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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #545ED4CE it is the complementary color #ABA12BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #545ED4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #545ED4CE shade: #595ECFCE, #6A70E2CE, #7B82F5CE, #8C94FFCE and #9DA6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #545ED4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #545ED4CE shade: #545ED4CE, #434CC1CE, #323AAECE, #21289BCE and #101688CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #545ED4CE shade: #545ED4, #6C54D4, #8F54D4, #B254D4 and #D454D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #545ED4CE shade: #545ED4 and #5454D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #545ED4CE shade matches the following richer shades: #545ED4, #424FE5 and #3140F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #545ED4CE shade: #545ED4, #656CC3, #767BB2, #888AA0 and #99988F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #545ED4CE shade: #54A3D4, #5481D4, #545ED4, #6B54D4 and #8D54D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #545ED4CE shade: #2B35AB, #333FCC, #545ED4, #757DDC and #969CE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #545ED4CE shade: #545ED4, #D454C5 and #92D454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #545ED4CE shade: #545ED4, #D4545E and #5ED454

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #545ED4CE shade: #545ED4, #D454C5, #D4C954 and #54D463

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #545ED4CE shade: #545ED4, #D4549F, #D4C954 and #54D489

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 45 / 0 / 14

HEX #545ED4CE

RGBA 84 94 212 0.81

HSLA 235.31, 0.6%, 0.58%, 0.81

LABA 45.14, 31.57, -62.19, 0.81

 

Complementary color

CMYK 0 / 5 / 61 / 27

HEX #ABA12BCE

RGBA 171 161 43 0.81

HSLA 55.31, 0.6%, 0.42%, 0.81

LABA 65.22, -9.74, 58.67, 0.81

 

CMYK 46 / 44 / 0 / 15

HEX #595ECFCE

RGBA 89 94 207 0.81

HSLA 237.46, 0.55%, 0.58%, 0.81

LABA 45.13, 30.83, -59.33, 0.81

 

CMYK 43 / 41 / 0 / 9

HEX #6A70E2CE

RGBA 106 112 226 0.81

HSLA 237, 0.67%, 0.65%, 0.81

LABA 52, 29.24, -58.99, 0.81

 

CMYK 40 / 38 / 0 / 3

HEX #7B82F5CE

RGBA 123 130 245 0.81

HSLA 236.56, 0.86%, 0.72%, 0.81

LABA 58.76, 27.87, -58.68, 0.81

 

CMYK 37 / 34 / 0 / 0

HEX #8C94FFCE

RGBA 140 148 255 0.81

HSLA 235.83, 1%, 0.77%, 0.81

LABA 64.94, 24.09, -54.26, 0.81

 

CMYK 31 / 28 / 0 / 0

HEX #9DA6FFCE

RGBA 157 166 255 0.81

HSLA 234.49, 1%, 0.81%, 0.81

LABA 70.64, 17.96, -45.19, 0.81

 

CMYK 49 / 45 / 0 / 14

HEX #545ED4CE

RGBA 84 94 212 0.81

HSLA 235.31, 0.6%, 0.58%, 0.81

LABA 45.14, 31.57, -62.19, 0.81

 

CMYK 53 / 49 / 0 / 20

HEX #434CC1CE

RGBA 67 76 193 0.81

HSLA 235.71, 0.5%, 0.51%, 0.81

LABA 38.22, 33.61, -62.5, 0.81

 

CMYK 58 / 54 / 0 / 26

HEX #323AAECE

RGBA 50 58 174 0.81

HSLA 236.13, 0.55%, 0.44%, 0.81

LABA 31.25, 35.99, -62.71, 0.81

 

CMYK 64 / 60 / 0 / 32

HEX #21289BCE

RGBA 33 40 155 0.81

HSLA 236.56, 0.65%, 0.37%, 0.81

LABA 24.35, 38.65, -62.63, 0.81

 

CMYK 71 / 68 / 0 / 38

HEX #101688CE

RGBA 16 22 136 0.81

HSLA 237, 0.79%, 0.3%, 0.81

LABA 17.74, 41.2, -61.8, 0.81

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 49 / 60 / 0 / 17

HEX #6C54D4

RGB 108 84 212

HSL 251.25, 0.6%, 0.58%

LAB 44.64, 42.05, -62.93

 

CMYK 33 / 60 / 0 / 17

HEX #8F54D4

RGB 143 84 212

HSL 267.66, 0.6%, 0.58%

LAB 48.18, 49.53, -57.03

 

CMYK 16 / 60 / 0 / 17

HEX #B254D4

RGB 178 84 212

HSL 284.06, 0.6%, 0.58%

LAB 52.46, 57.78, -49.92

 

CMYK 0 / 60 / 0 / 17

HEX #D454D4

RGB 212 84 212

HSL 300, 0.6%, 0.58%

LAB 57.16, 66.1, -42.18

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 60 / 60 / 0 / 17

HEX #5454D4

RGB 84 84 212

HSL 240, 0.6%, 0.58%

LAB 42.73, 37.71, -66.1

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 71 / 66 / 0 / 10

HEX #424FE5

RGB 66 79 229

HSL 235.21, 0.76%, 0.58%

LAB 41.86, 43.92, -77.28

 

CMYK 80 / 74 / 0 / 3

HEX #3140F7

RGB 49 64 247

HSL 235.45, 0.93%, 0.58%

LAB 39.64, 57.02, -91.12

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 48 / 45 / 0 / 24

HEX #656CC3

RGB 101 108 195

HSL 235.53, 0.44%, 0.58%

LAB 48.8, 20.93, -46.5

 

CMYK 34 / 31 / 0 / 30

HEX #767BB2

RGB 118 123 178

HSL 235, 0.28%, 0.58%

LAB 53.2, 11.43, -29.69

 

CMYK 15 / 14 / 0 / 37

HEX #888AA0

RGB 136 138 160

HSL 235, 0.11%, 0.58%

LAB 57.99, 3.93, -11.89

 

CMYK 0 / 1 / 7 / 40

HEX #99988F

RGB 153 152 143

HSL 54, 0.05%, 0.58%

LAB 62.69, -1.31, 4.85

 

CMYK 60 / 23 / 0 / 17

HEX #54A3D4

RGB 84 163 212

HSL 202.97, 0.6%, 0.58%

LAB 64.03, -9.74, -32.24

 

CMYK 60 / 39 / 0 / 17

HEX #5481D4

RGB 84 129 212

HSL 218.91, 0.6%, 0.58%

LAB 54.38, 9.95, -47.37

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 50 / 60 / 0 / 17

HEX #6B54D4

RGB 107 84 212

HSL 250.78, 0.6%, 0.58%

LAB 44.55, 41.86, -63.07

 

CMYK 33 / 60 / 0 / 17

HEX #8D54D4

RGB 141 84 212

HSL 266.72, 0.6%, 0.58%

LAB 47.95, 49.08, -57.4

 

CMYK 75 / 69 / 0 / 33

HEX #2B35AB

RGB 43 53 171

HSL 235.31, 0.6%, 0.42%

LAB 29.41, 37.27, -63.96

 

CMYK 75 / 69 / 0 / 20

HEX #333FCC

RGB 51 63 204

HSL 235.29, 0.6%, 0.5%

LAB 35.24, 43.46, -73.83

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 47 / 43 / 0 / 14

HEX #757DDC

RGB 117 125 220

HSL 235.34, 0.6%, 0.66%

LAB 55.7, 21.99, -49.66

 

CMYK 34 / 32 / 0 / 10

HEX #969CE5

RGB 150 156 229

HSL 235.44, 0.6%, 0.74%

LAB 66.46, 14.88, -37.57

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 0 / 60 / 7 / 17

HEX #D454C5

RGB 212 84 197

HSL 307.03, 0.6%, 0.58%

LAB 56.46, 63.63, -34.74

 

CMYK 31 / 0 / 60 / 17

HEX #92D454

RGB 146 212 84

HSL 90.94, 0.6%, 0.58%

LAB 78.37, -41.68, 55.37

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 0 / 60 / 56 / 17

HEX #D4545E

RGB 212 84 94

HSL 355.31, 0.6%, 0.58%

LAB 53.11, 51.19, 20.76

 

CMYK 56 / 0 / 60 / 17

HEX #5ED454

RGB 94 212 84

HSL 115.31, 0.6%, 0.58%

LAB 76.13, -57.61, 52.25

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 0 / 60 / 7 / 17

HEX #D454C5

RGB 212 84 197

HSL 307.03, 0.6%, 0.58%

LAB 56.46, 63.63, -34.74

 

CMYK 0 / 5 / 60 / 17

HEX #D4C954

RGB 212 201 84

HSL 54.84, 0.6%, 0.58%

LAB 79.85, -10.48, 58.28

 

CMYK 60 / 0 / 53 / 17

HEX #54D463

RGB 84 212 99

HSL 127.03, 0.6%, 0.58%

LAB 75.99, -58.17, 45.15

 

CMYK 60 / 56 / 0 / 17

HEX #545ED4

RGB 84 94 212

HSL 235.31, 0.6%, 0.58%

LAB 45.14, 31.57, -62.19

 

CMYK 0 / 60 / 25 / 17

HEX #D4549F

RGB 212 84 159

HSL 324.84, 0.6%, 0.58%

LAB 54.91, 58.06, -15.12

 

CMYK 0 / 5 / 60 / 17

HEX #D4C954

RGB 212 201 84

HSL 54.84, 0.6%, 0.58%

LAB 79.85, -10.48, 58.28

 

CMYK 60 / 0 / 35 / 17

HEX #54D489

RGB 84 212 137

HSL 144.84, 0.6%, 0.58%

LAB 76.54, -52.1, 26.87

 

Description

Color code: HEX #545ED4CE | qconv.com Color code: HEX #545ED4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 94 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 94 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 45 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 45% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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