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Color name
HEX #54A91F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54A91F it is the complementary color #AB56E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54A91F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54A91F shade: #59A91A, #6ABB2D, #7BCD40, #8CDF53 and #9DF166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54A91F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54A91F shade: #54A91F, #43970C, #328500, #217300 and #106100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54A91F shade: #54A81F, #79A81F, #9EA81F, #A88E1F and #A8691F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54A91F shade: #54A81F, #2FA81F, #1FA834, #1FA859 and #1FA87E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54A91F shade matches the following richer shades: #54A81F and #50B80F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54A91F shade: #54A81F, #57982F, #5B883F, #5F784F and #62685F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54A91F shade: #9FA81F, #7AA81F, #56A81F, #31A81F and #1FA831

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54A91F shade: #316212, #428518, #54A81F, #65CB25 and #7ADC3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54A91F shade: #54A91F, #1FA88D and #A81F8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54A91F shade: #54A91F, #1F56A8 and #A81F56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54A91F shade: #54A91F, #1FA88D, #711FA8 and #A81F3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54A91F shade: #54A91F, #1F9AA8, #711FA8 and #A82D1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 82 / 34

HEX #54A91F

RGB 84 169 31

HSL 96.96, 0.69%, 0.39%

LAB 61.96, -48.43, 57.46

 

Complementary color

CMYK 24 / 62 / 0 / 12

HEX #AB56E0

RGB 171 86 224

HSL 276.96, 0.69%, 0.61%

LAB 52.61, 57.71, -56.54

 

CMYK 47 / 0 / 85 / 34

HEX #59A91A

RGB 89 169 26

HSL 93.57, 0.73%, 0.38%

LAB 62.15, -47.1, 59.04

 

CMYK 43 / 0 / 76 / 27

HEX #6ABB2D

RGB 106 187 45

HSL 94.23, 0.61%, 0.45%

LAB 68.6, -47.81, 59.74

 

CMYK 40 / 0 / 69 / 20

HEX #7BCD40

RGB 123 205 64

HSL 94.89, 0.59%, 0.53%

LAB 74.98, -48.25, 59.57

 

CMYK 37 / 0 / 63 / 13

HEX #8CDF53

RGB 140 223 83

HSL 95.57, 0.69%, 0.6%

LAB 81.28, -48.51, 58.93

 

CMYK 35 / 0 / 58 / 5

HEX #9DF166

RGB 157 241 102

HSL 96.26, 0.83%, 0.67%

LAB 87.5, -48.63, 58.04

 

CMYK 50 / 0 / 82 / 34

HEX #54A91F

RGB 84 169 31

HSL 96.96, 0.69%, 0.39%

LAB 61.96, -48.43, 57.46

 

CMYK 56 / 0 / 92 / 41

HEX #43970C

RGB 67 151 12

HSL 96.26, 0.85%, 0.32%

LAB 55.43, -47.37, 55.87

 

CMYK 62 / 0 / 100 / 48

HEX #328500

RGB 50 133 0

HSL 97.44, 1%, 0.26%

LAB 48.83, -45.74, 52.34

 

CMYK 71 / 0 / 100 / 55

HEX #217300

RGB 33 115 0

HSL 102.78, 1%, 0.23%

LAB 42.13, -43.43, 46.82

 

CMYK 84 / 0 / 100 / 62

HEX #106100

RGB 16 97 0

HSL 110.1, 1%, 0.19%

LAB 35.32, -40.48, 41.24

 

CMYK 50 / 0 / 82 / 34

HEX #54A81F

RGB 84 168 31

HSL 96.79, 0.69%, 0.39%

LAB 61.64, -48.04, 57.17

 

CMYK 28 / 0 / 82 / 34

HEX #79A81F

RGB 121 168 31

HSL 80.58, 0.69%, 0.39%

LAB 63.48, -34.97, 59.52

 

CMYK 6 / 0 / 82 / 34

HEX #9EA81F

RGB 158 168 31

HSL 64.38, 0.69%, 0.39%

LAB 66.04, -19.54, 62.76

 

CMYK 0 / 15 / 82 / 34

HEX #A88E1F

RGB 168 142 31

HSL 48.61, 0.69%, 0.39%

LAB 59.68, -1.35, 57.54

 

CMYK 0 / 38 / 82 / 34

HEX #A8691F

RGB 168 105 31

HSL 32.41, 0.69%, 0.39%

LAB 50.13, 19.36, 48.99

 

CMYK 50 / 0 / 82 / 34

HEX #54A81F

RGB 84 168 31

HSL 96.79, 0.69%, 0.39%

LAB 61.64, -48.04, 57.17

 

CMYK 72 / 0 / 82 / 34

HEX #2FA81F

RGB 47 168 31

HSL 112.99, 0.69%, 0.39%

LAB 60.52, -57.13, 55.73

 

CMYK 82 / 0 / 69 / 34

HEX #1FA834

RGB 31 168 52

HSL 129.2, 0.69%, 0.39%

LAB 60.38, -57.89, 48.07

 

CMYK 82 / 0 / 47 / 34

HEX #1FA859

RGB 31 168 89

HSL 145.4, 0.69%, 0.39%

LAB 60.8, -52.83, 31.01

 

CMYK 82 / 0 / 25 / 34

HEX #1FA87E

RGB 31 168 126

HSL 161.61, 0.69%, 0.39%

LAB 61.48, -45.09, 11.91

 

CMYK 50 / 0 / 82 / 34

HEX #54A81F

RGB 84 168 31

HSL 96.79, 0.69%, 0.39%

LAB 61.64, -48.04, 57.17

 

CMYK 57 / 0 / 92 / 28

HEX #50B80F

RGB 80 184 15

HSL 96.92, 0.85%, 0.39%

LAB 66.54, -55.73, 64.86

 

CMYK 50 / 0 / 82 / 34

HEX #54A81F

RGB 84 168 31

HSL 96.79, 0.69%, 0.39%

LAB 61.64, -48.04, 57.17

 

CMYK 43 / 0 / 69 / 40

HEX #57982F

RGB 87 152 47

HSL 97.14, 0.53%, 0.39%

LAB 56.77, -39.49, 46.79

 

CMYK 33 / 0 / 54 / 47

HEX #5B883F

RGB 91 136 63

HSL 96.99, 0.37%, 0.39%

LAB 52.05, -29.17, 34.05

 

CMYK 21 / 0 / 34 / 53

HEX #5F784F

RGB 95 120 79

HSL 96.59, 0.21%, 0.39%

LAB 47.53, -17.25, 19.63

 

CMYK 6 / 0 / 9 / 59

HEX #62685F

RGB 98 104 95

HSL 100, 0.05%, 0.39%

LAB 43.25, -4.17, 4.27

 

CMYK 5 / 0 / 82 / 34

HEX #9FA81F

RGB 159 168 31

HSL 63.94, 0.69%, 0.39%

LAB 66.12, -19.1, 62.86

 

CMYK 27 / 0 / 82 / 34

HEX #7AA81F

RGB 122 168 31

HSL 80.15, 0.69%, 0.39%

LAB 63.54, -34.58, 59.6

 

CMYK 49 / 0 / 82 / 34

HEX #56A81F

RGB 86 168 31

HSL 95.91, 0.69%, 0.39%

LAB 61.73, -47.43, 57.27

 

CMYK 71 / 0 / 82 / 34

HEX #31A81F

RGB 49 168 31

HSL 112.12, 0.69%, 0.39%

LAB 60.57, -56.76, 55.78

 

CMYK 82 / 0 / 71 / 34

HEX #1FA831

RGB 31 168 49

HSL 127.88, 0.69%, 0.39%

LAB 60.35, -58.18, 49.25

 

CMYK 50 / 0 / 82 / 62

HEX #316212

RGB 49 98 18

HSL 96.75, 0.69%, 0.23%

LAB 36.8, -31.39, 37.49

 

CMYK 50 / 0 / 82 / 48

HEX #428518

RGB 66 133 24

HSL 96.88, 0.69%, 0.31%

LAB 49.5, -40.14, 47.74

 

CMYK 50 / 0 / 82 / 34

HEX #54A81F

RGB 84 168 31

HSL 96.79, 0.69%, 0.39%

LAB 61.64, -48.04, 57.17

 

CMYK 50 / 0 / 82 / 20

HEX #65CB25

RGB 101 203 37

HSL 96.87, 0.69%, 0.47%

LAB 73.29, -55.97, 66.42

 

CMYK 45 / 0 / 72 / 14

HEX #7ADC3E

RGB 122 220 62

HSL 97.22, 0.69%, 0.55%

LAB 79.43, -54.69, 64.84

 

CMYK 50 / 0 / 82 / 34

HEX #54A91F

RGB 84 169 31

HSL 96.96, 0.69%, 0.39%

LAB 61.96, -48.43, 57.46

 

CMYK 82 / 0 / 16 / 34

HEX #1FA88D

RGB 31 168 141

HSL 168.18, 0.69%, 0.39%

LAB 61.84, -41.26, 4.05

 

CMYK 0 / 82 / 16 / 34

HEX #A81F8D

RGB 168 31 141

HSL 311.82, 0.69%, 0.39%

LAB 39.96, 63.18, -27.97

 

CMYK 50 / 0 / 82 / 34

HEX #54A91F

RGB 84 169 31

HSL 96.96, 0.69%, 0.39%

LAB 61.96, -48.43, 57.46

 

CMYK 82 / 49 / 0 / 34

HEX #1F56A8

RGB 31 86 168

HSL 215.91, 0.69%, 0.39%

LAB 37.43, 13.05, -49.12

 

CMYK 0 / 82 / 49 / 34

HEX #A81F56

RGB 168 31 86

HSL 335.91, 0.69%, 0.39%

LAB 37.8, 56.91, 3.24

 

CMYK 50 / 0 / 82 / 34

HEX #54A91F

RGB 84 169 31

HSL 96.96, 0.69%, 0.39%

LAB 61.96, -48.43, 57.46

 

CMYK 82 / 0 / 16 / 34

HEX #1FA88D

RGB 31 168 141

HSL 168.18, 0.69%, 0.39%

LAB 61.84, -41.26, 4.05

 

CMYK 33 / 82 / 0 / 34

HEX #711FA8

RGB 113 31 168

HSL 275.91, 0.69%, 0.39%

LAB 32.52, 57.21, -56.79

 

CMYK 0 / 82 / 65 / 34

HEX #A81F3A

RGB 168 31 58

HSL 348.18, 0.69%, 0.39%

LAB 37.13, 54.89, 20.27

 

CMYK 50 / 0 / 82 / 34

HEX #54A91F

RGB 84 169 31

HSL 96.96, 0.69%, 0.39%

LAB 61.96, -48.43, 57.46

 

CMYK 82 / 8 / 0 / 34

HEX #1F9AA8

RGB 31 154 168

HSL 186.13, 0.69%, 0.39%

LAB 58.25, -26.74, -16.51

 

CMYK 33 / 82 / 0 / 34

HEX #711FA8

RGB 113 31 168

HSL 275.91, 0.69%, 0.39%

LAB 32.52, 57.21, -56.79

 

CMYK 0 / 73 / 82 / 34

HEX #A82D1F

RGB 168 45 31

HSL 6.13, 0.69%, 0.39%

LAB 38.38, 49.17, 37.9

 

Description

Color code: HEX #54A91F | qconv.com Color code: HEX #54A91F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 169 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 169 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 82 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 82% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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