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Color name
HEX #548B17

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #548B17 it is the complementary color #AB74E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #548B17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #548B17 shade: #598B12, #6A9D25, #7BAF38, #8CC14B and #9DD35E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #548B17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #548B17 shade: #548B17, #437904, #326700, #215500 and #104300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #548B17 shade: #558C17, #748C17, #8C8517, #8C6517 and #8C4517

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #548B17 shade: #558C17, #358C17, #178C18, #178C38 and #178C58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #548B17 shade matches the following richer shades: #558C17 and #559A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #548B17 shade: #558C17, #547F24, #537231, #53653E and #52584C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #548B17 shade: #8C8517, #758C17, #568C17, #368C17 and #178C17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #548B17 shade: #2A450B, #3F6911, #558C17, #6AB01D and #7FD322

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #548B17 shade: #548B17, #178C65 and #8C1785

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #548B17 shade: #548B17, #17568C and #8C1756

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #548B17 shade: #548B17, #178C65, #4E178C and #8C173E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #548B17 shade: #548B17, #178C88, #4E178C and #8C171B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 83 / 45

HEX #548B17

RGB 84 139 23

HSL 88.45, 0.72%, 0.32%

LAB 52.3, -36.49, 50.92

 

Complementary color

CMYK 26 / 50 / 0 / 9

HEX #AB74E8

RGB 171 116 232

HSL 268.45, 0.72%, 0.68%

LAB 58.95, 44, -50.92

 

CMYK 36 / 0 / 87 / 45

HEX #598B12

RGB 89 139 18

HSL 84.79, 0.77%, 0.31%

LAB 52.55, -34.82, 52.56

 

CMYK 32 / 0 / 76 / 38

HEX #6A9D25

RGB 106 157 37

HSL 85.5, 0.62%, 0.38%

LAB 59.26, -35.5, 53.42

 

CMYK 30 / 0 / 68 / 31

HEX #7BAF38

RGB 123 175 56

HSL 86.22, 0.52%, 0.45%

LAB 65.87, -35.93, 53.23

 

CMYK 27 / 0 / 61 / 24

HEX #8CC14B

RGB 140 193 75

HSL 86.95, 0.49%, 0.53%

LAB 72.38, -36.19, 52.52

 

CMYK 26 / 0 / 55 / 17

HEX #9DD35E

RGB 157 211 94

HSL 87.69, 0.57%, 0.6%

LAB 78.79, -36.34, 51.56

 

CMYK 40 / 0 / 83 / 45

HEX #548B17

RGB 84 139 23

HSL 88.45, 0.72%, 0.32%

LAB 52.3, -36.49, 50.92

 

CMYK 45 / 0 / 97 / 53

HEX #437904

RGB 67 121 4

HSL 87.69, 0.94%, 0.25%

LAB 45.46, -35.58, 49.11

 

CMYK 51 / 0 / 100 / 60

HEX #326700

RGB 50 103 0

HSL 90.87, 1%, 0.2%

LAB 38.51, -34.07, 44.22

 

CMYK 61 / 0 / 100 / 67

HEX #215500

RGB 33 85 0

HSL 96.71, 1%, 0.17%

LAB 31.39, -32.19, 38.32

 

CMYK 76 / 0 / 100 / 74

HEX #104300

RGB 16 67 0

HSL 105.67, 1%, 0.13%

LAB 24.08, -29.81, 31.8

 

CMYK 39 / 0 / 84 / 45

HEX #558C17

RGB 85 140 23

HSL 88.21, 0.72%, 0.32%

LAB 52.67, -36.56, 51.28

 

CMYK 17 / 0 / 84 / 45

HEX #748C17

RGB 116 140 23

HSL 72.31, 0.72%, 0.32%

LAB 54.59, -24.01, 53.71

 

CMYK 0 / 5 / 84 / 45

HEX #8C8517

RGB 140 133 23

HSL 56.41, 0.72%, 0.32%

LAB 54.46, -9.54, 54.36

 

CMYK 0 / 28 / 84 / 45

HEX #8C6517

RGB 140 101 23

HSL 40, 0.72%, 0.32%

LAB 45.56, 8.56, 46.6

 

CMYK 0 / 51 / 84 / 45

HEX #8C4517

RGB 140 69 23

HSL 23.59, 0.72%, 0.32%

LAB 37.65, 27.01, 39.47

 

CMYK 39 / 0 / 84 / 45

HEX #558C17

RGB 85 140 23

HSL 88.21, 0.72%, 0.32%

LAB 52.67, -36.56, 51.28

 

CMYK 62 / 0 / 84 / 45

HEX #358C17

RGB 53 140 23

HSL 104.62, 0.72%, 0.32%

LAB 51.35, -46.65, 49.59

 

CMYK 84 / 0 / 83 / 45

HEX #178C18

RGB 23 140 24

HSL 120.51, 0.72%, 0.32%

LAB 50.69, -52.24, 48.44

 

CMYK 84 / 0 / 60 / 45

HEX #178C38

RGB 23 140 56

HSL 136.92, 0.72%, 0.32%

LAB 50.95, -49.07, 35.69

 

CMYK 84 / 0 / 37 / 45

HEX #178C58

RGB 23 140 88

HSL 153.33, 0.72%, 0.32%

LAB 51.43, -43.4, 19.27

 

CMYK 39 / 0 / 84 / 45

HEX #558C17

RGB 85 140 23

HSL 88.21, 0.72%, 0.32%

LAB 52.67, -36.56, 51.28

 

CMYK 45 / 0 / 94 / 40

HEX #559A0A

RGB 85 154 10

HSL 88.75, 0.88%, 0.32%

LAB 57.14, -42.92, 57.91

 

CMYK 39 / 0 / 84 / 45

HEX #558C17

RGB 85 140 23

HSL 88.21, 0.72%, 0.32%

LAB 52.67, -36.56, 51.28

 

CMYK 34 / 0 / 72 / 50

HEX #547F24

RGB 84 127 36

HSL 88.35, 0.56%, 0.32%

LAB 48.5, -30.26, 42.69

 

CMYK 27 / 0 / 57 / 55

HEX #537231

RGB 83 114 49

HSL 88.62, 0.4%, 0.32%

LAB 44.37, -23.08, 32.03

 

CMYK 18 / 0 / 39 / 60

HEX #53653E

RGB 83 101 62

HSL 87.69, 0.24%, 0.32%

LAB 40.4, -14.45, 19.9

 

CMYK 7 / 0 / 14 / 65

HEX #52584C

RGB 82 88 76

HSL 90, 0.07%, 0.32%

LAB 36.55, -4.9, 6.15

 

CMYK 0 / 5 / 84 / 45

HEX #8C8517

RGB 140 133 23

HSL 56.41, 0.72%, 0.32%

LAB 54.46, -9.54, 54.36

 

CMYK 16 / 0 / 84 / 45

HEX #758C17

RGB 117 140 23

HSL 71.79, 0.72%, 0.32%

LAB 54.66, -23.57, 53.8

 

CMYK 39 / 0 / 84 / 45

HEX #568C17

RGB 86 140 23

HSL 87.69, 0.72%, 0.32%

LAB 52.73, -36.19, 51.35

 

CMYK 61 / 0 / 84 / 45

HEX #368C17

RGB 54 140 23

HSL 104.1, 0.72%, 0.32%

LAB 51.38, -46.39, 49.63

 

CMYK 84 / 0 / 84 / 45

HEX #178C17

RGB 23 140 23

HSL 120, 0.72%, 0.32%

LAB 50.69, -52.3, 48.73

 

CMYK 39 / 0 / 84 / 73

HEX #2A450B

RGB 42 69 11

HSL 87.93, 0.73%, 0.16%

LAB 26.08, -20.87, 29.68

 

CMYK 40 / 0 / 84 / 59

HEX #3F6911

RGB 63 105 17

HSL 88.64, 0.72%, 0.24%

LAB 39.92, -29.43, 41.02

 

CMYK 39 / 0 / 84 / 45

HEX #558C17

RGB 85 140 23

HSL 88.21, 0.72%, 0.32%

LAB 52.67, -36.56, 51.28

 

CMYK 40 / 0 / 84 / 31

HEX #6AB01D

RGB 106 176 29

HSL 88.57, 0.72%, 0.4%

LAB 65.12, -44.12, 61.22

 

CMYK 40 / 0 / 84 / 17

HEX #7FD322

RGB 127 211 34

HSL 88.47, 0.72%, 0.48%

LAB 76.81, -51, 70.71

 

CMYK 40 / 0 / 83 / 45

HEX #548B17

RGB 84 139 23

HSL 88.45, 0.72%, 0.32%

LAB 52.3, -36.49, 50.92

 

CMYK 84 / 0 / 28 / 45

HEX #178C65

RGB 23 140 101

HSL 160, 0.72%, 0.32%

LAB 51.7, -40.41, 12.27

 

CMYK 0 / 84 / 5 / 45

HEX #8C1785

RGB 140 23 133

HSL 303.59, 0.72%, 0.32%

LAB 33.74, 57.94, -33.19

 

CMYK 40 / 0 / 83 / 45

HEX #548B17

RGB 84 139 23

HSL 88.45, 0.72%, 0.32%

LAB 52.3, -36.49, 50.92

 

CMYK 84 / 39 / 0 / 45

HEX #17568C

RGB 23 86 140

HSL 207.69, 0.72%, 0.32%

LAB 35.46, 1.03, -35.44

 

CMYK 0 / 84 / 39 / 45

HEX #8C1756

RGB 140 23 86

HSL 327.69, 0.72%, 0.32%

LAB 31.49, 51.61, -6.69

 

CMYK 40 / 0 / 83 / 45

HEX #548B17

RGB 84 139 23

HSL 88.45, 0.72%, 0.32%

LAB 52.3, -36.49, 50.92

 

CMYK 84 / 0 / 28 / 45

HEX #178C65

RGB 23 140 101

HSL 160, 0.72%, 0.32%

LAB 51.7, -40.41, 12.27

 

CMYK 44 / 84 / 0 / 45

HEX #4E178C

RGB 78 23 140

HSL 268.21, 0.72%, 0.32%

LAB 24.08, 48, -53.65

 

CMYK 0 / 84 / 56 / 45

HEX #8C173E

RGB 140 23 62

HSL 340, 0.72%, 0.32%

LAB 30.73, 49.36, 8.06

 

CMYK 40 / 0 / 83 / 45

HEX #548B17

RGB 84 139 23

HSL 88.45, 0.72%, 0.32%

LAB 52.3, -36.49, 50.92

 

CMYK 84 / 0 / 3 / 45

HEX #178C88

RGB 23 140 136

HSL 177.95, 0.72%, 0.32%

LAB 52.64, -30.69, -6.6

 

CMYK 44 / 84 / 0 / 45

HEX #4E178C

RGB 78 23 140

HSL 268.21, 0.72%, 0.32%

LAB 24.08, 48, -53.65

 

CMYK 0 / 84 / 81 / 45

HEX #8C171B

RGB 140 23 27

HSL 357.95, 0.72%, 0.32%

LAB 30.08, 47.39, 29.95

 

Description

Color code: HEX #548B17 | qconv.com Color code: HEX #548B17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 139 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 139 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 83 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 83% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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