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Color name
HEX #54259A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54259A it is the complementary color #ABDA65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54259A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54259A shade: #592595, #6A37A8, #7B49BB, #8C5BCE and #9D6DE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54259A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54259A shade: #54259A, #431387, #320174, #210061 and #10004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54259A shade: #532598, #722598, #912598, #982580 and #982561

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54259A shade: #532598, #342598 and #252598

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54259A shade matches the following richer shades: #532598, #5016A7 and #4D06B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54259A shade: #532598, #563489, #594379, #5C536A and #5F625B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54259A shade: #253498, #342598, #532598, #722598 and #902598

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54259A shade: #2F1555, #411D77, #532598, #652DB9 and #793FD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54259A shade: #54259A, #982553 and #259825

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54259A shade: #54259A, #985325 and #259853

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54259A shade: #54259A, #982553, #6A9825 and #25986A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54259A shade: #54259A, #982530, #6A9825 and #25988C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 76 / 0 / 40

HEX #54259A

RGB 84 37 154

HSL 264.1, 0.61%, 0.37%

LAB 28.22, 46.6, -55.47

 

Complementary color

CMYK 22 / 0 / 54 / 15

HEX #ABDA65

RGB 171 218 101

HSL 84.1, 0.61%, 0.63%

LAB 81.7, -33.69, 51.96

 

CMYK 40 / 75 / 0 / 42

HEX #592595

RGB 89 37 149

HSL 267.86, 0.6%, 0.36%

LAB 28.42, 46.17, -52.06

 

CMYK 37 / 67 / 0 / 34

HEX #6A37A8

RGB 106 55 168

HSL 267.08, 0.51%, 0.44%

LAB 35.25, 45.51, -52.39

 

CMYK 34 / 61 / 0 / 27

HEX #7B49BB

RGB 123 73 187

HSL 266.32, 0.46%, 0.51%

LAB 42.1, 44.57, -52.48

 

CMYK 32 / 56 / 0 / 19

HEX #8C5BCE

RGB 140 91 206

HSL 265.57, 0.54%, 0.58%

LAB 48.9, 43.56, -52.45

 

CMYK 30 / 52 / 0 / 12

HEX #9D6DE1

RGB 157 109 225

HSL 264.83, 0.66%, 0.65%

LAB 55.63, 42.56, -52.38

 

CMYK 45 / 76 / 0 / 40

HEX #54259A

RGB 84 37 154

HSL 264.1, 0.61%, 0.37%

LAB 28.22, 46.6, -55.47

 

CMYK 50 / 86 / 0 / 47

HEX #431387

RGB 67 19 135

HSL 264.83, 0.75%, 0.3%

LAB 21.61, 46.68, -54.64

 

CMYK 57 / 99 / 0 / 55

HEX #320174

RGB 50 1 116

HSL 265.57, 0.98%, 0.23%

LAB 15.28, 45.77, -53.05

 

CMYK 66 / 100 / 0 / 62

HEX #210061

RGB 33 0 97

HSL 260.41, 1%, 0.19%

LAB 10.46, 40.11, -48.63

 

CMYK 79 / 100 / 0 / 69

HEX #10004E

RGB 16 0 78

HSL 252.31, 1%, 0.15%

LAB 5.96, 33.17, -43.2

 

CMYK 45 / 76 / 0 / 40

HEX #532598

RGB 83 37 152

HSL 264, 0.61%, 0.37%

LAB 27.92, 45.9, -54.75

 

CMYK 25 / 76 / 0 / 40

HEX #722598

RGB 114 37 152

HSL 280.17, 0.61%, 0.37%

LAB 32.19, 51.68, -47.63

 

CMYK 5 / 76 / 0 / 40

HEX #912598

RGB 145 37 152

HSL 296.35, 0.61%, 0.37%

LAB 37.13, 58.14, -39.41

 

CMYK 0 / 76 / 16 / 40

HEX #982580

RGB 152 37 128

HSL 312.52, 0.61%, 0.37%

LAB 37.04, 55.88, -24.74

 

CMYK 0 / 76 / 36 / 40

HEX #982561

RGB 152 37 97

HSL 328.7, 0.61%, 0.37%

LAB 35.72, 51.82, -7.22

 

CMYK 45 / 76 / 0 / 40

HEX #532598

RGB 83 37 152

HSL 264, 0.61%, 0.37%

LAB 27.92, 45.9, -54.75

 

CMYK 66 / 76 / 0 / 40

HEX #342598

RGB 52 37 152

HSL 247.83, 0.61%, 0.37%

LAB 24.7, 41.33, -60.15

 

CMYK 76 / 76 / 0 / 40

HEX #252598

RGB 37 37 152

HSL 240, 0.61%, 0.37%

LAB 23.62, 39.74, -61.98

 

CMYK 45 / 76 / 0 / 40

HEX #532598

RGB 83 37 152

HSL 264, 0.61%, 0.37%

LAB 27.92, 45.9, -54.75

 

CMYK 52 / 87 / 0 / 35

HEX #5016A7

RGB 80 22 167

HSL 264, 0.77%, 0.37%

LAB 26.93, 55.4, -65.52

 

CMYK 58 / 97 / 0 / 29

HEX #4D06B6

RGB 77 6 182

HSL 264.2, 0.94%, 0.37%

LAB 26.98, 62.55, -74.47

 

CMYK 45 / 76 / 0 / 40

HEX #532598

RGB 83 37 152

HSL 264, 0.61%, 0.37%

LAB 27.92, 45.9, -54.75

 

CMYK 37 / 62 / 0 / 46

HEX #563489

RGB 86 52 137

HSL 264, 0.45%, 0.37%

LAB 30.01, 34.37, -42.09

 

CMYK 26 / 45 / 0 / 53

HEX #594379

RGB 89 67 121

HSL 264.44, 0.29%, 0.37%

LAB 32.96, 21.64, -27.42

 

CMYK 13 / 22 / 0 / 58

HEX #5C536A

RGB 92 83 106

HSL 263.48, 0.12%, 0.37%

LAB 36.93, 8.73, -11.88

 

CMYK 3 / 0 / 7 / 62

HEX #5F625B

RGB 95 98 91

HSL 85.71, 0.04%, 0.37%

LAB 41.09, -2.62, 3.57

 

CMYK 76 / 66 / 0 / 40

HEX #253498

RGB 37 52 152

HSL 232.17, 0.61%, 0.37%

LAB 27.06, 30.34, -56.31

 

CMYK 66 / 76 / 0 / 40

HEX #342598

RGB 52 37 152

HSL 247.83, 0.61%, 0.37%

LAB 24.7, 41.33, -60.15

 

CMYK 45 / 76 / 0 / 40

HEX #532598

RGB 83 37 152

HSL 264, 0.61%, 0.37%

LAB 27.92, 45.9, -54.75

 

CMYK 25 / 76 / 0 / 40

HEX #722598

RGB 114 37 152

HSL 280.17, 0.61%, 0.37%

LAB 32.19, 51.68, -47.63

 

CMYK 5 / 76 / 0 / 40

HEX #902598

RGB 144 37 152

HSL 295.83, 0.61%, 0.37%

LAB 36.97, 57.93, -39.69

 

CMYK 45 / 75 / 0 / 67

HEX #2F1555

RGB 47 21 85

HSL 264.38, 0.6%, 0.21%

LAB 14.38, 28.46, -34.02

 

CMYK 45 / 76 / 0 / 53

HEX #411D77

RGB 65 29 119

HSL 264, 0.61%, 0.29%

LAB 21.34, 37.59, -44.95

 

CMYK 45 / 76 / 0 / 40

HEX #532598

RGB 83 37 152

HSL 264, 0.61%, 0.37%

LAB 27.92, 45.9, -54.75

 

CMYK 45 / 76 / 0 / 27

HEX #652DB9

RGB 101 45 185

HSL 264, 0.61%, 0.45%

LAB 34.29, 53.83, -64.1

 

CMYK 42 / 70 / 0 / 18

HEX #793FD0

RGB 121 63 208

HSL 264, 0.61%, 0.53%

LAB 41.49, 54.69, -65.67

 

CMYK 45 / 76 / 0 / 40

HEX #54259A

RGB 84 37 154

HSL 264.1, 0.61%, 0.37%

LAB 28.22, 46.6, -55.47

 

CMYK 0 / 76 / 45 / 40

HEX #982553

RGB 152 37 83

HSL 336, 0.61%, 0.37%

LAB 35.25, 50.33, 1.08

 

CMYK 76 / 0 / 76 / 40

HEX #259825

RGB 37 152 37

HSL 120, 0.61%, 0.37%

LAB 55.06, -53.19, 48.41

 

CMYK 45 / 76 / 0 / 40

HEX #54259A

RGB 84 37 154

HSL 264.1, 0.61%, 0.37%

LAB 28.22, 46.6, -55.47

 

CMYK 0 / 45 / 76 / 40

HEX #985325

RGB 152 83 37

HSL 24, 0.61%, 0.37%

LAB 42.76, 24.96, 38.35

 

CMYK 76 / 0 / 45 / 40

HEX #259853

RGB 37 152 83

HSL 144, 0.61%, 0.37%

LAB 55.56, -47.22, 27.48

 

CMYK 45 / 76 / 0 / 40

HEX #54259A

RGB 84 37 154

HSL 264.1, 0.61%, 0.37%

LAB 28.22, 46.6, -55.47

 

CMYK 0 / 76 / 45 / 40

HEX #982553

RGB 152 37 83

HSL 336, 0.61%, 0.37%

LAB 35.25, 50.33, 1.08

 

CMYK 30 / 0 / 76 / 40

HEX #6A9825

RGB 106 152 37

HSL 84, 0.61%, 0.37%

LAB 57.71, -33.22, 51.92

 

CMYK 76 / 0 / 30 / 40

HEX #25986A

RGB 37 152 106

HSL 156, 0.61%, 0.37%

LAB 55.98, -42.52, 15.41

 

CMYK 45 / 76 / 0 / 40

HEX #54259A

RGB 84 37 154

HSL 264.1, 0.61%, 0.37%

LAB 28.22, 46.6, -55.47

 

CMYK 0 / 76 / 68 / 40

HEX #982530

RGB 152 37 48

HSL 354.26, 0.61%, 0.37%

LAB 34.42, 47.63, 22.53

 

CMYK 30 / 0 / 76 / 40

HEX #6A9825

RGB 106 152 37

HSL 84, 0.61%, 0.37%

LAB 57.71, -33.22, 51.92

 

CMYK 76 / 0 / 8 / 40

HEX #25988C

RGB 37 152 140

HSL 173.74, 0.61%, 0.37%

LAB 56.82, -33.71, -2.68

 

Description

Color code: HEX #54259A | qconv.com Color code: HEX #54259A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 37 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 37 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 76 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 76% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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