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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5463F0 it is the complementary color #AB9C0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5463F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5463F0 shade: #5963EB, #6A75FE, #7B87FF, #8C99FF and #9DABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5463F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5463F0 shade: #5463F0, #4351DD, #323FCA, #212DB7 and #101BA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5463F0 shade: #5665F0, #7156F0, #9A56F0, #C456F0 and #EE56F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5463F0 shade: #5665F0 and #5656F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5463F0 shade matches the following richer shades: #5665F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5463F0 shade: #5665F0, #6571E1, #747DD3, #8389C4 and #9295B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5463F0 shade: #56B8F0, #568FF0, #5666F0, #7056F0 and #9956F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5463F0 shade: #1427E0, #3042ED, #5665F0, #7C88F4 and #A2AAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5463F0 shade: #5463F0, #F056E1 and #A3F056

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5463F0 shade: #5463F0, #F05666 and #66F056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5463F0 shade: #5463F0, #F056E1, #F0E156 and #56F066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5463F0 shade: #5463F0, #F056B3, #F0E156 and #56F094

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 59 / 0 / 6

HEX #5463F0

RGB 84 99 240

HSL 234.23, 0.84%, 0.64%

LAB 48.39, 37.83, -72.77

 

Complementary color

CMYK 0 / 9 / 91 / 33

HEX #AB9C0F

RGB 171 156 15

HSL 54.23, 0.84%, 0.36%

LAB 63.73, -7.95, 64.89

 

CMYK 62 / 58 / 0 / 8

HEX #5963EB

RGB 89 99 235

HSL 235.89, 0.78%, 0.64%

LAB 48.32, 36.93, -70.06

 

CMYK 58 / 54 / 0 / 0

HEX #6A75FE

RGB 106 117 254

HSL 235.54, 0.99%, 0.71%

LAB 55.01, 35.08, -69.74

 

CMYK 52 / 47 / 0 / 0

HEX #7B87FF

RGB 123 135 255

HSL 234.55, 1%, 0.74%

LAB 60.57, 27.94, -61.3

 

CMYK 45 / 40 / 0 / 0

HEX #8C99FF

RGB 140 153 255

HSL 233.22, 1%, 0.77%

LAB 66.2, 21.2, -52.27

 

CMYK 38 / 33 / 0 / 0

HEX #9DABFF

RGB 157 171 255

HSL 231.43, 1%, 0.81%

LAB 71.9, 15.14, -43.21

 

CMYK 65 / 59 / 0 / 6

HEX #5463F0

RGB 84 99 240

HSL 234.23, 0.84%, 0.64%

LAB 48.39, 37.83, -72.77

 

CMYK 70 / 63 / 0 / 13

HEX #4351DD

RGB 67 81 221

HSL 234.55, 0.69%, 0.56%

LAB 41.69, 40.11, -73

 

CMYK 75 / 69 / 0 / 21

HEX #323FCA

RGB 50 63 202

HSL 234.87, 0.6%, 0.49%

LAB 35, 42.68, -73.07

 

CMYK 82 / 75 / 0 / 28

HEX #212DB7

RGB 33 45 183

HSL 235.2, 0.69%, 0.42%

LAB 28.43, 45.42, -72.76

 

CMYK 90 / 84 / 0 / 36

HEX #101BA4

RGB 16 27 164

HSL 235.54, 0.82%, 0.35%

LAB 22.21, 47.89, -71.68

 

CMYK 64 / 58 / 0 / 6

HEX #5665F0

RGB 86 101 240

HSL 234.16, 0.84%, 0.64%

LAB 48.98, 36.91, -71.8

 

CMYK 53 / 64 / 0 / 6

HEX #7156F0

RGB 113 86 240

HSL 250.52, 0.84%, 0.64%

LAB 47.57, 50.01, -74.01

 

CMYK 36 / 64 / 0 / 6

HEX #9A56F0

RGB 154 86 240

HSL 266.49, 0.84%, 0.64%

LAB 51.63, 57.71, -67.23

 

CMYK 18 / 64 / 0 / 6

HEX #C456F0

RGB 196 86 240

HSL 282.86, 0.84%, 0.64%

LAB 56.76, 66.65, -58.7

 

CMYK 1 / 64 / 0 / 6

HEX #EE56F0

RGB 238 86 240

HSL 299.22, 0.84%, 0.64%

LAB 62.61, 76.08, -49.04

 

CMYK 64 / 58 / 0 / 6

HEX #5665F0

RGB 86 101 240

HSL 234.16, 0.84%, 0.64%

LAB 48.98, 36.91, -71.8

 

CMYK 64 / 64 / 0 / 6

HEX #5656F0

RGB 86 86 240

HSL 240, 0.84%, 0.64%

LAB 45.53, 45.87, -77.42

 

CMYK 64 / 58 / 0 / 6

HEX #5665F0

RGB 86 101 240

HSL 234.16, 0.84%, 0.64%

LAB 48.98, 36.91, -71.8

 

CMYK 64 / 58 / 0 / 6

HEX #5665F0

RGB 86 101 240

HSL 234.16, 0.84%, 0.64%

LAB 48.98, 36.91, -71.8

 

CMYK 55 / 50 / 0 / 12

HEX #6571E1

RGB 101 113 225

HSL 234.19, 0.67%, 0.64%

LAB 51.85, 27.3, -58.69

 

CMYK 45 / 41 / 0 / 17

HEX #747DD3

RGB 116 125 211

HSL 234.32, 0.52%, 0.64%

LAB 55.16, 19.08, -45.45

 

CMYK 33 / 30 / 0 / 23

HEX #8389C4

RGB 131 137 196

HSL 234.46, 0.36%, 0.64%

LAB 58.7, 11.78, -31.35

 

CMYK 19 / 18 / 0 / 29

HEX #9295B5

RGB 146 149 181

HSL 234.86, 0.19%, 0.64%

LAB 62.46, 5.77, -17

 

CMYK 64 / 23 / 0 / 6

HEX #56B8F0

RGB 86 184 240

HSL 201.82, 0.84%, 0.64%

LAB 71.25, -11.96, -36.37

 

CMYK 64 / 40 / 0 / 6

HEX #568FF0

RGB 86 143 240

HSL 217.79, 0.84%, 0.64%

LAB 59.81, 11.33, -54.36

 

CMYK 64 / 58 / 0 / 6

HEX #5666F0

RGB 86 102 240

HSL 233.77, 0.84%, 0.64%

LAB 49.22, 36.3, -71.41

 

CMYK 53 / 64 / 0 / 6

HEX #7056F0

RGB 112 86 240

HSL 250.13, 0.84%, 0.64%

LAB 47.48, 49.84, -74.15

 

CMYK 36 / 64 / 0 / 6

HEX #9956F0

RGB 153 86 240

HSL 266.1, 0.84%, 0.64%

LAB 51.52, 57.51, -67.42

 

CMYK 91 / 83 / 0 / 12

HEX #1427E0

RGB 20 39 224

HSL 234.41, 0.84%, 0.48%

LAB 31.76, 61.09, -91.17

 

CMYK 80 / 72 / 0 / 7

HEX #3042ED

RGB 48 66 237

HSL 234.29, 0.84%, 0.56%

LAB 38.97, 52.6, -86.6

 

CMYK 64 / 58 / 0 / 6

HEX #5665F0

RGB 86 101 240

HSL 234.16, 0.84%, 0.64%

LAB 48.98, 36.91, -71.8

 

CMYK 49 / 44 / 0 / 4

HEX #7C88F4

RGB 124 136 244

HSL 234, 0.85%, 0.72%

LAB 60.27, 24.24, -55.72

 

CMYK 34 / 31 / 0 / 3

HEX #A2AAF7

RGB 162 170 247

HSL 234.35, 0.84%, 0.8%

LAB 71.65, 14.92, -39.24

 

CMYK 65 / 59 / 0 / 6

HEX #5463F0

RGB 84 99 240

HSL 234.23, 0.84%, 0.64%

LAB 48.39, 37.83, -72.77

 

CMYK 0 / 64 / 6 / 6

HEX #F056E1

RGB 240 86 225

HSL 305.84, 0.84%, 0.64%

LAB 62.18, 74.17, -41.33

 

CMYK 32 / 0 / 64 / 6

HEX #A3F056

RGB 163 240 86

HSL 90, 0.84%, 0.64%

LAB 87.38, -47.57, 64.66

 

CMYK 65 / 59 / 0 / 6

HEX #5463F0

RGB 84 99 240

HSL 234.23, 0.84%, 0.64%

LAB 48.39, 37.83, -72.77

 

CMYK 0 / 64 / 58 / 6

HEX #F05666

RGB 240 86 102

HSL 353.77, 0.84%, 0.64%

LAB 58.17, 60.11, 23.63

 

CMYK 58 / 0 / 64 / 6

HEX #66F056

RGB 102 240 86

HSL 113.77, 0.84%, 0.64%

LAB 84.9, -65.56, 61.26

 

CMYK 65 / 59 / 0 / 6

HEX #5463F0

RGB 84 99 240

HSL 234.23, 0.84%, 0.64%

LAB 48.39, 37.83, -72.77

 

CMYK 0 / 64 / 6 / 6

HEX #F056E1

RGB 240 86 225

HSL 305.84, 0.84%, 0.64%

LAB 62.18, 74.17, -41.33

 

CMYK 0 / 6 / 64 / 6

HEX #F0E156

RGB 240 225 86

HSL 54.16, 0.84%, 0.64%

LAB 88.47, -10.83, 67.38

 

CMYK 64 / 0 / 58 / 6

HEX #56F066

RGB 86 240 102

HSL 126.23, 0.84%, 0.64%

LAB 84.62, -67.31, 54.03

 

CMYK 65 / 59 / 0 / 6

HEX #5463F0

RGB 84 99 240

HSL 234.23, 0.84%, 0.64%

LAB 48.39, 37.83, -72.77

 

CMYK 0 / 64 / 25 / 6

HEX #F056B3

RGB 240 86 179

HSL 323.77, 0.84%, 0.64%

LAB 60.28, 67.71, -18.16

 

CMYK 0 / 6 / 64 / 6

HEX #F0E156

RGB 240 225 86

HSL 54.16, 0.84%, 0.64%

LAB 88.47, -10.83, 67.38

 

CMYK 64 / 0 / 38 / 6

HEX #56F094

RGB 86 240 148

HSL 144.16, 0.84%, 0.64%

LAB 85.22, -60.52, 32.83

 

Description

Color code: HEX #5463F0 | qconv.com Color code: HEX #5463F0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 99 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 99 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 59 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 59% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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