

CMYK 75 / 0 / 100 / 48

HEX #218400

RGB 33 132 0

HSL 105, 1%, 0.26%

LAB 48.04, -49.17, 51.52

 

CMYK 86 / 0 / 100 / 55

HEX #107200

RGB 16 114 0

HSL 111.58, 1%, 0.22%

LAB 41.45, -46, 46.14

 

CMYK 55 / 0 / 78 / 27

HEX #55BB2A

RGB 85 187 42

HSL 102.21, 0.63%, 0.45%

LAB 67.75, -54.32, 59.6

 

CMYK 34 / 0 / 78 / 27

HEX #7CBB2A

RGB 124 187 42

HSL 86.07, 0.63%, 0.45%

LAB 69.46, -41.74, 61.83

 

CMYK 13 / 0 / 78 / 27

HEX #A3BB2A

RGB 163 187 42

HSL 69.93, 0.63%, 0.45%

LAB 71.89, -26.38, 64.96

 

CMYK 0 / 8 / 78 / 27

HEX #BBAC2A

RGB 187 172 42

HSL 53.79, 0.63%, 0.45%

LAB 69.64, -8.5, 63.62

 

CMYK 0 / 29 / 78 / 27

HEX #BB852A

RGB 187 133 42

HSL 37.66, 0.63%, 0.45%

LAB 59.44, 12.58, 54.15

 

CMYK 55 / 0 / 78 / 27

HEX #55BB2A

RGB 85 187 42

HSL 102.21, 0.63%, 0.45%

LAB 67.75, -54.32, 59.6

 

CMYK 75 / 0 / 78 / 27

HEX #2EBB2A

RGB 46 187 42

HSL 118.34, 0.63%, 0.45%

LAB 66.74, -62.68, 58.27

 

CMYK 78 / 0 / 58 / 27

HEX #2ABB4E

RGB 42 187 78

HSL 134.9, 0.63%, 0.45%

LAB 66.96, -59.71, 44.03

 

CMYK 78 / 0 / 37 / 27

HEX #2ABB75

RGB 42 187 117

HSL 151.03, 0.63%, 0.45%

LAB 67.51, -53.28, 25.09

 

CMYK 78 / 0 / 17 / 27

HEX #2ABB9C

RGB 42 187 156

HSL 167.17, 0.63%, 0.45%

LAB 68.34, -44.34, 5.14

 

CMYK 55 / 0 / 78 / 27

HEX #55BB2A

RGB 85 187 42

HSL 102.21, 0.63%, 0.45%

LAB 67.75, -54.32, 59.6

 

CMYK 63 / 0 / 88 / 19

HEX #4DCE18

RGB 77 206 24

HSL 102.53, 0.79%, 0.45%

LAB 73.41, -63.75, 69.12

 

CMYK 69 / 0 / 98 / 12

HEX #45E005

RGB 69 224 5

HSL 102.47, 0.96%, 0.45%

LAB 78.8, -71.5, 75.87

 

CMYK 55 / 0 / 78 / 27

HEX #55BB2A

RGB 85 187 42

HSL 102.21, 0.63%, 0.45%

LAB 67.75, -54.32, 59.6

 

CMYK 45 / 0 / 64 / 34

HEX #5CA83D

RGB 92 168 61

HSL 102.62, 0.47%, 0.45%

LAB 62.18, -43.32, 46.69

 

CMYK 33 / 0 / 47 / 41

HEX #649650

RGB 100 150 80

HSL 102.86, 0.3%, 0.45%

LAB 57.17, -30.36, 31.61

 

CMYK 18 / 0 / 25 / 49

HEX #6C8362

RGB 108 131 98

HSL 101.82, 0.14%, 0.45%

LAB 52.18, -14.92, 15.17

 

CMYK 1 / 3 / 0 / 54

HEX #747175

RGB 116 113 117

HSL 285, 0.02%, 0.45%

LAB 48.02, 1.96, -1.81

 

CMYK 13 / 0 / 78 / 27

HEX #A3BB2A

RGB 163 187 42

HSL 69.93, 0.63%, 0.45%

LAB 71.89, -26.38, 64.96

 

CMYK 34 / 0 / 78 / 27

HEX #7CBB2A

RGB 124 187 42

HSL 86.07, 0.63%, 0.45%

LAB 69.46, -41.74, 61.83

 

CMYK 54 / 0 / 78 / 27

HEX #56BB2A

RGB 86 187 42

HSL 101.79, 0.63%, 0.45%

LAB 67.79, -54.04, 59.65

 

CMYK 75 / 0 / 78 / 27

HEX #2FBB2A

RGB 47 187 42

HSL 117.93, 0.63%, 0.45%

LAB 66.76, -62.52, 58.3

 

CMYK 78 / 0 / 59 / 27

HEX #2ABB4C

RGB 42 187 76

HSL 134.07, 0.63%, 0.45%

LAB 66.94, -59.96, 44.93

 

CMYK 55 / 0 / 78 / 53

HEX #36781B

RGB 54 120 27

HSL 102.58, 0.63%, 0.29%

LAB 44.65, -38.41, 41.9

 

CMYK 55 / 0 / 77 / 40

HEX #459923

RGB 69 153 35

HSL 102.71, 0.63%, 0.37%

LAB 56.26, -46.46, 50.61

 

CMYK 55 / 0 / 78 / 27

HEX #55BB2A

RGB 85 187 42

HSL 102.21, 0.63%, 0.45%

LAB 67.75, -54.32, 59.6

 

CMYK 51 / 0 / 72 / 17

HEX #68D33C

RGB 104 211 60

HSL 102.52, 0.63%, 0.53%

LAB 75.98, -56.73, 61.84

 

CMYK 40 / 0 / 57 / 15

HEX #82DA5E

RGB 130 218 94

HSL 102.58, 0.63%, 0.61%

LAB 79.44, -48.63, 51.96

 

CMYK 55 / 0 / 77 / 27

HEX #54BA2A

RGB 84 186 42

HSL 102.5, 0.63%, 0.45%

LAB 67.4, -54.22, 59.26

 

CMYK 78 / 0 / 7 / 27

HEX #2ABBAD

RGB 42 187 173

HSL 174.21, 0.63%, 0.45%

LAB 68.79, -39.78, -3.55

 

CMYK 0 / 78 / 23 / 27

HEX #BB2A90

RGB 187 42 144

HSL 317.79, 0.63%, 0.45%

LAB 44.57, 64.98, -22.37

 

CMYK 55 / 0 / 77 / 27

HEX #54BA2A

RGB 84 186 42

HSL 102.5, 0.63%, 0.45%

LAB 67.4, -54.22, 59.26

 

CMYK 78 / 54 / 0 / 27

HEX #2A56BB

RGB 42 86 187

HSL 221.79, 0.63%, 0.45%

LAB 39.13, 21.63, -57.57

 

CMYK 0 / 78 / 54 / 27

HEX #BB2A56

RGB 187 42 86

HSL 341.79, 0.63%, 0.45%

LAB 42.6, 58.99, 10.56

 

CMYK 55 / 0 / 77 / 27

HEX #54BA2A

RGB 84 186 42

HSL 102.5, 0.63%, 0.45%

LAB 67.4, -54.22, 59.26

 

CMYK 78 / 0 / 7 / 27

HEX #2ABBAD

RGB 42 187 173

HSL 174.21, 0.63%, 0.45%

LAB 68.79, -39.78, -3.55

 

CMYK 23 / 78 / 0 / 27

HEX #902ABB

RGB 144 42 187

HSL 282.21, 0.63%, 0.45%

LAB 39.87, 62.88, -55.94

 

CMYK 0 / 78 / 70 / 27

HEX #BB2A39

RGB 187 42 57

HSL 353.79, 0.63%, 0.45%

LAB 42.02, 57.17, 27.84

 

CMYK 55 / 0 / 77 / 27

HEX #54BA2A

RGB 84 186 42

HSL 102.5, 0.63%, 0.45%

LAB 67.4, -54.22, 59.26

 

CMYK 78 / 16 / 0 / 27

HEX #2A9EBB

RGB 42 158 187

HSL 192, 0.63%, 0.45%

LAB 60.37, -21.47, -24.01

 

CMYK 23 / 78 / 0 / 27

HEX #902ABB

RGB 144 42 187

HSL 282.21, 0.63%, 0.45%

LAB 39.87, 62.88, -55.94

 

CMYK 0 / 62 / 78 / 27

HEX #BB472A

RGB 187 71 42

HSL 12, 0.63%, 0.45%

LAB 45.96, 45.25, 40.84

 

Description

Color code: HEX #54BA2A | qconv.com Color code: HEX #54BA2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 186 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 186 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 77 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 77% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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