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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5495B1 it is the complementary color #AB6A4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5495B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5495B1 shade: #5995AC, #6AA7BF, #7BB9D2, #8CCBE5 and #9DDDF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5495B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5495B1 shade: #5495B1, #43839E, #32718B, #215F78 and #104D65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5495B1 shade: #5494B0, #547CB0, #5463B0, #5E54B0 and #7754B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5495B1 shade: #5494B0, #547CB0, #5463B0 and #5454B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5495B1 shade matches the following richer shades: #5494B0, #409CC4, #2BA5D9 and #17ADED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5495B1 shade: #5494B0, #688C9C, #7C8488, #907C74 and #A5745F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5495B1 shade: #54B09B, #54ADB0, #5495B0, #547CB0 and #5463B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5495B1 shade: #38667A, #457E96, #5494B0, #70A6BD and #8CB8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5495B1 shade: #5495B1, #8254B0 and #B0A754

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5495B1 shade: #5495B1, #B05495 and #95B054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5495B1 shade: #5495B1, #8254B0, #B07054 and #82B054

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5495B1 shade: #5495B1, #9E54B0, #B07054 and #66B054

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 16 / 0 / 31

HEX #5495B1

RGB 84 149 177

HSL 198.06, 0.37%, 0.51%

LAB 58.56, -12.81, -21.02

 

Complementary color

CMYK 0 / 38 / 54 / 33

HEX #AB6A4E

RGB 171 106 78

HSL 18.06, 0.37%, 0.49%

LAB 51.29, 23.01, 26.55

 

CMYK 48 / 13 / 0 / 33

HEX #5995AC

RGB 89 149 172

HSL 196.63, 0.33%, 0.51%

LAB 58.6, -13.1, -18.1

 

CMYK 45 / 13 / 0 / 25

HEX #6AA7BF

RGB 106 167 191

HSL 196.94, 0.4%, 0.58%

LAB 65.33, -13.3, -18.48

 

CMYK 41 / 12 / 0 / 18

HEX #7BB9D2

RGB 123 185 210

HSL 197.24, 0.49%, 0.65%

LAB 71.93, -13.45, -18.86

 

CMYK 39 / 11 / 0 / 10

HEX #8CCBE5

RGB 140 203 229

HSL 197.53, 0.63%, 0.72%

LAB 78.43, -13.57, -19.23

 

CMYK 37 / 11 / 0 / 3

HEX #9DDDF8

RGB 157 221 248

HSL 197.8, 0.87%, 0.79%

LAB 84.82, -13.66, -19.59

 

CMYK 53 / 16 / 0 / 31

HEX #5495B1

RGB 84 149 177

HSL 198.06, 0.37%, 0.51%

LAB 58.56, -12.81, -21.02

 

CMYK 58 / 17 / 0 / 38

HEX #43839E

RGB 67 131 158

HSL 197.8, 0.4%, 0.44%

LAB 51.72, -12.39, -20.66

 

CMYK 64 / 19 / 0 / 45

HEX #32718B

RGB 50 113 139

HSL 197.53, 0.47%, 0.37%

LAB 44.73, -11.79, -20.27

 

CMYK 73 / 21 / 0 / 53

HEX #215F78

RGB 33 95 120

HSL 197.24, 0.57%, 0.3%

LAB 37.6, -10.9, -19.83

HEX #215F78

CMYK 84 / 24 / 0 / 60

HEX #104D65

RGB 16 77 101

HSL 196.94, 0.73%, 0.23%

LAB 30.3, -9.54, -19.32

HEX #104D65

CMYK 52 / 16 / 0 / 31

HEX #5494B0

RGB 84 148 176

HSL 198.26, 0.37%, 0.51%

LAB 58.23, -12.56, -20.96

 

CMYK 52 / 30 / 0 / 31

HEX #547CB0

RGB 84 124 176

HSL 213.91, 0.37%, 0.51%

LAB 51.19, 1.19, -31.84

 

CMYK 52 / 44 / 0 / 31

HEX #5463B0

RGB 84 99 176

HSL 230.22, 0.37%, 0.51%

LAB 44.15, 16.54, -42.94

 

CMYK 47 / 52 / 0 / 31

HEX #5E54B0

RGB 94 84 176

HSL 246.52, 0.37%, 0.51%

LAB 40.98, 28.27, -47.96

 

CMYK 32 / 52 / 0 / 31

HEX #7754B0

RGB 119 84 176

HSL 262.83, 0.37%, 0.51%

LAB 43.36, 34.52, -44.03

 

CMYK 52 / 16 / 0 / 31

HEX #5494B0

RGB 84 148 176

HSL 198.26, 0.37%, 0.51%

LAB 58.23, -12.56, -20.96

 

CMYK 52 / 30 / 0 / 31

HEX #547CB0

RGB 84 124 176

HSL 213.91, 0.37%, 0.51%

LAB 51.19, 1.19, -31.84

 

CMYK 52 / 44 / 0 / 31

HEX #5463B0

RGB 84 99 176

HSL 230.22, 0.37%, 0.51%

LAB 44.15, 16.54, -42.94

 

CMYK 52 / 52 / 0 / 31

HEX #5454B0

RGB 84 84 176

HSL 240, 0.37%, 0.51%

LAB 40.18, 26.01, -49.29

 

CMYK 52 / 16 / 0 / 31

HEX #5494B0

RGB 84 148 176

HSL 198.26, 0.37%, 0.51%

LAB 58.23, -12.56, -20.96

 

CMYK 67 / 20 / 0 / 23

HEX #409CC4

RGB 64 156 196

HSL 198.18, 0.53%, 0.51%

LAB 60.65, -14.51, -28.59

 

CMYK 80 / 24 / 0 / 15

HEX #2BA5D9

RGB 43 165 217

HSL 197.93, 0.7%, 0.51%

LAB 63.7, -14.95, -35.6

 

CMYK 90 / 27 / 0 / 7

HEX #17ADED

RGB 23 173 237

HSL 197.94, 0.86%, 0.51%

LAB 66.66, -13.67, -41.99

 

CMYK 52 / 16 / 0 / 31

HEX #5494B0

RGB 84 148 176

HSL 198.26, 0.37%, 0.51%

LAB 58.23, -12.56, -20.96

 

CMYK 33 / 10 / 0 / 39

HEX #688C9C

RGB 104 140 156

HSL 198.46, 0.21%, 0.51%

LAB 56.19, -8.46, -12.53

 

CMYK 9 / 3 / 0 / 47

HEX #7C8488

RGB 124 132 136

HSL 200, 0.05%, 0.51%

LAB 54.62, -2.1, -3.17

 

CMYK 0 / 14 / 19 / 44

HEX #907C74

RGB 144 124 116

HSL 17.14, 0.11%, 0.51%

LAB 53.61, 6.32, 7.2

 

CMYK 0 / 30 / 42 / 35

HEX #A5745F

RGB 165 116 95

HSL 18, 0.28%, 0.51%

LAB 53.29, 16.59, 19.29

 

CMYK 52 / 0 / 12 / 31

HEX #54B09B

RGB 84 176 155

HSL 166.3, 0.37%, 0.51%

LAB 65.98, -32.6, 2.41

 

CMYK 52 / 2 / 0 / 31

HEX #54ADB0

RGB 84 173 176

HSL 181.96, 0.37%, 0.51%

LAB 65.68, -25.67, -9.7

 

CMYK 52 / 15 / 0 / 31

HEX #5495B0

RGB 84 149 176

HSL 197.61, 0.37%, 0.51%

LAB 58.52, -13.11, -20.51

 

CMYK 52 / 30 / 0 / 31

HEX #547CB0

RGB 84 124 176

HSL 213.91, 0.37%, 0.51%

LAB 51.19, 1.19, -31.84

 

CMYK 52 / 44 / 0 / 31

HEX #5463B0

RGB 84 99 176

HSL 230.22, 0.37%, 0.51%

LAB 44.15, 16.54, -42.94

 

CMYK 54 / 16 / 0 / 52

HEX #38667A

RGB 56 102 122

HSL 198.18, 0.37%, 0.35%

LAB 40.81, -9.67, -16.03

 

CMYK 54 / 16 / 0 / 41

HEX #457E96

RGB 69 126 150

HSL 197.78, 0.37%, 0.43%

LAB 49.96, -11.63, -18.67

 

CMYK 52 / 16 / 0 / 31

HEX #5494B0

RGB 84 148 176

HSL 198.26, 0.37%, 0.51%

LAB 58.23, -12.56, -20.96

 

CMYK 41 / 12 / 0 / 26

HEX #70A6BD

RGB 112 166 189

HSL 197.92, 0.37%, 0.59%

LAB 65.27, -11.77, -17.43

 

CMYK 31 / 9 / 0 / 21

HEX #8CB8CA

RGB 140 184 202

HSL 197.42, 0.37%, 0.67%

LAB 72.31, -10.32, -13.83

 

CMYK 53 / 16 / 0 / 31

HEX #5495B1

RGB 84 149 177

HSL 198.06, 0.37%, 0.51%

LAB 58.56, -12.81, -21.02

 

CMYK 26 / 52 / 0 / 31

HEX #8254B0

RGB 130 84 176

HSL 270, 0.37%, 0.51%

LAB 44.55, 37.46, -42.06

 

CMYK 0 / 5 / 52 / 31

HEX #B0A754

RGB 176 167 84

HSL 54.13, 0.37%, 0.51%

LAB 67.66, -8.02, 43.6

 

CMYK 53 / 16 / 0 / 31

HEX #5495B1

RGB 84 149 177

HSL 198.06, 0.37%, 0.51%

LAB 58.56, -12.81, -21.02

 

CMYK 0 / 52 / 15 / 31

HEX #B05495

RGB 176 84 149

HSL 317.61, 0.37%, 0.51%

LAB 49.18, 45.69, -18.43

 

CMYK 15 / 0 / 52 / 31

HEX #95B054

RGB 149 176 84

HSL 77.61, 0.37%, 0.51%

LAB 68.08, -23.81, 43.58

 

CMYK 53 / 16 / 0 / 31

HEX #5495B1

RGB 84 149 177

HSL 198.06, 0.37%, 0.51%

LAB 58.56, -12.81, -21.02

 

CMYK 26 / 52 / 0 / 31

HEX #8254B0

RGB 130 84 176

HSL 270, 0.37%, 0.51%

LAB 44.55, 37.46, -42.06

 

CMYK 0 / 36 / 52 / 31

HEX #B07054

RGB 176 112 84

HSL 18.26, 0.37%, 0.51%

LAB 53.45, 22.29, 26.04

 

CMYK 26 / 0 / 52 / 31

HEX #82B054

RGB 130 176 84

HSL 90, 0.37%, 0.51%

LAB 66.85, -31.17, 41.82

 

CMYK 53 / 16 / 0 / 31

HEX #5495B1

RGB 84 149 177

HSL 198.06, 0.37%, 0.51%

LAB 58.56, -12.81, -21.02

 

CMYK 10 / 52 / 0 / 31

HEX #9E54B0

RGB 158 84 176

HSL 288.26, 0.37%, 0.51%

LAB 47.94, 45.23, -36.48

 

CMYK 0 / 36 / 52 / 31

HEX #B07054

RGB 176 112 84

HSL 18.26, 0.37%, 0.51%

LAB 53.45, 22.29, 26.04

 

CMYK 42 / 0 / 52 / 31

HEX #66B054

RGB 102 176 84

HSL 108.26, 0.37%, 0.51%

LAB 65.37, -40.95, 39.69

 

Description

Color code: HEX #5495B1 | qconv.com Color code: HEX #5495B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 149 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 149 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 16 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 16% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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