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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54453F it is the complementary color #ABBAC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54453F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54453F shade: #59453A, #6A574D, #7B6960, #8C7B73 and #9D8D86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54453F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54453F shade: #54453F, #43332C, #322119, #210F06 and #100000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54453F shade: #544640 and #544040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54453F shade: #544640, #544B40, #545140, #525440 and #4D5440

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54453F shade matches the following richer shades: #544640, #604034, #6C3B28, #78361C and #843110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54453F shade: #544640, #484B4C, #3C5058, #305563 and #245A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54453F shade: #544045, #544040, #544540, #544B40 and #545140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54453F shade: #251F1C, #3D322E, #544640, #6C5951 and #836C63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54453F shade: #54453F, #4A5440 and #404254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54453F shade: #54453F, #405445 and #454054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54453F shade: #54453F, #4A5440, #404E54 and #4A4054

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54453F shade: #54453F, #445440, #404E54 and #504054

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 25 / 67

HEX #54453F

RGB 84 69 63

HSL 17.14, 0.14%, 0.29%

LAB 30.64, 5.32, 6.01

 

Complementary color

CMYK 11 / 3 / 0 / 25

HEX #ABBAC0

RGB 171 186 192

HSL 197.14, 0.14%, 0.71%

LAB 74.56, -3.94, -4.81

 

CMYK 0 / 22 / 35 / 65

HEX #59453A

RGB 89 69 58

HSL 21.29, 0.21%, 0.29%

LAB 31.08, 6.77, 9.92

 

CMYK 0 / 18 / 27 / 58

HEX #6A574D

RGB 106 87 77

HSL 20.69, 0.16%, 0.36%

LAB 38.58, 6.11, 8.73

 

CMYK 0 / 15 / 22 / 52

HEX #7B6960

RGB 123 105 96

HSL 20, 0.12%, 0.43%

LAB 45.85, 5.58, 7.69

 

CMYK 0 / 12 / 18 / 45

HEX #8C7B73

RGB 140 123 115

HSL 19.2, 0.1%, 0.5%

LAB 52.93, 5.14, 6.76

 

CMYK 0 / 10 / 15 / 38

HEX #9D8D86

RGB 157 141 134

HSL 18.26, 0.11%, 0.57%

LAB 59.83, 4.76, 5.9

 

CMYK 0 / 18 / 25 / 67

HEX #54453F

RGB 84 69 63

HSL 17.14, 0.14%, 0.29%

LAB 30.64, 5.32, 6.01

 

CMYK 0 / 24 / 34 / 74

HEX #43332C

RGB 67 51 44

HSL 18.26, 0.21%, 0.22%

LAB 22.8, 5.99, 7.19

 

CMYK 0 / 34 / 50 / 80

HEX #322119

RGB 50 33 25

HSL 19.2, 0.33%, 0.15%

LAB 14.6, 6.93, 8.67

 

CMYK 0 / 55 / 82 / 87

HEX #210F06

RGB 33 15 6

HSL 20, 0.69%, 0.08%

LAB 6.13, 7.63, 6.85

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 17 / 24 / 67

HEX #544640

RGB 84 70 64

HSL 18, 0.14%, 0.29%

LAB 30.96, 4.86, 5.83

 

CMYK 0 / 24 / 24 / 67

HEX #544040

RGB 84 64 64

HSL 0, 0.14%, 0.29%

LAB 29.21, 8.68, 3.33

 

CMYK 0 / 17 / 24 / 67

HEX #544640

RGB 84 70 64

HSL 18, 0.14%, 0.29%

LAB 30.96, 4.86, 5.83

 

CMYK 0 / 11 / 24 / 67

HEX #544B40

RGB 84 75 64

HSL 33, 0.14%, 0.29%

LAB 32.45, 1.71, 7.93

 

CMYK 0 / 4 / 24 / 67

HEX #545140

RGB 84 81 64

HSL 51, 0.14%, 0.29%

LAB 34.27, -2, 10.46

 

CMYK 2 / 0 / 24 / 67

HEX #525440

RGB 82 84 64

HSL 66, 0.14%, 0.29%

LAB 35.01, -4.71, 11.45

 

CMYK 8 / 0 / 24 / 67

HEX #4D5440

RGB 77 84 64

HSL 81, 0.14%, 0.29%

LAB 34.58, -6.87, 10.79

 

CMYK 0 / 17 / 24 / 67

HEX #544640

RGB 84 70 64

HSL 18, 0.14%, 0.29%

LAB 30.96, 4.86, 5.83

 

CMYK 0 / 33 / 46 / 62

HEX #604034

RGB 96 64 52

HSL 16.36, 0.3%, 0.29%

LAB 30.4, 12.3, 12.97

 

CMYK 0 / 45 / 63 / 58

HEX #6C3B28

RGB 108 59 40

HSL 16.76, 0.46%, 0.29%

LAB 30.57, 19.6, 21.06

 

CMYK 0 / 55 / 77 / 53

HEX #78361C

RGB 120 54 28

HSL 16.96, 0.62%, 0.29%

LAB 31.15, 26.96, 29.36

 

CMYK 0 / 63 / 88 / 48

HEX #843110

RGB 132 49 16

HSL 17.07, 0.78%, 0.29%

LAB 32.12, 34.06, 37.21

 

CMYK 0 / 17 / 24 / 67

HEX #544640

RGB 84 70 64

HSL 18, 0.14%, 0.29%

LAB 30.96, 4.86, 5.83

 

CMYK 5 / 1 / 0 / 70

HEX #484B4C

RGB 72 75 76

HSL 195, 0.03%, 0.29%

LAB 31.65, -0.99, -1.02

 

CMYK 32 / 9 / 0 / 65

HEX #3C5058

RGB 60 80 88

HSL 197.14, 0.19%, 0.29%

LAB 32.71, -5.54, -7.21

HEX #3C5058

CMYK 52 / 14 / 0 / 61

HEX #305563

RGB 48 85 99

HSL 196.47, 0.35%, 0.29%

LAB 34.04, -8.93, -12.21

HEX #305563

CMYK 68 / 19 / 0 / 56

HEX #245A6F

RGB 36 90 111

HSL 196.8, 0.51%, 0.29%

LAB 35.66, -10.62, -17.25

HEX #245A6F

CMYK 0 / 24 / 18 / 67

HEX #544045

RGB 84 64 69

HSL 345, 0.14%, 0.29%

LAB 29.37, 9.6, 0.3

 

CMYK 0 / 24 / 24 / 67

HEX #544040

RGB 84 64 64

HSL 0, 0.14%, 0.29%

LAB 29.21, 8.68, 3.33

 

CMYK 0 / 18 / 24 / 67

HEX #544540

RGB 84 69 64

HSL 15, 0.14%, 0.29%

LAB 30.67, 5.49, 5.41

 

CMYK 0 / 11 / 24 / 67

HEX #544B40

RGB 84 75 64

HSL 33, 0.14%, 0.29%

LAB 32.45, 1.71, 7.93

 

CMYK 0 / 4 / 24 / 67

HEX #545140

RGB 84 81 64

HSL 51, 0.14%, 0.29%

LAB 34.27, -2, 10.46

 

CMYK 0 / 16 / 24 / 85

HEX #251F1C

RGB 37 31 28

HSL 20, 0.14%, 0.13%

LAB 12.33, 2.24, 3.11

 

CMYK 0 / 18 / 25 / 76

HEX #3D322E

RGB 61 50 46

HSL 16, 0.14%, 0.21%

LAB 21.84, 4.17, 4.38

 

CMYK 0 / 17 / 24 / 67

HEX #544640

RGB 84 70 64

HSL 18, 0.14%, 0.29%

LAB 30.96, 4.86, 5.83

 

CMYK 0 / 18 / 25 / 58

HEX #6C5951

RGB 108 89 81

HSL 17.78, 0.14%, 0.37%

LAB 39.46, 6.4, 7.53

 

CMYK 0 / 18 / 24 / 49

HEX #836C63

RGB 131 108 99

HSL 16.88, 0.14%, 0.45%

LAB 47.56, 7.6, 8.44

 

CMYK 0 / 18 / 25 / 67

HEX #54453F

RGB 84 69 63

HSL 17.14, 0.14%, 0.29%

LAB 30.64, 5.32, 6.01

 

CMYK 12 / 0 / 24 / 67

HEX #4A5440

RGB 74 84 64

HSL 90, 0.14%, 0.29%

LAB 34.33, -8.15, 10.4

 

CMYK 24 / 21 / 0 / 67

HEX #404254

RGB 64 66 84

HSL 234, 0.14%, 0.29%

LAB 28.45, 3.69, -11.04

 

CMYK 0 / 18 / 25 / 67

HEX #54453F

RGB 84 69 63

HSL 17.14, 0.14%, 0.29%

LAB 30.64, 5.32, 6.01

 

CMYK 24 / 0 / 18 / 67

HEX #405445

RGB 64 84 69

HSL 135, 0.14%, 0.29%

LAB 33.69, -11.2, 6.28

 

CMYK 18 / 24 / 0 / 67

HEX #454054

RGB 69 64 84

HSL 255, 0.14%, 0.29%

LAB 28.31, 6.86, -11.22

 

CMYK 0 / 18 / 25 / 67

HEX #54453F

RGB 84 69 63

HSL 17.14, 0.14%, 0.29%

LAB 30.64, 5.32, 6.01

 

CMYK 12 / 0 / 24 / 67

HEX #4A5440

RGB 74 84 64

HSL 90, 0.14%, 0.29%

LAB 34.33, -8.15, 10.4

 

CMYK 24 / 7 / 0 / 67

HEX #404E54

RGB 64 78 84

HSL 198, 0.14%, 0.29%

LAB 32.21, -3.98, -5.38

 

CMYK 12 / 24 / 0 / 67

HEX #4A4054

RGB 74 64 84

HSL 270, 0.14%, 0.29%

LAB 28.81, 8.77, -10.42

 

CMYK 0 / 18 / 25 / 67

HEX #54453F

RGB 84 69 63

HSL 17.14, 0.14%, 0.29%

LAB 30.64, 5.32, 6.01

 

CMYK 19 / 0 / 24 / 67

HEX #445440

RGB 68 84 64

HSL 108, 0.14%, 0.29%

LAB 33.86, -10.65, 9.68

 

CMYK 24 / 7 / 0 / 67

HEX #404E54

RGB 64 78 84

HSL 198, 0.14%, 0.29%

LAB 32.21, -3.98, -5.38

 

CMYK 5 / 24 / 0 / 67

HEX #504054

RGB 80 64 84

HSL 288, 0.14%, 0.29%

LAB 29.44, 11.1, -9.39

 

Description

Color code: HEX #54453F | qconv.com Color code: HEX #54453F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 69 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 69 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 25 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 25% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - Аренда посуточного ж...
Link: http://myflat.ua

58% - Momuu! セクキャバ人気女の子 TO...
Link: http://www.momuu.jp

23% - 爱奇艺-中国领先的视频门户,高清影视剧,...
Link: http://iqiyi.com

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Provide designers and agencies with accurate color values.

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