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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5441FD it is the complementary color #ABBE02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5441FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5441FD shade: #5941F8, #6A53FF, #7B65FF, #8C77FF and #9D89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5441FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5441FD shade: #5441FD, #432FEA, #321DD7, #210BC4 and #1000B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5441FD shade: #523FFD, #863FFD, #B93FFD, #EC3FFD and #FD3FDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5441FD shade: #523FFD and #3F3FFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5441FD shade matches the following richer shades: #523FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5441FD shade: #523FFD, #5F4FED, #6B5EDE, #786ECE and #847EBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5441FD shade: #3F91FD, #3F5FFD, #523FFD, #853FFD and #B73FFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5441FD shade: #1902E7, #2E16FD, #523FFD, #7768FD and #9C91FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5441FD shade: #5441FD, #FD3FC4 and #78FD3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5441FD shade: #5441FD, #FD523F and #3FFD52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5441FD shade: #5441FD, #FD3FC4, #EAFD3F and #3FFD78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5441FD shade: #5441FD, #FD3F8B, #EAFD3F and #3FFDB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 74 / 0 / 1

HEX #5441FD

RGB 84 65 253

HSL 246.06, 0.98%, 0.62%

LAB 42.4, 61.12, -89.87

 

Complementary color

CMYK 10 / 0 / 99 / 25

HEX #ABBE02

RGB 171 190 2

HSL 66.06, 0.98%, 0.38%

LAB 73.21, -25.41, 73.77

 

CMYK 64 / 74 / 0 / 3

HEX #5941F8

RGB 89 65 248

HSL 247.87, 0.93%, 0.61%

LAB 42.28, 60.16, -87.25

 

CMYK 58 / 67 / 0 / 0

HEX #6A53FF

RGB 106 83 255

HSL 248.02, 1%, 0.66%

LAB 47.59, 54.96, -82.39

 

CMYK 52 / 60 / 0 / 0

HEX #7B65FF

RGB 123 101 255

HSL 248.57, 1%, 0.7%

LAB 52.66, 47.74, -74.05

 

CMYK 45 / 53 / 0 / 0

HEX #8C77FF

RGB 140 119 255

HSL 249.26, 1%, 0.73%

LAB 58.03, 40.87, -65.31

 

CMYK 38 / 46 / 0 / 0

HEX #9D89FF

RGB 157 137 255

HSL 250.17, 1%, 0.77%

LAB 63.57, 34.5, -56.35

 

CMYK 67 / 74 / 0 / 1

HEX #5441FD

RGB 84 65 253

HSL 246.06, 0.98%, 0.62%

LAB 42.4, 61.12, -89.87

 

CMYK 71 / 80 / 0 / 8

HEX #432FEA

RGB 67 47 234

HSL 246.42, 0.82%, 0.55%

LAB 36.3, 62.65, -89.27

 

CMYK 77 / 87 / 0 / 16

HEX #321DD7

RGB 50 29 215

HSL 246.77, 0.76%, 0.48%

LAB 30.55, 63.53, -87.97

 

CMYK 83 / 94 / 0 / 23

HEX #210BC4

RGB 33 11 196

HSL 247.14, 0.89%, 0.41%

LAB 25.41, 63.03, -85.48

 

CMYK 91 / 100 / 0 / 31

HEX #1000B1

RGB 16 0 177

HSL 245.42, 1%, 0.35%

LAB 21.15, 60.35, -81.31

 

CMYK 68 / 75 / 0 / 1

HEX #523FFD

RGB 82 63 253

HSL 246, 0.98%, 0.62%

LAB 41.91, 61.91, -90.68

 

CMYK 47 / 75 / 0 / 1

HEX #863FFD

RGB 134 63 253

HSL 262.42, 0.98%, 0.62%

LAB 46.6, 68.09, -82.79

 

CMYK 27 / 75 / 0 / 1

HEX #B93FFD

RGB 185 63 253

HSL 278.53, 0.98%, 0.62%

LAB 52.91, 76.16, -72.23

 

CMYK 7 / 75 / 0 / 1

HEX #EC3FFD

RGB 236 63 253

HSL 294.63, 0.98%, 0.62%

LAB 60.32, 85.41, -59.91

 

CMYK 0 / 75 / 13 / 1

HEX #FD3FDB

RGB 253 63 219

HSL 310.74, 0.98%, 0.62%

LAB 61.27, 83.79, -39.25

 

CMYK 68 / 75 / 0 / 1

HEX #523FFD

RGB 82 63 253

HSL 246, 0.98%, 0.62%

LAB 41.91, 61.91, -90.68

 

CMYK 75 / 75 / 0 / 1

HEX #3F3FFD

RGB 63 63 253

HSL 240, 0.98%, 0.62%

LAB 40.74, 60.35, -92.64

 

CMYK 68 / 75 / 0 / 1

HEX #523FFD

RGB 82 63 253

HSL 246, 0.98%, 0.62%

LAB 41.91, 61.91, -90.68

 

CMYK 68 / 75 / 0 / 1

HEX #523FFD

RGB 82 63 253

HSL 246, 0.98%, 0.62%

LAB 41.91, 61.91, -90.68

 

CMYK 60 / 67 / 0 / 7

HEX #5F4FED

RGB 95 79 237

HSL 246.08, 0.81%, 0.62%

LAB 44.43, 50.2, -77.51

 

CMYK 52 / 58 / 0 / 13

HEX #6B5EDE

RGB 107 94 222

HSL 246.09, 0.66%, 0.62%

LAB 47.5, 38.99, -63.99

 

CMYK 42 / 47 / 0 / 19

HEX #786ECE

RGB 120 110 206

HSL 246.25, 0.49%, 0.62%

LAB 51.38, 27.6, -48.59

 

CMYK 31 / 34 / 0 / 25

HEX #847EBE

RGB 132 126 190

HSL 245.63, 0.33%, 0.62%

LAB 55.63, 16.95, -32.71

 

CMYK 75 / 43 / 0 / 1

HEX #3F91FD

RGB 63 145 253

HSL 214.11, 0.98%, 0.62%

LAB 60.25, 11.42, -60.87

 

CMYK 75 / 62 / 0 / 1

HEX #3F5FFD

RGB 63 95 253

HSL 229.89, 0.98%, 0.62%

LAB 47.41, 42.15, -81.67

 

CMYK 68 / 75 / 0 / 1

HEX #523FFD

RGB 82 63 253

HSL 246, 0.98%, 0.62%

LAB 41.91, 61.91, -90.68

 

CMYK 47 / 75 / 0 / 1

HEX #853FFD

RGB 133 63 253

HSL 262.11, 0.98%, 0.62%

LAB 46.49, 67.95, -82.97

 

CMYK 28 / 75 / 0 / 1

HEX #B73FFD

RGB 183 63 253

HSL 277.89, 0.98%, 0.62%

LAB 52.64, 75.82, -72.69

 

CMYK 89 / 99 / 0 / 9

HEX #1902E7

RGB 25 2 231

HSL 246.03, 0.98%, 0.46%

LAB 29.46, 73.32, -99.01

 

CMYK 82 / 91 / 0 / 1

HEX #2E16FD

RGB 46 22 253

HSL 246.23, 0.98%, 0.54%

LAB 34.49, 75.45, -103.05

 

CMYK 68 / 75 / 0 / 1

HEX #523FFD

RGB 82 63 253

HSL 246, 0.98%, 0.62%

LAB 41.91, 61.91, -90.68

 

CMYK 53 / 59 / 0 / 1

HEX #7768FD

RGB 119 104 253

HSL 246.04, 0.97%, 0.7%

LAB 52.86, 44.73, -72.64

 

CMYK 39 / 43 / 0 / 0

HEX #9C91FE

RGB 156 145 254

HSL 246.06, 0.98%, 0.78%

LAB 65.34, 29.41, -53.01

 

CMYK 67 / 74 / 0 / 1

HEX #5441FD

RGB 84 65 253

HSL 246.06, 0.98%, 0.62%

LAB 42.4, 61.12, -89.87

 

CMYK 0 / 75 / 23 / 1

HEX #FD3FC4

RGB 253 63 196

HSL 318, 0.98%, 0.62%

LAB 60.27, 80.85, -27.74

 

CMYK 53 / 0 / 75 / 1

HEX #78FD3F

RGB 120 253 63

HSL 102, 0.98%, 0.62%

LAB 89.21, -67.37, 74.13

 

CMYK 67 / 74 / 0 / 1

HEX #5441FD

RGB 84 65 253

HSL 246.06, 0.98%, 0.62%

LAB 42.4, 61.12, -89.87

 

CMYK 0 / 68 / 75 / 1

HEX #FD523F

RGB 253 82 63

HSL 6, 0.98%, 0.62%

LAB 59.23, 63.76, 47.26

 

CMYK 75 / 0 / 68 / 1

HEX #3FFD52

RGB 63 253 82

HSL 126, 0.98%, 0.62%

LAB 87.93, -77.38, 65.83

 

CMYK 67 / 74 / 0 / 1

HEX #5441FD

RGB 84 65 253

HSL 246.06, 0.98%, 0.62%

LAB 42.4, 61.12, -89.87

 

CMYK 0 / 75 / 23 / 1

HEX #FD3FC4

RGB 253 63 196

HSL 318, 0.98%, 0.62%

LAB 60.27, 80.85, -27.74

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3F

RGB 234 253 63

HSL 66, 0.98%, 0.62%

LAB 95.2, -27.89, 81.92

 

CMYK 75 / 0 / 53 / 1

HEX #3FFD78

RGB 63 253 120

HSL 138, 0.98%, 0.62%

LAB 88.29, -73.06, 50.16

 

CMYK 67 / 74 / 0 / 1

HEX #5441FD

RGB 84 65 253

HSL 246.06, 0.98%, 0.62%

LAB 42.4, 61.12, -89.87

 

CMYK 0 / 75 / 45 / 1

HEX #FD3F8B

RGB 253 63 139

HSL 336, 0.98%, 0.62%

LAB 58.32, 74.88, 2.45

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3F

RGB 234 253 63

HSL 66, 0.98%, 0.62%

LAB 95.2, -27.89, 81.92

 

CMYK 75 / 0 / 30 / 1

HEX #3FFDB1

RGB 63 253 177

HSL 156, 0.98%, 0.62%

LAB 89.15, -63.21, 23.38

 

Description

Color code: HEX #5441FD | qconv.com Color code: HEX #5441FD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 65 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 65 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 74 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 74% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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