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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #545E8E it is the complementary color #ABA171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #545E8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #545E8E shade: #595E89, #6A709C, #7B82AF, #8C94C2 and #9DA6D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #545E8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #545E8E shade: #545E8E, #434C7B, #323A68, #212855 and #101642

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #545E8E shade: #535D8D, #59538D, #68538D, #78538D and #88538D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #545E8E shade: #535D8D and #53538D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #545E8E shade matches the following richer shades: #535D8D, #4151A0, #2F45B2, #1D39C4 and #0A2DD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #545E8E shade: #535D8D, #65697B, #777569, #898157 and #9C8D45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #545E8E shade: #537D8D, #536D8D, #535E8D, #58538D and #67538D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #545E8E shade: #343B59, #444C73, #535D8D, #6570A5 and #7F88B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #545E8E shade: #545E8E, #8D538C and #758D53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #545E8E shade: #545E8E, #8D535E and #5E8D53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #545E8E shade: #545E8E, #8D538C, #8D8353 and #538D54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #545E8E shade: #545E8E, #8D537B, #8D8353 and #538D66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 34 / 0 / 44

HEX #545E8E

RGB 84 94 142

HSL 229.66, 0.26%, 0.44%

LAB 40.97, 9.01, -27.77

 

Complementary color

CMYK 0 / 6 / 34 / 33

HEX #ABA171

RGB 171 161 113

HSL 49.66, 0.26%, 0.56%

LAB 66.01, -3.79, 26.34

 

CMYK 35 / 31 / 0 / 46

HEX #595E89

RGB 89 94 137

HSL 233.75, 0.21%, 0.44%

LAB 41.11, 9.02, -24.49

 

CMYK 32 / 28 / 0 / 39

HEX #6A709C

RGB 106 112 156

HSL 232.8, 0.2%, 0.51%

LAB 48.33, 8.47, -24.52

 

CMYK 30 / 26 / 0 / 31

HEX #7B82AF

RGB 123 130 175

HSL 231.92, 0.25%, 0.58%

LAB 55.35, 7.99, -24.61

 

CMYK 28 / 24 / 0 / 24

HEX #8C94C2

RGB 140 148 194

HSL 231.11, 0.31%, 0.65%

LAB 62.21, 7.58, -24.74

 

CMYK 26 / 22 / 0 / 16

HEX #9DA6D5

RGB 157 166 213

HSL 230.36, 0.4%, 0.73%

LAB 68.93, 7.22, -24.9

 

CMYK 41 / 34 / 0 / 44

HEX #545E8E

RGB 84 94 142

HSL 229.66, 0.26%, 0.44%

LAB 40.97, 9.01, -27.77

 

CMYK 46 / 38 / 0 / 52

HEX #434C7B

RGB 67 76 123

HSL 230.36, 0.29%, 0.37%

LAB 33.55, 9.81, -27.88

 

CMYK 52 / 44 / 0 / 59

HEX #323A68

RGB 50 58 104

HSL 231.11, 0.35%, 0.3%

LAB 25.87, 10.86, -28.08

 

CMYK 61 / 53 / 0 / 67

HEX #212855

RGB 33 40 85

HSL 231.92, 0.44%, 0.23%

LAB 17.9, 12.33, -28.4

 

CMYK 76 / 67 / 0 / 74

HEX #101642

RGB 16 22 66

HSL 232.8, 0.61%, 0.16%

LAB 9.62, 14.54, -28.78

 

CMYK 41 / 34 / 0 / 45

HEX #535D8D

RGB 83 93 141

HSL 229.66, 0.26%, 0.44%

LAB 40.56, 9.05, -27.81

 

CMYK 37 / 41 / 0 / 45

HEX #59538D

RGB 89 83 141

HSL 246.21, 0.26%, 0.44%

LAB 38.26, 17.11, -31.39

 

CMYK 26 / 41 / 0 / 45

HEX #68538D

RGB 104 83 141

HSL 261.72, 0.26%, 0.44%

LAB 39.67, 21.63, -29.07

 

CMYK 15 / 41 / 0 / 45

HEX #78538D

RGB 120 83 141

HSL 278.28, 0.26%, 0.44%

LAB 41.38, 26.71, -26.27

 

CMYK 4 / 41 / 0 / 45

HEX #88538D

RGB 136 83 141

HSL 294.83, 0.26%, 0.44%

LAB 43.28, 31.92, -23.17

 

CMYK 41 / 34 / 0 / 45

HEX #535D8D

RGB 83 93 141

HSL 229.66, 0.26%, 0.44%

LAB 40.56, 9.05, -27.81

 

CMYK 41 / 41 / 0 / 45

HEX #53538D

RGB 83 83 141

HSL 240, 0.26%, 0.44%

LAB 37.75, 15.39, -32.22

 

CMYK 41 / 34 / 0 / 45

HEX #535D8D

RGB 83 93 141

HSL 229.66, 0.26%, 0.44%

LAB 40.56, 9.05, -27.81

 

CMYK 59 / 49 / 0 / 37

HEX #4151A0

RGB 65 81 160

HSL 229.89, 0.42%, 0.44%

LAB 37.02, 18.55, -44.94

 

CMYK 74 / 61 / 0 / 30

HEX #2F45B2

RGB 47 69 178

HSL 229.92, 0.58%, 0.44%

LAB 34.14, 30.01, -60.38

 

CMYK 85 / 71 / 0 / 23

HEX #1D39C4

RGB 29 57 196

HSL 229.94, 0.74%, 0.44%

LAB 32.2, 42.62, -74.21

 

CMYK 95 / 79 / 0 / 16

HEX #0A2DD6

RGB 10 45 214

HSL 229.71, 0.91%, 0.44%

LAB 31.34, 54.89, -86.12

 

CMYK 41 / 34 / 0 / 45

HEX #535D8D

RGB 83 93 141

HSL 229.66, 0.26%, 0.44%

LAB 40.56, 9.05, -27.81

 

CMYK 18 / 15 / 0 / 52

HEX #65697B

RGB 101 105 123

HSL 229.09, 0.1%, 0.44%

LAB 44.66, 2.55, -10.53

 

CMYK 0 / 2 / 12 / 53

HEX #777569

RGB 119 117 105

HSL 51.43, 0.06%, 0.44%

LAB 49.09, -1.52, 6.89

 

CMYK 0 / 6 / 36 / 46

HEX #898157

RGB 137 129 87

HSL 50.4, 0.22%, 0.44%

LAB 53.71, -3.66, 23.89

 

CMYK 0 / 10 / 56 / 39

HEX #9C8D45

RGB 156 141 69

HSL 49.66, 0.39%, 0.44%

LAB 58.55, -3.97, 39.92

 

CMYK 41 / 11 / 0 / 45

HEX #537D8D

RGB 83 125 141

HSL 196.55, 0.26%, 0.44%

LAB 50.01, -10.15, -13.26

 

CMYK 41 / 23 / 0 / 45

HEX #536D8D

RGB 83 109 141

HSL 213.1, 0.26%, 0.44%

LAB 45.22, -0.81, -20.57

 

CMYK 41 / 33 / 0 / 45

HEX #535E8D

RGB 83 94 141

HSL 228.62, 0.26%, 0.44%

LAB 40.84, 8.42, -27.36

 

CMYK 38 / 41 / 0 / 45

HEX #58538D

RGB 88 83 141

HSL 245.17, 0.26%, 0.44%

LAB 38.17, 16.82, -31.53

 

CMYK 27 / 41 / 0 / 45

HEX #67538D

RGB 103 83 141

HSL 260.69, 0.26%, 0.44%

LAB 39.57, 21.32, -29.23

 

CMYK 42 / 34 / 0 / 65

HEX #343B59

RGB 52 59 89

HSL 228.65, 0.26%, 0.28%

LAB 25.5, 5.72, -18.93

 

CMYK 41 / 34 / 0 / 55

HEX #444C73

RGB 68 76 115

HSL 229.79, 0.26%, 0.36%

LAB 33.21, 7.57, -23.41

 

CMYK 41 / 34 / 0 / 45

HEX #535D8D

RGB 83 93 141

HSL 229.66, 0.26%, 0.44%

LAB 40.56, 9.05, -27.81

 

CMYK 39 / 32 / 0 / 35

HEX #6570A5

RGB 101 112 165

HSL 229.69, 0.26%, 0.52%

LAB 48.35, 9.51, -29.8

 

CMYK 29 / 24 / 0 / 29

HEX #7F88B4

RGB 127 136 180

HSL 229.81, 0.26%, 0.6%

LAB 57.48, 7, -24.17

 

CMYK 41 / 34 / 0 / 44

HEX #545E8E

RGB 84 94 142

HSL 229.66, 0.26%, 0.44%

LAB 40.97, 9.01, -27.77

 

CMYK 0 / 41 / 1 / 45

HEX #8D538C

RGB 141 83 140

HSL 301.03, 0.26%, 0.44%

LAB 43.86, 33.36, -21.62

 

CMYK 17 / 0 / 41 / 45

HEX #758D53

RGB 117 141 83

HSL 84.83, 0.26%, 0.44%

LAB 55.54, -19, 28.15

 

CMYK 41 / 34 / 0 / 44

HEX #545E8E

RGB 84 94 142

HSL 229.66, 0.26%, 0.44%

LAB 40.97, 9.01, -27.77

 

CMYK 0 / 41 / 33 / 45

HEX #8D535E

RGB 141 83 94

HSL 348.62, 0.26%, 0.44%

LAB 42.24, 25.6, 4.04

 

CMYK 33 / 0 / 41 / 45

HEX #5E8D53

RGB 94 141 83

HSL 108.62, 0.26%, 0.44%

LAB 54.08, -27.73, 25.99

 

CMYK 41 / 34 / 0 / 44

HEX #545E8E

RGB 84 94 142

HSL 229.66, 0.26%, 0.44%

LAB 40.97, 9.01, -27.77

 

CMYK 0 / 41 / 1 / 45

HEX #8D538C

RGB 141 83 140

HSL 301.03, 0.26%, 0.44%

LAB 43.86, 33.36, -21.62

 

CMYK 0 / 7 / 41 / 45

HEX #8D8353

RGB 141 131 83

HSL 49.66, 0.26%, 0.44%

LAB 54.57, -3.56, 27.3

 

CMYK 41 / 0 / 40 / 45

HEX #538D54

RGB 83 141 84

HSL 121.03, 0.26%, 0.44%

LAB 53.52, -31.33, 24.6

 

CMYK 41 / 34 / 0 / 44

HEX #545E8E

RGB 84 94 142

HSL 229.66, 0.26%, 0.44%

LAB 40.97, 9.01, -27.77

 

CMYK 0 / 41 / 13 / 45

HEX #8D537B

RGB 141 83 123

HSL 318.62, 0.26%, 0.44%

LAB 43.18, 30.18, -12.35

 

CMYK 0 / 7 / 41 / 45

HEX #8D8353

RGB 141 131 83

HSL 49.66, 0.26%, 0.44%

LAB 54.57, -3.56, 27.3

 

CMYK 41 / 0 / 28 / 45

HEX #538D66

RGB 83 141 102

HSL 139.66, 0.26%, 0.44%

LAB 53.87, -28.03, 14.98

 

Description

Color code: HEX #545E8E | qconv.com Color code: HEX #545E8E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 94 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 94 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 34 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 34% 0% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

54% - u+i interact – Kommu...
Link: http://uandi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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