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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5442B8 it is the complementary color #ABBD47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5442B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5442B8 shade: #5942B3, #6A54C6, #7B66D9, #8C78EC and #9D8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5442B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5442B8 shade: #5442B8, #4330A5, #321E92, #210C7F and #10006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5442B8 shade: #5442B8, #7442B8, #9342B8, #B342B8 and #B8429D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5442B8 shade: #5442B8 and #4242B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5442B8 shade matches the following richer shades: #5442B8, #462ECC, #381AE0 and #2A06F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5442B8 shade: #5442B8, #6256A3, #706B8F, #7E7F7B and #8C9367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5442B8 shade: #426FB8, #4250B8, #5442B8, #7342B8 and #9242B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5442B8 shade: #382C7B, #463799, #5442B8, #6E5EC5 and #897CD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5442B8 shade: #5442B8, #B8428F and #60B842

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5442B8 shade: #5442B8, #B85442 and #42B854

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5442B8 shade: #5442B8, #B8428F, #A6B842 and #42B86B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5442B8 shade: #5442B8, #B8426B, #A6B842 and #42B88F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

Complementary color

CMYK 10 / 0 / 62 / 26

HEX #ABBD47

RGB 171 189 71

HSL 69.15, 0.47%, 0.51%

LAB 73.23, -22.39, 55.76

 

CMYK 50 / 63 / 0 / 30

HEX #5942B3

RGB 89 66 179

HSL 252.21, 0.46%, 0.48%

LAB 36.51, 39.01, -56.98

 

CMYK 46 / 58 / 0 / 22

HEX #6A54C6

RGB 106 84 198

HSL 251.58, 0.5%, 0.55%

LAB 43.48, 37.54, -56.74

 

CMYK 43 / 53 / 0 / 15

HEX #7B66D9

RGB 123 102 217

HSL 250.96, 0.6%, 0.63%

LAB 50.36, 36.2, -56.47

 

CMYK 41 / 49 / 0 / 7

HEX #8C78EC

RGB 140 120 236

HSL 250.34, 0.75%, 0.7%

LAB 57.14, 35, -56.21

 

CMYK 38 / 46 / 0 / 0

HEX #9D8AFF

RGB 157 138 255

HSL 249.74, 1%, 0.77%

LAB 63.81, 33.93, -55.98

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 59 / 71 / 0 / 35

HEX #4330A5

RGB 67 48 165

HSL 249.74, 0.55%, 0.42%

LAB 29.47, 41.32, -60.18

 

CMYK 66 / 79 / 0 / 43

HEX #321E92

RGB 50 30 146

HSL 250.34, 0.66%, 0.35%

LAB 22.59, 42.92, -59.94

 

CMYK 74 / 91 / 0 / 50

HEX #210C7F

RGB 33 12 127

HSL 250.96, 0.83%, 0.27%

LAB 16.1, 43.72, -58.81

 

CMYK 85 / 100 / 0 / 58

HEX #10006C

RGB 16 0 108

HSL 248.89, 1%, 0.21%

LAB 10.5, 42.36, -55.88

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 37 / 64 / 0 / 28

HEX #7442B8

RGB 116 66 184

HSL 265.42, 0.47%, 0.49%

LAB 39.7, 46, -54.63

 

CMYK 20 / 64 / 0 / 28

HEX #9342B8

RGB 147 66 184

HSL 281.19, 0.47%, 0.49%

LAB 43.6, 53.03, -48.15

 

CMYK 3 / 64 / 0 / 28

HEX #B342B8

RGB 179 66 184

HSL 297.46, 0.47%, 0.49%

LAB 48.19, 60.68, -40.57

 

CMYK 0 / 64 / 15 / 28

HEX #B8429D

RGB 184 66 157

HSL 313.73, 0.47%, 0.49%

LAB 47.65, 57.55, -25.44

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 64 / 64 / 0 / 28

HEX #4242B8

RGB 66 66 184

HSL 240, 0.47%, 0.49%

LAB 35.03, 36.62, -62.42

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 66 / 77 / 0 / 20

HEX #462ECC

RGB 70 46 204

HSL 249.11, 0.63%, 0.49%

LAB 33.17, 54.62, -77.2

 

CMYK 75 / 88 / 0 / 12

HEX #381AE0

RGB 56 26 224

HSL 249.09, 0.79%, 0.49%

LAB 31.72, 67.22, -91.2

 

CMYK 83 / 98 / 0 / 4

HEX #2A06F4

RGB 42 6 244

HSL 249.08, 0.95%, 0.49%

LAB 32.16, 76.06, -101.89

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 40 / 47 / 0 / 36

HEX #6256A3

RGB 98 86 163

HSL 249.35, 0.31%, 0.49%

LAB 41.05, 24.14, -40.13

 

CMYK 22 / 25 / 0 / 44

HEX #706B8F

RGB 112 107 143

HSL 248.33, 0.14%, 0.49%

LAB 46.9, 10.03, -19

 

CMYK 1 / 0 / 3 / 50

HEX #7E7F7B

RGB 126 127 123

HSL 75, 0.02%, 0.49%

LAB 53, -1.16, 2.03

 

CMYK 5 / 0 / 30 / 42

HEX #8C9367

RGB 140 147 103

HSL 69.55, 0.18%, 0.49%

LAB 59.36, -10.15, 22.5

 

CMYK 64 / 40 / 0 / 28

HEX #426FB8

RGB 66 111 184

HSL 217.12, 0.47%, 0.49%

LAB 46.96, 8.02, -43.2

 

CMYK 64 / 57 / 0 / 28

HEX #4250B8

RGB 66 80 184

HSL 232.88, 0.47%, 0.49%

LAB 38.47, 27.78, -56.82

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 38 / 64 / 0 / 28

HEX #7342B8

RGB 115 66 184

HSL 264.92, 0.47%, 0.49%

LAB 39.58, 45.78, -54.82

 

CMYK 21 / 64 / 0 / 28

HEX #9242B8

RGB 146 66 184

HSL 280.68, 0.47%, 0.49%

LAB 43.46, 52.8, -48.38

 

CMYK 54 / 64 / 0 / 52

HEX #382C7B

RGB 56 44 123

HSL 249.11, 0.47%, 0.33%

LAB 23.91, 28.24, -43.35

 

CMYK 54 / 64 / 0 / 40

HEX #463799

RGB 70 55 153

HSL 249.18, 0.47%, 0.41%

LAB 30.24, 33.88, -51.64

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 44 / 52 / 0 / 23

HEX #6E5EC5

RGB 110 94 197

HSL 249.32, 0.47%, 0.57%

LAB 46.11, 32.18, -51.91

 

CMYK 34 / 40 / 0 / 18

HEX #897CD0

RGB 137 124 208

HSL 249.29, 0.47%, 0.65%

LAB 56.37, 24.3, -41.73

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 0 / 64 / 22 / 28

HEX #B8428F

RGB 184 66 143

HSL 320.85, 0.47%, 0.49%

LAB 47.07, 55.52, -17.97

 

CMYK 48 / 0 / 64 / 28

HEX #60B842

RGB 96 184 66

HSL 104.75, 0.47%, 0.49%

LAB 67.4, -48.13, 50.31

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 0 / 54 / 64 / 28

HEX #B85442

RGB 184 84 66

HSL 9.15, 0.47%, 0.49%

LAB 48.16, 39.11, 29.9

 

CMYK 64 / 0 / 54 / 28

HEX #42B854

RGB 66 184 84

HSL 129.15, 0.47%, 0.49%

LAB 66.58, -53.74, 40.85

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 0 / 64 / 22 / 28

HEX #B8428F

RGB 184 66 143

HSL 320.85, 0.47%, 0.49%

LAB 47.07, 55.52, -17.97

 

CMYK 10 / 0 / 64 / 28

HEX #A6B842

RGB 166 184 66

HSL 69.15, 0.47%, 0.49%

LAB 71.41, -22.34, 55.81

 

CMYK 64 / 0 / 42 / 28

HEX #42B86B

RGB 66 184 107

HSL 140.85, 0.47%, 0.49%

LAB 66.9, -50.14, 29.64

 

CMYK 54 / 64 / 0 / 28

HEX #5442B8

RGB 84 66 184

HSL 249.15, 0.47%, 0.49%

LAB 36.45, 39.6, -60.06

 

CMYK 0 / 64 / 42 / 28

HEX #B8426B

RGB 184 66 107

HSL 339.15, 0.47%, 0.49%

LAB 45.84, 51.1, 2.08

 

CMYK 10 / 0 / 64 / 28

HEX #A6B842

RGB 166 184 66

HSL 69.15, 0.47%, 0.49%

LAB 71.41, -22.34, 55.81

 

CMYK 64 / 0 / 22 / 28

HEX #42B88F

RGB 66 184 143

HSL 159.15, 0.47%, 0.49%

LAB 67.59, -42.78, 11.26

 

Description

Color code: HEX #5442B8 | qconv.com Color code: HEX #5442B8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 66 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 66 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 64 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 64% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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