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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #545582 it is the complementary color #ABAA7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #545582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #545582 shade: #59557D, #6A6790, #7B79A3, #8C8BB6 and #9D9DC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #545582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #545582 shade: #545582, #43436F, #32315C, #211F49 and #100D36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #545582 shade: #555682, #605582, #6C5582, #785582 and #82557F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #545582 shade: #555682 and #555582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #545582 shade matches the following richer shades: #555682, #434593, #3234A4, #2124B6 and #0F13C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #545582 shade: #555682, #666670, #77775F, #89874E and #9A983C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #545582 shade: #556E82, #556282, #555682, #5F5582 and #6B5582

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #545582 shade: #343550, #444569, #555682, #65669A and #7E7FAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #545582 shade: #545582, #82557A and #688255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #545582 shade: #545582, #825556 and #568255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #545582 shade: #545582, #82557A, #828055 and #55825C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #545582 shade: #545582, #82556D, #828055 and #55826A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 35 / 0 / 49

HEX #545582

RGB 84 85 130

HSL 238.7, 0.21%, 0.42%

LAB 37.83, 11.14, -25.38

 

Complementary color

CMYK 0 / 1 / 27 / 33

HEX #ABAA7D

RGB 171 170 125

HSL 58.7, 0.21%, 0.58%

LAB 68.67, -7.02, 23.4

 

CMYK 29 / 32 / 0 / 51

HEX #59557D

RGB 89 85 125

HSL 246, 0.19%, 0.41%

LAB 38.02, 11.32, -21.98

 

CMYK 26 / 28 / 0 / 44

HEX #6A6790

RGB 106 103 144

HSL 244.39, 0.17%, 0.48%

LAB 45.33, 10.74, -22.05

 

CMYK 25 / 26 / 0 / 36

HEX #7B79A3

RGB 123 121 163

HSL 242.86, 0.19%, 0.56%

LAB 52.43, 10.24, -22.17

 

CMYK 23 / 24 / 0 / 29

HEX #8C8BB6

RGB 140 139 182

HSL 241.4, 0.23%, 0.63%

LAB 59.36, 9.8, -22.33

 

CMYK 22 / 22 / 0 / 21

HEX #9D9DC9

RGB 157 157 201

HSL 240, 0.29%, 0.7%

LAB 66.14, 9.41, -22.53

 

CMYK 35 / 35 / 0 / 49

HEX #545582

RGB 84 85 130

HSL 238.7, 0.21%, 0.42%

LAB 37.83, 11.14, -25.38

 

CMYK 40 / 40 / 0 / 56

HEX #43436F

RGB 67 67 111

HSL 240, 0.25%, 0.35%

LAB 30.29, 11.94, -25.48

 

CMYK 46 / 47 / 0 / 64

HEX #32315C

RGB 50 49 92

HSL 241.4, 0.3%, 0.28%

LAB 22.47, 12.97, -25.68

 

CMYK 55 / 58 / 0 / 71

HEX #211F49

RGB 33 31 73

HSL 242.86, 0.4%, 0.2%

LAB 14.31, 14.38, -26

 

CMYK 70 / 76 / 0 / 79

HEX #100D36

RGB 16 13 54

HSL 244.39, 0.61%, 0.13%

LAB 6, 15.58, -26.05

 

CMYK 35 / 34 / 0 / 49

HEX #555682

RGB 85 86 130

HSL 238.67, 0.21%, 0.42%

LAB 38.2, 10.82, -24.8

 

CMYK 26 / 35 / 0 / 49

HEX #605582

RGB 96 85 130

HSL 254.67, 0.21%, 0.42%

LAB 38.89, 14.94, -23.65

 

CMYK 17 / 35 / 0 / 49

HEX #6C5582

RGB 108 85 130

HSL 270.67, 0.21%, 0.42%

LAB 40.08, 18.93, -21.72

 

CMYK 8 / 35 / 0 / 49

HEX #785582

RGB 120 85 130

HSL 286.67, 0.21%, 0.42%

LAB 41.38, 23.03, -19.6

 

CMYK 0 / 35 / 2 / 49

HEX #82557F

RGB 130 85 127

HSL 304, 0.21%, 0.42%

LAB 42.42, 25.89, -16.07

 

CMYK 35 / 34 / 0 / 49

HEX #555682

RGB 85 86 130

HSL 238.67, 0.21%, 0.42%

LAB 38.2, 10.82, -24.8

 

CMYK 35 / 35 / 0 / 49

HEX #555582

RGB 85 85 130

HSL 240, 0.21%, 0.42%

LAB 37.91, 11.45, -25.24

 

CMYK 35 / 34 / 0 / 49

HEX #555682

RGB 85 86 130

HSL 238.67, 0.21%, 0.42%

LAB 38.2, 10.82, -24.8

 

CMYK 54 / 53 / 0 / 42

HEX #434593

RGB 67 69 147

HSL 238.5, 0.37%, 0.42%

LAB 33.04, 22.35, -43.46

 

CMYK 70 / 68 / 0 / 36

HEX #3234A4

RGB 50 52 164

HSL 238.95, 0.53%, 0.42%

LAB 28.94, 36.24, -60.5

 

CMYK 82 / 80 / 0 / 29

HEX #2124B6

RGB 33 36 182

HSL 238.79, 0.69%, 0.42%

LAB 26.63, 49.93, -75.15

 

CMYK 92 / 90 / 0 / 22

HEX #0F13C7

RGB 15 19 199

HSL 238.7, 0.86%, 0.42%

LAB 25.84, 61.39, -86.54

 

CMYK 35 / 34 / 0 / 49

HEX #555682

RGB 85 86 130

HSL 238.67, 0.21%, 0.42%

LAB 38.2, 10.82, -24.8

 

CMYK 9 / 9 / 0 / 56

HEX #666670

RGB 102 102 112

HSL 240, 0.05%, 0.42%

LAB 43.5, 2.16, -5.61

 

CMYK 0 / 0 / 20 / 53

HEX #77775F

RGB 119 119 95

HSL 60, 0.11%, 0.42%

LAB 49.43, -4.38, 13.24

 

CMYK 0 / 1 / 43 / 46

HEX #89874E

RGB 137 135 78

HSL 57.97, 0.27%, 0.42%

LAB 55.27, -8.07, 30.85

 

CMYK 0 / 1 / 61 / 40

HEX #9A983C

RGB 154 152 60

HSL 58.72, 0.44%, 0.42%

LAB 61.35, -11.49, 47.35

 

CMYK 35 / 15 / 0 / 49

HEX #556E82

RGB 85 110 130

HSL 206.67, 0.21%, 0.42%

LAB 45.21, -3.93, -14

 

CMYK 35 / 25 / 0 / 49

HEX #556282

RGB 85 98 130

HSL 222.67, 0.21%, 0.42%

LAB 41.66, 3.31, -19.44

 

CMYK 35 / 34 / 0 / 49

HEX #555682

RGB 85 86 130

HSL 238.67, 0.21%, 0.42%

LAB 38.2, 10.82, -24.8

 

CMYK 27 / 35 / 0 / 49

HEX #5F5582

RGB 95 85 130

HSL 253.33, 0.21%, 0.42%

LAB 38.8, 14.62, -23.8

 

CMYK 18 / 35 / 0 / 49

HEX #6B5582

RGB 107 85 130

HSL 269.33, 0.21%, 0.42%

LAB 39.97, 18.59, -21.88

 

CMYK 35 / 34 / 0 / 69

HEX #343550

RGB 52 53 80

HSL 237.86, 0.21%, 0.26%

LAB 23.19, 6.97, -16.6

 

CMYK 35 / 34 / 0 / 59

HEX #444569

RGB 68 69 105

HSL 238.38, 0.21%, 0.34%

LAB 30.65, 9.11, -21.1

 

CMYK 35 / 34 / 0 / 49

HEX #555682

RGB 85 86 130

HSL 238.67, 0.21%, 0.42%

LAB 38.2, 10.82, -24.8

 

CMYK 34 / 34 / 0 / 40

HEX #65669A

RGB 101 102 154

HSL 238.87, 0.21%, 0.5%

LAB 45.08, 12.5, -28.41

 

CMYK 26 / 26 / 0 / 33

HEX #7E7FAB

RGB 126 127 171

HSL 238.67, 0.21%, 0.58%

LAB 54.61, 9.66, -23.43

 

CMYK 35 / 35 / 0 / 49

HEX #545582

RGB 84 85 130

HSL 238.7, 0.21%, 0.42%

LAB 37.83, 11.14, -25.38

 

CMYK 0 / 35 / 6 / 49

HEX #82557A

RGB 130 85 122

HSL 310.67, 0.21%, 0.42%

LAB 42.23, 24.91, -13.32

 

CMYK 20 / 0 / 35 / 49

HEX #688255

RGB 104 130 85

HSL 94.67, 0.21%, 0.42%

LAB 51.34, -18.09, 21.4

 

CMYK 35 / 35 / 0 / 49

HEX #545582

RGB 84 85 130

HSL 238.7, 0.21%, 0.42%

LAB 37.83, 11.14, -25.38

 

CMYK 0 / 35 / 34 / 49

HEX #825556

RGB 130 85 86

HSL 358.67, 0.21%, 0.42%

LAB 41.08, 18.86, 7.11

 

CMYK 34 / 0 / 35 / 49

HEX #568255

RGB 86 130 85

HSL 118.67, 0.21%, 0.42%

LAB 50.22, -24.79, 19.69

 

CMYK 35 / 35 / 0 / 49

HEX #545582

RGB 84 85 130

HSL 238.7, 0.21%, 0.42%

LAB 37.83, 11.14, -25.38

 

CMYK 0 / 35 / 6 / 49

HEX #82557A

RGB 130 85 122

HSL 310.67, 0.21%, 0.42%

LAB 42.23, 24.91, -13.32

 

CMYK 0 / 2 / 35 / 49

HEX #828055

RGB 130 128 85

HSL 57.33, 0.21%, 0.42%

LAB 52.77, -6.34, 23.66

 

CMYK 35 / 0 / 29 / 49

HEX #55825C

RGB 85 130 92

HSL 129.33, 0.21%, 0.42%

LAB 50.3, -23.86, 15.8

 

CMYK 35 / 35 / 0 / 49

HEX #545582

RGB 84 85 130

HSL 238.7, 0.21%, 0.42%

LAB 37.83, 11.14, -25.38

 

CMYK 0 / 35 / 16 / 49

HEX #82556D

RGB 130 85 109

HSL 328, 0.21%, 0.42%

LAB 41.76, 22.51, -6.06

 

CMYK 0 / 2 / 35 / 49

HEX #828055

RGB 130 128 85

HSL 57.33, 0.21%, 0.42%

LAB 52.77, -6.34, 23.66

 

CMYK 35 / 0 / 18 / 49

HEX #55826A

RGB 85 130 106

HSL 148, 0.21%, 0.42%

LAB 50.61, -21.01, 8.15

 

Description

Color code: HEX #545582 | qconv.com Color code: HEX #545582 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 85 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 85 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 35 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 35% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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