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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #543B54 it is the complementary color #ABC4AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #543B54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #543B54 shade: #593B4F, #6A4D62, #7B5F75, #8C7188 and #9D839B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #543B54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #543B54 shade: #543B54, #432941, #32172E, #21051B and #100008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #543B54 shade: #543B54, #543B4D, #543B46, #543B40 and #543B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #543B54 shade: #543B54, #4D3B54, #463B54, #403B54 and #3B3B54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #543B54 shade matches the following richer shades: #543B54, #5F305F, #6B246B, #761976 and #820D82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #543B54 shade: #543B54, #484748, #3C523C, #315E31 and #256925

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #543B54 shade: #473B54, #4D3B54, #543B54, #543B4D and #543B47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #543B54 shade: #231923, #3B2A3B, #543B54, #6C4C6C and #845E84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #543B54 shade: #543B54, #54403B and #3B544A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #543B54 shade: #543B54, #54543B and #3B5454

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #543B54 shade: #543B54, #54403B, #3B543B and #3B4F54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #543B54 shade: #543B54, #54473B, #3B543B and #3B4754

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

Complementary color

CMYK 13 / 0 / 13 / 23

HEX #ABC4AB

RGB 171 196 171

HSL 120, 0.17%, 0.72%

LAB 76.73, -13.23, 9.72

 

CMYK 0 / 34 / 11 / 65

HEX #593B4F

RGB 89 59 79

HSL 320, 0.2%, 0.29%

LAB 28.94, 16.8, -6.78

 

CMYK 0 / 27 / 8 / 58

HEX #6A4D62

RGB 106 77 98

HSL 316.55, 0.16%, 0.36%

LAB 36.47, 16.04, -7.44

 

CMYK 0 / 23 / 5 / 52

HEX #7B5F75

RGB 123 95 117

HSL 312.86, 0.13%, 0.43%

LAB 43.77, 15.37, -8.03

 

CMYK 0 / 19 / 3 / 45

HEX #8C7188

RGB 140 113 136

HSL 308.89, 0.11%, 0.5%

LAB 50.88, 14.79, -8.58

 

CMYK 0 / 17 / 1 / 38

HEX #9D839B

RGB 157 131 155

HSL 304.62, 0.12%, 0.56%

LAB 57.82, 14.27, -9.1

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 39 / 3 / 74

HEX #432941

RGB 67 41 65

HSL 304.62, 0.24%, 0.21%

LAB 20.68, 16.72, -10.23

 

CMYK 0 / 54 / 8 / 80

HEX #32172E

RGB 50 23 46

HSL 308.89, 0.37%, 0.14%

LAB 12.53, 17.65, -9.56

 

CMYK 0 / 85 / 18 / 87

HEX #21051B

RGB 33 5 27

HSL 312.86, 0.74%, 0.07%

LAB 4.62, 16.1, -7.55

 

CMYK 0 / 100 / 50 / 94

HEX #100008

RGB 16 0 8

HSL 330, 1%, 0.03%

LAB 1.15, 5.58, -1.46

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 30 / 8 / 67

HEX #543B4D

RGB 84 59 77

HSL 316.8, 0.17%, 0.28%

LAB 28.24, 14.39, -6.59

 

CMYK 0 / 30 / 17 / 67

HEX #543B46

RGB 84 59 70

HSL 333.6, 0.17%, 0.28%

LAB 27.99, 13, -2.37

 

CMYK 0 / 30 / 24 / 67

HEX #543B40

RGB 84 59 64

HSL 348, 0.17%, 0.28%

LAB 27.8, 11.89, 1.29

 

CMYK 0 / 30 / 30 / 67

HEX #543B3B

RGB 84 59 59

HSL 0, 0.17%, 0.28%

LAB 27.65, 11.04, 4.37

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 8 / 30 / 0 / 67

HEX #4D3B54

RGB 77 59 84

HSL 283.2, 0.17%, 0.28%

LAB 27.7, 13.19, -12.07

 

CMYK 17 / 30 / 0 / 67

HEX #463B54

RGB 70 59 84

HSL 266.4, 0.17%, 0.28%

LAB 26.93, 10.54, -13.31

 

CMYK 24 / 30 / 0 / 67

HEX #403B54

RGB 64 59 84

HSL 252, 0.17%, 0.28%

LAB 26.33, 8.32, -14.3

 

CMYK 30 / 30 / 0 / 67

HEX #3B3B54

RGB 59 59 84

HSL 240, 0.17%, 0.28%

LAB 25.86, 6.53, -15.06

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 49 / 0 / 63

HEX #5F305F

RGB 95 48 95

HSL 300, 0.33%, 0.28%

LAB 27.77, 29, -18.93

 

CMYK 0 / 66 / 0 / 58

HEX #6B246B

RGB 107 36 107

HSL 300, 0.5%, 0.28%

LAB 27.98, 41.24, -26.24

 

CMYK 0 / 79 / 0 / 54

HEX #761976

RGB 118 25 118

HSL 300, 0.65%, 0.28%

LAB 29.04, 50.16, -31.46

 

CMYK 0 / 90 / 0 / 49

HEX #820D82

RGB 130 13 130

HSL 300, 0.82%, 0.28%

LAB 30.99, 57.57, -35.81

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 1 / 0 / 72

HEX #484748

RGB 72 71 72

HSL 300, 0.01%, 0.28%

LAB 30.28, 0.64, -0.46

 

CMYK 27 / 0 / 27 / 68

HEX #3C523C

RGB 60 82 60

HSL 120, 0.15%, 0.28%

LAB 32.53, -13.5, 10.24

 

CMYK 48 / 0 / 48 / 63

HEX #315E31

RGB 49 94 49

HSL 120, 0.31%, 0.28%

LAB 35.75, -25.95, 21.05

 

CMYK 65 / 0 / 65 / 59

HEX #256925

RGB 37 105 37

HSL 120, 0.48%, 0.28%

LAB 38.95, -36.14, 31.28

 

CMYK 15 / 30 / 0 / 67

HEX #473B54

RGB 71 59 84

HSL 268.8, 0.17%, 0.28%

LAB 27.04, 10.91, -13.14

 

CMYK 8 / 30 / 0 / 67

HEX #4D3B54

RGB 77 59 84

HSL 283.2, 0.17%, 0.28%

LAB 27.7, 13.19, -12.07

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 30 / 8 / 67

HEX #543B4D

RGB 84 59 77

HSL 316.8, 0.17%, 0.28%

LAB 28.24, 14.39, -6.59

 

CMYK 0 / 30 / 15 / 67

HEX #543B47

RGB 84 59 71

HSL 331.2, 0.17%, 0.28%

LAB 28.03, 13.19, -2.98

 

CMYK 0 / 29 / 0 / 86

HEX #231923

RGB 35 25 35

HSL 300, 0.17%, 0.12%

LAB 10.36, 7.28, -4.98

 

CMYK 0 / 29 / 0 / 77

HEX #3B2A3B

RGB 59 42 59

HSL 300, 0.17%, 0.2%

LAB 19.65, 11.44, -7.78

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 30 / 0 / 58

HEX #6C4C6C

RGB 108 76 108

HSL 300, 0.17%, 0.36%

LAB 36.82, 19.46, -13.15

 

CMYK 0 / 29 / 0 / 48

HEX #845E84

RGB 132 94 132

HSL 300, 0.17%, 0.44%

LAB 45.05, 22.29, -15.07

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 24 / 30 / 67

HEX #54403B

RGB 84 64 59

HSL 12, 0.17%, 0.28%

LAB 29.08, 7.83, 6.39

 

CMYK 30 / 0 / 12 / 67

HEX #3B544A

RGB 59 84 74

HSL 156, 0.17%, 0.28%

LAB 33.49, -11.93, 2.8

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 0 / 30 / 67

HEX #54543B

RGB 84 84 59

HSL 60, 0.17%, 0.28%

LAB 35.09, -4.64, 14.67

 

CMYK 30 / 0 / 0 / 67

HEX #3B5454

RGB 59 84 84

HSL 180, 0.17%, 0.28%

LAB 33.8, -9.39, -3.06

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 24 / 30 / 67

HEX #54403B

RGB 84 64 59

HSL 12, 0.17%, 0.28%

LAB 29.08, 7.83, 6.39

 

CMYK 30 / 0 / 30 / 67

HEX #3B543B

RGB 59 84 59

HSL 120, 0.17%, 0.28%

LAB 33.11, -15.23, 11.65

 

CMYK 30 / 6 / 0 / 67

HEX #3B4F54

RGB 59 79 84

HSL 192, 0.17%, 0.28%

LAB 32.17, -6.37, -5.47

 

CMYK 0 / 30 / 0 / 67

HEX #543B54

RGB 84 59 84

HSL 300, 0.17%, 0.28%

LAB 28.52, 15.88, -10.75

 

CMYK 0 / 15 / 30 / 67

HEX #54473B

RGB 84 71 59

HSL 28.8, 0.17%, 0.28%

LAB 31.13, 3.38, 9.26

 

CMYK 30 / 0 / 30 / 67

HEX #3B543B

RGB 59 84 59

HSL 120, 0.17%, 0.28%

LAB 33.11, -15.23, 11.65

 

CMYK 30 / 15 / 0 / 67

HEX #3B4754

RGB 59 71 84

HSL 211.2, 0.17%, 0.28%

LAB 29.6, -1.35, -9.33

 

Description

Color code: HEX #543B54 | qconv.com Color code: HEX #543B54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 59 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 59 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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