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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5442CA it is the complementary color #ABBD35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5442CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5442CA shade: #5942C5, #6A54D8, #7B66EB, #8C78FE and #9D8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5442CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5442CA shade: #5442CA, #4330B7, #321EA4, #210C91 and #10007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5442CA shade: #5644CA, #7A44CA, #9E44CA, #C244CA and #CA44AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5442CA shade: #5644CA and #4444CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5442CA shade matches the following richer shades: #5644CA, #4831DE and #391DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5442CA shade: #5644CA, #6457B7, #726BA3, #817E90 and #8F927D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5442CA shade: #447CCA, #4458CA, #5444CA, #7744CA and #9B44CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5442CA shade: #372992, #4332B3, #5644CA, #7364D3 and #9084DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5442CA shade: #5442CA, #CA44A0 and #6ACA44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5442CA shade: #5442CA, #CA5444 and #44CA54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5442CA shade: #5442CA, #CA44A0, #BBCA44 and #44CA6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5442CA shade: #5442CA, #CA4477, #BBCA44 and #44CA97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 67 / 0 / 21

HEX #5442CA

RGB 84 66 202

HSL 247.94, 0.56%, 0.53%

LAB 37.92, 45.16, -68.18

 

Complementary color

CMYK 10 / 0 / 72 / 26

HEX #ABBD35

RGB 171 189 53

HSL 67.94, 0.56%, 0.47%

LAB 73.1, -23.5, 62.67

 

CMYK 55 / 66 / 0 / 23

HEX #5942C5

RGB 89 66 197

HSL 250.53, 0.53%, 0.52%

LAB 37.93, 44.44, -65.23

 

CMYK 51 / 61 / 0 / 15

HEX #6A54D8

RGB 106 84 216

HSL 250, 0.63%, 0.59%

LAB 44.75, 42.85, -65.04

 

CMYK 48 / 57 / 0 / 8

HEX #7B66EB

RGB 123 102 235

HSL 249.47, 0.77%, 0.66%

LAB 51.51, 41.37, -64.77

 

CMYK 45 / 53 / 0 / 0

HEX #8C78FE

RGB 140 120 254

HSL 248.96, 0.99%, 0.73%

LAB 58.19, 40.02, -64.49

 

CMYK 38 / 46 / 0 / 0

HEX #9D8AFF

RGB 157 138 255

HSL 249.74, 1%, 0.77%

LAB 63.81, 33.93, -55.98

 

CMYK 58 / 67 / 0 / 21

HEX #5442CA

RGB 84 66 202

HSL 247.94, 0.56%, 0.53%

LAB 37.92, 45.16, -68.18

 

CMYK 63 / 74 / 0 / 28

HEX #4330B7

RGB 67 48 183

HSL 248.44, 0.58%, 0.45%

LAB 31.18, 46.93, -68.16

 

CMYK 70 / 82 / 0 / 36

HEX #321EA4

RGB 50 30 164

HSL 248.96, 0.69%, 0.38%

LAB 24.6, 48.43, -67.66

 

CMYK 77 / 92 / 0 / 43

HEX #210C91

RGB 33 12 145

HSL 249.47, 0.85%, 0.31%

LAB 18.5, 48.93, -66.15

 

CMYK 87 / 100 / 0 / 51

HEX #10007E

RGB 16 0 126

HSL 247.62, 1%, 0.25%

LAB 13.33, 47.2, -62.82

 

CMYK 57 / 66 / 0 / 21

HEX #5644CA

RGB 86 68 202

HSL 248.06, 0.56%, 0.53%

LAB 38.51, 44.33, -67.21

 

CMYK 40 / 66 / 0 / 21

HEX #7A44CA

RGB 122 68 202

HSL 264.18, 0.56%, 0.53%

LAB 42.06, 50.85, -61.28

 

CMYK 22 / 66 / 0 / 21

HEX #9E44CA

RGB 158 68 202

HSL 280.3, 0.56%, 0.53%

LAB 46.54, 58.44, -53.83

 

CMYK 4 / 66 / 0 / 21

HEX #C244CA

RGB 194 68 202

HSL 296.42, 0.56%, 0.53%

LAB 51.69, 66.54, -45.3

 

CMYK 0 / 66 / 14 / 21

HEX #CA44AE

RGB 202 68 174

HSL 312.54, 0.56%, 0.53%

LAB 51.55, 64, -29.19

 

CMYK 57 / 66 / 0 / 21

HEX #5644CA

RGB 86 68 202

HSL 248.06, 0.56%, 0.53%

LAB 38.51, 44.33, -67.21

 

CMYK 66 / 66 / 0 / 21

HEX #4444CA

RGB 68 68 202

HSL 240, 0.56%, 0.53%

LAB 37.17, 41.71, -69.47

 

CMYK 57 / 66 / 0 / 21

HEX #5644CA

RGB 86 68 202

HSL 248.06, 0.56%, 0.53%

LAB 38.51, 44.33, -67.21

 

CMYK 68 / 78 / 0 / 13

HEX #4831DE

RGB 72 49 222

HSL 247.98, 0.72%, 0.53%

LAB 35.69, 58.66, -83.43

 

CMYK 76 / 88 / 0 / 5

HEX #391DF1

RGB 57 29 241

HSL 247.92, 0.88%, 0.53%

LAB 34.19, 70.82, -96.78

 

CMYK 57 / 66 / 0 / 21

HEX #5644CA

RGB 86 68 202

HSL 248.06, 0.56%, 0.53%

LAB 38.51, 44.33, -67.21

 

CMYK 45 / 52 / 0 / 28

HEX #6457B7

RGB 100 87 183

HSL 248.13, 0.4%, 0.53%

LAB 42.68, 29.94, -49.32

 

CMYK 30 / 34 / 0 / 36

HEX #726BA3

RGB 114 107 163

HSL 247.5, 0.23%, 0.53%

LAB 47.93, 15.82, -29.21

 

CMYK 10 / 13 / 0 / 44

HEX #817E90

RGB 129 126 144

HSL 250, 0.08%, 0.53%

LAB 53.6, 4.87, -9.29

 

CMYK 2 / 0 / 14 / 43

HEX #8F927D

RGB 143 146 125

HSL 68.57, 0.09%, 0.53%

LAB 59.78, -4.96, 10.77

 

CMYK 66 / 39 / 0 / 21

HEX #447CCA

RGB 68 124 202

HSL 214.93, 0.56%, 0.53%

LAB 51.73, 6.68, -45.95

 

CMYK 66 / 56 / 0 / 21

HEX #4458CA

RGB 68 88 202

HSL 231.04, 0.56%, 0.53%

LAB 41.96, 29.3, -61.65

 

CMYK 58 / 66 / 0 / 21

HEX #5444CA

RGB 84 68 202

HSL 247.16, 0.56%, 0.53%

LAB 38.35, 44.02, -67.49

 

CMYK 41 / 66 / 0 / 21

HEX #7744CA

RGB 119 68 202

HSL 262.84, 0.56%, 0.53%

LAB 41.72, 50.25, -61.84

 

CMYK 23 / 66 / 0 / 21

HEX #9B44CA

RGB 155 68 202

HSL 278.96, 0.56%, 0.53%

LAB 46.13, 57.78, -54.5

 

CMYK 62 / 72 / 0 / 43

HEX #372992

RGB 55 41 146

HSL 248, 0.56%, 0.37%

LAB 25.18, 37.51, -55.67

 

CMYK 63 / 72 / 0 / 30

HEX #4332B3

RGB 67 50 179

HSL 247.91, 0.56%, 0.45%

LAB 31.18, 44.59, -65.77

 

CMYK 57 / 66 / 0 / 21

HEX #5644CA

RGB 86 68 202

HSL 248.06, 0.56%, 0.53%

LAB 38.51, 44.33, -67.21

 

CMYK 45 / 53 / 0 / 17

HEX #7364D3

RGB 115 100 211

HSL 248.11, 0.56%, 0.61%

LAB 48.84, 33.84, -55.54

 

CMYK 35 / 40 / 0 / 14

HEX #9084DC

RGB 144 132 220

HSL 248.18, 0.56%, 0.69%

LAB 59.52, 24.71, -43.47

 

CMYK 58 / 67 / 0 / 21

HEX #5442CA

RGB 84 66 202

HSL 247.94, 0.56%, 0.53%

LAB 37.92, 45.16, -68.18

 

CMYK 0 / 66 / 21 / 21

HEX #CA44A0

RGB 202 68 160

HSL 318.81, 0.56%, 0.53%

LAB 50.95, 62.01, -21.88

 

CMYK 48 / 0 / 66 / 21

HEX #6ACA44

RGB 106 202 68

HSL 102.99, 0.56%, 0.53%

LAB 73.37, -52.08, 56.07

 

CMYK 58 / 67 / 0 / 21

HEX #5442CA

RGB 84 66 202

HSL 247.94, 0.56%, 0.53%

LAB 37.92, 45.16, -68.18

 

CMYK 0 / 58 / 66 / 21

HEX #CA5444

RGB 202 84 68

HSL 7.16, 0.56%, 0.53%

LAB 51.05, 45.92, 32.93

 

CMYK 66 / 0 / 58 / 21

HEX #44CA54

RGB 68 202 84

HSL 127.16, 0.56%, 0.53%

LAB 72.3, -59.81, 47.64

 

CMYK 58 / 67 / 0 / 21

HEX #5442CA

RGB 84 66 202

HSL 247.94, 0.56%, 0.53%

LAB 37.92, 45.16, -68.18

 

CMYK 0 / 66 / 21 / 21

HEX #CA44A0

RGB 202 68 160

HSL 318.81, 0.56%, 0.53%

LAB 50.95, 62.01, -21.88

 

CMYK 7 / 0 / 66 / 21

HEX #BBCA44

RGB 187 202 68

HSL 66.72, 0.56%, 0.53%

LAB 78.01, -22.39, 62.37

 

CMYK 66 / 0 / 45 / 21

HEX #44CA6F

RGB 68 202 111

HSL 139.25, 0.56%, 0.53%

LAB 72.64, -55.94, 35.01

 

CMYK 58 / 67 / 0 / 21

HEX #5442CA

RGB 84 66 202

HSL 247.94, 0.56%, 0.53%

LAB 37.92, 45.16, -68.18

 

CMYK 0 / 66 / 41 / 21

HEX #CA4477

RGB 202 68 119

HSL 337.16, 0.56%, 0.53%

LAB 49.52, 57.07, 0.5

 

CMYK 7 / 0 / 66 / 21

HEX #BBCA44

RGB 187 202 68

HSL 66.72, 0.56%, 0.53%

LAB 78.01, -22.39, 62.37

 

CMYK 66 / 0 / 25 / 21

HEX #44CA97

RGB 68 202 151

HSL 157.16, 0.56%, 0.53%

LAB 73.35, -48.19, 15.04

 

Description

Color code: HEX #5442CA | qconv.com Color code: HEX #5442CA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 66 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 66 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 67 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 67% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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