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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #547EB6 it is the complementary color #AB8149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #547EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #547EB6 shade: #597EB1, #6A90C4, #7BA2D7, #8CB4EA and #9DC6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #547EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #547EB6 shade: #547EB6, #436CA3, #325A90, #21487D and #10366A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #547EB6 shade: #547EB6, #5463B6, #5E54B6, #7954B6 and #9354B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #547EB6 shade: #547EB6, #5463B6 and #5454B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #547EB6 shade matches the following richer shades: #547EB6, #407BC9, #2C78DD and #1875F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #547EB6 shade: #547EB6, #6780A2, #7B838E, #8F867A and #A38966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #547EB6 shade: #54B2B6, #5498B6, #547EB6, #5464B6 and #5D54B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #547EB6 shade: #375680, #436A9D, #547EB6, #7193C2 and #8DA9CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #547EB6 shade: #547EB6, #9F54B6 and #A5B654

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #547EB6 shade: #547EB6, #B6547E and #7EB654

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #547EB6 shade: #547EB6, #9F54B6, #B68B54 and #6AB654

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #547EB6 shade: #547EB6, #B654AF, #B68B54 and #54B65A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

Complementary color

CMYK 0 / 25 / 57 / 33

HEX #AB8149

RGB 171 129 73

HSL 34.29, 0.4%, 0.48%

LAB 56.92, 9.63, 36.29

 

CMYK 50 / 29 / 0 / 31

HEX #597EB1

RGB 89 126 177

HSL 214.77, 0.36%, 0.52%

LAB 52.08, 1.51, -31

 

CMYK 46 / 27 / 0 / 23

HEX #6A90C4

RGB 106 144 196

HSL 214.67, 0.43%, 0.59%

LAB 58.97, 0.93, -31.05

 

CMYK 43 / 25 / 0 / 16

HEX #7BA2D7

RGB 123 162 215

HSL 214.57, 0.53%, 0.66%

LAB 65.72, 0.45, -31.13

 

CMYK 40 / 23 / 0 / 8

HEX #8CB4EA

RGB 140 180 234

HSL 214.47, 0.69%, 0.73%

LAB 72.33, 0.05, -31.24

 

CMYK 38 / 22 / 0 / 1

HEX #9DC6FD

RGB 157 198 253

HSL 214.38, 0.96%, 0.8%

LAB 78.84, -0.3, -31.37

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 59 / 34 / 0 / 36

HEX #436CA3

RGB 67 108 163

HSL 214.38, 0.42%, 0.45%

LAB 45.03, 2.8, -33.97

 

CMYK 65 / 38 / 0 / 44

HEX #325A90

RGB 50 90 144

HSL 214.47, 0.48%, 0.38%

LAB 37.85, 3.98, -34.02

 

CMYK 74 / 42 / 0 / 51

HEX #21487D

RGB 33 72 125

HSL 214.57, 0.58%, 0.31%

LAB 30.49, 5.59, -34.08

 

CMYK 85 / 49 / 0 / 58

HEX #10366A

RGB 16 54 106

HSL 214.67, 0.74%, 0.24%

LAB 22.96, 7.91, -34.13

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 54 / 46 / 0 / 29

HEX #5463B6

RGB 84 99 182

HSL 230.82, 0.4%, 0.52%

LAB 44.5, 18.5, -45.89

 

CMYK 48 / 54 / 0 / 29

HEX #5E54B6

RGB 94 84 182

HSL 246.12, 0.4%, 0.52%

LAB 41.37, 30.1, -50.87

 

CMYK 34 / 54 / 0 / 29

HEX #7954B6

RGB 121 84 182

HSL 262.65, 0.4%, 0.52%

LAB 43.92, 36.61, -46.64

 

CMYK 19 / 54 / 0 / 29

HEX #9354B6

RGB 147 84 182

HSL 278.57, 0.4%, 0.52%

LAB 46.87, 43.48, -41.76

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 54 / 46 / 0 / 29

HEX #5463B6

RGB 84 99 182

HSL 230.82, 0.4%, 0.52%

LAB 44.5, 18.5, -45.89

 

CMYK 54 / 54 / 0 / 29

HEX #5454B6

RGB 84 84 182

HSL 240, 0.4%, 0.52%

LAB 40.58, 27.94, -52.19

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 68 / 39 / 0 / 21

HEX #407BC9

RGB 64 123 201

HSL 214.16, 0.56%, 0.52%

LAB 51.24, 6.29, -46.18

 

CMYK 80 / 46 / 0 / 13

HEX #2C78DD

RGB 44 120 221

HSL 214.24, 0.72%, 0.52%

LAB 50.91, 12.95, -58.09

 

CMYK 90 / 51 / 0 / 5

HEX #1875F1

RGB 24 117 241

HSL 214.29, 0.89%, 0.52%

LAB 51, 21.04, -69.18

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 36 / 21 / 0 / 36

HEX #6780A2

RGB 103 128 162

HSL 214.58, 0.24%, 0.52%

LAB 52.87, -0.3, -21.04

 

CMYK 13 / 8 / 0 / 44

HEX #7B838E

RGB 123 131 142

HSL 214.74, 0.08%, 0.52%

LAB 54.45, -0.57, -6.92

 

CMYK 0 / 6 / 15 / 44

HEX #8F867A

RGB 143 134 122

HSL 34.29, 0.09%, 0.52%

LAB 56.38, 1.23, 7.67

 

CMYK 0 / 16 / 37 / 36

HEX #A38966

RGB 163 137 102

HSL 34.43, 0.25%, 0.52%

LAB 58.64, 4.72, 22.45

 

CMYK 54 / 2 / 0 / 29

HEX #54B2B6

RGB 84 178 182

HSL 182.45, 0.4%, 0.52%

LAB 67.35, -26.51, -10.53

 

CMYK 54 / 16 / 0 / 29

HEX #5498B6

RGB 84 152 182

HSL 198.37, 0.4%, 0.52%

LAB 59.63, -12.96, -22.21

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 54 / 45 / 0 / 29

HEX #5464B6

RGB 84 100 182

HSL 230.2, 0.4%, 0.52%

LAB 44.77, 17.87, -45.46

 

CMYK 49 / 54 / 0 / 29

HEX #5D54B6

RGB 93 84 182

HSL 245.51, 0.4%, 0.52%

LAB 41.29, 29.88, -51.01

 

CMYK 57 / 33 / 0 / 50

HEX #375680

RGB 55 86 128

HSL 214.52, 0.4%, 0.36%

LAB 36.03, 1.9, -27.11

 

CMYK 57 / 32 / 0 / 38

HEX #436A9D

RGB 67 106 157

HSL 214, 0.4%, 0.44%

LAB 44.14, 2, -31.83

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 42 / 24 / 0 / 24

HEX #7193C2

RGB 113 147 194

HSL 214.81, 0.4%, 0.6%

LAB 60.13, 0.44, -28.09

 

CMYK 32 / 18 / 0 / 19

HEX #8DA9CE

RGB 141 169 206

HSL 214.15, 0.4%, 0.68%

LAB 68.38, -0.91, -21.97

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 13 / 54 / 0 / 29

HEX #9F54B6

RGB 159 84 182

HSL 285.92, 0.4%, 0.52%

LAB 48.37, 46.74, -39.29

 

CMYK 9 / 0 / 54 / 29

HEX #A5B654

RGB 165 182 84

HSL 70.41, 0.4%, 0.52%

LAB 70.94, -20.33, 47.22

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 0 / 54 / 31 / 29

HEX #B6547E

RGB 182 84 126

HSL 334.29, 0.4%, 0.52%

LAB 49.24, 44.3, -4.5

 

CMYK 31 / 0 / 54 / 29

HEX #7EB654

RGB 126 182 84

HSL 94.29, 0.4%, 0.52%

LAB 68.41, -35.43, 43.63

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 13 / 54 / 0 / 29

HEX #9F54B6

RGB 159 84 182

HSL 285.92, 0.4%, 0.52%

LAB 48.37, 46.74, -39.29

 

CMYK 0 / 24 / 54 / 29

HEX #B68B54

RGB 182 139 84

HSL 33.67, 0.4%, 0.52%

LAB 60.83, 9.75, 35.5

 

CMYK 42 / 0 / 54 / 29

HEX #6AB654

RGB 106 182 84

HSL 106.53, 0.4%, 0.52%

LAB 67.4, -42.25, 42.17

 

CMYK 54 / 31 / 0 / 29

HEX #547EB6

RGB 84 126 182

HSL 214.29, 0.4%, 0.52%

LAB 52.04, 1.91, -33.96

 

CMYK 0 / 54 / 4 / 29

HEX #B654AF

RGB 182 84 175

HSL 304.29, 0.4%, 0.52%

LAB 51.13, 51.83, -30.66

 

CMYK 0 / 24 / 54 / 29

HEX #B68B54

RGB 182 139 84

HSL 33.67, 0.4%, 0.52%

LAB 60.83, 9.75, 35.5

 

CMYK 54 / 0 / 51 / 29

HEX #54B65A

RGB 84 182 90

HSL 123.67, 0.4%, 0.52%

LAB 66.58, -47.89, 38.03

 

Description

Color code: HEX #547EB6 | qconv.com Color code: HEX #547EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 126 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 126 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 31 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 31% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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