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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5458CB4C it is the complementary color #ABA7344C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5458CB4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5458CB4C shade: #5958C64C, #6A6AD94C, #7B7CEC4C, #8C8EFF4C and #9DA0FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5458CB4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5458CB4C shade: #5458CB4C, #4346B84C, #3234A54C, #2122924C and #10107F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5458CB4C shade: #5357CA, #6F53CA, #8F53CA, #B053CA and #CA53C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5458CB4C shade: #5357CA and #5353CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5458CB4C shade matches the following richer shades: #5357CA, #4146DC and #2F35EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5458CB4C shade: #5357CA, #6568B8, #7879A6, #8A8A94 and #9C9B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5458CB4C shade: #5399CA, #5379CA, #5359CA, #6D53CA and #8D53CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5458CB4C shade: #30339B, #393EBB, #5357CA, #7376D4 and #9295DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5458CB4C shade: #5458CB, #CA53B8 and #89CA53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5458CB4C shade: #5458CB, #CA5359 and #59CA53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5458CB4C shade: #5458CB, #CA53B8, #CAC453 and #53CA65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5458CB4C shade: #5458CB, #CA5395, #CAC453 and #53CA89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 17 / 0 / 6

HEX #5458CB4C

RGBA 84 88 203 0.3

HSLA 237.98, 0.53%, 0.56%, 0.3

LABA 43.03, 32.31, -60.45, 0.3

 

Complementary color

CMYK 0 / 1 / 21 / 10

HEX #ABA7344C

RGBA 171 167 52 0.3

HSLA 57.98, 0.53%, 0.44%, 0.3

LABA 66.93, -12.44, 56.99, 0.3

 

CMYK 17 / 17 / 0 / 7

HEX #5958C64C

RGBA 89 88 198 0.3

HSLA 240.55, 0.49%, 0.56%, 0.3

LABA 43.03, 31.62, -57.53, 0.3

 

CMYK 15 / 15 / 0 / 4

HEX #6A6AD94C

RGBA 106 106 217 0.3

HSLA 240, 0.59%, 0.63%, 0.3

LABA 49.96, 30.07, -57.19, 0.3

 

CMYK 14 / 14 / 0 / 2

HEX #7B7CEC4C

RGBA 123 124 236 0.3

HSLA 239.47, 0.75%, 0.7%, 0.3

LABA 56.76, 28.73, -56.88, 0.3

 

CMYK 14 / 13 / 0 / 0

HEX #8C8EFF4C

RGBA 140 142 255 0.3

HSLA 238.96, 1%, 0.77%, 0.3

LABA 63.46, 27.57, -56.61, 0.3

 

CMYK 12 / 11 / 0 / 0

HEX #9DA0FF4C

RGBA 157 160 255 0.3

HSLA 238.16, 1%, 0.81%, 0.3

LABA 69.13, 21.37, -47.55, 0.3

 

CMYK 18 / 17 / 0 / 6

HEX #5458CB4C

RGBA 84 88 203 0.3

HSLA 237.98, 0.53%, 0.56%, 0.3

LABA 43.03, 32.31, -60.45, 0.3

 

CMYK 19 / 19 / 0 / 8

HEX #4346B84C

RGBA 67 70 184 0.3

HSLA 238.46, 0.47%, 0.49%, 0.3

LABA 36.05, 34.29, -60.76, 0.3

 

CMYK 21 / 21 / 0 / 11

HEX #3234A54C

RGBA 50 52 165 0.3

HSLA 238.96, 0.53%, 0.42%, 0.3

LABA 29.03, 36.58, -60.95, 0.3

 

CMYK 23 / 23 / 0 / 13

HEX #2122924C

RGBA 33 34 146 0.3

HSLA 239.47, 0.63%, 0.35%, 0.3

LABA 22.1, 39.07, -60.8, 0.3

 

CMYK 26 / 26 / 0 / 15

HEX #10107F4C

RGBA 16 16 127 0.3

HSLA 240, 0.78%, 0.28%, 0.3

LABA 15.56, 41.17, -59.74, 0.3

 

CMYK 59 / 57 / 0 / 21

HEX #5357CA

RGB 83 87 202

HSL 237.98, 0.53%, 0.56%

LAB 42.64, 32.42, -60.5

 

CMYK 45 / 59 / 0 / 21

HEX #6F53CA

RGB 111 83 202

HSL 254.12, 0.53%, 0.56%

LAB 43.99, 40.35, -58.21

 

CMYK 29 / 59 / 0 / 21

HEX #8F53CA

RGB 143 83 202

HSL 270.25, 0.53%, 0.56%

LAB 47.35, 47.63, -52.62

 

CMYK 13 / 59 / 0 / 21

HEX #B053CA

RGB 176 83 202

HSL 286.89, 0.53%, 0.56%

LAB 51.47, 55.76, -45.8

 

CMYK 0 / 59 / 2 / 21

HEX #CA53C5

RGB 202 83 197

HSL 302.52, 0.53%, 0.56%

LAB 54.84, 61.47, -37.38

 

CMYK 59 / 57 / 0 / 21

HEX #5357CA

RGB 83 87 202

HSL 237.98, 0.53%, 0.56%

LAB 42.64, 32.42, -60.5

 

CMYK 59 / 59 / 0 / 21

HEX #5353CA

RGB 83 83 202

HSL 240, 0.53%, 0.56%

LAB 41.67, 34.89, -62.07

 

CMYK 59 / 57 / 0 / 21

HEX #5357CA

RGB 83 87 202

HSL 237.98, 0.53%, 0.56%

LAB 42.64, 32.42, -60.5

 

CMYK 70 / 68 / 0 / 14

HEX #4146DC

RGB 65 70 220

HSL 238.06, 0.69%, 0.56%

LAB 39.02, 46.14, -76.81

 

CMYK 80 / 78 / 0 / 6

HEX #2F35EF

RGB 47 53 239

HSL 238.13, 0.86%, 0.56%

LAB 36.71, 60.07, -91.47

 

CMYK 59 / 57 / 0 / 21

HEX #5357CA

RGB 83 87 202

HSL 237.98, 0.53%, 0.56%

LAB 42.64, 32.42, -60.5

 

CMYK 45 / 43 / 0 / 28

HEX #6568B8

RGB 101 104 184

HSL 237.83, 0.37%, 0.56%

LAB 47.14, 20.03, -42.78

 

CMYK 28 / 27 / 0 / 35

HEX #7879A6

RGB 120 121 166

HSL 238.7, 0.21%, 0.56%

LAB 52.31, 10.05, -24.12

 

CMYK 7 / 7 / 0 / 42

HEX #8A8A94

RGB 138 138 148

HSL 240, 0.04%, 0.56%

LAB 57.77, 2.03, -5.32

 

CMYK 0 / 1 / 17 / 39

HEX #9C9B82

RGB 156 155 130

HSL 57.69, 0.12%, 0.56%

LAB 63.44, -4.05, 13.26

 

CMYK 59 / 24 / 0 / 21

HEX #5399CA

RGB 83 153 202

HSL 204.71, 0.53%, 0.56%

LAB 60.68, -7.54, -31.85

 

CMYK 59 / 40 / 0 / 21

HEX #5379CA

RGB 83 121 202

HSL 220.84, 0.53%, 0.56%

LAB 51.59, 11.27, -46.14

 

CMYK 59 / 56 / 0 / 21

HEX #5359CA

RGB 83 89 202

HSL 236.97, 0.53%, 0.56%

LAB 43.13, 31.18, -59.7

 

CMYK 46 / 59 / 0 / 21

HEX #6D53CA

RGB 109 83 202

HSL 253.11, 0.53%, 0.56%

LAB 43.8, 39.93, -58.52

 

CMYK 30 / 59 / 0 / 21

HEX #8D53CA

RGB 141 83 202

HSL 269.24, 0.53%, 0.56%

LAB 47.12, 47.16, -53

 

CMYK 69 / 67 / 0 / 39

HEX #30339B

RGB 48 51 155

HSL 238.32, 0.53%, 0.4%

LAB 27.74, 33.45, -57

 

CMYK 70 / 67 / 0 / 27

HEX #393EBB

RGB 57 62 187

HSL 237.69, 0.53%, 0.48%

LAB 33.78, 38.88, -66.27

 

CMYK 59 / 57 / 0 / 21

HEX #5357CA

RGB 83 87 202

HSL 237.98, 0.53%, 0.56%

LAB 42.64, 32.42, -60.5

 

CMYK 46 / 44 / 0 / 17

HEX #7376D4

RGB 115 118 212

HSL 238.14, 0.53%, 0.64%

LAB 53.34, 23.33, -48.92

 

CMYK 34 / 33 / 0 / 13

HEX #9295DE

RGB 146 149 222

HSL 237.63, 0.54%, 0.72%

LAB 64.06, 15.95, -37.46

 

CMYK 59 / 57 / 0 / 20

HEX #5458CB

RGB 84 88 203

HSL 237.98, 0.53%, 0.56%

LAB 43.03, 32.31, -60.45

 

CMYK 0 / 59 / 9 / 21

HEX #CA53B8

RGB 202 83 184

HSL 309.08, 0.53%, 0.56%

LAB 54.24, 59.34, -30.82

 

CMYK 32 / 0 / 59 / 21

HEX #89CA53

RGB 137 202 83

HSL 92.77, 0.53%, 0.56%

LAB 74.94, -40.57, 51.82

 

CMYK 59 / 57 / 0 / 20

HEX #5458CB

RGB 84 88 203

HSL 237.98, 0.53%, 0.56%

LAB 43.03, 32.31, -60.45

 

CMYK 0 / 59 / 56 / 21

HEX #CA5359

RGB 202 83 89

HSL 356.97, 0.53%, 0.56%

LAB 51.23, 47.82, 20.91

 

CMYK 56 / 0 / 59 / 21

HEX #59CA53

RGB 89 202 83

HSL 116.97, 0.53%, 0.56%

LAB 72.88, -55.25, 48.92

 

CMYK 59 / 57 / 0 / 20

HEX #5458CB

RGB 84 88 203

HSL 237.98, 0.53%, 0.56%

LAB 43.03, 32.31, -60.45

 

CMYK 0 / 59 / 9 / 21

HEX #CA53B8

RGB 202 83 184

HSL 309.08, 0.53%, 0.56%

LAB 54.24, 59.34, -30.82

 

CMYK 0 / 3 / 59 / 21

HEX #CAC453

RGB 202 196 83

HSL 56.97, 0.53%, 0.56%

LAB 77.67, -12.18, 56.1

 

CMYK 59 / 0 / 50 / 21

HEX #53CA65

RGB 83 202 101

HSL 129.08, 0.53%, 0.56%

LAB 72.9, -54.38, 40.4

 

CMYK 59 / 57 / 0 / 20

HEX #5458CB

RGB 84 88 203

HSL 237.98, 0.53%, 0.56%

LAB 43.03, 32.31, -60.45

 

CMYK 0 / 59 / 26 / 21

HEX #CA5395

RGB 202 83 149

HSL 326.72, 0.53%, 0.56%

LAB 52.85, 54.19, -12.49

 

CMYK 0 / 3 / 59 / 21

HEX #CAC453

RGB 202 196 83

HSL 56.97, 0.53%, 0.56%

LAB 77.67, -12.18, 56.1

 

CMYK 59 / 0 / 32 / 21

HEX #53CA89

RGB 83 202 137

HSL 147.23, 0.53%, 0.56%

LAB 73.47, -48.26, 22.71

 

Description

Color code: HEX #5458CB4C | qconv.com Color code: HEX #5458CB4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 88 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 88 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 17 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 17% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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