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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #549535 it is the complementary color #AB6ACA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #549535. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #549535 shade: #599530, #6AA743, #7BB956, #8CCB69 and #9DDD7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #549535. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #549535 shade: #549535, #438322, #32710F, #215F00 and #104D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #549535 shade: #559735, #6F9735, #899735, #978A35 and #977035

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #549535 shade: #559735, #3A9735, #35974A, #359765 and #35977F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #549535 shade matches the following richer shades: #559735, #4FA725, #49B814 and #43C804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #549535 shade: #559735, #5A8646, #607656, #666567 and #6C5577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #549535 shade: #8A9735, #709735, #569735, #3C9735 and #359749

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #549535 shade: #325A20, #44782A, #559735, #66B540 and #7CC55A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #549535 shade: #549535, #35978A and #97357D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #549535 shade: #549535, #355697 and #973556

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #549535 shade: #549535, #35978A, #763597 and #973542

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #549535 shade: #549535, #358797, #763597 and #974535

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 64 / 42

HEX #549535

RGB 84 149 53

HSL 100.63, 0.48%, 0.4%

LAB 55.72, -38.67, 43.02

 

Complementary color

CMYK 15 / 48 / 0 / 21

HEX #AB6ACA

RGB 171 106 202

HSL 280.63, 0.48%, 0.6%

LAB 55.31, 42.66, -39.78

 

CMYK 40 / 0 / 68 / 42

HEX #599530

RGB 89 149 48

HSL 95.64, 0.51%, 0.39%

LAB 55.92, -37.41, 45.5

 

CMYK 37 / 0 / 60 / 35

HEX #6AA743

RGB 106 167 67

HSL 96.6, 0.43%, 0.46%

LAB 62.6, -37.59, 44.62

 

CMYK 34 / 0 / 54 / 27

HEX #7BB956

RGB 123 185 86

HSL 97.58, 0.41%, 0.53%

LAB 69.17, -37.63, 43.53

 

CMYK 31 / 0 / 48 / 20

HEX #8CCB69

RGB 140 203 105

HSL 98.57, 0.49%, 0.6%

LAB 75.64, -37.58, 42.36

 

CMYK 29 / 0 / 44 / 13

HEX #9DDD7C

RGB 157 221 124

HSL 99.59, 0.59%, 0.68%

LAB 82.02, -37.48, 41.17

 

CMYK 44 / 0 / 64 / 42

HEX #549535

RGB 84 149 53

HSL 100.63, 0.48%, 0.4%

LAB 55.72, -38.67, 43.02

 

CMYK 49 / 0 / 74 / 49

HEX #438322

RGB 67 131 34

HSL 99.59, 0.59%, 0.32%

LAB 48.94, -38.32, 43.67

 

CMYK 56 / 0 / 87 / 56

HEX #32710F

RGB 50 113 15

HSL 98.57, 0.77%, 0.25%

LAB 42.04, -37.55, 43.34

 

CMYK 65 / 0 / 100 / 63

HEX #215F00

RGB 33 95 0

HSL 99.16, 1%, 0.19%

LAB 35.02, -36.13, 41.18

 

CMYK 79 / 0 / 100 / 70

HEX #104D00

RGB 16 77 0

HSL 107.53, 1%, 0.15%

LAB 27.89, -33.54, 35.3

 

CMYK 44 / 0 / 65 / 41

HEX #559735

RGB 85 151 53

HSL 100.41, 0.48%, 0.4%

LAB 56.41, -39.2, 43.79

 

CMYK 26 / 0 / 65 / 41

HEX #6F9735

RGB 111 151 53

HSL 84.49, 0.48%, 0.4%

LAB 57.82, -29.65, 45.73

 

CMYK 9 / 0 / 65 / 41

HEX #899735

RGB 137 151 53

HSL 68.57, 0.48%, 0.4%

LAB 59.62, -18.85, 48.2

 

CMYK 0 / 9 / 65 / 41

HEX #978A35

RGB 151 138 53

HSL 52.04, 0.48%, 0.4%

LAB 57.09, -5.76, 45.85

 

CMYK 0 / 26 / 65 / 41

HEX #977035

RGB 151 112 53

HSL 36.12, 0.48%, 0.4%

LAB 50.01, 8.86, 38.07

 

CMYK 44 / 0 / 65 / 41

HEX #559735

RGB 85 151 53

HSL 100.41, 0.48%, 0.4%

LAB 56.41, -39.2, 43.79

 

CMYK 62 / 0 / 65 / 41

HEX #3A9735

RGB 58 151 53

HSL 116.94, 0.48%, 0.4%

LAB 55.37, -47.05, 42.35

 

CMYK 65 / 0 / 51 / 41

HEX #35974A

RGB 53 151 74

HSL 132.86, 0.48%, 0.4%

LAB 55.47, -45.43, 32.19

 

CMYK 65 / 0 / 33 / 41

HEX #359765

RGB 53 151 101

HSL 149.39, 0.48%, 0.4%

LAB 55.92, -40.48, 18.18

 

CMYK 65 / 0 / 16 / 41

HEX #35977F

RGB 53 151 127

HSL 165.31, 0.48%, 0.4%

LAB 56.51, -34.37, 4.32

 

CMYK 44 / 0 / 65 / 41

HEX #559735

RGB 85 151 53

HSL 100.41, 0.48%, 0.4%

LAB 56.41, -39.2, 43.79

 

CMYK 53 / 0 / 78 / 35

HEX #4FA725

RGB 79 167 37

HSL 100.62, 0.64%, 0.4%

LAB 61.16, -48.81, 54.81

 

CMYK 60 / 0 / 89 / 28

HEX #49B814

RGB 73 184 20

HSL 100.61, 0.8%, 0.4%

LAB 66.33, -57.39, 63.75

 

CMYK 67 / 0 / 98 / 22

HEX #43C804

RGB 67 200 4

HSL 100.71, 0.96%, 0.4%

LAB 71.22, -64.42, 69.85

 

CMYK 44 / 0 / 65 / 41

HEX #559735

RGB 85 151 53

HSL 100.41, 0.48%, 0.4%

LAB 56.41, -39.2, 43.79

 

CMYK 33 / 0 / 48 / 47

HEX #5A8646

RGB 90 134 70

HSL 101.25, 0.31%, 0.4%

LAB 51.46, -27.67, 29.64

 

CMYK 19 / 0 / 27 / 54

HEX #607656

RGB 96 118 86

HSL 101.25, 0.16%, 0.4%

LAB 47.13, -14.6, 15.04

 

CMYK 1 / 2 / 0 / 60

HEX #666567

RGB 102 101 103

HSL 270, 0.01%, 0.4%

LAB 42.93, 0.81, -0.99

 

CMYK 9 / 29 / 0 / 53

HEX #6C5577

RGB 108 85 119

HSL 280.59, 0.17%, 0.4%

LAB 39.61, 16.34, -15.7

 

CMYK 9 / 0 / 65 / 41

HEX #8A9735

RGB 138 151 53

HSL 67.96, 0.48%, 0.4%

LAB 59.7, -18.42, 48.31

 

CMYK 26 / 0 / 65 / 41

HEX #709735

RGB 112 151 53

HSL 83.88, 0.48%, 0.4%

LAB 57.88, -29.25, 45.81

 

CMYK 43 / 0 / 65 / 41

HEX #569735

RGB 86 151 53

HSL 99.8, 0.48%, 0.4%

LAB 56.46, -38.86, 43.85

 

CMYK 60 / 0 / 65 / 41

HEX #3C9735

RGB 60 151 53

HSL 115.71, 0.48%, 0.4%

LAB 55.43, -46.55, 42.43

 

CMYK 65 / 0 / 52 / 41

HEX #359749

RGB 53 151 73

HSL 132.24, 0.48%, 0.4%

LAB 55.45, -45.59, 32.69

 

CMYK 44 / 0 / 64 / 65

HEX #325A20

RGB 50 90 32

HSL 101.38, 0.48%, 0.24%

LAB 34.18, -26.09, 28.53

 

CMYK 43 / 0 / 65 / 53

HEX #44782A

RGB 68 120 42

HSL 100, 0.48%, 0.32%

LAB 45.4, -32.46, 36.45

 

CMYK 44 / 0 / 65 / 41

HEX #559735

RGB 85 151 53

HSL 100.41, 0.48%, 0.4%

LAB 56.41, -39.2, 43.79

 

CMYK 44 / 0 / 65 / 29

HEX #66B540

RGB 102 181 64

HSL 100.51, 0.48%, 0.48%

LAB 66.7, -45.23, 50.48

 

CMYK 37 / 0 / 54 / 23

HEX #7CC55A

RGB 124 197 90

HSL 100.93, 0.48%, 0.56%

LAB 72.86, -42.13, 46.02

 

CMYK 44 / 0 / 64 / 42

HEX #549535

RGB 84 149 53

HSL 100.63, 0.48%, 0.4%

LAB 55.72, -38.67, 43.02

 

CMYK 65 / 0 / 9 / 41

HEX #35978A

RGB 53 151 138

HSL 172.04, 0.48%, 0.4%

LAB 56.81, -31.43, -1.53

 

CMYK 0 / 65 / 17 / 41

HEX #97357D

RGB 151 53 125

HSL 315.92, 0.48%, 0.4%

LAB 38.91, 49.05, -19.98

 

CMYK 44 / 0 / 64 / 42

HEX #549535

RGB 84 149 53

HSL 100.63, 0.48%, 0.4%

LAB 55.72, -38.67, 43.02

 

CMYK 65 / 43 / 0 / 41

HEX #355697

RGB 53 86 151

HSL 219.8, 0.48%, 0.4%

LAB 37.2, 9.7, -39.27

 

CMYK 0 / 65 / 43 / 41

HEX #973556

RGB 151 53 86

HSL 339.8, 0.48%, 0.4%

LAB 37.48, 43.93, 2.37

 

CMYK 44 / 0 / 64 / 42

HEX #549535

RGB 84 149 53

HSL 100.63, 0.48%, 0.4%

LAB 55.72, -38.67, 43.02

 

CMYK 65 / 0 / 9 / 41

HEX #35978A

RGB 53 151 138

HSL 172.04, 0.48%, 0.4%

LAB 56.81, -31.43, -1.53

 

CMYK 22 / 65 / 0 / 41

HEX #763597

RGB 118 53 151

HSL 279.8, 0.48%, 0.4%

LAB 35.27, 45.14, -42.02

 

CMYK 0 / 65 / 56 / 41

HEX #973542

RGB 151 53 66

HSL 352.04, 0.48%, 0.4%

LAB 36.96, 42.02, 14.37

 

CMYK 44 / 0 / 64 / 42

HEX #549535

RGB 84 149 53

HSL 100.63, 0.48%, 0.4%

LAB 55.72, -38.67, 43.02

 

CMYK 65 / 11 / 0 / 41

HEX #358797

RGB 53 135 151

HSL 189.8, 0.48%, 0.4%

LAB 52.2, -19.5, -15.91

 

CMYK 22 / 65 / 0 / 41

HEX #763597

RGB 118 53 151

HSL 279.8, 0.48%, 0.4%

LAB 35.27, 45.14, -42.02

 

CMYK 0 / 54 / 65 / 41

HEX #974535

RGB 151 69 53

HSL 9.8, 0.48%, 0.4%

LAB 39.74, 33.12, 25.99

 

Description

Color code: HEX #549535 | qconv.com Color code: HEX #549535 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 149 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 149 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 64 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 64% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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