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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #549A4C it is the complementary color #AB65B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #549A4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #549A4C shade: #599A47, #6AAC5A, #7BBE6D, #8CD080 and #9DE293

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #549A4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #549A4C shade: #549A4C, #438839, #327626, #216413 and #105200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #549A4C shade: #549A4C, #699A4C, #7E9A4C, #939A4C and #9A8C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #549A4C shade: #549A4C, #4C9A59, #4C9A6E, #4C9A83 and #4C9A98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #549A4C shade matches the following richer shades: #549A4C, #45AC39, #36BF27, #27D114 and #19E401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #549A4C shade: #549A4C, #62875E, #717571, #806283 and #8F4F96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #549A4C shade: #7E9A4C, #6A9A4C, #559A4C, #4C9A57 and #4C9A6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #549A4C shade: #366231, #457E3E, #549A4C, #67B05F and #81BE7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #549A4C shade: #549A4C, #4C939A and #9A4C74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #549A4C shade: #549A4C, #4C559A and #9A4C55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #549A4C shade: #549A4C, #4C939A, #914C9A and #9A524C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #549A4C shade: #549A4C, #4C7C9A, #914C9A and #9A6A4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

Complementary color

CMYK 4 / 44 / 0 / 30

HEX #AB65B3

RGB 171 101 179

HSL 293.85, 0.34%, 0.55%

LAB 53.19, 40.63, -29.89

 

CMYK 42 / 0 / 54 / 40

HEX #599A47

RGB 89 154 71

HSL 106.99, 0.37%, 0.44%

LAB 57.74, -37.18, 36.8

 

CMYK 38 / 0 / 48 / 33

HEX #6AAC5A

RGB 106 172 90

HSL 108.29, 0.33%, 0.51%

LAB 64.41, -37.1, 35.54

 

CMYK 35 / 0 / 43 / 25

HEX #7BBE6D

RGB 123 190 109

HSL 109.63, 0.38%, 0.59%

LAB 70.97, -36.94, 34.29

 

CMYK 33 / 0 / 38 / 18

HEX #8CD080

RGB 140 208 128

HSL 111, 0.46%, 0.66%

LAB 77.43, -36.75, 33.08

 

CMYK 31 / 0 / 35 / 11

HEX #9DE293

RGB 157 226 147

HSL 112.41, 0.58%, 0.73%

LAB 83.79, -36.53, 31.93

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 51 / 0 / 58 / 47

HEX #438839

RGB 67 136 57

HSL 112.41, 0.41%, 0.38%

LAB 50.8, -38.1, 35.31

 

CMYK 58 / 0 / 68 / 54

HEX #327626

RGB 50 118 38

HSL 111, 0.51%, 0.31%

LAB 43.91, -37.8, 36.46

 

CMYK 67 / 0 / 81 / 61

HEX #216413

RGB 33 100 19

HSL 109.63, 0.68%, 0.23%

LAB 36.9, -36.98, 37.01

 

CMYK 80 / 0 / 100 / 68

HEX #105200

RGB 16 82 0

HSL 108.29, 1%, 0.16%

LAB 29.77, -35.33, 36.82

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 32 / 0 / 51 / 40

HEX #699A4C

RGB 105 154 76

HSL 97.69, 0.34%, 0.45%

LAB 58.64, -30.97, 35.55

 

CMYK 18 / 0 / 51 / 40

HEX #7E9A4C

RGB 126 154 76

HSL 81.54, 0.34%, 0.45%

LAB 59.95, -22.89, 37.45

 

CMYK 5 / 0 / 51 / 40

HEX #939A4C

RGB 147 154 76

HSL 65.38, 0.34%, 0.45%

LAB 61.51, -14.21, 39.7

 

CMYK 0 / 9 / 51 / 40

HEX #9A8C4C

RGB 154 140 76

HSL 49.23, 0.34%, 0.45%

LAB 58.18, -3.66, 35.83

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 51 / 0 / 42 / 40

HEX #4C9A59

RGB 76 154 89

HSL 130, 0.34%, 0.45%

LAB 57.43, -38.51, 26.91

 

CMYK 51 / 0 / 29 / 40

HEX #4C9A6E

RGB 76 154 110

HSL 146.15, 0.34%, 0.45%

LAB 57.82, -34.56, 15.89

 

CMYK 51 / 0 / 15 / 40

HEX #4C9A83

RGB 76 154 131

HSL 162.31, 0.34%, 0.45%

LAB 58.31, -29.83, 4.73

 

CMYK 51 / 0 / 1 / 40

HEX #4C9A98

RGB 76 154 152

HSL 178.46, 0.34%, 0.45%

LAB 58.9, -24.42, -6.34

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 60 / 0 / 67 / 33

HEX #45AC39

RGB 69 172 57

HSL 113.74, 0.5%, 0.45%

LAB 62.56, -51.79, 48.59

 

CMYK 72 / 0 / 80 / 25

HEX #36BF27

RGB 54 191 39

HSL 114.08, 0.66%, 0.45%

LAB 68.16, -62.83, 60.61

 

CMYK 81 / 0 / 90 / 18

HEX #27D114

RGB 39 209 20

HSL 113.97, 0.83%, 0.45%

LAB 73.6, -71.22, 69.67

 

CMYK 89 / 0 / 100 / 11

HEX #19E401

RGB 25 228 1

HSL 113.66, 0.99%, 0.45%

LAB 79.44, -78.1, 76.49

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 27 / 0 / 30 / 47

HEX #62875E

RGB 98 135 94

HSL 114.15, 0.18%, 0.45%

LAB 52.66, -21.46, 18

 

CMYK 3 / 0 / 3 / 54

HEX #717571

RGB 113 117 113

HSL 120, 0.02%, 0.45%

LAB 48.79, -2.33, 1.67

 

CMYK 2 / 25 / 0 / 49

HEX #806283

RGB 128 98 131

HSL 294.55, 0.14%, 0.45%

LAB 45.58, 18.28, -13.7

 

CMYK 5 / 47 / 0 / 41

HEX #8F4F96

RGB 143 79 150

HSL 294.08, 0.31%, 0.45%

LAB 43.7, 38.2, -27.86

 

CMYK 18 / 0 / 51 / 40

HEX #7E9A4C

RGB 126 154 76

HSL 81.54, 0.34%, 0.45%

LAB 59.95, -22.89, 37.45

 

CMYK 31 / 0 / 51 / 40

HEX #6A9A4C

RGB 106 154 76

HSL 96.92, 0.34%, 0.45%

LAB 58.69, -30.61, 35.63

 

CMYK 45 / 0 / 51 / 40

HEX #559A4C

RGB 85 154 76

HSL 113.08, 0.34%, 0.45%

LAB 57.62, -37.81, 34.08

 

CMYK 51 / 0 / 44 / 40

HEX #4C9A57

RGB 76 154 87

HSL 128.46, 0.34%, 0.45%

LAB 57.4, -38.84, 27.94

 

CMYK 51 / 0 / 30 / 40

HEX #4C9A6C

RGB 76 154 108

HSL 144.62, 0.34%, 0.45%

LAB 57.78, -34.97, 16.95

 

CMYK 45 / 0 / 50 / 62

HEX #366231

RGB 54 98 49

HSL 113.88, 0.33%, 0.29%

LAB 37.37, -26.19, 23.15

 

CMYK 45 / 0 / 51 / 51

HEX #457E3E

RGB 69 126 62

HSL 113.44, 0.34%, 0.37%

LAB 47.67, -32.37, 28.97

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 41 / 0 / 46 / 31

HEX #67B05F

RGB 103 176 95

HSL 114.07, 0.34%, 0.53%

LAB 65.56, -39.15, 34.4

 

CMYK 32 / 0 / 36 / 25

HEX #81BE7A

RGB 129 190 122

HSL 113.82, 0.34%, 0.61%

LAB 71.49, -33, 28.27

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 51 / 5 / 0 / 40

HEX #4C939A

RGB 76 147 154

HSL 185.38, 0.34%, 0.45%

LAB 56.82, -20.26, -10.58

 

CMYK 0 / 51 / 25 / 40

HEX #9A4C74

RGB 154 76 116

HSL 329.23, 0.34%, 0.45%

LAB 43.21, 37.46, -7.85

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 51 / 45 / 0 / 40

HEX #4C559A

RGB 76 85 154

HSL 233.08, 0.34%, 0.45%

LAB 38.49, 16.38, -38.93

 

CMYK 0 / 51 / 45 / 40

HEX #9A4C55

RGB 154 76 85

HSL 353.08, 0.34%, 0.45%

LAB 42.3, 33.43, 9.92

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 51 / 5 / 0 / 40

HEX #4C939A

RGB 76 147 154

HSL 185.38, 0.34%, 0.45%

LAB 56.82, -20.26, -10.58

 

CMYK 6 / 51 / 0 / 40

HEX #914C9A

RGB 145 76 154

HSL 293.08, 0.34%, 0.45%

LAB 43.54, 41.23, -30.49

 

CMYK 0 / 47 / 51 / 40

HEX #9A524C

RGB 154 82 76

HSL 4.62, 0.34%, 0.45%

LAB 43.4, 29.22, 16.94

 

CMYK 45 / 0 / 51 / 40

HEX #549A4C

RGB 84 154 76

HSL 113.85, 0.34%, 0.45%

LAB 57.58, -38.12, 34.01

 

CMYK 51 / 19 / 0 / 40

HEX #4C7C9A

RGB 76 124 154

HSL 203.08, 0.34%, 0.45%

LAB 49.84, -7.6, -21.17

 

CMYK 6 / 51 / 0 / 40

HEX #914C9A

RGB 145 76 154

HSL 293.08, 0.34%, 0.45%

LAB 43.54, 41.23, -30.49

 

CMYK 0 / 31 / 51 / 40

HEX #9A6A4C

RGB 154 106 76

HSL 23.08, 0.34%, 0.45%

LAB 49.13, 15.59, 24.5

 

Description

Color code: HEX #549A4C | qconv.com Color code: HEX #549A4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 154 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 154 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 51 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 51% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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